Honey is an album by American pop singer Andy Williams that was released in the spring of 1968 by Columbia Records. The album made its first appearance on Billboard's Top LP's chart in the issue dated June 8, 1968, and remained there for 40 weeks, peaking at number nine. It entered the UK album chart shortly thereafter in July and reached number four over the course of 17 weeks, and the Recording Industry Association of America awarded the album Gold certification on November 1 of that year.
The album was released on compact disc for the first time as one of two albums on one CD by Collectables Records on March 23, 1999, the other album being Williams's Columbia release from the spring of 1969, Happy Heart. This same pairing was also released as two albums on one CD by Sony Music Distribution in 2000. The Collectables CD was included in a box set entitled Classic Album Collection, Vol. 1, which contains 17 of his studio albums and three compilations and was released on June 26, 2001.
"Honey" is a song by American electronica musician Moby. It was released as the first single from his fifth studio album Play on August 31, 1998. The uptempo song incorporates vocal samples from "Sometimes" by American blues singer Bessie Jones, while its instrumentation is built around a repeating piano riff. Moby discovered the "Sometimes" sample while listening to albums of folk music recordings compiled by field collector Alan Lomax. He subsequently composed "Honey", along with several other songs from Play, using the Lomax recordings.
"Honey" was generally well received by music critics, who praised the song's sampling of "Sometimes" and cited it as a highlight of Play. Upon release, it peaked at number thirty-three on the UK Singles Chart and also charted in several other countries, including Austria and Germany. The song's music video, directed by Roman Coppola, depicts three duplicates of Moby venturing through various locations. "Honey" was later remixed to feature vocals from American R&B singer Kelis.
"Honey" is a 2002 song by R&B singer R. Kelly and rapper Jay-Z. It was also co-written by the song producers, Poke and Tone. It was released in late 2002 as the first single from The Best of Both Worlds. It peaked at number 109 on the Billboard Hot R&B/Hip-Hop Songs. The song charted at number 35 on the UK singles chart and 84 on the Australian singles chart. There is no music video for this song.
CD Single
A sense in biology and psychology, is a physiological method of perception.
Sense may also refer to:
Paul K. Joyce is a British composer, producer, orchestrator, arranger and conductor. He is known for his music for theatre and television, including the 2005 BBC TV film The Snow Queen and the 2008 British TV film Clay. He wrote "Can We Fix It?", the theme song to the children's television programme Bob the Builder that became the bestselling single of 2000 in the UK and Australia.
Earlier in his career, Joyce was a member of synthpop trio Sense, produced by Soft Cell's Dave Ball. Following tours with Depeche Mode and Kim Wilde, they had a hit in France with their single, "Jamie". The band released their only album, Hold On, in 1983.
His first television work was the animation Coconuts (ITV 1990). He has since written music for numerous TV series and films: BBC series Noddy's Toyland Adventures (BBC TV 1992-99), The Worst Witch (ITV 1998-2000), The Snow Queen (BBC 2005), Philbert Frog (BBC 1993), Clay (BBC 2008), Diggit (ITV 1993-2001), Knight School (CITV 1997-1998), Budgie the Little Helicopter (CITV 1994), Parallel 9 (BBC 1992-4), Slim Pig (CITV 1996) and Fimbles (BBC 2002-2005). His theme song for Bob the Builder ("Can We Fix It?") became a hit single and sold more than a million copies in the UK, for which Joyce received an Ivor Novello Award on 24 May 2001.
Sense is the fourteenth (officially listed as the sixteenth) studio album by Japanese pop rock band Mr. Children. It was released on December 1, 2010, and the details, such as track list, number of tracks, cover and title of the album, were announced on November 29, 2010. It includes a digital-only single "Fanfare" and no CD single or music videos. "Fanfare" is also the theme for the One Piece film Strong World, released on December 12, 2009, almost one year before the album's release.
The album got number 1 on Oricon Weekly Albums Chart for two consecutive weeks in three albums successively from Home.
Fake denominations of United States currency is faux "currency" which makes no assertion of being legal tender created by individuals as promotions, practical jokes, or social statements. It is legal to print so long as it makes no assertion, whether by appearance or statement, of authenticity.
"Fake money" is not to be confused with counterfeit currency or conflated with legitimate currency that has been demonetized.
These copper coins were about one-quarter the size of a regular U.S. cent and depicted President Richard M. Nixon on the obverse. The reverse showed the Watergate Hotel. They were issued as novelty items and as political commentary on inflation that occurred under President Nixon. Other types of coins have been similarly miniaturized before and since as souvenirs or collectors' items.
