Circus (building)

The Roman circus (from Latin, "circle") was a large open-air venue used for public events in the ancient Roman Empire. The circuses were similar to the ancient Greek hippodromes, although circuses served varying purposes and differed in design and construction. Along with theatres and amphitheatres, Circuses were one of the main entertainment sites of the time. Circuses were venues for chariot races, horse races, and performances that commemorated important events of the empire were performed there. For events that involved re-enactments of naval battles, the circus was flooded with water.

According to Edward Gibbon, in Chapter XXXI of his work The History of the Decline and Fall of the Roman Empire, the Roman people, at the start of the 5th century:

Architectural design

The performance space of the Roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, joined at one end with a semicircular section and at the other end with an undivided section of track closed (in most cases) by a distinctive starting gate known as the carceres, thereby creating a circuit for the races. The Circus of Maxentius epitomises the design.

Circus (2009 film)

Circus is a 2009 Kannada film directed and produced by Dayal Padmanabhan who previously acted with Ganesh in Gaalipata. Music was composed by Emil. The film stars Ganesh and Archana Gupta in the lead roles, Archana Gupta who had earlier done leading role in Telugu film Andamaina Manasulo. The film released statewide on 15 January 2009.

Plot

Circus has a tag line along with its sub title Nodi Maja Maadi. Dayaal, who spoke with emotional overtones in the film, said that he will be completing the film after sixty days of schedule. He said, nearly seventy percent of the shooting will be done near or on a train. I had to toil hard to get the required permission for the shoot. The story starts from Mysore station and ends in Bangalore station. director has taken permission from Railway authorities to shoot the film in Railway station and tracks in Mysore, Konkan Railway and Railway line stretching in Sakleshpura and Subramanya Ghat section.

A joke gone bad, the story is about Dhanush (Ganesh) and his group of friends who live in the railway colony and their meeting point is the railway station.

Show's Just Begun

Show's Just Begun is MC Mong's fourth album, which was released 17 months after his third album, The Way I Am, on April 17, 2008. MC Mong took part in composing, writing, arranging, and producing all tracks on this album. The first title track off this album was "Circus", followed by "Feel Crazy". As the title of his fourth album suggests, the concept for this album revolves around a circus theme.

Featurings

Like his previous albums, this album features a variety of artists including female artists such as Korean American R&B singer Lena Park, MayBee, and R&B group Big Mama.

It also features rapper $howgun (a.k.a. Park Jang Geun), comedian Noh Hong-cheol, rapper and MC Defconn, comedian and good-friend Haha, and many others.

Music video

Three music videos were released for this album. The first being "서커스Circus", then "죽도록사랑해 (Love You Even When I Die)" and "미치겠어 (Feel Crazy)".

"서커스" ("Circus")

The music video for "서커스" ("Circus") features rapper Park Jang Geun and two young boys who performed with MC Mong during most of his performances for "서커스" ("Circus").

Sad (sura)

Sūrat Ṣād (Arabic: سورة ص‎, "The Letter Sad") is the 38th sura of the Qur'an with 88 ayat and 1 sajdah (39:24). Sad (ص) is the name of the eighteenth letter in the Arabic alphabet.

Saad was sent to Muhammad by God while he was coping with rejection from his tribe, the Quraysh, and struggling to keep his own faith. It recounts stories of previous prophets, describes the splendors of heaven, and warns of the monstrosities of hell. The sura dates to the 2nd Meccan Period, meaning it was revealed only five or six years into the development of Islam.

Historical context

Sura 38 substantiates Muhammad's role as Prophet through concrete examples of previous messengers of God and the evils that have befallen the people who did not heed sacred messages. Angelika Neurwirth terms these “retribution legends” (McAuliffe, 105). They “prove that divine justice is at work in history, the unjustly harassed being rewarded with salvation, the transgressors and unbelievers punished by annihilation” (McAuliffe, 106). Through regular reference to biblical characters and a self-assertive tone praising both Muhammad and God, the reader can attribute this sura to the 2nd Meccan Period, according to Noldeke’s chronology . The coherent text builds up to descriptions of both heaven and hell on the Day of Judgment. The wide scope of historical figures—ranging from Old Testament characters such as David, Solomon, and Job, to the devil of Islam, Iblis—were designed to resonate with a wide audience in the face of the disbelief among the Quaryash, Muhammad’s clan; as Ernst poignantly states, Muhammad was likely dealing with “religiously well-informed skeptics” . Like many contemporary passages, Sura 38 attempts to convert the reader to a monotheistic religion honoring Muhammad as Prophet by promising salvation for true believers on the Day of Judgment.

Sad (Maroon 5 song)

"Sad" is the ninth track from American band Maroon 5's fourth studio album Overexposed (2012). It was written by Adam Levine and James Valentine; they produced the song together with Noah "Mailbox" Passovoy. Valentine started composing the song on his home piano, before introducing the melody to Levine, who wrote the lyrics and called the song his most personal track on the album. "Sad" is a piano ballad that is similar to the works by British singer-songwriter Adele. It received generally mixed reviews from music critics; some of them called it a standout track on Overexposed, however, others criticized Levine's voice on the song. Following the release of the album, due to strong digital downloads, the song peaked at number 12 on the singles chart in South Korea.

Background and production

It was kinda cool and like the chords to the verse and I just sang that melody. I sang that melody and there weren't any words; it was just kind of a melody. I recorded it on my phone and didn't even think about it.

Tsade

Ṣade (also spelled Ṣādē, Tsade, Ṣaddi, Ṣad, Tzadi, Sadhe, Tzaddik) is the eighteenth letter of the Semitic abjads, including Phoenician Çādē , Hebrew ˈṢādi צ, Aramaic Ṣādhē , Syriac Ṣāḏē ܨ, and Arabic Ṣād ص. Its oldest sound value is probably /sˤ/, although there is a variety of pronunciation in different modern Semitic languages and their dialects. It represents the coalescence of three Proto-Semitic "emphatic consonants" in Canaanite. Arabic, which kept the phonemes separate, introduced variants of ṣād and ṭāʾ to express the three (see ḍād, ẓāʾ). In Aramaic, these emphatic consonants coalesced instead with ʿayin and ṭēt, respectively, thus Hebrew ereẓ ארץ (earth) is araʿ ארע in Aramaic.

The Phoenician letter is continued in the Greek San (Ϻ) and possibly Sampi (Ϡ), and in Etruscan 𐌑 Ś. It may have inspired the form of the letter Tse in the Glagolitic and Cyrillic alphabet.

The corresponding letter of the Ugaritic alphabet is 𐎕 ṣade.

The letter is known as "tsadik" in Yiddish, and Hebrew speakers often give it that name as well. This name for the letter probably originated from a fast recitation of the alphabet (i.e., "tsadi, qoph" -> "tsadiq, qoph"), influenced by the Hebrew word tzadik, meaning 'righteous person'.