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Frank Javiel Malave (born January 16, 1971), better known by his stage name Frankie Cutlass, is an American Platinum producer, DJ, rapper, musician, writer, and remixer from Harlem, New York, United States. He is best known for his hits "Puerto Rico Ho" and "Shake Whatcha Mama Gave Ya."
Frankie Cutlass was born and raised in New York City's Spanish Harlem also known as El Barrio, to Puerto Rican parents Delia Rivera Malave, a housewife, and Firpo Malave from Cayey, Puerto Rico. The youngest of nine children, he was raised in the same housing development as actor and singer-songwriter Marc Anthony at Metro North Plaza Houses.
A cutlass is a short, broad sabre or slashing sword, with a straight or slightly curved blade sharpened on the cutting edge, and a hilt often featuring a solid cupped or basket-shaped guard. It was a common naval weapon.
The word cutlass developed from a 17th-century English variation of coutelas, a 16th-century French word for a machete-like blade (the modern French for "knife", in general, is "couteau"; the word was often spelled "cuttoe" in 17th and 18th century English). The French word is itself a corruption of the Italian coltellaccio, or "large knife", a short, broad-bladed sabre popular in Italy during the 16th century The word comes from coltello, "knife", derived ultimately from Latin cultellus meaning "small knife."
In the English-speaking Caribbean, the term "cutlass" is used as a word for machete.
The cutlass is a 17th-century descendent of the edged short sword exemplified by the medieval falchion.
Woodsmen and soldiers in the 17th and 18th centuries used a similar short and broad backsword called a hanger, or in German a messer, meaning "knife". Often occurring with the full tang more typical of knives than swords in Europe, which is commonly believed to reflect a legal claim to nonweapon status, these blades may ultimately derive through the falchion (facon, falcon) from the seax.
Cutlass is a short drama film which was filmed in 2007, written and directed by Kate Hudson.
Lacy (Dakota Fanning), a young songwriter, discovers a great but expensive guitar in a music shop. She's very excited by the guitar, and asks her mother, Robin (Virginia Madsen), to buy it. However, her mom says "absolutely not", but after that she reminiscences about the time back in 1979 when she got an Olds Cutlass as her first car. Her father used to say: "Whatever makes you happy, makes me happy". Maybe... in the end... she'll change her mind about Lacy's wish.
The cutlass is a type of sword.
Cutlass may also refer to:
In the military:
Other uses:
Frankie or Franky is a hypocoristic of the given names Frank or Francis (or Frances or Francine, for females).
Other uses include:
James Ware (born June 20, 1957), better known by his ring name Koko B. Ware is a retired American professional wrestler who made his professional wrestling debut in 1978. He rose in popularity during the mid 1980s, while appearing in the World Wrestling Federation, where he was initially a strong mid-carder before he eventually became a jobber to the stars. Ware came to the ring with a blue-and-yellow macaw named Frankie, and would flap his arms like a bird while dancing before and after his matches. Before joining the WWF, Ware worked as a part of several tag teams, first with Bobby Eaton in Memphis and then later on with Norvell Austin as one half of the P.Y.T. Express in several promotions. Ware also holds the distinction of having competed in the first ever match on the first episode of Monday Night Raw in a losing effort against Yokozuna.
Koko spent his early days in the sport in the Mid-South, Georgia and other NWA territories. Early in his career, Koko Ware (as he was then known) did not find great success, learning the ropes and paying his dues both in Jerry Jarrett’s Continental Wrestling Association and Nick Gulas’ territory in the south.
Frankie is a British television drama series created by Lucy Gannon. The series stars Eve Myles as the eponymous character Frankie Maddox, a district nurse more emotionally involved with her job than her personal life. The series is both set and filmed in the English city of Bristol.
