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English 78 rpm record.
HMV, recording 16 February 1933.
Artur Schnabel (1882-1951), piano.
Sir Malcolm Sargent (1895-1967), London Philharmonic Orchestra.
D.B. 1886-1889 - Concerto No. 4 in G major op. 58 (Beethoven)
Transferred from the original 78 rpm records at 45 rpm with a standard USB turntable equipped with special needle.
Postprocessing in Audacity:
-inverse RIAA equalisation
-speeding up to 78 rpm
-DC correction
-24 dB high pass filter below 20 Hz, q=0,7
-auto click removal (threshold 200, length 20)
-mono conversion
-declicking/decrackling with ClickRepair (Wavelet, 100%, 100%, all)
-24 dB low pass filter above 10000 Hz (adjusted by ear), q=0,7
-8 dB bass amplification below 200 Hz (adjusted by ear)
-normalisation to -0.1 dB
-pitch correction
Piano Concerto No. 2 in B flat Major, op. 19
by Ludwig van Beethoven (1770-1827)
2. Movement "Adagio"
Artur Schnabel, piano
Philharmonia Orchestra
Issay Dobrowen, conductor
London, 06.VI.1946
- published: 27 Dec 2010
- views: 285
Piano Concerto No. 4 in G Major, op. 58
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro moderato"
Artur Schnabel, piano
Philharmonia Orchestra
Issay Dobrowen, conductor
London, 5./7.VI.1946
- published: 27 Dec 2010
- views: 1331
Piano Concerto No. 5 in E flat Major, op. 73
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London, 24.III.1932
- published: 26 Dec 2010
- views: 4530
Ludwig van Beethoven
Piano concerto n°5 op.73 "Emperor"
I. Allegro 0:00
II. Adagio un poco mosso 19:11
III. Rondo. Allegro 27:11
Artur Schnabel
Philharmonia Orchestra
Alceo Galliera
Studio recording, London, 27 & 28.V.1947
- published: 31 Mar 2014
- views: 1367
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
1. Movement "Allegro con brio"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London 23.III.1932
- published: 10 Dec 2010
- views: 1141
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
2. Movement "Largo"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London 23.III.1932
- published: 10 Dec 2010
- views: 749
Ludwig van Beethoven
Piano concerto n°2 op.19
I. Allegro con brio 0:00
II. Adagio 12:46
III. Rondo. Allegro molto 21:22
Artur Schnabel
Philharmonia Orchestra
Issay Dobrowen
Studio recording, London, 6.VI.1946
- published: 31 Mar 2014
- views: 706
Ludwig van Beethoven
Piano concerto n°3 op.37
I. Allegro con brio 0:00
II. Largo 15:44
III. Rondo. Allegro 27:02
Artur Schnabel
Philharmonia Orchestra
Issay Dobrowen
Studio recording, 30 & 31.V.1947
- published: 31 Mar 2014
- views: 1136
Artur Schnabel (April 17, 1882 – August 15, 1951) was an Austrian classical pianist, who also composed and taught. Schnabel was known for his intellectual seriousness as a musician, avoiding pure technical bravura. Among the 20th century's most respected and most important pianists, his playing displayed a vitality, profundity and spirituality in the Austro-German classics, particularly the works of Beethoven and Schubert. His performances of these compositions have often been hailed as models of interpretative penetration, and his best-known recordings are those of the Beethoven piano sonatas. Harold C. Schonberg referred to Schnabel as "the man who invented Beethoven".
Born in Lipnik (Kunzendorf) near Bielitz, Galicia, Austro-Hungarian Empire (today a part of Bielsko-Biała, Poland), Schnabel was the youngest of three children born to Isidor Schnabel, a textile merchant, and his wife Ernestine (née Labin). He had two sisters, Clara and Frieda. His family was Jewish.
Schnabel's parents moved to Vienna in 1884, when he was two. He began learning the piano at the age of four, when he took a spontaneous interest in his eldest sister Clara's piano lessons. His prodigious talent quickly became evident. At the age of six he began piano lessons under Professor Hans Schmitt of the Vienna Conservatorium (today the University of Music and Performing Arts, Vienna). Only three years later he was accepted as a pupil by the redoubtable and internationally celebrated piano pedagogue Theodor Leschetizky.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Artur_Schnabel
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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31:25Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)
Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)
English 78 rpm record. HMV, recording 16 February 1933. Artur Schnabel (1882-1951), piano. Sir Malcolm Sargent (1895-1967), London Philharmonic Orchestra. D.B. 1886-1889 - Concerto No. 4 in G major op. 58 (Beethoven) Transferred from the original 78 rpm records at 45 rpm with a standard USB turntable equipped with special needle. Postprocessing in Audacity: -inverse RIAA equalisation -speeding up to 78 rpm -DC correction -24 dB high pass filter below 20 Hz, q=0,7 -auto click removal (threshold 200, length 20) -mono conversion -declicking/decrackling with ClickRepair (Wavelet, 100%, 100%, all) -24 dB low pass filter above 10000 Hz (adjusted by ear), q=0,7 -8 dB bass amplification below 200 Hz (adjusted by ear) -normalisation to -0.1 dB -pitch correction -
8:45Artur Schnabel "Piano Concerto No. 2" (2.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 2" (2.Mov.) BeethovenArtur Schnabel "Piano Concerto No. 2" (2.Mov.) Beethoven
Piano Concerto No. 2 in B flat Major, op. 19 by Ludwig van Beethoven (1770-1827) 2. Movement "Adagio" Artur Schnabel, piano Philharmonia Orchestra Issay Dobrowen, conductor London, 06.VI.1946 -
17:34Artur Schnabel "Piano Concerto No. 4" (1.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 4" (1.Mov.) BeethovenArtur Schnabel "Piano Concerto No. 4" (1.Mov.) Beethoven
Piano Concerto No. 4 in G Major, op. 58 by Ludwig van Beethoven (1770-1827) 1. Movement "Allegro moderato" Artur Schnabel, piano Philharmonia Orchestra Issay Dobrowen, conductor London, 5./7.VI.1946 -
19:21Artur Schnabel "Piano Concerto No. 5" (1. Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 5" (1. Mov.) BeethovenArtur Schnabel "Piano Concerto No. 5" (1. Mov.) Beethoven
Piano Concerto No. 5 in E flat Major, op. 73 by Ludwig van Beethoven (1770-1827) 1. Movement "Allegro" Artur Schnabel, piano London Symphony Orchestra Sir Malcolm Sargent, conductor London, 24.III.1932 -
36:48Beethoven - Piano concerto n°5 - Schnabel / Philharmonia / Galliera
Beethoven - Piano concerto n°5 - Schnabel / Philharmonia / GallieraBeethoven - Piano concerto n°5 - Schnabel / Philharmonia / Galliera
