- published: 03 Oct 2016
- views: 13373
16 mm film is a popular, economical gauge of film. 16 mm is the width of the film. Other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational) film making or for low budget motion pictures. It also existed as a popular amateur or home movie making format for several decades, alongside 8 mm film and, later, Super 8 mm film. In 1923, Eastman Kodak released the first 16 mm "outfit" consisting of a camera, projector, tripod, screen and splicer for $335. RCA-Victor introduced a 16 mm sound movie projector in 1932 and developed an optical sound-on-film 16 mm camera, released in 1935.
Eastman Kodak introduced 16 mm film in 1923 as a less expensive amateur alternative to 35 mm film. During the 1920s, the format was often referred to as sub-standard by the professional industry.
Kodak hired Willard Beech Cook from his 28 mm Pathescope of America company to create the new 16 mm Kodascope Library. In addition to making home movies, people could buy or rent films from the library, a key selling aspect of the format.
Learn how to shoot on the 16mm film format in this in-depth beginners guide. Topics covered in this video are... 1) Difference between 16mm and Super 16mm 2) Learning about the Russian K-3 16mm camera 3) Loading 16mm film 4) Taking a proper light reading with a traditional light meter, HDSLR, and an iPhone. Some additional tips and notes that I didn't mention in this video... - You don't have to load film in the dark. You will expose a couple feet of film but the remaining 48 feet will be fine. Just make sure you load in a shaded area and not in direct sunlight. - If you don't have an extra roll of 16mm film to practice loading your camera with, you can cut a few feet off of a fresh roll of 16mm film and just practice with that. - http://K3camera.com is a great website to go to an...
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short film shot on 16mm. WEBSITE (http://www.rayrobertsfilms.com) TWITTER (http://www.twitter.com/rayrobertsfilms) Our short film was shot on a Bolex H16 and edited on a Steenbeck edited desk. Both supplied by the University for the Creative Arts in Farnham, Surrey. Click here to see my video on Super 8mm (https://www.youtube.com/watch?v=v4CF3XDPW-U&list;=PL5PUwf8VqqXpI-NxL43XLjtu6zT1fZliR&index;=2) I would just like to once again thank the outside talent I brought to help with our film Our composer, Liz Rainsberry (https://www.youtube.com/user/lizrainsberrymusic) Title Designer, Kate Binns (http://youtube.com/kebammmm) Illustrator, Maria B. (https://instagram.com/mariamumbles) Music by Dumbo Gets Mad (h...
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during my road trip through the California desert over the holidays. There's also a minute or so at the end of me hanging out with good friends in Los Angeles on New Years Day. Music from Noah and the Whale, and Jay Farrar & Benjamin Gibbard Here is another 16mm film I shot around Green Lake in Seattle with some close friends and family, and my dog, Wesley. http://www.youtube.com/watch?v=6U--rFrTgVE
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort A dark, experimental take on the five greatest stages of grief, as a lone man, trapped in a nightmarish world, searches for his lost lover. WON "Best Production Design" at Screentest: the National Student Film Festival and was also nominated for Best Thriller and Best Cinematography: http://www.screentestfest.org.uk/best-of-2012/ WON "Best Overall Short Film" at Cardiff Mini Film Festival's Horror Shorts. Shortlisted in TOP 3 at the Cornwall Film Festival 2012 for The Edge-Best Experimental Film. WON "Best Cinematography" at Newport International Film Festival 2012 and was also nominated for Best Film, Best Director, and the Welsh Dragon Award. Nominated for "Best Experimental Film" at Ffresh Awards 2...
Beim Ausräumen unseres Archives haben wir diesen historischen Kemper 16mm Film gefunden. Soweit es möglich war, wurde der Film „ entstaubt" und digitalisiert. Der Film gibt eine komplette Übersicht über aller Kemper Produkte in die zweite Hälfte der 60-er Jahren des letzten Jahrhunderts. During a clean-up of our archive we have found this historic Kemper 16 mm film. After dusting it off we digitized it. The film gives a complete overview of all Kemper products in the late sixties of the past century.
Here we go with a lens that I really enjoyed working with. It's designed for APS-C cameras but it will fit full-frame as well...with vignetting. I love the 16mm focal length, and f/2 is a very nice maximum aperture for such a wide angle lens, and as for sharpness...well you'll have to watch and find out! If you've found this or other videos I've made to be helpful, then support me on Patreon! https://www.patreon.com/christopherfrost?ty=h All pictures and footage taken by me on Canon 6D and 70D cameras. Music: 'Opportunity Walks' by Kevin Macleod (www.incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The moment you've all been waiting for. And again, you saw it here first! Please indulge in an overview of a machine combining 16mm film and 8-Track tape!
16mm Short Film - B-Rolls & Behind the Scenes Fuji Eterna 8673 500T Full HD version available here: http://www.vimeo.com/ellianderpics/box Storyboard Comparison Video: http://www.youtube.com/watch?v=1F92y3y5fRU This short film was shot on only 800ft of 16mm Fuji-film to achieve the distinct and unique aesthetic audiences associate with the classic ghost films of the past. Film Stock: Fuji Eterna 8673 - 500T - 16mm Camera: Arriflex 16SR (slightly noisy!) Film Processing: Technicolor Pinewood UK Featuring Marc Maclaren Baylis Directed by Elliot Weaver & Zander Weaver Produced by Elliander Pictures
Verse 1:
Talking: Ladies, tell us, are ya ready Well, come on, yeah
Eenie, meenie, miney moe
Which one of y'all wanna go with me
To party, on friday, where it be, it's crazy Get funny, spend money, so love,
lean with me
You will see that I'm only tryin' to do my thing
Ain't tryin' to waste no time you see
So, whatcha sayin' to me
Chorus:
Hey, hey, whatcha say
(Whatcha say, whatcha say)
Hey, hey, whatcha say
(Do you want to party with me, yeah)
Hey, hey, whatcha say (Hey yeah)
Hey, hey, whatcha say
(Whatcha say, whatcha say)
Verse 2:
Everybody here, everybody there
Throw your hands in the air
(Throw your hands up, throw your hands up)
Keep it tight, all night, alright right, ok now
I'm gonna show ya how to get down
(Get down get down, get down get down)
Ain't no half steppin'
People in this place come on, now
Tell me whatcha say
Chorus:
Hey, hey, whatcha say
(Oh whatcha say, whatcha say, yeah)
Hey, hey whatcha say
(Get down with me, yeah)
Hey, hey, whatcha say
(Hey yeah)
Hey, hey whatcha say
(What ya sayin')
Hey, hey whatcha say
(Tell me)
Hey, hey, whatcha say
(Hey, hey, whatcha say)
Hey hey whatcha say
(Do you wanna party)
Hey, hey, whatcha say
(Oh what cha say)
Bridge:
Tonight is the night
When we make it so tight
I'll get down 'till the light
To all the girls and the boys
Now you make some noise
Don't be afraid to join
Oh, sing it
Chorus:
Hey, hey whatcha say
(What you say)
Hey, hey whatcha say
(Come on and party with me)
Hey, hey, whatcha say
(Hey, yeah)
Hey, hey, whatcha say
(What ya say, what you say)
Hey, hey, whatcha say
(Uh oh what you say)
Hey, hey whatcha say
(Hey, hey yeah)
Hey, hey whatcha say
(Oh I want you to say)
Hey, hey, whatcha say
(Come on and party with me)