Emanuel Ax (born 8 June 1949) is a Grammy-winning American classical pianist. He is currently a teacher on the faculty of the Juilliard School. He is considered one of the best known concert pianists of the 21st century.
Ax was born in Lviv, Ukraine, to Joachim and Hellen Ax, both Nazi concentration camp survivors. Ax began to study piano at the age of six; his father was his first piano teacher. When he was eight the family moved to Warsaw, Poland (where he studied piano playing at Miodowa school) and then two years later to Winnipeg, Canada where he continued to study music, including as a member of The Junior Musical Club of Winnipeg. In 1961 the family moved to New York City and Ax continued his studies at the Juilliard School under Mieczysław Munz. In 1970 he received his B.A. in French at Columbia University and became an American citizen. In 1973 he won the Young Concert Artists International Auditions.
Ax is a particular supporter of contemporary composers and has given three world premieres in the last few seasons; Century Rolls by John Adams, Seeing by Christopher Rouse and Red Silk Dance by Bright Sheng. He also performs works by such diverse figures as Sir Michael Tippett, Hans Werner Henze, Joseph Schwantner and Paul Hindemith, as well as more traditional composers such as Haydn, Mozart, Beethoven, and Chopin.
Kurt Masur (born 18 July 1927) is a German conductor, particularly noted for his interpretation of German Romantic music.
Masur was born in Brieg, Lower Silesia, Germany (now Brzeg in Poland) and studied piano, composition and conducting in Leipzig, Saxony. Masur has been married three times. His second wife, with whom he had a daughter, died in 1972 in a car accident in which Masur was severely injured. He and his third wife, Tomoko Sakurai, have a son, Ken-David, a classical singer and conductor.
Masur conducted the Dresden Philharmonic Orchestra for three years ending in 1958 and again from 1967 to 1972. He also worked with the Komische Oper of East Berlin. In 1970, he became Kapellmeister of the Gewandhausorchester Leipzig, serving in that post until 1996.
In 1991, Masur succeeded Zubin Mehta as music director of the New York Philharmonic (NYP). During his tenure, there were reports of tension between Masur and the NYP's Executive Director at the time, Deborah Borda, which eventually contributed to his contract not being renewed beyond 2002. In a television interview with Charlie Rose, Masur stated that regarding his leaving the NYP, "it was not my wish". The root of the problem was a fundamental discordance in status between the Americas and Germany regarding employed personalities of standing. In the former case, the hired beneficiary is expected "to report" to the benefactor, in the latter, he expects a free hand to execute his tasks as he feels best on account of his (to be) recognized experience. Masur stepped down as the NYP's Music Director in 2002, and was named its Music Director Emeritus, a new title created for him. The critical consensus is that Masur improved the playing of the orchestra compared to his more pliable and forbearing predecessor.
Itzhak Perlman (Hebrew: יצחק פרלמן; born August 31, 1945) is an Israeli-born violinist, conductor, and instructor of master classes. He is regarded as one of the preeminent violinists of the 20th and early-21st centuries.
Perlman was born in Tel Aviv, British Mandate for Palestine. His parents, Chaim and Shoshana Perlman, were natives of Poland and had independently immigrated to Palestine in the mid-1930s before they met and got married. Perlman first became interested in the violin after hearing a classical music performance on the radio. At the age of three, he was denied entrance to the Shulamit Conservatory for being too small to hold a violin. He instead taught himself how to play the instrument using a toy fiddle until he was old enough to study with Rivka Goldgart at the Shulamit Conservatory and at the Academy of Music in Tel Aviv, where he gave his first recital at age 10, before moving to the United States to study at the Juilliard School with the violin pedagogue, Ivan Galamian, and his assistant Dorothy Delay.
Yo-Yo Ma (born October 7, 1955) is an American cellist, virtuoso, and orchestral composer. He has received multiple Grammy Awards, the National Medal of Arts in 2001 and the Presidential Medal of Freedom in 2011. Ma is regarded by some as the most famous cellist of the modern age.
Yo-Yo Ma was born in Paris on October 7, 1955, to Chinese parents and had a musical upbringing. His mother, Marina Lu, was a singer, and his father, Hiao-Tsiun Ma, was a violinist and professor of music at Nanjing National Central University. His family moved to New York when he was five years old.
At a very young age, Ma began studying violin, and later viola, before settling on the cello in 1960 at age four. According to Ma, his first choice was the double bass due to its large size, but he compromised and took up cello instead. The child prodigy began performing before audiences at age five, and performed for Presidents John F. Kennedy and Dwight D. Eisenhower when he was seven. At age eight, he appeared on American television with his sister, Yeou-Cheng Ma, in a concert conducted by Leonard Bernstein. Ma attended Trinity School in New York but transferred to the Professional Children's School which he graduated at fifteen years of age. He appeared as a soloist with the Harvard Radcliffe Orchestra in a performance of the Tchaikovsky Rococo Variations.
Pinchas Zukerman (Hebrew: פנחס צוקרמן, born July 16, 1948) is a violinist, violist, and conductor of Israeli descent. He is considered to be one of the world's preeminent violinists of the 20th and 21st centuries, and his ongoing 45-year career has seen him perform with the world's best-known orchestras and record over 100 works.
Born in Tel Aviv to Yehuda and Miriam Lieberman Zukerman, Zukerman began his musical studies at age 4, on the recorder. His father then taught him clarinet, and picked up the violin at age 8. Isaac Stern and Pablo Casals learned of Zukerman's violin talent during a 1962 visit to Israel. Zukerman subsequently moved to the United States that year for study at the Juilliard School, under the tutelage of Stern and Ivan Galamian. He made his New York début in 1963. In 1967, he shared the Leventritt Prize with the Korean violinist Kyung-wha Chung. His 1969 debut recordings of the concerti by Tchaikovsky (under the direction of Antal Dorati, with the London Symphony Orchestra) and Mendelssohn (with Leonard Bernstein and the New York Philharmonic) launched a successful recording career that continues to the present day and boasts over 110 releases.