Ludwig van Beethoven Piano concerto n°5 op.73 "Emperor" I. Allegro 0:00 II. Adagio un poco mosso 19:11 III. Rondo. Allegro 27:11 Artur Schnabel Philharmonia Orchestra Alceo Galliera Studio recording, London, 27 & 28.V.1947 -
17:06Artur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) BeethovenArtur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15" 1. Movement "Allegro con brio" Artur Schnabel, piano London Symphony Orchestra Sir Malcolm Sargent, conductor London 23.III.1932 -
12:36Artur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) BeethovenArtur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15" 2. Movement "Largo" Artur Schnabel, piano London Symphony Orchestra Sir Malcolm Sargent, conductor London 23.III.1932 -
27:12Beethoven - Piano concerto n°2 - Schnabel / Philharmonia / Dobrowen
Beethoven - Piano concerto n°2 - Schnabel / Philharmonia / DobrowenBeethoven - Piano concerto n°2 - Schnabel / Philharmonia / Dobrowen
Ludwig van Beethoven Piano concerto n°2 op.19 I. Allegro con brio 0:00 II. Adagio 12:46 III. Rondo. Allegro molto 21:22 Artur Schnabel Philharmonia Orchestra Issay Dobrowen Studio recording, London, 6.VI.1946 -
35:28Beethoven - Piano concerto n°3 - Schnabel / Philharmonia / Dobrowen
Beethoven - Piano concerto n°3 - Schnabel / Philharmonia / DobrowenBeethoven - Piano concerto n°3 - Schnabel / Philharmonia / Dobrowen
Ludwig van Beethoven Piano concerto n°3 op.37 I. Allegro con brio 0:00 II. Largo 15:44 III. Rondo. Allegro 27:02 Artur Schnabel Philharmonia Orchestra Issay Dobrowen Studio recording, 30 & 31.V.1947 -
37:22Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)
Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)
Chicago Symphony Orchestra Frederick Stock
- Adrian Boult
- Alan Bush
- Alfred Wittenberg
- Alto
- Anna Yesipova
- Anton Bruckner
- Anton Hekking
- Arnold Schoenberg
- Arthur Nikisch
- Artur Schnabel
- Atonality
- Austria–Hungary
- Axenstein
- Berlin
- Bielsko
- Bielsko-Biała
- Brno
- Bronisław Huberman
- Bruno Walter
- Budapest
- Bösendorfer
- Carl Flesch
- Carl Maria von Weber
- Carlo Zecchi
- Cello
- Chamber music
- Classical music
- Claude Frank
- Claudio Arrau
- Clifford Curzon
- Composer
- Diabelli Variations
- Eduard Erdmann
- Eric Blom
- Ernst Krenek
- Eunice Norton
- Franz Liszt
- Franz Schubert
- Frédéric Chopin
- George Szell
- Gregor Piatigorsky
- Harold C. Schonberg
- Henry Jolles
- HMV
- Hugo Becker
- Ignaz Friedman
- Italy
- Jean Gérardy
- Jew
- Johannes Brahms
- Joseph Szigeti
- Karl Haas
- Karl Ulrich Schnabel
- Konrad Wolff
- Kunzendorf
- Lake Como
- Leon Fleisher
- Leonard Shure
- Lied
- Lili Kraus
- Ludwig van Beethoven
- Maria Curcio
- Mark Hambourg
- Nancy Weir
- Naturalization
- Nazi Party
- Noel Mewton-Wood
- Ossip Gabrilowitsch
- Otto Klemperer
- Pau Casals
- Paul Hindemith
- Paul Zukofsky
- Pianist
- Piano concerto
- Piano Sonata (Liszt)
- Pierre Fournier
- Poland
- Prague
- Preludes (Chopin)
- Robert Schumann
- Roger Sessions
- Rudolf Firkušný
- Russia
- Sam Raphling
- Schwyz
- Sergei Rachmaninoff
- Sonata
- Stefan Schnabel
- String quartet
- Switzerland
- Symphony
- Tempo
- Theodor Leschetizky
- Therese Behr
- Tremezzo
- Vienna
- Vladimir Horowitz
- Wikipedia Persondata
- Wilhelm Furtwängler
- Willem Mengelberg
- World War I
- World War II
- WorldCat
- Adrian Aeschbacher
- Adrian Boult
- Alan Bush
- Anna Yesipova
- Anton Bruckner
- Anton Hekking
- Arnold Schoenberg
- Arthur Nikisch
- Artur Schnabel
- Bronisław Huberman
- Bruno Walter
- Carl Flesch
- Carl Maria von Weber
- Carlo Zecchi
- Claude Frank
- Claudio Arrau
- Clifford Curzon
- Eduard Erdmann
- Eric Blom
- Ernst Krenek
- Eunice Norton
- Franz Liszt
- Franz Schubert
- Frédéric Chopin
- George Szell
- Gregor Piatigorsky
- Henry Jolles
- Hugo Becker
- Ignaz Friedman
- Johannes Brahms
- Joseph Szigeti
- Karl Haas
- Karl Ulrich Schnabel
- Konrad Wolff
- Leon Fleisher
- Leonard Shure
- Lili Kraus
- Ludwig van Beethoven
- Maria Curcio
- Mark Hambourg
- Nancy Weir
- Ossip Gabrilowitsch
- Otto Klemperer
- Paul Hindemith
- Paul Zukofsky
- Pierre Fournier
- Robert Schumann
- Roger Sessions
- Rudolf Firkušný
- Sam Raphling
- Sergei Rachmaninoff
- Stefan Schnabel
- Theodor Leschetizky
- Vladimir Horowitz
- Wikipedia Persondata
- Wilhelm Furtwängler
- Willem Mengelberg
- World War I
Artur Schnabel
ALBUMS
- Piano Quintet "Trout" D 667 / String Quintet D 956 released: 2013
- The Complete Piano Sonatas released: 2011
- Piano Works released: 2008
- Brahms: Piano Concerto no. 2 / Schumann: Kinderszenen released: 2001
- Schnabel maestro espressivo: The Complete Beethoven Piano Sonatas released: 2001
- Piano Concerto no. 1 released: 2001
- Schnabel plays Beethoven V released: 1994
- Schnabel plays Beethoven IV released: 1994
- Schnabel plays Beethoven III released: 1994
- Schnabel plays Beethoven II released: 1994
- Schnabel plays Beethoven I released: 1994
- Piano Sonates D. 850, D. 958 & D. 960 / Moments musicaux D. 780 / March D. 606 released: 1992
- Works for Violin and Piano released: 1991
- Moments musicaux, Op. 94, Nos. 1-6, D.780 released: 1937
- Piano Concertos Nos. 4 & 5 released:
- Artur Schnabel Plays Bach & Brahms released:
- Artur Schnabel Plays Bach & Brahms, Volume II released:
- Impromptus - Allegretto released:
- Arthur Schnabel joue Ludwig van Beethoven released:
Piano Quintet "Trout" D 667 / String Quintet D 956
Released 2013- add to main playlist Play in Full Screen Piano Quintet in A major, D. 667 "Trout": l. Allegro vivace
- add to main playlist Play in Full Screen Piano Quintet in A major, D. 667 "Trout": ll. Andante
- add to main playlist Play in Full Screen Piano Quintet in A major, D. 667 "Trout": lll. Scherzo, Presto
- add to main playlist Play in Full Screen Piano Quintet in A major, D. 667 "Trout": lV. Andantino
- add to main playlist Play in Full Screen Piano Quintet in A major, D. 667 "Trout": V. Finale, Allegro giusto
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: l. Allegro ma non troppo
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: ll. Adagio
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: lll. Scherzo, Presto
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: lV. Allegretto
The Complete Piano Sonatas
Released 2011- add to main playlist Play in Full Screen Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Meneutto, Allegretto
- add to main playlist Play in Full Screen Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo
