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Arts

A strong statement of artistic intent

A miniature mannequin jerkily traverses the runway at the NGV.

From a short, jute-mesh sheath, to a final massive jute cloak, the thrilling opening installation takes the idea of an autumn-to-winter accumulation of layers to an absurd degree.

Kathy Lette reveals how to feel good nude and other bare truths

Author Kathy Lette with Ron Mueck's sculpture <i>Wild Man</i> at the Art Gallery of NSW.

Standing in the shadow of the gigantic naked man is author Kathy Lette, whose head reaches only so high as his awkwardly hairy navel. He bears the pained look of a person who would rather be anywhere but here, perched nude on a stool in a well-lit room at the Art Gallery of NSW. She looks positively delighted to see him.

Refractions of resistance

Titarubi's <i>History Repeats Itself</i>.

The Singapore Biennale suffers from excessive verbiage, while the works express complex issues without words.

Looking inwards

Georgia Black's Unfurl, 2016, left, and Heal II, 2016, at Huw Davies Gallery, Photoaccess.

These artists invite viewers to vicariously participate in their lives – an invitation worth accepting.