- published: 09 Aug 2017
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Cha cha cha is a 2013 Italian crime-thriller film directed by Marco Risi. Loosely inspired by the works of Raymond Chandler, it premiered at the 2013 Taormina Film Fest.
The movie was produced by BiBi Film, Babe Films and RAI Cinema. The post-production was carried out by Reset VFX S.r.l.. The distribution of the movie is by 01 Distribution.
The cha-cha-cha, or simply cha-cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrín in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet.
In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-orientated crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. When Orquesta América performed these new compositions at the Silver Star Club in Havana, it was noticed that the dancers had improvised a triple step in their footwork producing the sound "cha-cha-cha". Thus, the new style came to be known as "cha-cha-chá" and became associated with a dance where dancers perform a triple step.
Cha-cha-chá is a genre of Cuban music. It has been a popular dance music which developed from the danzón in the early 1950s, and became widely popular throughout Cuba, Mexico and New York City.
As a dance music genre, cha-cha-chá is unusual in that its creation can be attributed to a single composer, Enrique Jorrín, then violinist and songwriter with the charanga band Orquesta América. (Orovio 1981:130)
As to how the cha-cha-chá came about, Jorrín said:
From its inception, cha-cha-chá music had a symbiotic relationship with the steps that the dancing public created to the new sound.
Odilio Urfé (1994:72) describes the cha-cha-chá as follows: "...monodic choral vocal style with accents from the chotis madrileño [see Spanish Wikipedia article "Chotis"] and rhythmic elements from the mambo-style danzón; but with a novel structural conception: introduction-verse-bridge-coda in double time." However, he notes that, "Incomprehensibly, Jorrín and his imitators did not maintain this structural formula in later compositions, so strictly speaking, we can say that 'La Engañadora' was the only cha-cha-chá based on this novel idea."
The Japan Pavilion is a Japan-themed pavilion that is part of the World Showcase, within Epcot at Walt Disney World Resort in Florida. Its location is between The American Adventure and Moroccan Pavilions.
The Japan Pavilion is one of the original World Showcase pavilions and had been in planning since the late 1970s. Many attractions have been proposed for the pavilion and one show building was built, but left unused. Meet the World was one planned attraction and was a clone of the attraction Meet the World that was once at Tokyo Disneyland. But because management thought that the Japanese film's omission of World War II might upset many Veterans, it was dropped. The show was so close to opening that the show building and rotating platform was built, but not used.
For years, Imagineers have considered building an indoor roller coaster attraction based on Matterhorn Bobsleds from Disneyland but themed to Japan's Mount Fuji inside a replica of Mount Fuji. At one point, Godzilla or a large lizard attacking guests in their cars was considered. Fujifilm originally wanted to sponsor the ride in the early 1990s, but Kodak, a major Epcot sponsor, convinced Disney to decline the sponsorship. Luckily, the Matterhorn derived design elements survived to be incorporated into Expedition Everest at Disney's Animal Kingdom Park. Another proposed attraction was a walk-through version of "Circle-Vision", in which guests would board and walk through a Shinkansen (bullet train) and look through windows (actually film screens) that showcase Japan's changing landscapes. The train would have shaken and moved like a train traveling through the countryside.
Japan is referred to in Gulliver's Travels, the satire by Jonathan Swift.
Part III of the book has the account of Lemuel Gulliver's visit to Japan, the only real location visited by him. It is used as a venue for Swift's satire on the actions of Dutch traders to that land. His description reflects the state of European knowledge of the country in the 17th and early 18th centuries, and the tensions due to commercial rivalry between the English and the Dutch at that time.
