Genre is the term for any category of literature or other forms of art or culture.
Genre may also refer to:
Video game genres are used to organize video games based on their gameplay interaction rather than visual or narrative differences. A video game genre is defined by a set of gameplay challenges and are classified independent of their setting or game-world content, unlike other works of fiction such as films or books. For example, a shooter game is still a shooter game, regardless of whether it takes place in a fantasy world or in outer space.
As with nearly all varieties of genre classification, the matter of any individual video game's specific genre is open to personal interpretation. Moreover, each individual game may belong to several genres at once.
The first attempt to classify different genres of video games was made by Chris Crawford in his book The Art of Computer Game Design in 1984. In this book, Crawford primarily focused on the player's experience and activities required for gameplay. Here, he also stated that "the state of computer game design is changing quickly. We would therefore expect the taxonomy presented [in this book] to become obsolete or inadequate in a short time." Since then, among other genres, the platformer and 3D shooter genres, which hardly existed at the time, have gained a lot of popularity.
Genre is a 1996 Live-action/animated short film by animator Don Hertzfeldt, his second student film, preceded by Ah, L'Amour (1995).
The 16mm short combines traditional animation, pixilation, and stop-motion animation to present a cartoon rabbit careening through a variety of rapidly changing film genres as his animator struggles to come up with a good idea.
The short is Hertzfeldt's least favorite of his work, but it nevertheless was an animation festival hit that went on to receive 17 awards.
In 1997, it was shown on an episode of MTV's Cartoon Sushi.
In 2005, the original 16mm negative was digitally restored and remastered for the first time, for release on the extensive "Bitter Films Volume 1" DVD compilation of Hertzfeldt's 1995-2005 films. Special features included for Genre are Hertzfeldt's original production sketches, notes, and deleted ideas from the film; as well as a very rare 1993 video short called "Escape is Still Impossible": a precursor to Genre that Don created while still in high school. The DVD is available exclusively at the Bitter Films website, http://www.bitterfilms.com
A vision statement is a declaration of an organization's objectives, ideally based on economic foresight, intended to guide its internal decision-making.
A vision statement is a company's road map, indicating both what the company wants to become and guiding transformational initiatives by setting a defined direction for the company's growth. Vision statements undergo minimal revisions during the life of a business, unlike operational goals which may be updated from year-to-year. Vision statements can range in length from short sentences to multiple pages. Vision statements are also formally written and referenced in company documents rather than, for example, general principles informally articulated by senior management. A vision statement is not limited to business organizations and may also be used by non-profit or governmental entities.
A consensus does not exist on the characteristics of a "good" or "bad" vision statement. Commonly cited traits include:
Frank Duval (born November 22, 1940, Berlin) is a German composer, conductor, record producer, songwriter and singer.
Born into an artists' family, he studied as an actor and dancer, but also sang with his sister, Maria. By the 1960s, Duval was also composing music, both orchestral and pop, and his first soundtrack, for an episode of the German serial Tatort, was broadcast in 1977. From his 1979 first album, Die Schönsten Melodien Aus Derrick und der Alte, the song "Todesengel" became a moderate hit.
During the 1980s, Duval released several soundtracks, as well as proper artist albums (with occasional lyrical help from his wife, Kalina Maloyer). He was in the German charts several times, with "Angel of Mine" (a number one hit in 1981), "Ways" (1983), "Lovers Will Survive" (1986), and "When You Were Mine" (1987).
Duval wrote songs for Ivan Rebroff, Alexandra, Karin Huebner, Margot Werner, Klaus Löwitsch, and Maria Schell.
The Vision is the name of multiple fictional superheroes appearing in American comic books published by Marvel Comics. The first Vision was an alien created by Joe Simon and Jack Kirby that first appeared in Marvel Mystery Comics # 13 (November 1940). The second Vision is an android and a member of the Avengers that first appeared in The Avengers #57 (October 1968) by Roy Thomas, Stan Lee and John Buscema. The third Vision was the time traveler previously known as Iron Lad, who was fused with the operating system of the second Vision. The second Vision was portrayed by Paul Bettany in the 2015 film Avengers: Age of Ultron; he will reprise the role in the 2016 film Captain America: Civil War.
The first Vision was created by the writer-artist team of Joe Simon and Jack Kirby in Marvel Mystery Comics #13 (Nov. 1940), published by Marvel predecessor Timely Comics during the 1930s and 1940s, a period which fans and historians call the Golden Age of Comic Books.