- published: 23 Sep 2012
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A need is something that is necessary for an organism to live a healthy life. Needs are distinguished from wants in that, in the case of a need, a deficiency causes a clear adverse outcome: a dysfunction or death.
Needs can be objective and physical, such as the need for food, or subjective and psychological, such as the need for self-esteem.
There are also needs of a social or societal nature.
Needs and wants are a matter of interest in, and form a common substrate for, the fields of philosophy, biology, psychology, social science, and politics.
To most psychologists, need is a psychological feature that arouses an organism to action toward a goal, giving purpose and direction to behavior.
The most widely known academic model of needs was proposed by psychologist Abraham Maslow. His theory proposed that people have a hierarchy of psychological needs, which range from security to self-actualization. However, while intuitively appealing, this model has been difficult to operationalize experimentally. It was developed further by Clayton Alderfer.
Mobile often refers to:
Mobile may also refer to:
The Great Gildersleeve is a radio situation comedy broadcast from August 31, 1941, to March 21, 1957. Initially written by Leonard Lewis Levinson, it was one of broadcast history's earliest spin-off programs. The series was built around the character Throckmorton P. Gildersleeve, a regular element of the radio situation comedy Fibber McGee and Molly. The character was introduced in the October 3, 1939 episode (number 216) of that series. Peary played a similarly named character, Dr. Gildersleeve on earlier episodes. The Great Gildersleeve enjoyed its greatest popularity in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in four feature films released at the height of the show's popularity.
In Fibber McGee and Molly, Peary's Gildersleeve had been a pompous windbag and nemesis of Fibber McGee. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character went by several aliases on Fibber McGee and Molly; his middle name was revealed to be "Philharmonic" in "Gildersleeve's Diary" episode on October 22, 1940.
Fibber McGee and Molly was an American radio comedy series that maintained its popularity over decades. It premiered on NBC in 1935 and continued until 1959, long after radio had ceased to be the dominant form of entertainment in American popular culture.
The stars of the program were real-life husband and wife team James "Jim" Jordan (16 November 1896 – 1 April 1988) and Marian Driscoll (15 April 1898 – 7 April 1961), who were natives of Peoria, Illinois.
Jordan was the seventh of eight children born to James Edward Jordan and Mary (née Tighe) Jordan, while Driscoll was the twelfth out of thirteen children born to Daniel P. and Anna (née Carroll) Driscoll. The son of a farmer, Jim wanted to be a singer; Marian, the daughter of a coal miner, wanted to be a music teacher. Both attended the same Catholic church, where they met at choir practice. Marian's parents had attempted to discourage her professional singing and acting aspirations. When she started seeing young Jim Jordan, the Driscolls were far from approving of Jim and his ideas. Jim's voice teacher gave him a recommendation for work as a professional in Chicago, and he followed it. He was able to have steady work but soon tired of the life on the road. In less than a year, Jim came back to Peoria and went to work for the Post Office. His profession was now acceptable to Marian's parents, and they stopped objecting to the couple's marriage plans. The pair were married in Peoria on August 31, 1918.
Howards End (frequently mis-titled as Howard's End) is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct, and personal relationships in turn-of-the-century England.
Howards End is considered by some to be Forster's masterpiece. In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.
The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), whose cultural pursuits have much in common with the real-life Bloomsbury Group; and the Basts, an impoverished young couple from a lower-middle-class background. The idealistically motivated, well read, highly intelligent Schlegel sisters seek to help the struggling Basts, wishing at the same time to rid the Wilcoxes of some of their deep-seated social and economic prejudices.
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker...
Part 5 - (Chs 30-38). Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Elizabeth Klett. Playlist for : http://www.youtube.com/playlist?list=PL42D42E7CBA5BF060 Howards End free audiobook at Librivox: http://librivox.org/howards-end-by-e-m-forster/ Howards End free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/2891 Howards End at Wikipedia: http://en.wikipedia.org/wiki/Howards_End View a list of all our videobooks: http://www.ccprose.com/booklist