Nov 182016
 

Let All The Children BoogieAny collection of a popular artist’s songs presented as children’s music should always be approached with some level of trepidation. And with good reason, given the glut of inanely saccharine covers delivered either by children and twee instrumentation or adults pandering to the younger demographics. The latter case is perhaps the most egregious, as these adults seem to believe that the only way in which to create music kids will understand is to severely dumb down the content and up the intolerably cartoonish elements of the worst of so-called children’s music performers. The question often becomes, Why subject your children to these atrociously subpar re-imaginings of popular songs when the originals are vastly superior and just as accessible?

Thankfully, the folks at Spare the Rock Records seem to have felt the same with regard to the world of children’s music and, rather than adding to the pap currently clogging the marketplace, have ventured to release music aimed at children but ideally suited for the whole family. And there is perhaps no better artist, save perhaps the Beatles, for whom this approach is ideally suited than David Bowie. With his passing in January of 2016, he left a gaping void in the musical landscape, one artists across myriad genres have, in the months since, sought to fill in the form of countless tributes, think pieces, and heartfelt expressions of admiration.

And while we may have lost the man himself, we will always have his music. His is a catalog so vast and stylistically diverse as to perfectly warrant the stylistically diverse assemblage of artists and styles gather here on the newly-issued Let All the Children Boogie. Stripped to their barest elements and rebuilt in individually idiosyncratic ways, the work of David Bowie presented here remains wholly recognizable, yet affords listeners an entirely new way of hearing these well-known songs. Continue reading »

Nov 172016
 
CourtneyBarnettLive

Since the surprise election of Donald Trump last week, musicians have responded in all sorts of ways, from benefit concerts to social media missives. A few have taken to the world of cover songs to express their feelings and frustrations, picking songs with titles like “Drunk On Election Night” or “Time To Move On.” We’ve pulled together a few of the best. Continue reading »

Nov 162016
 
RichardMaule

It’s hard to do a fresh cover of “Ain’t No Sunshine.” It’s been covered so well by so many at this point, and if you’re trying to compete with Bill Withers or Joe Cocker on their turf, you’re bound to lose. But British singer-songwriter Richard Maule found a novel way to make the song his own. The cover he sent us is inventive, bold, and the right amount of irreverent. Instead of going for big soul belting like so many do, he created a quirky quasi-acappella arrangement looping his voice and handclaps over and over again – and while it seems complicated, it wasn’t. Continue reading »

Nov 142016
 
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As we continue to mourn Leonard Cohen, here’s one little gem his death has dug up. Earlier this year, Bruce Springsteen made a point of paying tribute to artists we lost on stage. He covered “Rebel Rebel” for David Bowie, “Take It Easy” for The Eagles’ Glenn Frey, “Dream Baby Dream” for Suicide’s Alan Vega, and “Purple Rain” for Prince. And were he on tour, he’d surely sing something by Leonard Cohen (I bet he’d do a great “Everybody Knows”).

But he’s not on tour, so instead check out the one time he did cover Cohen: way back in 1967, years before the E Street Band. He was only 18 and playing in a local New Jersey band The Castiles. Somehow he got onto Leonard early – before Cohen had even released his own version of “Suzanne,” Bruce was covering it. He probably learned it off the Judy Collins version, which came out the year before Cohen’s own. Continue reading »

Nov 142016
 
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On Friday, we posted our tribute to Leonard Cohen, calling him maybe the greatest gift to cover songs ever. Many musicians agreed over the weekend, covering his songs across the world in live shows. We’ve rounded up a bunch below, from Coldplay, Norah Jones, Okkervil River, The Avett Brothers, Car Seat Headrest, and more.

The biggest surprise: Not many people picked the most obvious choice, “Hallelujah.” It seemed so perfect that I saw at least one person on Twitter begging musicians to pick something – anything – else to cover, and they listened. I figured it would dominate even more than “Purple Rain” did when Prince died, but perhaps many felt intimidated by the iconic Jeff Buckley and John Cale versions. It also might seem a daunting song to really sell, particularly if you just learned it in the tour bus (one of the only bands who did cover it: Styx). Continue reading »

Nov 112016
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

LeonardCohenLive

It’s hard to know where to start when talking about Leonard Cohen covers. In some respects, he might have been the most cover-friendly artist of all time. Only Bob Dylan would come close.

Why was his music so coverable? Well, for one he wrote terrific songs. Duh. But so do Bruce Springsteen and The Rolling Stones, and covers of their songs on average do not match covers of Cohen. Or look at the Beatles, who I’d put on the opposite end of this spectrum. The average Beatles cover is nowhere near as good as the original (though lord knows there are exceptions).

But no artist inspired more great covers than Cohen. Perhaps that is because unlike the Beatles, whose performances are hard to top, his original recordings were rarely definitive. His early albums were so barebones that one could do almost anything with this songs. Then there was the Phil Spector record, where great songs were buried under too much production. Then the ’80s came, a decade rarely kind to singer-songwriters, and Cohen’s records especially suffered from a reliance on instantly-dated production. In so many cases, Cohen’s perfect songs were presented with imperfect recordings. Hundreds of songs ripe for another artist to come along and make his or her own. Continue reading »