Fictional universe

A fictional universe is a self-consistent fictional setting with events, and often elements, that differ from the real world. It may also be called an imagined, constructed or fictional realm (or world). Fictional universes may appear in novels, comics, films, television shows, video games and other creative works.

A fictional universe can be almost indistinguishable from the real world, except for the presence of the invented characters and events that characterize a work of fiction; at the other extreme it can bear little or no resemblance to reality, with invented fundamental principles of space and time.

The subject is most commonly addressed in reference to fictional universes that differ markedly from reality, such as those that introduce entire fictional cities, countries, or even planets, or those that contradict commonly known facts about the world and its history, or those that feature fantasy or science fiction concepts such as magic or faster than light travel—and especially those in which the deliberate development of the setting is a substantial focus of the work.

Imaginary Worlds: The Art of Fantasy

Imaginary Worlds: the Art of Fantasy is a study of the modern literary fantasy genre written by Lin Carter. It was first published in paperback by Ballantine Books in June, 1973 as the fifty-eighth volume of its celebrated Ballantine Adult Fantasy series; it was the only nonfiction entry in the series. The book was among the earliest full-length critical works devoted to fantasy writers and the history of fantasy. It was the third of three such studies by Carter, being preceded by Tolkien: A Look Behind "The Lord of the Rings" (1969) and Lovecraft: A Look Behind the "Cthulhu Mythos" (1972). These works, together with his editorial guidance of the Ballantine Adult Fantasy series, established Carter as an authority on the genre.

Carter's study was intended to serve as an introduction to fantasy. The first eight chapters detail the history of the modern genre from the late nineteenth century through the early 1970s, when Carter was writing, a subject he had previously covered more briefly in Tolkien: A Look Behind "The Lord of the Rings". Its origins are discovered in the novels of William Morris, and followed through the writings of Lord Dunsany, E. R. Eddison and James Branch Cabell. Separate attention is then devoted to the subsequent development of fantasy in America and Britain, focusing on the pulp magazine tradition in the former and the continuing dominance of the more literary tradition in the latter. The work of contemporary fantasists is then detailed. Three additional chapters form a sort of "how to" course on the writing of fantasy, illustrated with examples from Carter's own writings. (Some of these, like The White Throne and Khymyrium, bear the peculiar interest of being works in progress or projected that in the event were never published in complete form.) Bibliographies of general references and the Ballantine Adult Fantasy series complete the study.

Crash Course

Crash Course (also known as Driving Academy) is a 1988 made for television teen film directed by Oz Scott.

Plot

Crash Course centers on a group of high schoolers in a driver’s education class; many for the second or third time. The recently divorced teacher, super-passive Larry Pearl, is on thin ice with the football fanatic principal, Principal Paulson, who is being pressured by the district superintendent to raise driver’s education completion rates or lose his coveted football program. With this in mind, Principal Paulson and his assistant, with a secret desire for his job, Abner Frasier, hire an outside driver’s education instructor with a very tough reputation, Edna Savage, aka E.W. Savage, who quickly takes control of the class.

The plot focuses mostly on the students and their interactions with their teachers and each other. In the beginning, Rico is the loner with just a few friends, Chadley is the bookish nerd with few friends who longs to be cool and also longs to be a part of Vanessa’s life who is the young, friendly and attractive girl who had to fake her mother’s signature on her driver’s education permission slip. Kichi is the hip-hop Asian kid who often raps what he has to say and constantly flirts with Maria, the rich foreign girl who thinks that the right-of-way on the roadways always goes to (insert awesomely fake foreign Latino accent) “my father’s limo”. Finally you have stereotypical football meathead J.J., who needs to pass his English exam to keep his eligibility and constantly asks out and gets rejected by Alice, the tomboy whose father owns “Santini & Son” Concrete Company. Alice is portrayed as being the “son” her father wanted.