- add to main playlist Play in Full Screen Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace
- add to main playlist Play in Full Screen Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato
- add to main playlist Play in Full Screen Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo, Allegretto
- add to main playlist Play in Full Screen Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo, Grazioso
- add to main playlist Play in Full Screen Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio
- add to main playlist Play in Full Screen Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo, Allegro
- add to main playlist Play in Full Screen Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai
Piano Works
Released 2008- add to main playlist Play in Full Screen Italian Concerto in F, BWV 971: I.
- add to main playlist Play in Full Screen Italian Concerto in F, BWV 971: II. Andante
- add to main playlist Play in Full Screen Italian Concerto in F, BWV 971: III. Presto
- add to main playlist Play in Full Screen Chromatic Fantasia and Fugue in D Minor, BWV 903: I. Fantasie
- add to main playlist Play in Full Screen Chromatic Fantasia and Fugue in D Minor, BWV 903: II. Fugue
- add to main playlist Play in Full Screen Prelude and Fugue no. 5 in D major, BWV 850: Prelude
- add to main playlist Play in Full Screen Prelude and Fugue no. 5 in D major, BWV 850: Fugue
- add to main playlist Play in Full Screen Toccata in C minor, BWV 911: Introduction - Adagio
- add to main playlist Play in Full Screen Toccata in C minor, BWV 911: Fugue I (Allegro) - Adagio
- add to main playlist Play in Full Screen Toccata in C minor, BWV 911: Fugue II (Allegro)
- add to main playlist Play in Full Screen Toccata in D major, BWV 912: Introduction (Presto) - Allegro
- add to main playlist Play in Full Screen Toccata in D major, BWV 912: Adagio - Fugato - Adagio
- add to main playlist Play in Full Screen Toccata in D major, BWV 912: Fugue (Presto)
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace
Brahms: Piano Concerto no. 2 / Schumann: Kinderszenen
Released 2001- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 2. Kuriose Geschichte
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 3. Hasche-Mann
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 4. Bittendes Kind
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 5. Glückes genug
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 6. Wichtige Begebenheit
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 7. Träumerei
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 8. Am Kamin
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 9. Ritter von Steckenpferd
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 10. Fast zu ernst
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 11. Fürchtenmachen
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 12. Kind im Einschlummern
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 13. Der Dichter spricht
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: III. Andante
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegro grazioso
Schnabel maestro espressivo: The Complete Beethoven Piano Sonatas
Released 2001- add to main playlist Play in Full Screen Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
- add to main playlist Play in Full Screen Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto & Trio
- add to main playlist Play in Full Screen Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato
- add to main playlist Play in Full Screen Sonata No. 15 in D major, Op. 28 "Pastoral": I. Allegro
- add to main playlist Play in Full Screen Sonata No. 15 in D major, Op. 28 "Pastoral": II. Andante
- add to main playlist Play in Full Screen Sonata No. 15 in D major, Op. 28 "Pastoral": III. Scherzo & Trio: Allegro vivace
- add to main playlist Play in Full Screen Sonata No. 15 in D major, Op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo
- add to main playlist Play in Full Screen Sonata No. 16 in G major, Op. 31 No. 1: I. Allegro vivace
- add to main playlist Play in Full Screen Sonata No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso
- add to main playlist Play in Full Screen Sonata No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto
Piano Concerto no. 1
Released 2001- add to main playlist Play in Full Screen Piano Concerto no. 1 in D minor, op. 15: I. Maestoso
- add to main playlist Play in Full Screen Piano Concerto no. 1 in D minor, op. 15: II. Adagio
- add to main playlist Play in Full Screen Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
- add to main playlist Play in Full Screen Intermezzo in E-flat major, op. 117 no. 1
- add to main playlist Play in Full Screen Intermezzo In A minor, op. 116 no. 2
- add to main playlist Play in Full Screen Rhapsody in G minor, op. 79 no. 2
Schnabel plays Beethoven V
Released 1994- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato
- add to main playlist Play in Full Screen Bagatelle for Piano, Op. 126 No. 1 in G major: Andante con moto cantabile e compiacevole
- add to main playlist Play in Full Screen Bagatelle for Piano, Op. 126 No. 2 in G minor: Allegro
- add to main playlist Play in Full Screen Bagatelle for Piano, Op. 126 No. 3 in E-flat major: Andante cantabile e grazioso
- add to main playlist Play in Full Screen Bagatelle for Piano, Op. 126 No. 4 in B minor: Presto
- add to main playlist Play in Full Screen Bagatelle for Piano, Op. 126 No. 5 in G major: Quasi allegretto
- add to main playlist Play in Full Screen Bagatelle for Piano, Op. 126 No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo
Schnabel plays Beethoven IV
Released 1994- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. I
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. II
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. III
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IV
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. V
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VI
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VII. Canone all'ottava
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VIII
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IX
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. X
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XI
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XII
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIII
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIV
