- published: 09 Sep 2011
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Selected Ambient Works 85–92 is an ambient techno album by Richard D. James under the pseudonym of Aphex Twin. This is his third release and debut studio album under this alias. It was released in 1992 on the Belgian techno label Apollo. An analogue remaster was released in 2006, and a digital remaster was released in 2008. Selected Ambient Works 85–92 is considered by many to be the threshold album in modern ambient music as well as one of the pioneering works in intelligent dance music and electronic dance music.
Having been a club DJ in the late 1980s and early 1990s in his home of Cornwall, James had learned about new music techniques and rhythm patterns. With the club scene under his belt, and with a small underground following, James went on to release SAW 85-92, which was mostly recorded before he started DJing and consisted of instrumental songs that were mostly beat-oriented.
A remastered SAW 85–92 Compact Disc was released by Apollo/R&S Records on 8 April 2008. The remastered 12" vinyl record was released in 2006.
Run(s) or RUN may refer to:
War is an organized, armed, and often a prolonged conflict that is carried on between states, nations, or other parties typified by extreme aggression, social disruption, and usually high mortality. War should be understood as an actual, intentional and widespread armed conflict between political communities, and therefore is defined as a form of political violence. The set of techniques used by a group to carry out war is known as warfare. An absence of war (and other violence) is usually called peace.
In 2003, Nobel Laureate Richard E. Smalley identified war as the sixth (of ten) biggest problems facing the society of mankind for the next fifty years. In the 1832 treatise On War, Prussian military general and theoretician Carl von Clausewitz defined war as follows: "War is thus an act of force to compel our enemy to do our will."
While some scholars see warfare as an inescapable and integral aspect of human culture, others argue that it is only inevitable under certain socio-cultural or ecological circumstances. Some scholars argue that the practice of war is not linked to any single type of political organization or society. Rather, as discussed by John Keegan in his History of Warfare, war is a universal phenomenon whose form and scope is defined by the society that wages it. Another argument suggests that since there are human societies in which warfare does not exist, humans may not be naturally disposed for warfare, which emerges under particular circumstances. The ever changing technologies and potentials of war extend along a historical continuum. At the one end lies the endemic warfare of the Paleolithic[citation needed] with its stones and clubs, and the naturally limited loss of life associated with the use of such weapons. Found at the other end of this continuum is nuclear warfare, along with the recently developed possible outcome of its use, namely the potential risk of the complete extinction of the human species.
Geah
One two one two (check it out)
One two one two (check it out)
[b-real]
I put years in this shit struggled to build the empire
Just another brick in the wall you fall tired
Who will be the one son to fall victim?
Who's on the street, who's runnin' from pigs wishing?
No way out
You can't stay out - your hook
Criminal lifestyle, you're booked in the crook
Where will you seek shelter? killafornia
What'll you do when you see the heat around the corner?
You silly fucking goner, where will you hide?
On the sick side of town facin' the long ride
Sick-ass soul assassins I keep blastin'
Cause you never know when it's time for some action
A fraction, chain reaction the crew smashin'
Through your city get the committee a ready faction
We run shit
And muthafuckas are on it
You can't call it, buster you better stall it
[chorus]
We got g-boys and ho's on deck
One times gafflin' niggas that chin check (check it out)
You see a robbery
We done it
That's just the way we run it
[eiht]
Ten years in the game, no chains remain
Heavy weights, get it straight, still bringin' the pain
First green since the b.g.
I gotta get cream
Late nite hype's the fiends as I plots a scheme
Got tight with rap flows and followed the rap shows
But the streets keep callin' me to cluck the pesos
Did good
I made up tapes about the hood
Locked down that shit as nobody could
Enemies always out to get me
But just keep spittin' rhymes and they won't hit me
Street dreams always made of this
Top dollar
Bitches and switches is on my list
Leave your ass with the good night kiss
Makes moves smooth so your shorty won't miss
Never runnin' to meal, we chill on the hill
Real g's always packs the steel
[chorus]
[eiht]
It ain't a problem that I can't fix
Cause I can do it - in the mix
Nowadays
We be's the g's that's deadly
Bustin' raps, shootin' craps, gots the straps on ready
Common sense'll tell you, slide out
But ain't no fuckin' where for you to hide out
Got the picture?
We don't play no games
Eiht and b-real fuckin' frank & jesse james
To the limit
Watch us do what we do
Leave your whole life fucked turn misty blue
Senoritas and pesos yes yes y'all
Ball cause we to tall and never fall
We got paper fo' sho'
No doubt
Criminal mind this time you're assed out
Define it
Here's your strollin' paper just sign it
Take a walk as the eiht starts to talk
[chorus]
Soul assassins one time
Soul assassins two times
Geah
My nigga muggs
Still pushin' that china white
Check it out, uh
Boom bam in the house
My nigga foe in the house
Geah
Cypress in the house, uh
Take 2 to your mouth
Soul assassins
That's right