Japan is shown on the map at the beginning of part III, which also shows the island of "Yesso" (i.e. Hokkaido), "Stats island" (Iturup) and "Companys Land" (Urup) to the north. The map also marks the Vries Strait and Cape Patience, though this is shown on the northeast coast of Yesso, rather than as part of Sakhalin, which was little known in Swift’s time. On the island of Japan itself the map shows "Nivato" (Nagato), Yedo, "Meaco" (Kyoto), Inaba and "Osacca" (Osaka)
The text describes Gulliver's journey from Luggnagg, which took fifteen days, and his landing at "Xamoschi" (i.e. Shimosa} which lies "on the western part of a narrow strait leading northward into a long arm of the sea, on the northwest part of which Yedo, the metropolis stands". This description matches the geography of Tokyo Bay, except that Shimosa is on the north, rather than the western shore of the bay.
Japan (ジャパン) is a Japanese manga written by Buronson (author of Fist of the North Star) and illustrated by Kentaro Miura (author of Berserk). It was published in the Hakusensha magazine Young Animal in 1992 and licensed in English by Dark Horse Comics and released on August 24, 2005.
A yakuza, in love with a TV reporter, comes to Barcelona, Spain, where she's making a reportage on what's the foreigners' idea of the Japanese people, and how Japanese people see themselves; during her speech, she makes a parallel between modern day Japan and the ancient Carthage, saying that the Carthaginians were wiped out by the Romans because of the same attitude Japanese people have nowadays, and because economic superiority brings war, and in the end loses to military strength. Suddenly there's an earthquake, and the ghosts of the Carthaginians bring the group (the two yakuza, the TV reporter and some university students) to the future, when the sea level has increased and all the islands which compose the Japanese archipelago have been submerged; the Japanese people have thus emigrated in the other countries, and they're now scattered around the world, and in particular in Europe, where after the cataclysm a dictatorship has been established, they've become slaves and bandits. Japan is long gone, and Japanese people are lost and oppressed; but among the newcomers, desperate of what they learn, the yakuza, who mostly wishes to protect the woman he dearly loves, has a dream: Japan can be refounded, if the Japanese people come together to fight for it.
Finzy Kontini -- Cha Cha Cha :: Lyrics :: Listen to this magic sound Baby, you just can't feel down Rock 'n' roll, rhythm and blues Honey, you don't need to choose Join me so in my dreams Shining fish and lovely scenes If you know where to go Stand by me in my fantasy I wanna dance, do you like cha cha cha? Let's make a romance on my cha I wanna dance, do you like cha cha cha? Let's make a romance on my cha I wanna dance, do you like cha cha cha? Let's make a romance on my cha Everywhere it's spreading out People are moving at this sound Standing close, we'll excite In this magic sweety night I wanna dance, do you like cha cha cha? Let's make a romance on my cha I wanna dance, do you like cha cha cha? Let's make a romance on my cha Honey, do you like my cha cha? It's fantastic D...
In the 1940's George Ching, a Honolulu record store propriator, recognised that there was an interest in Hawaiian music and expanded his business to fill that need. He added recording services that grew into a recording studio and record label. Local talent was used such as John Kameaaloha Almeida, Gabby Pahinui and Genoa Keawe to name a few. He brought Japanese bands to Hawaii after World War II He released this imaginative album, originally titled "A Far East Fantasy In Latin Dance Rhythm," on his 49th State Hawaii label sometime in the late 1950s. The songs had been popular in the pre-1945 Japanese Empire or in areas occupied by Japanese forces during World War II. The arrangements reflected the Latin dance craze back then. The All-Star Orchestra – A Far East Fantasy In Latin Dance...