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XV. Largo
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Finale. Alla fuga. Allegro con brio - Andante con moto
- add to main playlist Play in Full Screen Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio
- add to main playlist Play in Full Screen Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto
- add to main playlist Play in Full Screen Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato
- add to main playlist Play in Full Screen Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai
- add to main playlist Play in Full Screen Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto
- add to main playlist Play in Full Screen Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo
Schnabel plays Beethoven III
Released 1994- add to main playlist Play in Full Screen Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
- add to main playlist Play in Full Screen Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto
- add to main playlist Play in Full Screen Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato
- add to main playlist Play in Full Screen Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante
- add to main playlist Play in Full Screen Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace
- add to main playlist Play in Full Screen Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo
- add to main playlist Play in Full Screen Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace
- add to main playlist Play in Full Screen Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso
- add to main playlist Play in Full Screen Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto
- add to main playlist Play in Full Screen 6 Variations for Piano in F major on an Original Theme, Op. 34: Thema. Adagio. Cantabile
- add to main playlist Play in Full Screen 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. I
- add to main playlist Play in Full Screen 6 Variations for Piano in F major on an Original Theme, Op. 34: Var II. Allegro ma non troppo
- add to main playlist Play in Full Screen 6 Variations for Piano in F major on an Original Theme, Op. 34: Var III. Allegretto
- add to main playlist Play in Full Screen 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. IV. Tempo di menuetto
- add to main playlist Play in Full Screen 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. V. Marcia. Allegretto
- add to main playlist Play in Full Screen 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. VI. Allegretto - Adagio molto
Schnabel plays Beethoven II
Released 1994- add to main playlist Play in Full Screen Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto
- add to main playlist Play in Full Screen Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto
- add to main playlist Play in Full Screen Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio
- add to main playlist Play in Full Screen Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile
- add to main playlist Play in Full Screen Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 9 in E major, Op. 14 No. 1: I. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 9 in E major, Op. 14 No. 1: II. Allegretto
- add to main playlist Play in Full Screen Sonata for Piano No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo
- add to main playlist Play in Full Screen Sonata for Piano No. 10 in G major, Op. 14 No. 2: I. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante
- add to main playlist Play in Full Screen Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai
Schnabel plays Beethoven I
Released 1994- add to main playlist Play in Full Screen Rondo in A major, WoO 49: Allegretto
- add to main playlist Play in Full Screen Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio
- add to main playlist Play in Full Screen Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto
- add to main playlist Play in Full Screen Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo
- add to main playlist Play in Full Screen Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace
- add to main playlist Play in Full Screen Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato
- add to main playlist Play in Full Screen Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto
- add to main playlist Play in Full Screen Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso
- add to main playlist Play in Full Screen Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio
- add to main playlist Play in Full Screen Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio
- add to main playlist Play in Full Screen Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai
- add to main playlist Play in Full Screen Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace
Piano Sonates D. 850, D. 958 & D. 960 / Moments musicaux D. 780 / March D. 606
Released 1992- add to main playlist Play in Full Screen Piano Sonata No. 17 in D major, D. 850: I. Allegro vivace
- add to main playlist Play in Full Screen Piano Sonata No. 17 in D major, D. 850: II. Con moto
- add to main playlist Play in Full Screen Piano Sonata No. 17 in D major, D. 850: III. Scherzo (Allegro vivace) & Trio (L'istesso tempo)
- add to main playlist Play in Full Screen Piano Sonata No. 17 in D major, D. 850: IV. Rondo (Allegro moderato)
- add to main playlist Play in Full Screen Moments musicaux, D. 780 No. 1 in C major (Moderato)
- add to main playlist Play in Full Screen Moments musicaux, D. 780 No. 2 in A flat major (Andantino)
- add to main playlist Play in Full Screen Moments musicaux, D. 780 No. 3 in F minor (Allegro moderato)
- add to main playlist Play in Full Screen Moments musicaux, D. 780 No. 4 in C sharp minor (Moderato)
- add to main playlist Play in Full Screen Moments musicaux, D. 780 No. 5 in F minor (Allegro vivace)
- add to main playlist Play in Full Screen Moments musicaux, D. 780 No. 6 in A flat major (Allegretto)
- add to main playlist Play in Full Screen March in E major, D. 606 (Allegro con brio - Trio)
Works for Violin and Piano
Released 1991- add to main playlist Play in Full Screen Spring of Chosroes
- add to main playlist Play in Full Screen Sonata for Violin and Piano: I. Allegro ma non troppo
- add to main playlist Play in Full Screen Sonata for Violin and Piano: II. Allegretto poco vivace
- add to main playlist Play in Full Screen Sonata for Violin and Piano: III. Adagio
- add to main playlist Play in Full Screen Sonata for Violin and Piano: IV. Vivace
