Arcos

Arcos or ARCOS can refer to:

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Lomar e Arcos

Lomar e Arcos is a civil parish in the municipality of Braga, Portugal. It was formed in 2013 by the merger of the former parishes Lomar and Arcos. The population in 2011 was 6,805, in an area of 4.01 km².

References

Arcos (Vila do Conde)

Arcos is a former civil parish in the municipality of Vila do Conde, Portugal. In 2013, the parish merged into Rio Mau e Arcos, a newer parish. In 2011 the population was 819 in an area of 5.81 km². It is situated on the Ave River near the north-eastern frontier with the municipality of Barcelos, and resides in the shadow of its larger municipal neighbor.

History

The exact toponymy of this parish is not certain. It may have been named after a Casais Moorish castle with the same name, a Roman bridge near Monte da Reguenga, or a subterranean road that led to the Este River, where travelers stopped to water their horses. It is very likely that a medieval castle existed in Argifonso, since multiple structures and a castro were discovered in the vicinity, but Moorish influences in the Iberian peninsula only occurred at the end of 711. During Roman occupation, any settlements would have maintained cultivated fields, causing the abandonment of the castros. The Castro of Casais still presents vestiges of the Castro culture and Roman artifacts. Legend refers to an ecclesiastical parish dedicated to Sant'Iago in Moldes, although no documented proof of this legend exists.

Irene (1940 film)

Irene (1940) is an American musical film produced and directed by Herbert Wilcox. The screenplay by Alice Duer Miller is based on the book of the 1919 stage musical of the same name by James Montgomery, who had adapted it from his play Irene O'Dare. The score features songs with music by Harry Tierney and lyrics by Joseph McCarthy.

Plot

Upholsterer's assistant Irene O'Dare meets wealthy Don Marshall while she is measuring chairs for Mrs. Herman Vincent at her Long Island estate. Charmed by the young girl, Don anonymously purchases Madame Lucy's, an exclusive Manhattan boutique, and instructs newly hired manager Mr. Smith to offer Irene a job as a model. She soon catches the eye of socialite Bob Vincent, whose mother is hosting a ball at the family mansion. In order to promote Madame Lucy's dress line, Mr. Smith arranges for his models to be invited to the soiree.

Irene accidentally ruins the gown she was given to wear and substitutes a quaint blue dress belonging to her mother, and it creates a sensation. Irene is mistaken for the niece of Ireland's Lady O'Dare and, in order to publicize his collection, Mr. Smith decides to exploit the error and moves Irene into a Park Avenue apartment. Dressed in furs and draped with diamonds while escorted around town by Bob, Irene's appearance prompts gossip columnist Biffy Webster to suggest she is a kept woman. Outraged, Irene demands Madame Lucy protect her reputation by revealing the truth, only to discover Don is the owner of the shop.

Irene (musical)

Irene is a musical with a book by James Montgomery, lyrics by Joseph McCarthy, and music by Harry Tierney. Based on Montgomery's play Irene O'Dare, it is set in New York City's Upper West Side and focuses on immigrant shop assistant Irene O'Dare, who is introduced to Long Island's high society when she's hired by one of its leading grande dames to help redecorate her home.

The musical opened on Broadway in 1919 and ran for 675 performances, at the time the record for the longest-running musical in Broadway history, which it maintained for nearly two decades. It starred Edith Day in the title role, who repeated the role in the London production. It was revived on Broadway in 1923, filmed twice, and had a major Broadway revival in 1973, starring Debbie Reynolds, followed by a 1976 London run that lasted 974 performances.

Early productions

The original Broadway production, directed by Edward Royce, opened on November 18, 1919 at the Vanderbilt Theatre, where it ran for 675 performances, at the time the record for the longest-running show in Broadway history, one it maintained for nearly two decades. The cast included Edith Day as Irene, Walter Regan as tycoon Donald Marshall, Eva Puck as Helen Cheston, Gladys Miller as Jane Gilmour, and Bobby Watson as 'Madame Lucy', a flamboyant male dress designer. The show made a star of Day, who departed the cast after five months to recreate her role at London's Empire Theatre, where it ran for 399 performances. Day was replaced in the Broadway production by Helen Shipman.

Eirene (goddess)

Eirene (/aɪˈriːni/; Greek: Εἰρήνη, Eirēnē, [eːrɛ́ːnɛː], lit. "Peace"), more commonly known in English as Peace, was one of the Horae, the personification of peace. She was depicted in art as a beautiful young woman carrying a cornucopia, sceptre, and a torch or rhyton. She is said sometimes to be the daughter of Zeus and Themis. Her Roman equivalent was Pax.

She was particularly well regarded by the citizens of Athens. After a naval victory over Sparta in 375 BC, the Athenians established a cult for Peace, erecting altars to her. They held an annual state sacrifice to her after 371 BC to commemorate the Common Peace of that year and set up a votive statue in her honour in the Agora of Athens. The statue was executed in bronze by Cephisodotus the Elder, likely the father or uncle of the famous sculptor Praxiteles. It was acclaimed by the Athenians, who depicted it on vases and coins.

Although the statue is now lost, it was copied in marble by the Romans; one of the best surviving copies (right) is in the Munich Glyptothek. It depicts the goddess carrying a child with her left arm – Pluto, the god of plenty and son of Demeter, the goddess of agriculture. Peace's missing right hand once held a sceptre. She is shown gazing maternally at Pluto, who is looking back at her trustingly. The statue is an allegory for Plenty (i.e., Pluto) prospering under the protection of Peace; it constituted a public appeal to good sense. The copy in the Glyptothek was originally in the collection of the Villa Albani in Rome but was looted and taken to France by Napoleon I. Following Napoleon's fall, the statue was bought by Ludwig I of Bavaria.