POP BALLADS OF THE 50s 60s 70s
From Encyclopedia Britannica: - pop ballad, form of slow love song prevalent in nearly all genres of popular music. There are rock ballads, soul ballads, country ballads, and even heavy metal ballads.
Here is a selection of some of the most popular “pop ballads” of the 50s, 60s and 70s.
Charlie Santoss - One-Hit Wonders - Variedades - Instrumental Hits - Os Precursores - Hong Kong English Pop - Hong Kong Cantopop - The British Invasion - A Jovem Guarda
![](http://web.archive.org./web/20161023225235im_/https://resources.blogblog.com/img/icon18_wrench_allbkg.png)
Sunday, November 1, 2015
VENUS (Charlie Santos)
"Venus" covered by me and my band.
(From Wikipedia): "Venus" is a song written by Ed Marshall and Peter DeAngelis. The most successful and best-known recording of the track was done by Frankie Avalon and released in 1959.
The song became Avalon's first number-one hit on the Billboard Hot 100 chart, where it spent five weeks atop the survey. The song also reached number ten on the R&B; chart. The song's lyrics detail a man's plea to Venus, the Roman goddess of love and beauty, to send him a girl to love and one who will love him as well. Billboard ranked it as the No. 4 song for 1959.
Saturday, October 17, 2015
I CAN'T STOP LOVING YOU (Ray Charles)
(From Wikipedia): "I Can't Stop Loving You" is a popular song written and composed by country singer, songwriter and musician Don Gibson, who first recorded it on December 30, 1957, for RCA Victor Records. It was released in 1958 as the B-side of "Oh, Lonesome Me", becoming a double-sided country hit single.
The song was covered by Ray Charles in 1962, featured on Charles' Modern Sounds in Country and Western Music, and released as a single. Charles' version reached number one on the Billboard Hot 100 in 1962, for five weeks. This version went to number one on the U.S. R&B; and Adult Contemporary charts. Billboard ranked it as the No. 2 song for 1962. Charles reached No. 1 in the UK Singles Chart in July 1962, staying for two weeks.
The Ray Charles version is noted for his saying the words before the last five lines of the song on the final chorus: "Sing the Song, Children". It was ranked No. 164 on Rolling Stone's list of the 500 Greatest Songs of All Time and #49 on CMT's 100 Greatest Songs in Country Music.
Monday, September 7, 2015
Saturday, August 1, 2015
CONSTANTLY (Cliff Richard)
(Fom Wikipedia): "L'Edera" is an Italian language song. It was interpreted by a number of artists notably Nilla Pizzi and Claudio Villa both in 1958. Pizzi's version is found on her album La vita è un paradiso di bugie. Villa's version included "Oh Lola" on the B-side "Constantly (L'Edera) In 1964, the Italian song was revived by Cliff Richard in an English language song with music based on L'Edera. The single, a non-album release officially titled "Constantly (L'Edera)" is more commonly known as just "Constantly". The music is still credited to Saverio Seracini, who composed the music for "l'Edera". The English lyrics to the song were written for Cliff Richard by Michael Julien. The recording was arranged and conducted by Norrie Paramor. The British single reached No. 4 in UK Singles Chart chart and was an international hit charting in Australia (No. 6), Ireland (No. 8), New Zealand (No. 3), Norway (No. 4) and Sweden (No. 10) and was certified silver in the UK. In some markets, "Constantly" appeared as a B-side to another Cliff Richard single "True True Lovin'"
Saturday, July 18, 2015
SECRET LOVE (Doris Day)
(From Wikipedia): "Secret Love" is a popular song written in 1953 with music by Sammy Fain and lyrics by Paul Francis Webster. Its first performance was in the film Calamity Jane by Doris Day. It received an Academy Award for Best Original Song. Doris Day recorded the best-selling record of the song, which reached number 1 on both the Billboard and Cash Box charts in 1954. A popular version by Slim Whitman also made number 2. The record was made on August 5, 1953. The recording was released by Columbia Records as catalog number 40108. The melody is based on the opening theme of Schubert's A-major piano sonata D.664.
Saturday, July 11, 2015
LOVE IS ALL AROUND (The Charlie Santos Group)
'Cover version' recorded by me and my band.
(From Wikipedia): "Love Is All Around" is a song recorded by the Troggs, featuring a string quartet and a 'tick tock' sound on percussion, in D-major. It was written by lead singer Reg Presley and was purportedly inspired by a television transmission of the Joy Strings Salvation Army band's "Love That's All Around". The song was first released as a single in the UK in October 1967. On the UK Singles Chart top 50, the record debuted at number 50 on 18 October 1967 (using the Wednesday date system) (date derived from 21 October 1967 and 28 October 1967), peaked at number five on 22 November 1967 (using the Wednesday date system) (date derived from 25 November 1967), and appeared 15 straight times. On the US Billboard Hot 100, the record entered at number 98 on 24 February 1968, peaked at number seven on 18 May 1968, and spent a total of 16 weeks on the chart. "Love Is All Around" has been covered by numerous artists, including R.E.M., with whom the Troggs subsequently recorded their 1992 comeback album Athens Andover. R.E.M.'s cover was a B-side on their 1991 "Radio Song" single, and they also played it during their first appearance at MTV's Unplugged series that same year. Wet Wet Wet's cover, for the soundtrack to the 1994 film Four Weddings and a Funeral, was an international hit and spent 15 consecutive weeks at number one on the UK Singles Chart.
DON'T LET THE SUN CATCH YOU CRYING (Gerry and the Pacemakers)
(From Wikipedia):"Don't Let the Sun Catch You Crying" is a song written and originally performed by British beat group Gerry and the Pacemakers. The songwriting is credited to Gerry Marsden and the other band members, Freddie Marsden, Les Chadwick and Les Maguire. It was released in April 1964 as Gerry and the Pacemakers' fifth single in Britain, and reached no. 6 in the UK singles chart. In the US, it was the breakthrough single for the group, and rose to no. 4 in the Billboard Hot 100. The record, like the group's earlier releases, was produced by George Martin.
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