![Yarrie Bangura and Rosemary Kariuki-Fyfe in <i>The Baulkham Hills African Ladies Troupe</i>.](/web/20161011001601im_/http://www.theage.com.au/content/dam/images/g/r/v/e/o/u/image.related.landscape.460x307.grvb3v.png/1475715407917.jpg)
The Baulkham Hills African Ladies Troupe review: refugee tales translate awkwardly on screen
Ros Horin's documentary about making a play with women refugees is at times culturally uncomfortable.
Jake Wilson was born in London and grew up in Melbourne. He got his start reviewing movies for various websites and has been writing for the Age since 2006.
Ros Horin's documentary about making a play with women refugees is at times culturally uncomfortable.
Emily Blunt looks anything but glamorous yet she still fails to win us over as the heavy drinking, stalking protagonist Rachel Watson from Paula Hawkins' novel.
Beautiful cinematography, menacing characters, but doesn't fit easily into genres, confusing the audience.
It's a bit of a soap opera but Son Ye-jin does well as a heroine against the odds.
Too many subplots and poorly pitched humour let down this new take on an old ploy.
Michael Dudok de Wit's first feature is well up to the standards of Studio Ghibli, but the story line drags and is unlikely to suit younger audiences.
Like faded rock stars, the cinematic heroes and heroines of yesteryear keep returning to the spotlight, older, sadder, but typically no wiser than when we last saw them.
Clint Eastwood's direction does justice to Captain Chesley "Sully" Sullenberger and his remarkable plane landing.
The film of a man bringing up his children in an alternative lifestyle is let down by contradictions in both characters and script.
In his BBC documentaries Louis Theroux is able to immerse himself in various subcultures, but his doco on Scientology is not his finest hour.
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