Todd

Todd or Todds may refer to:

See also

Disco

Disco is a genre of dance music containing elements of funk, soul, pop, and salsa that was most popular in the mid to late 1970s, though it has had brief resurgences. Its initial audiences were club-goers from the gay, African American, Italian American,Latino, and psychedelic communities in Philadelphia and then later New York City during the late 1960s and early 1970s. Disco also was a reaction against both the domination of rock music and the stigmatization of dance music by the counterculture during this period. Women embraced disco as well, and the music eventually expanded to several other marginalized communities of the time.

The disco sound has soaring vocals over a steady "four-on-the-floor" beat, an eighth note (quaver) or 16th note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and a prominent, syncopated electric bass line. In most disco tracks, strings, horns, electric pianos, and electric guitars create a lush background sound. Orchestral instruments such as the flute are often used for solo melodies, and lead guitar is less frequently used in disco than in rock. Many disco songs use electronic synthesizers.

Raymond Parker

Raymond Parker or Ray Parker may refer to:

Arista Records

Arista Records, Inc. /ˈɛ.rɪ.stə/ was an American major record label. It was a wholly owned unit of Sony Music Entertainment and was previously handled by Bertelsmann Music Group. The company operated under the RCA Music Group until 2011. The label was founded in 1974 by Clive Davis, who formerly worked for CBS Records (which would become Sony Music Entertainment). Until its demise in 2011, it was a major distributor and promoter of albums throughout the United States and United Kingdom.

Today, the label's reissues and catalog releases are handled both by RCA Records and Legacy Recordings.

History

Background

After being fired from CBS Records,Clive Davis was hired by Columbia Pictures (which later became sister to the former CBS Records in 1989) in June 1974 to be a consultant for the company’s record and music operations. By November 1974, and with a 10 million dollar investment from Columbia Pictures, Davis folded the various Columbia legacy labels (Colpix Records, Colgems Records, and Bell Records) into a new entity named Arista Records, ultimately owning 20 percent of the company. The label was named Arista after New York City's secondary school honor society (of which Davis was a member at Erasmus Hall High School). In early 1975, most of the artists who had been signed to Bell were let go, except David Cassidy (left for RCA Records), Tony Orlando and Dawn (left for Elektra Records), and The 5th Dimension (departed for ABC Records). Others, such as Suzi Quatro and Hot Chocolate, were farmed out to the Bell/Arista-distributed label, Big Tree. Several Bell acts, such as Barry Manilow, the Bay City Rollers, and Melissa Manchester moved to Arista. The British Bell label kept that name for a couple of years before changing its name to Arista. The label was immortalized in the 1978 Rockpile song "They Called It Rock," in the lyric, "Arista says they love you/But the kids can't dance to this."

Ray Parker, Jr.

Ray Erskine Parker, Jr. (born May 1, 1954) is an American guitarist, songwriter, producer and recording artist. Parker is known for writing and performing the theme song to the movie Ghostbusters, for his solo music, and for performing with his band, Raydio, and with Barry White.

Early life

Parker was born in Detroit to Venolia and Ray Parker, Sr. He has two siblings, his brother Opelton and his sister Barbara.

Parker attended Angel Elementary School where music teacher, Afred T Kirby inspired him to be a musician at age 6 playing the clarinet. Parker attended Cass Tech High School in the 10th grade. Parker is a 1971 graduate of Detroit's Northwestern High School. He was raised in the Dexter-Grand Boulevard neighborhood on its West Side. Parker attended college at Lawrence Institute of Technology.

Career

Early work

Parker gained recognition during the late 1960s as a member of Bohannon's house band at the legendary 20 Grand nightclub. This Detroit hotspot often featured Tamla/Motown acts, one of which, the (Detroit) Spinners, was so impressed with the young guitarist's skills that they added him to their touring group. Through the Bohannon relationship at 16 he recorded and cowrote his first songs with Marvin Gaye. Parker was also employed as a studio musician as a teenager for the emergent Holland-Dozier-Holland's Invictus/Hot Wax stable, and his choppy style was particularly prevalent on "Want Ads", a number one single for Honey Cone. Parker was later enlisted by Lamont Dozier to appear on his first two albums for ABC Records.