Moments musicaux, Op. 94, Nos. 1-6, D.780
Released 1937- add to main playlist Play in Full Screen No. 1 in C (Moderato)
- add to main playlist Play in Full Screen No. 2 in A flat (Andantino)
- add to main playlist Play in Full Screen No. 3 in F minor (Allegro moderato)
- add to main playlist Play in Full Screen No. 4 in C sharp minor (Moderato)
- add to main playlist Play in Full Screen No. 5 in F minor (Allegro vivace)
- add to main playlist Play in Full Screen No. 6 in A flat (Allegretto)
Piano Concertos Nos. 4 & 5
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro
Artur Schnabel Plays Bach & Brahms
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante-Più adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Artur Schnabel Plays Bach & Brahms, Volume II
- add to main playlist Play in Full Screen Toccata in C minor, BWV 911
- add to main playlist Play in Full Screen Toccata in D major, BWV 912
- add to main playlist Play in Full Screen Piano Concerto no. 1 in D minor, op. 15: I. Maestoso
- add to main playlist Play in Full Screen Piano Concerto no. 1 in D minor, op. 15: II. Adagio
- add to main playlist Play in Full Screen Piano Concerto no. 1 in D minor, op. 15: III. Rondo
Impromptus - Allegretto
- add to main playlist Play in Full Screen Impromptu No. 1 en ut mineur, D. 899, Op. 90
- add to main playlist Play in Full Screen Impromptu No. 2 en mi bémol majeur, D. 899, Op. 90
- add to main playlist Play in Full Screen Impromptu No. 3 en sol bémol majeur, D. 899, Op. 90
- add to main playlist Play in Full Screen Impromptu No. 4 en la bémol majeur, D. 899, Op. 90
- add to main playlist Play in Full Screen Impromptu No. 1 en fa mineur, D. 935, Op. 142
- add to main playlist Play in Full Screen Impromptu No. 2 en la bémol majeur, D. 935, Op. 142
- add to main playlist Play in Full Screen Impromptu No. 3 en si bémol mineur, D. 935, Op. 142
- add to main playlist Play in Full Screen Impromptu No. 4 en fa mineur, D. 935, Op. 142
- add to main playlist Play in Full Screen Allegretto en ut mineur, D. 915
Arthur Schnabel joue Ludwig van Beethoven
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio
- add to main playlist Play in Full Screen 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace — Tema
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. I
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. II
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. III
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IV
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. V
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VI
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VII. Canone all'ottava
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VIII
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IX
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. X
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XI
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XII
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIII
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIV
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XV. Largo — Coda
- add to main playlist Play in Full Screen 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Finale. Alla fuga. Allegro con brio — Andante con moto
Born: 1882-04-17
Died: 1951-08-15
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Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)
English 78 rpm record. HMV, recording 16 February 1933. Artur Schnabel (1882-1951), piano. Sir Malcolm Sargent (1895-1967), London Philharmonic Orchestra. D.B. 1886-1889 - Concerto No. 4 in G major op. 58 (Beethoven) Transferred from the original 78 rpm records at 45 rpm with a standard USB turntable equipped with special needle. Postprocessing in Audacity: -inverse RIAA equalisation -speeding up to 78 rpm -DC correction -24 dB high pass filter below 20 Hz, q=0,7 -auto click removal (threshold 200, length 20) -mono conversion -declicking/decrackling with ClickRepair (Wavelet, 100%, 100%, all) -24 dB low pass filter above 10000 Hz (adjusted by ear), q=0,7 -8 dB bass amplification below 200 Hz (adjusted by ear) -normalisation to -0.1 dB -pitch correction -
Artur Schnabel "Piano Concerto No. 2" (2.Mov.) Beethoven
Piano Concerto No. 2 in B flat Major, op. 19 by Ludwig van Beethoven (1770-1827) 2. Movement "Adagio" Artur Schnabel, piano Philharmonia Orchestra Issay Dobrowen, conductor London, 06.VI.1946 -
Artur Schnabel "Piano Concerto No. 4" (1.Mov.) Beethoven
Piano Concerto No. 4 in G Major, op. 58 by Ludwig van Beethoven (1770-1827) 1. Movement "Allegro moderato" Artur Schnabel, piano Philharmonia Orchestra Issay Dobrowen, conductor London, 5./7.VI.1946 -
Artur Schnabel "Piano Concerto No. 5" (1. Mov.) Beethoven
Piano Concerto No. 5 in E flat Major, op. 73 by Ludwig van Beethoven (1770-1827) 1. Movement "Allegro" Artur Schnabel, piano London Symphony Orchestra Sir Malcolm Sargent, conductor London, 24.III.1932 -
Beethoven - Piano concerto n°5 - Schnabel / Philharmonia / Galliera
Ludwig van Beethoven Piano concerto n°5 op.73 "Emperor" I. Allegro 0:00 II. Adagio un poco mosso 19:11 III. Rondo. Allegro 27:11 Artur Schnabel Philharmonia Orchestra Alceo Galliera Studio recording, London, 27 & 28.V.1947 -
Artur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15" 1. Movement "Allegro con brio" Artur Schnabel, piano London Symphony Orchestra Sir Malcolm Sargent, conductor London 23.III.1932 -
Artur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15" 2. Movement "Largo" Artur Schnabel, piano London Symphony Orchestra Sir Malcolm Sargent, conductor London 23.III.1932 -
Beethoven - Piano concerto n°2 - Schnabel / Philharmonia / Dobrowen
Ludwig van Beethoven Piano concerto n°2 op.19 I. Allegro con brio 0:00 II. Adagio 12:46 III. Rondo. Allegro molto 21:22 Artur Schnabel Philharmonia Orchestra Issay Dobrowen Studio recording, London, 6.VI.1946 -
Beethoven - Piano concerto n°3 - Schnabel / Philharmonia / Dobrowen
Ludwig van Beethoven Piano concerto n°3 op.37 I. Allegro con brio 0:00 II. Largo 15:44 III. Rondo. Allegro 27:02 Artur Schnabel Philharmonia Orchestra Issay Dobrowen Studio recording, 30 & 31.V.1947 -
Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)
Chicago Symphony Orchestra Frederick Stock
Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)
- Order: Reorder
- Duration: 31:25
- Updated: 06 Aug 2012
- views: 5951
English 78 rpm record.
