- published: 11 Mar 2010
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Gazole (community development block) (also spelt Gajol) is an administrative division in Malda Sadar subdivision of Malda district in the Indian state of West Bengal. Gazole police station serves this block. Headquarters of this block is at Gazole. There is a Bengali Band named "NH34" in Gazole. Their website is nh34.tk.
Gazole is located at 25°13′14″N 88°11′21″E / 25.2204800°N 88.1892700°E / 25.2204800; 88.1892700.
Gazole community development block has an area of 513.73 km2.
The ruins of the historic city Pandua are located in Gazole block and also naturally growing a forest which called Adina Forest (It is a Deer Partk).
Gazole is an intermediate panchayat in Malda district. Village panchayats under it are – Alal, Babupur, Bairagachi I & II, Chaknagar, Deotala, Gazole I & II, Karkach, Majhra, Pandua, Raniganj I & II, Sahajadpur, and Salaidanga. Gazole is a very beautiful village. Gazole will become a municitipality very soon. But the villages of Gajole particularly populated by Rajbangshi, Poliya Deshia and Santal are highly neglected because these communities are simple, honest and introvert.
Carlos Salgado (? - October 11, 2007) was a Honduran radio journalist and comedian. Salgado hosted a satirical radio show called Bean the Terrible and focused on social commentary and the satirising of well-known public figures in Honduras. His career as a popular radio journalist and commentator last more than 40 years.
Salgado was shot several times as he left his job at Radio Cadena Voices in Tegucigalpa on October 11, 2007. He was taken to a local hospital in the capital city where he was pronounced dead. Salgado was 67 years old. Salgado's killers escaped. It was unclear exactly why Salgado was murdered, though his radio show often criticized social conditions and politics in Honduras.
Before the murder, some of the station's journalists had been intimidated and received death threats. Manuel Zelaya had said to the station's correspondent Carolina Torres "If I was Hugo Chávez, I would have had this radio station shut down a long time ago." Salgado's killing came at a time of increased tension between the Honduran media and the government of Honduran President Manuel Zelaya. The Honduran media had been increasingly critical of several of Zelaya's policies.
Zipi y Zape are the names of two iconic Spanish comic book characters created by José Escobar Saliente in 1947, and of their eponymous strip. With Mortadelo y Filemón, they are the most popular and most translated Spanish comic books. Their name is derived from the Spanish word zipizape, meaning "turmoil" or "chaos."
Zipi and Zape Zapatilla are two young twins who do poorly in school. Mischievous and energetic, they are fans of soccer. They are distinguished solely by their hair color: Zipi is blond, Zape black-haired. Other featured characters are their father, Don Pantuflo Zapatilla, a professor of Philately and Colombophilia (pantuflo/a and zapatilla are both Spanish names for slippers); their mother, the hard-pressed Doña Jaimita; Don Minervo, their strict teacher; Peloto, the teacher’s pet (and thus the twins’ enemy); Sapientín (sometimes called "Pitagorin", as a reference to Pithagoras), their genius cousin and Pepe and Felisa Plómez, the extremely annoying friends of their parents, whose undesirable visits they try to avoid or cut short.
Alberto Sánchez may refer to:
Joaquín Gutiérrez Mangel (30 March 1918 – 16 October 2000) was a Costa Rican writer who won multiple awards, and whose children's book Cocorí has been translated into ten languages. In addition to writing children's books, Gutiérrez was a chess champion, war correspondent, journalist, story-teller, translator, professor, and communist activist.
Born to Paula Gutiérrez Ross and Estela Mangel Rosat in Limón on the Caribbean coast, the geographic area that inspired Cocorí, Gutiérrez moved to San José when he was nine years old and studied at Buenaventura Corrales Elementary and then the Colegio Seminario (Seminary School). While attending Liceo de Costa Rica (Costa Rica High School), Gutiérrez and five other students founded a group called the Leftist Student Wing. In 1934, he graduated from Liceo de Costa Rica. He began studying law but was expelled during a student strike. Gutiérrez's father sent him to New York to study English for a year. During his year in New York, he cultivated a friendship with Costa Rican communist Manuel Mora, one of the leaders of the Costa Rican Civil War.
