- published: 08 Oct 2016
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Fifty-four or 54 or 54th may refer to:
John Prine (born October 10, 1946) is an American country/folk singer-songwriter. He has been active as a composer, recording artist, and live performer since the early 1970s.
Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. Subsequently serving in West Germany with the U.S. armed forces, by the late 1960s he had moved to Chicago, where he worked as a mailman, writing and singing songs as a hobby. Becoming a part of the city's folk revival, he was discovered by Kris Kristofferson, resulting in the production of Prine's self-titled debut album through Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums.
In 1984 he co-founded Oh Boy Records, an independent record label with whom he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine's vocals deepened into a gravel-voice, resulting in the award-winning album Fair & Square (2005).
A civil war is an armed conflict within a nation.
The term "The Civil War" redirects here. See List of civil wars for a longer list of specific conflicts.
For the 17th century Civil War in England, see English Civil War.
For the 19th century Civil War in the United States, see American Civil War.
Civil war may also refer to:
Sessions at West 54th was an American television program that featured music performances, and was in some ways a pop music variation on the theme set by the long-lived Austin City Limits, though the featured musicians represented a number of musical genres. It was called Sessions at West 54th because it was taped at Sony Music Studios on West 54th Street in Manhattan. Jeb Brien and Niki Vettel, APS senior v.p. for program development, developed the series after working on APS concert specials with Suzanne Vega and Ottmar Liebert. It was produced for public television syndicator American Program Service (APS) (now American Public Television, Boston) and was carried on many public television stations. It first aired in most places on July 5, 1997, when it was included in the Saturday late-night lineup of stations covering 85% of the country. After the program ended, an edited for commercial television version also aired on the commercial Trio cable television network.
Iris Luella DeMent (born January 5, 1961) is an American singer and songwriter. DeMent's musical style includes elements of the country and folk music genres.
DeMent was born near Paragould, Arkansas, the youngest child of Pat DeMent and his second wife, Flora Mae. As the baby of the family, she was Pat DeMent's 14th child, and Flora Mae's eighth.
Iris's mother had harbored dreams of going to Nashville and starting a singing career. Although she put those plans on hold to get married, her singing voice was an inspiration and influence for her youngest daughter Iris.
She was raised in a Pentecostal household. Her family moved from Arkansas to the Los Angeles area when she was three. While growing up, she was exposed to and influenced by country and gospel music. Singing at age five as one of "the little DeMent sisters," Iris had a bad experience when she forgot her words during her first performance, which caused her to avoid performing in public for some time.
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Just one month after President Abraham Lincoln issued the Emancipation Proclamation, the 54th Regiment Massachusetts Volunteer Infantry unit was formed on February 9th, 1863. This brave regiment fought in many battles under the threat of re-enslavement, no pay, and immense scrutiny. The regiments' most famous Battle at Fort Wagner was later memorialized in the 1989 film, Glory.
John Prine "John Prine, Iris DeMent-In Spite of Ourselves", sound recording administered by: IODA 01. Intro 02. Spanish Pipedream 03. Six O'Clock News 04. Souvenirs 05. Far From Me 06. All the Best 07. Milwaukee Here I Come (with Iris Dement) 08.(We're Not) The Jet Set (with Iris Dement) 09. Let's invite Them Over Again (with Iris Dement) 10. When the two worlds Collide (with Iris Dement) 11. In Spite of Ourselves (with Iris Dement) 12. Sam Stone 13. Lake Marie 14. Hello in THere 15. Filler: So Sad to Watch Good Love Go Bad 16. Lake Marie 17. Spanish Pipedream 18. Streets of Baltimore I do not own the righ to songs, audio or images contained in this video. Strictly for purposes of education and entertainment. I make no profit on this video monetary or otherwise.
"The 54th Regiment Massachusetts Volunteer Infantry was an infantry regiment that saw extensive service in the Union Army during the American Civil War. The regiment was one of the first official African American units in the United States during the Civil War. The 1st South Carolina Volunteers (Union) recruited from freed slaves, was the first Union Army regiment organized with African American soldiers in the Civil War, though many had fought in the American Revolution and the War of 1812 on both sides." http://self.gutenberg.org/articles/54th_massachusetts_regiment
Includes the songs "Fuzzy Freaky," "Making Flippy Floppy," "Take Me To The River," "Help Me Somebody," "Dance On Vaseline," "Back In The Box," "Miss America," "Psycho Killer," and "I Zimbra."
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The most famous black civil war unit 54th mass
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This is the complete broadcast performance.......after 18 months on the road with "Odelay" , session @ W 54th would be the last show of the tour......This has the best version of "Where It's At" that I ever heard......super funky!!!! An incredible performance all around....
John Prine live performance of "All the Best" from the Sessions at West 54th. Buy the full sessions here: http://store.johnprine.net/collections/john-prine-music-video/products/john-prine-sessions-at-west-54th-dvd Connect with John Prine: http://johnprine.net https://www.facebook.com/JohnPrine https://www.instagram.com/john_prine/ https://twitter.com/johnprinemusic
Knowing
Is what people tell you
That you're thinking wrong
Embrace you,
But they really mean 'So long'
You talk to them
They laugh aloud
Yet they run to you
In any crowd
Please talk to me again
I need you
We're dancing
We will come and dance near you
We want to learn
Let us come and sitar with you
Distort my ears when
The music's loud
Yet you raise your hatchet
In the yellow crowd
Please talk to me again
I need you
Knowing
Is what people tell you
That you're thinking wrong
Embrace you,
But they really mean 'So long'
You talk to them
They laugh aloud
Yet they run to you
In any crowd
Please talk to me again
I need you