The series was first announced in May 2012 alongside three other new commissions for BBC One and BBC Three. Kate Harwood, the controller of drama series and serials for the corporation described the new drama commissions as "a tribute to the huge range of creativity and talent within the in-house drama teams in both London and Salford". An initial synopsis described the series as "a modern and redemptive" introspection of the life of a district nurse "whose patients matter more to her than her personal life". Further information was released in September in a BBC press release that described the aim of the series as "to build up a portrayal of the challenging, complex and ultimately life affirming world of district nursing". Writer and creator Lucy Gannon wrote that she was "thrilled to be writing about strong modern people [...] who all - whatever their flaws, are determined to make a difference, to make life better". The series is executive produced by Hilary Salmon, produced by Erika Hossington and directed by Mark Everest. It consists of six sixty-minute episodes, both set and filmed in the English city of Bristol. In July 2013, Gannon confirmed that the show would not be returning for a second series.
[Intro/Chorus:]
You and you and you, clap your hands
I want, you and you and you to clap your hands, I want
You and you and you, clap your hands
I want, you and you and you to clap your hands
[Verse One: June Lover]
Make a hole, niggaz up, comin through blastin
Who's reactin, I would like to know, where's the action?
Can I get a piece? If so point me out
To your livest MC, without a doubt
Hey I gets down for mine haven't you heard
Breakin niggaz off somethin real proper word
You can't see me, and as I appeared on the TV
Representin Stapleton's click known as GP
I'm bad news, rippin clowns in twos
Take a minute to adjust, pump the Reebok shoes
And I'm Swayze, leavin niggaz misty and hazy
Fuckin like a mad Russian from here to Haiti
Ladies, I keeps em locked down like bikes
Game uptight like a boricua in some bikers
Shorts I take none that's word to my mother
Reputations, really makes people wonder
Can I take em, shake em, one time
But I won't lose composure, freeze when I froze ya
Thirty-two below just-ice sacrifice
to the Gods of rap, true indeed infact
You couldn't handle, acrid pain of insane
thoughs of seven and a half ounces of brain
Wisdom gained nuff respect due to the righteous
Who be building in the ciphers, clap your motherfuckin hands
[Chorus]
[Verse Two: Sadat X]
I got the soul of James, with the flames on the horn
I'm at Carnegie Hall, with a fist full of dollars
The heavy man sings while the caged bird hollers
From, lyrics to birds, guerilla tactics like the Serbs
The kid wanna be at the bar with the big boys
I'll serve that ass a glass, this should be a blast
I rhyme real fast, but I can still reach the mass
Oh you got some heads with that lime green grass?
Put it in the air, in war everything is fair
And violent off the hoarse, you don't file for divorce
On the grounds that I left a pound around in your crown
Now Rule rip, but also Boogie Down
I be the man on the stage like the man on the wax
The blue collar MC with the blue collar job
Walk around on the streets with my blue collar mob
Train wrecks couldn't cause more damage than a runaway X
Two-one-five line is up in your behind
I rock from one-oh-six, all the way to one-ten
Black puerto rican and dominican
I came to rock for all my people and my uptown fans, c'mon
[Chorus]
[Verse Three: Redman]
I endeavor, clever, Funk Doctor brings the storm weather
you ready or not it's time to set shop up
Lock up your doors while my metaphors make your glock pop up
Chief unique Rocka, bitch knocka
Fuckin up the place with unseen extremes
Disaster that Freddy couldn't possibly imagine
Beatin down beats like BeatNuts bruise crews
Damage your conscience, totally fuckin your sleep up
I need that OJ Juice in my system
That make us income, of the victims
Freaky deaky, blow your Platoon to Twins with Dangerous Minds
I'm the expert mic cord strangless
Bang the head like a car wreck collision
My reefer, thick like boricuas, I love hittin
The submission, go through thirty packs of rubbers
Frankie Cutlass, use the cutters, fuck ya
Demolish, leave most MC's jobless
Boxin, apple cobblers, at Roy Rogers
I make it happen, freeze Alaskans, with my armaggedeon
Plus make Martin, get to steppin
What cha wanna do when I'm comin for you
Run through your fuckin crew like the flu, check it
[Chorus]