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From Kiel (Germany) to France and Spain. A video about 3 weeks of fun, lifestyle and roadtrips. More or less good wind, great weather and a lot of kilometres.... Summer 2012
Agency: Sr Rushmore Client: ING Product: Patrocinios Creative Director: Jesus Morilla Agency Producers: Freelance For Production Co: User T38 Director: Raúl Monge Exec Producer: Miguel Ángel Fernández-Belando DOP: Jaime Rebato Production Manager: Cristina Sancayo, Javier Rubio Assistant Director: Javier Rubio Art Director: Javier Lepera Postproduction Company: User T38 Postproduction Producer: Lucía Olano Animatic: Esther Gili Design: Natalia Montes Postproduction supervisor: Eloy Gazol, Joaquín Gutiérrez Compositors: Eloy Gazol, Joaquín Gutiérrez Music: Bso
Director: Carlos Salgado Client: África Directo Agency: Sra. Rushmore Agency Creative Team: Germán Jiménez & Elena Delgado Agency Producer: Freelance For Free Production & Postproduction Co: User T38 Executive Producer: Miguel Ángel Fernández Designer: Carlos Salgado 2D Animation: Raúl Echegaray & Alberto Sánchez Additional 2D Animators: Rubén Fernández, Raúl Monge 3D Artist: Alex Baqué Compositing: Ezequiel Bluvstein, Eloy Gazol, Roi Prada Sound: Sonomedia Music: José Battaglio Poem: Eduardo Galeano
Title Designer: Carlos Salgado Production Co: User T38 for Aparte Films Producer: Pablo Domínguez Design & Postproduction: User T38 Stop Motion: Raúl Monge, Carlos Salgado Motion Graphics: Eloy Gazol Compositing: Eloy Gazol, Javier Roca
Director: Ignacio Martín Client: Coca Cola Brand: Minute Maid Agency: Sra. Rushmore Agency Producer: Freelance For Free Agency Creative Team: Martín Subersecaux & Sara Alonso Production & Postproduction Co: User T38 Cinematography: Marc Gómez del Moral Executive Producer: Miguel Ángel Fernández Production Manager: José Calero Production Team: Gabi Serrat Art Director: Javier Lepera Editor: Miguel Burgos VFX Supervisor: Eloy Gazol 3D Artists: José Luis Sáez, Víctor de Luis, Roberto Collado Compositing: Eloy Gazol Sound: Molinare
Director: Raúl Monge Client: Panrico Agency: Young & Rubicam Madrid Agency Producer: Jorge Minguela, Imanol Ayuso Production & Postproduction Co: User T38 Cinematography: Jaime Rebato Executive Producers: M. A. Fernández & María Iglesias Producer: Pablo Domínguez Production Manager: Javier San Juan Editor: Sergio Rozas Designer: Álex Serna VFX Supervisor: Eloy Gazol 2D Animation: Alberto Sánchez 3D Modeler: Rafa Carmona 3D Animation: Mario de Dios & Juan Couto Lighting: Elias Soiffer Compositing: Manolo Barrero & Josemi Zapata Sound: Sonomedia Music: José Battaglio
Director: Oskar Santos Production Co: MOD Producciones, Zeta Cinema, Antena 3 Films, Kowalski Films Opening Credits Co: User T38 Producer: Fernando Ramos 3D Artist: Elías Soiffer, Frank Loarces Compositing: Eloy Gazol Illustrator: Alberto Sánchez Title Designer: Natalia Montes, Raúl Monge, Rocío Ballesteros Photographer: Marino Scandurra Concepts by Raúl Monge, Alex Serna, Carlos Salgado
Agency: Sr Rushmore Client: ING Product: Patrocinios Creative Director: Jesus Morilla Agency Producers: Freelance For Production Co: User T38 Director: Raúl Monge Exec Producer: Miguel Ángel Fernández-Belando DOP: Jaime Rebato Production Manager: Cristina Sancayo, Javier Rubio Assistant Director: Javier Rubio Art Director: Javier Lepera Postproduction Company: User T38 Postproduction Producer: Lucía Olano Animatic: Esther Gili Design: Natalia Montes Postproduction supervisor: Eloy Gazol, Joaquín Gutiérrez Compositors: Eloy Gazol, Joaquín Gutiérrez Music: Bso
Director: Oskar Santos Production Co: MOD Producciones, Zeta Cinema, Antena 3 Films, Kowalski Films Opening Credits Co: User T38 Producer: Fernando Ramos 3D Artist: Elías Soiffer, Frank Loarces Compositing: Eloy Gazol Illustrator: Alberto Sánchez Title Designer: Natalia Montes, Raúl Monge, Rocío Ballesteros Photographer: Marino Scandurra Concepts by Raúl Monge, Alex Serna, Carlos Salgado
Las claves y la verdad oculta detrás del conflicto y la guerra en Siria contra Isis. SUSCRÍBETE: http://goo.gl/YCyVCK APP QUE TE AVISA CUANDO SUBO VIDEOS: http://goo.gl/zeeH9g SIGUENOS EN LAS REDES SOCIALES: Facebook: https://goo.gl/OLUJhZ Twitter: https://twitter.com/ZDI_Oficial Blogger: http://goo.gl/QVSDOF Google Plus: http://goo.gl/8oOqtl Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. FOR EDUCATIONAL/PERSONAL PURPOSES ONLY! I DO NOT OWN ANY SOFTWARE USED IN THIS VIDEO!