Freddie Dredd - Cha Cha (Official Video) Stream Freddie Dredd: Spotify - https://spoti.fi/2EtfeYS Apple Music - https://apple.co/2YYSWYs Soundcloud - https://soundcloud.com/ryan-cc/chacha A Lazy Eye Production ©. 2019. Directed By: Matt Watson, Carson Tucker Exec. Producer: Harrison Tucker Asst. Producer: Jackson Tucker Editing / Camera: Carson Tucker, Matt Watson Twitter: http://twitter.com/lazyeye Instagram: http://instagram.com/lazyeye Contact: [contact@lazyeye.com] #freddiedredd #chacha #lazyeye
Multilanguage Mashup of the song "Pegasus Fantasy (ペガサス幻想)" the first opening theme song of Saint Seiya anime series. ------------------- [EN] This video is a suggestion by one of the channel's contributors. [PT] Este vídeo é uma sugestão de um dos colaboradores do canal. [ES] Este video es una sugerencia de uno de los colaboradores del canal. Singers: - Eizo Sakamoto - Bruno Sutter - Adrián Barba - Michael Vescera Bruno Sutter's channel: https://www.youtube.com/c/BrunoSutterOficial Adrián Barba's channel: https://www.youtube.com/channel/UClg3m4du98ZfbyDanpV0cYg ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂ [EN] I don't earn anything from YouTube, and I probably never will because I use copyrighted content to make the videos. So if you like my work, consider being a supporter so I can keep doing i...
พบกับรายการ The Mask ทุกวันพฤหัสบดี เวลา 20.05 น. ทาง ช่องเวิร์คพอยท์ หมายเลข 23 และติดตามข้อมูลเพิ่มเติมของรายการได้ที่ เว็บไซต์: https://www.workpointtv.com เฟสบุ๊ค: https://www.facebook.com/TheMaskSingerTH
Basic Cha Cha Chas - Tico Records (1957)
2018.8.15 cover album【AcoMetal / 大山まき】Release! http://amzn.asia/d/bAaC9PH - International mail order - https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted;_button_id=SNURKDBCJFGXW Please order from here. Payment with PayPal. Please fill in the shipping address. 大山まき【アコメタル大作戦】 第6弾 MAKE-UP 『ペガサス幻想』pegasus fantasyをAcousticでcover! ((OFFICIAL HP))http://www.oyama-maki.com ((Twitter)) https://twitter.com/hangyooodon ((BASE)) https://makioyama.thebase.in/ vo大山まき Maki Oyama ag斉田和典 Kazunori Saita vn松本尚子 Naoko Matsumoto cajon橋爪拓 Taku Hashizume 撮影 清水亮 Ryo Shimizu 【大山まきライブ情報】 【Mindblow Rock Fes vol.5】 1/10(日)大阪梅田amHALL open16:00 start17:00 VIP席12,600円→(SOLD OUT!) 一般席8,600円 ※1D付 Gt 高崎晃 Akira Takasaki Ba 山下昌良 Masayoshi Yamashita Dr HIMAWARI Key 山内めぐみ Megumi Yamauchi Vo 大山まき Maki Oyama D...
The Voice Thailand Season 5 รอบ Blind Auditions วันที่ 9 Oct 2016 ปอนด์ - ดิษฐวัฒน์ ฉายแก้วรุจิกรณ์ เพลง : Cha La Head Chala ทีมโค้ช : โจอี้ บอย ติดตามข้อมูลเพิ่มเติมของรายการ The Voice Thailand ได้ที่ เว็บไซต์ : http://www.thevoicethailand.com เฟสบุ๊ค : http://www.facebook.com/TheVoiceThailand ทวิตเตอร์ : https://twitter.com/TheVoiceThai #ThevoiceTH อินสตาแกรม : thevoiceTH #ThevoiceTH ออกอากาศ : ช่อง 3 เวลา : ทุกวันอาทิตย์เวลา 16.55 น.
Cha cha cha is a 2013 Italian crime-thriller film directed by Marco Risi. Loosely inspired by the works of Raymond Chandler, it premiered at the 2013 Taormina Film Fest.
The movie was produced by BiBi Film, Babe Films and RAI Cinema. The post-production was carried out by Reset VFX S.r.l.. The distribution of the movie is by 01 Distribution.
* This is the part when we-
This is the part
This is the part when we- (what's up? - when we get 'em)
(Cha Cha niggaz) this is the part (when we stick 'em)
(Rocket) this is the when we- (when we switch 'em - flat line)
This is the part (when we ditch 'em)
This is the part when we- (when we get 'em baby)
(Holla at me) lets go!