HMV, recording 16 February 1933.
Artur Schnabel (1882-1951), piano.
Sir Malcolm Sargent (1895-1967), London Philharmonic Orchestra.
D.B. ...
English 78 rpm record.
HMV, recording 16 February 1933.
Artur Schnabel (1882-1951), piano.
Sir Malcolm Sargent (1895-1967), London Philharmonic Orchestra.
D.B. 1886-1889 - Concerto No. 4 in G major op. 58 (Beethoven)
Transferred from the original 78 rpm records at 45 rpm with a standard USB turntable equipped with special needle.
Postprocessing in Audacity:
-inverse RIAA equalisation
-speeding up to 78 rpm
-DC correction
-24 dB high pass filter below 20 Hz, q=0,7
-auto click removal (threshold 200, length 20)
-mono conversion
-declicking/decrackling with ClickRepair (Wavelet, 100%, 100%, all)
-24 dB low pass filter above 10000 Hz (adjusted by ear), q=0,7
-8 dB bass amplification below 200 Hz (adjusted by ear)
-normalisation to -0.1 dB
-pitch correction
wn.com/Artur Schnabel Plays Beethoven Piano Concerto No. 4 In G Major (1933)
English 78 rpm record.
HMV, recording 16 February 1933.
Artur Schnabel (1882-1951), piano.
Sir Malcolm Sargent (1895-1967), London Philharmonic Orchestra.
D.B. 1886-1889 - Concerto No. 4 in G major op. 58 (Beethoven)
Transferred from the original 78 rpm records at 45 rpm with a standard USB turntable equipped with special needle.
Postprocessing in Audacity:
-inverse RIAA equalisation
-speeding up to 78 rpm
-DC correction
-24 dB high pass filter below 20 Hz, q=0,7
-auto click removal (threshold 200, length 20)
-mono conversion
-declicking/decrackling with ClickRepair (Wavelet, 100%, 100%, all)
-24 dB low pass filter above 10000 Hz (adjusted by ear), q=0,7
-8 dB bass amplification below 200 Hz (adjusted by ear)
-normalisation to -0.1 dB
-pitch correction
- published: 06 Aug 2012
- views: 5951
Artur Schnabel "Piano Concerto No. 2" (2.Mov.) Beethoven
- Order: Reorder
- Duration: 8:45
- Updated: 27 Dec 2010
- views: 285
Piano Concerto No. 2 in B flat Major, op. 19
by Ludwig van Beethoven (1770-1827)
2. Movement "Adagio"
Artur Schnabel, piano
Philharmonia Orchestra
Issay Dobrowe...
Piano Concerto No. 2 in B flat Major, op. 19
by Ludwig van Beethoven (1770-1827)
2. Movement "Adagio"
Artur Schnabel, piano
Philharmonia Orchestra
Issay Dobrowen, conductor
London, 06.VI.1946
wn.com/Artur Schnabel Piano Concerto No. 2 (2.Mov.) Beethoven
Piano Concerto No. 2 in B flat Major, op. 19
by Ludwig van Beethoven (1770-1827)
2. Movement "Adagio"
Artur Schnabel, piano
Philharmonia Orchestra
Issay Dobrowen, conductor
London, 06.VI.1946
- published: 27 Dec 2010
- views: 285
Artur Schnabel "Piano Concerto No. 4" (1.Mov.) Beethoven
- Order: Reorder
- Duration: 17:34
- Updated: 27 Dec 2010
- views: 1331
Piano Concerto No. 4 in G Major, op. 58
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro moderato"
Artur Schnabel, piano
Philharmonia Orchestra
Iss...
Piano Concerto No. 4 in G Major, op. 58
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro moderato"
Artur Schnabel, piano
Philharmonia Orchestra
Issay Dobrowen, conductor
London, 5./7.VI.1946
wn.com/Artur Schnabel Piano Concerto No. 4 (1.Mov.) Beethoven
Piano Concerto No. 4 in G Major, op. 58
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro moderato"
Artur Schnabel, piano
Philharmonia Orchestra
Issay Dobrowen, conductor
London, 5./7.VI.1946
- published: 27 Dec 2010
- views: 1331
Artur Schnabel "Piano Concerto No. 5" (1. Mov.) Beethoven
- Order: Reorder
- Duration: 19:21
- Updated: 26 Dec 2010
- views: 4530
Piano Concerto No. 5 in E flat Major, op. 73
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malco...
