Wilson

Wilson may refer to:

Name

Leaders

Places

Australia

Canada

Poland

United Kingdom

United States of America

Wilson (2016 film)

Wilson is an upcoming comedy-drama based on the graphic novel of the same name by Daniel Clowes. It will be directed by Craig Johnson and written by Clowes.

Cast

Production

The film rights were originally purchased by Fox Searchlight for Alexander Payne to direct. Filming is slated to begin in June in Minneapolis, Minnesota. On June 25, 2015, Judy Greer and Cheryl Hines joined the cast, and the production has begun filming.

References

External links

Wilson (company)

Wilson ASA is a shortsea liner shipping company that operates about 100 vessels, of which 64 are owned. The ships are bulk carriers in the range of 1,500 long tons deadweight (DWT) to 10,000 DWT. The company is controlled by Kristian Eidesvik who owns about 80% of the company. Headquarters are located in Bergen, Norway.

History

Wilson was founded in 1993 after the merger of Paal Wilson & Co (founded 1942) and Jebsens (founded 1929) with the operating company Jebsen Wilson Euro Carriers, as one of the largest short sea shipping companies in the world. The new company was a joint venture still owned by the two mother companies. At the time of the merger Paal Wilson & Co was owned 67% by IPG Shipping while the rest was owned by the Wilson family after Paal Wilson died in 1985. Kristian Eidesvik bought part of the company in 1995, but after internal struggle in Paal Wilson & Co sold their ownership in Euro Carriers to Jebsens, instead gaining control over Actinor Shipping. But the next year Actinor bought 70% of Jebsens, and by 2001 the entire company was owned by In Ship, owned by Eidesvik. Wilson ASA was listed on the Oslo Stock Exchange in 2005.

Phish

Phish is an American rock and roll band noted for their musical improvisation, extended jams, blending of musical genres, and dedicated fan base. Formed at the University of Vermont in 1983 (with the current line-up solidifying in 1985), the band's four members—Trey Anastasio (guitars, lead vocals), Mike Gordon (bass, vocals), Jon Fishman (drums, percussion, vacuum, vocals), and Page McConnell (keyboards, vocals)—performed together for nearly 20 years before going on hiatus in August 2004. They reunited in March 2009 for a series of three consecutive concerts played in the Hampton Coliseum in Hampton, Virginia, and have since resumed performing regularly.

Phish's music blends elements of a wide variety of genres, including including funk, progressive rock, psychedelic rock, folk, country, jazz, blues, bluegrass and pop. Although the band has received little radio play or mainstream exposure, Phish has developed a large and dedicated following by word of mouth, the exchange of live recordings, and selling over 8 million albums and DVDs in the United States.Rolling Stone stated that the band helped to "...spawn a new wave of bands oriented around group improvisation and super-extended grooves". They remain a very popular and successful touring act.

Phish (album)

Phish (also known as The White Tape) is a self-produced album released by the American rock band Phish on cassette in 1986. Often cited as the first Phish "album", The White Tape was originally a collection of original material that the band used as a demo/sample tape for venues, and was sometimes labelled "Phish" or simply "Demo". The album was widely circulated among Phish fans for more than a decade before being officially released in 1998.

The album was created from four-track recordings over a period of three years and includes a number of outside musicians performing on various songs. Only "Alumni Blues", "AC/DC Bag", "Slave To The Traffic Light" and "Dog Gone Dog" (a.k.a. "Dog Log") have the four band members together. The remaining tracks were recorded separately by various members and blended together to create the finished album.

The White Tape includes an early version of the Phish epic "You Enjoy Myself", performed a cappella with the band members singing the opening guitar lines. The album also contains avant-garde experimental pieces, instrumental passages, electronic noises and studio trickery. Some songs were further developed and figure heavily in the band's live performances, while a few have rarely been heard since.