This is how
I - IIIII - IIIII - IIIII get 'em (yo Cha)
I - IIIII - IIIII - IIIII get 'em (Cha, hold on Cha)
I - IIIII - IIIII - IIIII get 'em (wait a minute Cha, wait 'till the beat drop)
I get 'em, I stick 'em, I switch 'em, I ditch 'em (show 'em how we hit 'em Cha)
I - IIIII - IIIII - IIIII get 'em (uh huh)
I - IIIII - IIIII - IIIII get 'em (hot shit)
I - IIIII - IIIII - IIIII get 'em (pump this in your Jeep motherfuckers!)
I get 'em, I stick 'em, I switch 'em, I ditch 'em
[Verse one: Cha Cha]
I {*gun noise*} stick 'em
I - IIIII flick 'em
Shit 'em and switch 'em, that's how I - IIIII ditch 'em
Keys in the ignition, bounce get missin'
WE DON'T DO COMITMENTS (holla)
Hit the club, back to my mission
Same type of sippin', niggas ain't no different
It's easy pimpin' if you see us in it
Four Jeeps get (???????)
It's gold and white labels, no brads at this table
Yellow and green bottles, you know what that mean? y'allin'
Know you got to drop if you cop a skwat
This shit goes no further then the parking lot
Burns a tab (???????) back to your pad
Be lucky if a broad drop you mad to the lab
After that we stab, look backwards and laugh
take a bottle in the air
Two fingers, that's how a playa bounce
[Hook: Cha Cha: "this is how" (repeat 11X) with minor variations]
(That's how I stick 'em babe) I - IIIII - IIIII - IIIII get 'em (get 'em, I stick 'em, I switch 'em, I ditch 'em)
I - IIIII - IIIII - IIIII get 'em, I - IIIII - IIIII - IIIII get 'em
I get 'em (uh huun)
I stick 'em
I switch 'em
I ditch 'em (that's how I stick 'em babe)
I - IIIII - IIIII - IIIII get 'em (get 'em, I stick 'em, I switch 'em, I ditch 'em)
I - IIIII - IIIII - IIIII get 'em, I - IIIII - IIIII - IIIII get 'em
I get 'em (uh huun)
I stick 'em
I switch 'em
I ditch 'em (that's how I stick 'em babe)
[Verse two: Cha Cha]
You might ketch me in Bahamas, when I'm loungin' wit him
Tell him bring the Condoms wit him, like he gon hit 'em
Know I always liein' a little, bullshit him
Tell his ass lye on the pillow, let him feel 'em
Pop dom wit him, and roll up (?) wit him
Create bonds wit him, but I don't wined up wit him
I just stack my cake, hair back to the states
Know it's two case, like "Oh yea, by the way..."
I'M A HUSLA BABE
And you just got played
Thanks for the trip, I just got payed
That's what you get, tryin' a hotel
Sees-po-lease
I tax for the stress when it's (?) to invest
Wynnin', we kissin' (?)
Why we can't undress?
That's when I lie
"It's not you, it's the PMS"
I reverse the game
You should rehearse the same
I always dig at your nollage
So I dig at your wallets
This is how
[Hook] X2
[Verse three: Cha Cha]
These niggers deserve Oscars, better yet Grammies
They all sing the same damn song for the panties
From Mike, Donald and Danny, down in Miami
To Nate from Pinstate
Even California Randy
And DJ like (?) from New York and L.A.
He from around D.C. but be in V.A.
So, from Cha-City to Detroit Rock City
They all say the same lines
(???????)
Get it
[Hook] 2X
[Cha Cha] "C.-C-H-A"(repeat until fades)
Cha Cha
None stop
Uh huh
RockHead, drop that beat
Uh. . make these motherfuckas breath to it {breaths deeply}
Yea I like that
Lets go
Uh huh
2010
Uh huh
Hot shit
Hot shit
Hot shit