Piano Concerto No. 5 in E flat Major, op. 73
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London, 24.III.1932
wn.com/Artur Schnabel Piano Concerto No. 5 (1. Mov.) Beethoven
Piano Concerto No. 5 in E flat Major, op. 73
by Ludwig van Beethoven (1770-1827)
1. Movement "Allegro"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London, 24.III.1932
- published: 26 Dec 2010
- views: 4530
Beethoven - Piano concerto n°5 - Schnabel / Philharmonia / Galliera
- Order: Reorder
- Duration: 36:48
- Updated: 31 Mar 2014
- views: 1367
Ludwig van Beethoven
Piano concerto n°5 op.73 "Emperor"
I. Allegro 0:00
II. Adagio un poco mosso 19:11
III. Rondo. Allegro 27:11
Artur Schnabel
Philharmonia ...
Ludwig van Beethoven
Piano concerto n°5 op.73 "Emperor"
I. Allegro 0:00
II. Adagio un poco mosso 19:11
III. Rondo. Allegro 27:11
Artur Schnabel
Philharmonia Orchestra
Alceo Galliera
Studio recording, London, 27 & 28.V.1947
wn.com/Beethoven Piano Concerto N°5 Schnabel Philharmonia Galliera
Ludwig van Beethoven
Piano concerto n°5 op.73 "Emperor"
I. Allegro 0:00
II. Adagio un poco mosso 19:11
III. Rondo. Allegro 27:11
Artur Schnabel
Philharmonia Orchestra
Alceo Galliera
Studio recording, London, 27 & 28.V.1947
- published: 31 Mar 2014
- views: 1367
Artur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) Beethoven
- Order: Reorder
- Duration: 17:06
- Updated: 10 Dec 2010
- views: 1141
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
1. Movement "Allegro con brio"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, ...
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
1. Movement "Allegro con brio"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London 23.III.1932
wn.com/Artur Schnabel Piano Concerto No. 1 C Major (1.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
1. Movement "Allegro con brio"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London 23.III.1932
- published: 10 Dec 2010
- views: 1141
Artur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) Beethoven
- Order: Reorder
- Duration: 12:36
- Updated: 10 Dec 2010
- views: 749
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
2. Movement "Largo"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
L...
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
2. Movement "Largo"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London 23.III.1932
wn.com/Artur Schnabel Piano Concerto No. 1 C Major (2.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
2. Movement "Largo"
Artur Schnabel, piano
London Symphony Orchestra
Sir Malcolm Sargent, conductor
London 23.III.1932
- published: 10 Dec 2010
- views: 749
Beethoven - Piano concerto n°2 - Schnabel / Philharmonia / Dobrowen
- Order: Reorder
- Duration: 27:12
- Updated: 31 Mar 2014
- views: 706
Ludwig van Beethoven
Piano concerto n°2 op.19
I. Allegro con brio 0:00
II. Adagio 12:46
III. Rondo. Allegro molto 21:22
Artur Schnabel
Philharmonia Orchestra...
Ludwig van Beethoven
Piano concerto n°2 op.19
I. Allegro con brio 0:00
II. Adagio 12:46
III. Rondo. Allegro molto 21:22
Artur Schnabel
Philharmonia Orchestra
Issay Dobrowen
Studio recording, London, 6.VI.1946
wn.com/Beethoven Piano Concerto N°2 Schnabel Philharmonia Dobrowen
Ludwig van Beethoven
Piano concerto n°2 op.19
I. Allegro con brio 0:00
II. Adagio 12:46
III. Rondo. Allegro molto 21:22
Artur Schnabel
Philharmonia Orchestra
Issay Dobrowen
Studio recording, London, 6.VI.1946
- published: 31 Mar 2014
- views: 706
Beethoven - Piano concerto n°3 - Schnabel / Philharmonia / Dobrowen
- Order: Reorder
- Duration: 35:28
- Updated: 31 Mar 2014
- views: 1136
Ludwig van Beethoven
Piano concerto n°3 op.37
I. Allegro con brio 0:00
II. Largo 15:44
III. Rondo. Allegro 27:02
Artur Schnabel
Philharmonia Orchestra
Issay ...
