- published: 03 Jul 2015
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Dorothea Carothers "Dede" Allen (December 3, 1923 - April 17, 2010) was an American film editor, well-known "film editing doctor" to the major American movie studios, and one of cinema's all-time celebrated 'auteur' film editors.
Allen is known for having edited classic films such as The Hustler (1961), Bonnie and Clyde (1967), Dog Day Afternoon (1975), and Reds (1982). She had an extended collaboration (1967–1976) with director Arthur Penn, and over the years had worked with other distinguished directors including Sidney Lumet, Robert Wise, Elia Kazan, and George Roy Hill. She was a member of the Board of Governors of the Academy of Motion Picture Arts and Sciences.
Allen was born in Cleveland, Ohio; her mother was an actress and her father worked for Union Carbide. She enrolled at Scripps College in Claremont, California.
Allen worked her way up as a production runner, as a sound librarian and then as an assistant film editor at Columbia Pictures. She edited commercial and industrial films before becoming a full-fledged feature film editor. It took sixteen years working in the American film industry before Dede Allen edited her first important feature film, Odds Against Tomorrow (1959). She worked closely with and was mentored by film director Robert Wise, who had also been a film editor himself (most notably having cut Orson Welles' Citizen Kane). Wise encouraged Dede Allen to be brave and experiment with her editing.
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"I couldn't get into picture editing because the head of Editorial at Columbia didn't believe women should get into editing." In April 2006, I had the privilege of interviewing legendary film editor Dede Allen at the Gallery Theater in Hollywood. For some odd reason the tapes were misplaced and only resurfaced recently. In this, Part 1 of our evening with Dede Allen, we talk about her early career (15 years) as a sound editor, and her first big break as a picture editor on the film "Odds Against Tomorrow" directed by Robert Wise. We touch on her politics, her childhood, her college life and her love of movies. We show a scene from Dog Day Afternoon and talk about it. We end Part 1 with a scene from the movie REDS, directed by Warren Beatty. There are only so many questions that one ca...
A Memphis man tells his story about his girlfriend hiding that she's HIV positive!
Editor Craig McKay, ACE talks about working with and learning from legendary editor Dede Allen as they worked on "Reds." This video is from the Manhattan Edit Workshop presents "Inside the Cutting Room with Bobbie O'Steen" series. Craig McKay, born in New York's Hudson Valley, is a feature film editor, story consultant, director, and executive producer. Recognized with two Academy Award nominations for editing "Reds and 'The Silence of the Lambs", and an Emmy Award for editing the NBC miniseries "Holocaust', he has edited more than forty films including 'Philadelphia", "The Manchurian Candidate", "Cop Land" and "Maid in Manhattan". About the moderator: Bobbie O’Steen is a New York-based writer and film historian, dedicated to sharing the editor’s invisible art with students, professional...
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Thaddeus Matthews sits on the phone with Dede Allen talking about how he exposed DL men on his Facebook page
Editor Susan Morse, ACE recounts a story that foreshadows her brilliant contributions to the world of filmmaking, during the Legends of the 70's panel from "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 8th, 2013. This event was produced by Manhattan Edit Workshop. Panelists (from left to right): Bill Pankow, A.C.E., Jerry Greenberg, A.C.E., Susan Morse, A.C.E., Alan Heim, A.C.E. Moderator: Bobbie O'Steen Susan E. Morse (born 1952) is an American film editor with more than 30 film credits. She had a notable collaboration with director Woody Allen from 1977 to 1998. Their collaboration led to a nomination for the Academy Award for Film Editing for the 1986 film “Hannah and Her Sisters”, and to five nominations for the BAFTA Award for Best Editing (for “M...