Largometraje documental. Narra la experiencia de un equipo de rodaje que busca a los chamanes de las plantas maestras de los tres nichos ecológicos peruanos: la ayahuasca en la selva, la coca en la sierra, y el san Pedro en el desierto de la costa.
* Chorus
(Repeat twice)
We don't get down like dat
Even though it might look it might sound like dat
Nigga you can fuck around and get down like dat
Fo' real.Fo' real
[First verse]
Sittin' in the back….hella quiet
Eye's hidden with the hat
Silent but violent is how he act's
Only word's said "I'll be back"
Even the fatigues are black
With the tree's n' the gatt
Fifty gee's in the 'lac
Smellin' the sack
Find a nice little rat n' probably never come back
Be circlein' her house like "where-ever her at?"
Other than that a nigga stay, smotherin' rat's
All in her cat even if she motherin' dat
Dis' E.S.O.O.G. sippin' VSOP in the V.I.P
But now he know in the E.S.O
They doh'wanna seize (see's?) you all in the G.S.four
Heat in the trunk bad bitch n' she in some pump's
While you a hop skip n' a jump from being a punk
Or put his 85 Fleet up on your lawn n' snatch up your first born
Like Elle Anne or Jean Benet n' see you on your way
Everything you love it could be gone today
Eh I'm psycho alpha crazy disco
What, a brother know?
Than again what a bitch know?
Shit's so easy for the schizo get dough flip mo'
------? ------? -----?
Chorus
(Repeat twice)
Eh we don't get down like dat
Even though it might look or might sound like dat
Nigga you can fuck around and get down like dat
Fo' real.Fo' real
[Second verse]
Just because I got my own C.D. n' bitch's be on my lyric's like ecstasy
You can catch me (Uwe?) n' E Fee (check shout out's) in a S.U.V
With bitch's lookin' at us like "rescue me!"
Manipulatin' women, that's my speciality
So that could be me in the Lex two gee
And next to me a stallion talkin' 'bout sex
Nigga I'm a do my thang wit' you if I hang wit you
If I ain't wit chu I'm aimin' for brain tissue
When nigga's who came with you think I'm playin' games wit you
I aimmm n' hit you with the same pistol
I ain't a killer n' premeditated murder undereducated.
And don't get away wit it, be pointin', the finger like "Dey did it!"
A nigga snitch went bitch real game wit it
I freak a flow just to play wit it
Just like I play wit ho's intelligence n' tell a bitch I'm celibate
Just for the hell of it
Didn't like smell of it
She highly upset
I'm highly intelligent
Buildin' on future development
The hardest emcee's out are now delicate
Rap voyeur
Wit slap for ya
Tha' warrior Dela Hoya
Swingin' wit no feeling's for ya
Chorus
(Repeat three times)
Eh we don't get down like dat
Even though it might look or might sound like dat
Nigga you can fuck around and get down like dat
Fo' real.Fo' real
Final chorus
(Slightly changed)
Eh Eh we don't fuck around like dat
Even though it might look it might sound like dat
Nigga you can fuck around and get down like dat
Fo' real. Fo' real