Although various US states printed $3 bills before the unification of the currency, no US$3 bills have ever been printed. However, various fake US$3 bills have been released over time, generally poking fun at politicians or celebrities such as Richard Nixon, Michael Jackson, George W. Bush, both Bill and Hillary Clinton, and Barack Obama in reference to the idiomatic expression "queer as a three-dollar bill" or "phony as a three-dollar bill". In the 1960s, Mad printed a $3 bill that featured a portrait of Alfred E. Neuman and read: "This is not legal tender—nor will a tenderizer help it." Mad writer Frank Jacobs said that the magazine ran afoul of the US Secret Service because the $3 bill was accepted by change machines at casinos.
Y'all don't know nothin about this HEE-ARE
Hahahahahahaha, yeah! It's Kurupt Young Gotti
Hehaha, sup Warren G? It's my homeboy, huh?
With my niggas Crucial Conflict, huh?
Chillin, huh? Bumpin, puffin on a little bit of that Hay
Aaaaaaaaaaaaaaah
Dollars make sense, it's all incorporated
I'ma get it all, since a BG I done did it all, was in it all
When I first thought I was in the wrong
Couple tokes, alcohol
Got everything I need, Hennessey and weed
Since my arrival, based on this modern-day survival
Evrything is technicality, everything based on reality
So how do I get paid, all these licks nowadays
They want me laid, dropped and plagued, AK mouth is sprayed
It's like I'm blind, and I just can't see
Warren G, I'ma holler at the homey Shorty B
"Shorty B IT'S ME!", G Dove, I'm out to make a grip
So call Crucial Conflict and let's make us some bomb shit
Look at me on the M-I-C
Tryin to stack my tips, comin in a big ole ride
With all that bumpin side, livin up in your eyes, surprise
Hangin on the corners where the young brothers be comin up
The gangbangers be gunnin up, the type of brothers that roll with us
High tech with much respect, with all that G's swarmin
Like G-Funk in your eyes and make you see we about that cashflow
Put em in a lasso, don't try to sweat, no joke
We illa your side, in the back we get hot, trade bump and hit em up
With the jigs up,
freaks from the West to the east to the South where they chief
Kurupt in the mind, Young Gotti down with the raw dog Flict
I ain't no tricks, nigga Wildstyle, enemies get closed down
We rock the shows, slammin do's, Cali to Chi-town
So chop it up, I'm gonna kick some shit about what's goin on
Have to get my loot up so I suit up
looked in the mirror said to myself "It's gon' be gone"
I'm sick of goin thru the things that I have to do do
Cops are happy to jack fools, I'm strictly ever gon' gank move
I hate to be the one that have to take it
But you best believe I'd die to make it
anywhere in the world I'm standin with my pockets naked
Set it out set it out, that's what I'ma holler
On some slick, tryin to come up quick, witta trusty ole dollar
Watchin you watchin me, hope I slip and bust my knees
I'ma have to greet you at the pond, you should just be thinkin C's
Comin out at ease, no matter what I'm still hard to please
Flap flappin sky, be real til the day I leave so sneeze
Talin bout that money, dollar
Gettin that money, gettin paid
We, smackin and stackin, packin, strappin, what's happenin? Rollin
Cruise-controllin, the fo' and Daynes swell up
Get the hell up, trump-tight click just in case I'm lavish
Tryin ta fade me, you crazy ladies, babies created
Men are shady, straight make me drink til my thoughts get swavy
I think, maybe if I blink things will get back gravy
But loccs in the hood they lord be makin it hard so lately
But I gotta stay at the table, cos that raw dope is that will pay me
Westside of California, on these corners pimpin daily
Retire out on the lakefront, smokin blunts
Takin the sale G, trap me like the male be
To the Westside I'm a mental, all the regulators trail me
Don't kick it out, let's do this
Comin out the do', we down to wall
Gotta get in the business,
tell me waht's the call, we to the fall to ball
We can't just fold up,
gotta whole bunch of homies dependin on this, sho'nuff
This only hustle is for brothers,
feel to bring the business so slow up
And we still up on a mini gold rush
Ready to make the world go down
Bound to get it cos I'm down wit it
Now shitty the city, Conflict's causin critics to bite tongues
Ain't the one, with the shotgun, showdown
My town to your town on the rebound for them papers
It's like brother brother brother how you make em get down?
From the LBC to the Chi-town, Westside straight gettin down
Hittin switches and we checkin all snitches
Gettin all riches, and flossin in our pictures
It's time for some new hits, one of us