Aftertaste (album)

Aftertaste is the fourth album by Helmet, released in 1997 on Interscope. This proved to be Helmet's final album with original members John Stanier (drums) and Henry Bogdan (bass). Guitarist Rob Echeverria, who appeared on Helmet's previous outing, Betty, left the group to join Biohazard. Subsequently, the album was recorded as a three-piece, with Page Hamilton covering all the guitar parts. Guitarist Chris Traynor (formerly of Orange 9mm) came on board for the supporting tour.

Aftertaste harkens back to Helmet's earlier sound, omitting some of the experimental/jazz tendencies of Betty. The album met with a mixed critical reaction and poor commercial response and went out of print in 2006.

This album along with Meantime and Betty is considered a definitive text in post-metal.

Writing and production

Hamilton said his goal in writing the album was to create a greater mix between smarts and crunch.

"I don't want to say that I'm sick of the visceral animal response that we get - I'm not, But I need more than that. I need more than seeing a bunch of kids jumping around and breaking each other's noses. I feel like I really need to communicate with an audience who will listen. I'm painted into a corner. Whatever I write in a rock 'n' roll context will elicit a conditioned response, unless I quit rock and make a country record or something."

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

Aftertaste

Aftertaste is the taste intensity of a food or beverage that is perceived immediately after that food or beverage is removed from the mouth. The aftertastes of different foods and beverages can vary by intensity and over time, but the unifying feature of aftertaste is that it is perceived after a food or beverage is either swallowed or spat out. The neurobiological mechanisms of taste (and aftertaste) signal transduction from the taste receptors in the mouth to the brain have not yet been fully understood. However, the primary taste processing area located in the insula has been observed to be involved in aftertaste perception.

Temporal taste perception

Characteristics of a food's aftertaste are quality, intensity, and duration. Quality describes the actual taste of a food and intensity conveys the magnitude of that taste. Duration describes how long a food's aftertaste sensation lasts. Foods that have lingering aftertastes typically have long sensation durations.

Because taste perception is unique to every person, descriptors for taste quality and intensity have been standardized, particularly for use in scientific studies. For taste quality, foods can be described by the commonly used terms "sweet", "sour", "salty", "bitter", "umami", or "no taste". Description of aftertaste perception relies heavily upon the use of these words to convey the taste that is being sensed after a food has been removed from the mouth.

Page Hamilton

Page Hamilton (born May 18, 1960 in Portland, Oregon) is an American guitarist, singer, songwriter and record producer, mostly noted for his work with alternative metal band Helmet. Most of his work has been in the hard rock and alternative metal styles, though he trained in jazz guitar and has substantial connections with avant-garde music and film soundtrack composition.

Biography

Raised in Medford, Oregon, Hamilton studied guitar at the University of Oregon before moving to New York to study jazz guitar at the Manhattan School of Music. While there he played in avant-garde composer Glenn Branca's guitar orchestra, performing the composer's Symphony No.6 (Devil Choirs at the Gates of Heaven), and joined noise rock band Band of Susans, performing on their Love Agenda album and Peel Sessions, before finally forming his own group, Helmet.

Helmet

Helmet initially signed to Amphetamine Reptile Records, releasing a number of 7" singles and one album, 1990's Strap It On. The band then signed to Interscope Records, releasing Meantime (1992), Betty (1994), Aftertaste (1997) and Size Matters (2004). After leaving Interscope, the band released the albums Monochrome (2006) and Seeing Eye Dog (2010).

Helmet

A helmet is a form of protective gear worn to protect the head from injuries.

Ceremonial or symbolic helmets (e.g. UK policeman's helmet) without protective function are sometimes used. The oldest known use of helmets was by Assyrian soldiers in 900BC, who wore thick leather or bronze helmets to protect the head from blunt object and sword blows and arrow strikes in combat. Soldiers still wear helmets, now often made from lightweight plastic materials.

In civilian life, helmets are used for recreational activities and sports (e.g. jockeys in horse racing, American football, ice hockey, cricket, baseball, and rock climbing); dangerous work activities (e.g. construction, mining, riot police); and transportation (e.g. Motorcycle helmets and bicycle helmets). Since the 1990s, most helmets are made from resin or plastic, which may be reinforced with fibers such as aramids.

The word helmet is diminutive from helm, a Medieval word for protective combat headgear. The Medieval great helm covers the whole head and often is accompanied with camail protecting throat and neck as well. Originally a helmet was a helm which covered the head only partly.