- published: 26 Mar 2011
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The Roman circus (from Latin, "circle") was a large open-air venue used for public events in the ancient Roman Empire. The circuses were similar to the ancient Greek hippodromes, although circuses served varying purposes and differed in design and construction. Along with theatres and amphitheatres, Circuses were one of the main entertainment sites of the time. Circuses were venues for chariot races, horse races, and performances that commemorated important events of the empire were performed there. For events that involved re-enactments of naval battles, the circus was flooded with water.
According to Edward Gibbon, in Chapter XXXI of his work The History of the Decline and Fall of the Roman Empire, the Roman people, at the start of the 5th century:
The performance space of the Roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, joined at one end with a semicircular section and at the other end with an undivided section of track closed (in most cases) by a distinctive starting gate known as the carceres, thereby creating a circuit for the races. The Circus of Maxentius epitomises the design.
Circus is a 2000 British crime thriller movie directed by Rob Walker and written by David Logan. The movie stars John Hannah, Famke Janssen, Peter Stormare, Brian Conley, and Eddie Izzard. It was released in the UK on 5 May 2000 and had its USA (limited) release on September 15, 2000.
Leo (John Hannah) and Lily (Famke Janssen) are a couple and a couple of con artists. Lily wants to get out of the racket and settle down in a nice place somewhere far away. Leo agrees saying that within a week they should have enough to leave for good.
Leo's cousin Bruno (Brian Conley) is having a problem with his casino losing money. He wants Leo to run it. But in reality, he hates Leo and wants to get rid of him.
Further complicating Leo's life is Julius (Peter Stormare) who has asked Leo to kill his wife, Gloria. Only when it comes time to be paid, Julius, who has Leo committing the murder on tape, confesses he doesn't have a wife; he paid a woman to pretend to be his wife. Julius wants 500,000 in pounds, otherwise he will release the tape to the authorities.
Circus is a 2009 Kannada film directed and produced by Dayal Padmanabhan who previously acted with Ganesh in Gaalipata. Music was composed by Emil. The film stars Ganesh and Archana Gupta in the lead roles, Archana Gupta who had earlier done leading role in Telugu film Andamaina Manasulo. The film released statewide on 15 January 2009.
Circus has a tag line along with its sub title Nodi Maja Maadi. Dayaal, who spoke with emotional overtones in the film, said that he will be completing the film after sixty days of schedule. He said, nearly seventy percent of the shooting will be done near or on a train. I had to toil hard to get the required permission for the shoot. The story starts from Mysore station and ends in Bangalore station. director has taken permission from Railway authorities to shoot the film in Railway station and tracks in Mysore, Konkan Railway and Railway line stretching in Sakleshpura and Subramanya Ghat section.
A joke gone bad, the story is about Dhanush (Ganesh) and his group of friends who live in the railway colony and their meeting point is the railway station.
Another great b-side hidden away on an obscure 45. Flip of the regular Marquee Club support bands' third, and by far the most valuable single 'Spare A Shilling'. (I know my films a bit naff - fear not, for it's a one-off!)
Provided to YouTube by The Orchard Enterprises Do You Dream? · Circus Psychedelic '60s - Rare Tracks ℗ 2010 Purple Pyramid Records Released on: 2010-02-01 Music Publisher: ANNIE MERLE MUSIC Music Publisher: SONY/ATV MILENE MUSIC Auto-generated by YouTube.
Band: The Fingers (Southend-on-Sea, Essex UK) Record: - (Unreleased at the time acetate, appears in the Tenth Planet Records compilation “Nice: An Anthology Of Peter Eden Productions” [2000]) Date: June 1967 Written by: John Bobin, Peter Eden, Rick Mills Producer: Peter Eden Created with http://tovid.io
rare psyche pop- rock single from 1967 (UK)
Band: The Bunch (Bournemouth, Dorset UK) Record: You Never Came Home / We're Not What We Appear To Be (7”) Label: CBS (202506) Date: January 1967 Written by: P. Beckett, C. Redwood Producer: Eddie Tre-Vett Created with http://tovid.io
Come and see Rudyn Rudolf Schmitz (Werner Rudyn) was one of the last surviving artists from the heyday of cabaret, variety and revue. Born in Vienna in 1905, he dances as a grotesque, step and acrobat dancer, as an actor and pantomime at the most renowned revue and variety stages in Vienna in the 1920s. In 1933, because of the intensification of National Socialism, he illegally moved to the former British Protectorate of Palestine, where he practiced innumerable professions during the pioneer days. During World War II, he is stage manager of the group “Sheiks of Araby”, a mixed troupe of actors, dancers and comedians. Their task was the maintenance of the Allied forces from Tunis to Tehran. During this time he also dances for King Faruk in Egypt and the Shah of Persia. A 1998 Film, 80...
Archive video: H.H. Shri Mataji Nirmala Devi talking to the Sahaja yogis in Totley Hall Training College, Sheffield (England). more at: https://www.amruta.org/p/8746 #selfrealisation #selfrealization #sahajayoga #awakening #shrimataji #chakra
The Roman circus (from Latin, "circle") was a large open-air venue used for public events in the ancient Roman Empire. The circuses were similar to the ancient Greek hippodromes, although circuses served varying purposes and differed in design and construction. Along with theatres and amphitheatres, Circuses were one of the main entertainment sites of the time. Circuses were venues for chariot races, horse races, and performances that commemorated important events of the empire were performed there. For events that involved re-enactments of naval battles, the circus was flooded with water.
According to Edward Gibbon, in Chapter XXXI of his work The History of the Decline and Fall of the Roman Empire, the Roman people, at the start of the 5th century:
The performance space of the Roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, joined at one end with a semicircular section and at the other end with an undivided section of track closed (in most cases) by a distinctive starting gate known as the carceres, thereby creating a circuit for the races. The Circus of Maxentius epitomises the design.