"You can't break the rules until you know the rules." In Part 2 of my interview with Dede Allen, taped at the April 2006 lafcpug meeting, we show and talk about scenes from the movies REDS, BONNIE AND CLYDE, LITTLE BIG MAN and SLAP SHOT. Hosted by Michael Horton. Part 2 of 4 You can view these clips on DVD or Netflix and we urge you to do so View the Clips here on You Tube at: Bonnie and Clyde http://youtu.be/rshv0TCpMbs Slap Shot http://www.youtube.com/watch?v=6oyxLFD2IIw Little Big Man http://www.youtube.com/watch?v=wBZkS0uYrpo
"The important thing is to always let them think they know it is THEIR idea." In part 3 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take questions from the audience. We talk about cutting particular scenes on REDS, The HUSTLER, THE BREAKFAST CLUB, director Arthur Penn and others. We talk about her collaborators Ralph Rosenblum, and Craig McKay. We talk more about her process, and why she makes the cut. And we talk about eyes. "People look at the eyes - unless they have bad teeth." Hosted by Michael Horton. Part 3 of 4
"I was lucky. I got to work with fine directors. It wasn't my picture, it was their picture. I was only one of the people who helped them interpret it. Which is my job." "There are certain films I would not edit. If they were terribly sexist or John Wayne waving the flag.... That's because I'm a left winger." In part 4 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take more questions from the audience. We touch on the role of Producers, her role as a VP of Post Production at Warner Bros. - "I was a suit that wasn't a suit." We talk a bit about Final Cut Pro. And yes, Ms. Allen stayed for the World Famous Raffle and picked the tickets. Hosted by Michael Horton. Part 4 of 4
színes, magyarul beszélő, amerikai vígjáték, 107 perc, 1969 rendező: Arthur Penn író: Arlo Guthrie forgatókönyvíró: Venable Herndon Arthur Penn zeneszerző: Arlo Guthrie operatőr: Michael Nebbia vágó: Dede Allen szereplő(k): Alice Brock Patricia Quinn Arlo Guthrie Arlo Guthrie Ray Brock James Broderick Mari-chan Tina Chen Shelly Michael McClanathan Tartalom: A vietnámi háború ellen tiltakozó filmek sorába tartozó alkotás a valóságban is létező főszereplője Arlo Guthrie folk- és rockzenész. Arlo, hogy a katonai szolgálat alól felmentést kapjon, beíratkozik egy montanai egyetemre. A helyi polgárok azonban folyton belekötnek a hippi kinézetű és életformájú fiúba. Egy újabb botrány után kirúgják a college-ből. Arlo New York és Massachusetts állam között ingázik, ahol régi bar...
A discussion of the study our guests conducted that created and validated a social media self-efficacy scale.
Disclaimer: We do not own any of the content displayed in this film. All rights belong to Universal Studios. SYNOPSIS: Five high school students from different walks of life endure a Saturday detention under a power-hungry principal (Paul Gleason). The disparate group includes rebel John (Judd Nelson), princess Claire (Molly Ringwald), outcast Allison (Ally Sheedy), brainy Brian (Anthony Michael Hall) and Andrew (Emilio Estevez), the jock. Each has a chance to tell his or her story, making the others see them a little differently -- and when the day ends, they question whether school will ever be the same. Starring: Alex Privman & Michael Segal (reviewers) Directed by: John Hughes Produced by: Ned TanenJohn Hughes Written by: John Hughes Starring: Emilio Estevez, Paul Gleason, Anthony M...
Warren Beatty's award winning epic mixes drama and interviews with major social radicals of the period. "Reds" tells the story of the love affair between activists Louise Bryant and John Reed. Set against the backdrop of the tumultuous start of the twentieth century, the two journalists' on-again off-again romance is punctuated by the outbreak of WWI and the Bolshevik Revolution. Louise's assignment in France at the outbreak of the war puts an end to their affair. John Reed's subsequent trip to Russia, and his involvement with the Communist party, rekindles their relationship. When Louise arrives in Petrograd, she finds herself swept up in the euphoria of the Revolution. Reed, however, eventually becomes disillusioned with Communism when he sees his words and intentions augmented and contr...
Back on the road again
No money no food and dirty clothes
Don't know which way to go
Or if we'll even make the show?
Crashed into a petrol pump there goes my insurance lump
I just want out of here
Someone gives me a fucking beer
[Ref:]
TONIGHT, TONIGHT...IT'LL BE ALRIGHT
TONIGHT, TONIGHT...I'M GONNA MAKE IT RIGHT
SOMEONE GET ME OUT OF HERE
Next day we're up again
Slept rough yet again
Heading into no man's land
With a tongue that feels like desert sand
6 stitches from a bicycle ride
It's a shame I cannot hide
3 pasta meals per day
And a pittance for our fucking pay but...
[Ref]
Now we're on our way back home
Still no signal on the phone
Just wanna eat some grub
And have a night out down the pub
Here I stare at the van again
Everyone is sleeping on everything
They all gonna feel the same
Homeward bound from where we came cos...