Ludwig van Beethoven
Piano concerto n°3 op.37
I. Allegro con brio 0:00
II. Largo 15:44
III. Rondo. Allegro 27:02
Artur Schnabel
Philharmonia Orchestra
Issay Dobrowen
Studio recording, 30 & 31.V.1947
wn.com/Beethoven Piano Concerto N°3 Schnabel Philharmonia Dobrowen
Ludwig van Beethoven
Piano concerto n°3 op.37
I. Allegro con brio 0:00
II. Largo 15:44
III. Rondo. Allegro 27:02
Artur Schnabel
Philharmonia Orchestra
Issay Dobrowen
Studio recording, 30 & 31.V.1947
- published: 31 Mar 2014
- views: 1136
Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)
- Order: Reorder
- Duration: 37:22
- Updated: 17 Oct 2015
- views: 289
-
Artur Schnabel Radio Address 1950
This is the only known recording of Artur Schnabel speaking: In this radio broadcast piece from London, G.B., of June 20, 1950 presented here Artur Schnabel expresses his feelings about the tactics of intimidation that followed WWII and continued during the McCarthy Era. The photo is from a live broadcast in which Artur Schnabel played for the Armed Forces in the US during the war. -
Leon Fleisher Reflects: A Peabody Founder's Day Interview with Ray Sprenkle
A special night with Leon Fleisher, a legendary pianist and conductor at the Johns Hopkins Peabody Institute, hosted live on our Ustream channel: www.ustream.tv/channel/johnshopkinsu. Fleisher was interviewed live by Peabody faculty member Ray Sprenkle -- a noted composer, historian and lecturer -- against the backdrop of the gorgeous Peabody Library. At the age of nine, Fleisher began studies with the great German pianist Artur Schnabel, made his New York Philharmonic debut at sixteen and was the first American to win the prestigious Queen Elisabeth of Belgium Competition in 1952. He made touchstone recordings with Szell and the Cleveland Orchestra and for a dozen years he appeared in all the world's major music centers to great acclaim until, in 1965, he was struck with a neurologica... -
VIDEO: The Teaching of Artur Schnabel - Eunice Norton, 1987 (1/18)
"The Teaching of Artur Schnabel" (1/18) Four illustrated lectures by Eunice Norton. 1a - Mozart and Early Beethoven Recorded in 1987. -
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06 -
-
Pianist Arthur Schnabel Home Movie 1937
Filmed in 1937 by Karol Liszniewski in Cincinnati, Ohio. Arthur Schnabel (April 17, 1882 -- August 15, 1951) was a classical pianist, who also composed and taught. Schnabel was renowned for his seriousness as a musician, avoiding anything resembling pure technical bravura. He was said to have tended to disregard his own technical limitations in pursuit of his musical ideals. However, Schnabel is widely considered to be one of the greatest pianists of the 20th century, whose vitality, profundity and spiritual penetration in his playing of works by Beethoven and Schubert, in particular, have seldom if ever been surpassed. Born in Lipnik, Poland, Schnabel studied piano from the age of seven in Vienna under Theodor Leschetizky who said to him "You will never be a pianist. You are a musi... -
Artur Schnabel plays Schubert Sonata in B flat Major D 960 (1/3)
I. Molto moderato rec. 1939 -
Artur Schnabel - Sonata for Violin and Piano, I-II
Sonata for Violin and Piano (1935) I. Allegro ma non troppo (quasi moderato e sempre semplice) II. Allegretto poco vivace III. Adagio IV. Vivace Paul Zukofsky, violin Ursula Oppens, piano Artur Schnabel (1882-1951) is still, as in his lifetime, known principally as one of the great pianists of this century, and one of the foremost Beethoven interpreters ever. What is not so known is that he was also a very active composer, writing throughout his lifetime, and towards the end of his life, concentrating more on his composing than his concertizing. A list of his compositions includes three symphonies, two other orchestral works, five string quartets, various other solo and chamber works, and song cycles. Despite the fact that Schnabel never performed contemporary music, his own music is e... -
Artur Schnabel plays Schubert Sonata D959 in A major (II)
I. Allegro - Part I : http://www.youtube.com/watch?v=QyZg1RTS51Y - Part II : http://www.youtube.com/watch?v=d6CIAiGCOJM II. Andantino III. Scherzo - Allegro vivace http://www.youtube.com/watch?v=OhVquc0grvg IV. Rondo - Allegretto http://www.youtube.com/watch?v=OybbWvyaPUA ~~~ The three piano sonatas numbered 958 in C minor, 959 in A major and 960 in B-flat major in Deutsch's catalogue of Franz Schubert's complete works are the composer's last major compositions for the piano, often referred to as Last Sonatas. They were written during the last months of Schubert's life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838-39. Furthermore, like the rest of Schuberts piano sonatas, they were mostly neglected during the... -
Eunice Norton in Conversation (1987) 5/5
"Eunice Norton in Conversation" (5/5) An audio interveiw with pianist Eunice Norton by music critic Riccardo ("Richard") Schulz in 1987 on the topic of her early career, originally presented with her four part series of lectures on the teaching of Artur Schnabel. * Fanfare Magazine, March/April 1997 An Interview with Eunice Norton BY BERNARD JACOBSEN (continued from part 4) B.J.: This emerges very clearly from the Bach partitas, where you take pretty well all of the repeats. And that brings me back to the question of repertoire. Looking at the list of what youve played and recorded over the years, I wonder whether you feel closer to Bach than to any other composer? E.N.: Not closer to Beethoven or Schubert--not looking at them just as music. But, you see, I started very young wi...
Artur Schnabel Radio Address 1950
- Order: Reorder
- Duration: 0:54
- Updated: 15 May 2013
- views: 1713
This is the only known recording of Artur Schnabel speaking: In this radio broadcast piece from London, G.B., of June 20, 1950 presented here Artur Schnabel exp...
This is the only known recording of Artur Schnabel speaking: In this radio broadcast piece from London, G.B., of June 20, 1950 presented here Artur Schnabel expresses his feelings about the tactics of intimidation that followed WWII and continued during the McCarthy Era. The photo is from a live broadcast in which Artur Schnabel played for the Armed Forces in the US during the war.
wn.com/Artur Schnabel Radio Address 1950
This is the only known recording of Artur Schnabel speaking: In this radio broadcast piece from London, G.B., of June 20, 1950 presented here Artur Schnabel expresses his feelings about the tactics of intimidation that followed WWII and continued during the McCarthy Era. The photo is from a live broadcast in which Artur Schnabel played for the Armed Forces in the US during the war.
- published: 15 May 2013
- views: 1713
Leon Fleisher Reflects: A Peabody Founder's Day Interview with Ray Sprenkle
- Order: Reorder
- Duration: 58:44
- Updated: 28 Feb 2014
- views: 6064
A special night with Leon Fleisher, a legendary pianist and conductor at the Johns Hopkins Peabody Institute, hosted live on our Ustream channel: www.ustream.tv...
A special night with Leon Fleisher, a legendary pianist and conductor at the Johns Hopkins Peabody Institute, hosted live on our Ustream channel: www.ustream.tv/channel/johnshopkinsu.
Fleisher was interviewed live by Peabody faculty member Ray Sprenkle -- a noted composer, historian and lecturer -- against the backdrop of the gorgeous Peabody Library.
At the age of nine, Fleisher began studies with the great German pianist Artur Schnabel, made his New York Philharmonic debut at sixteen and was the first American to win the prestigious Queen Elisabeth of Belgium Competition in 1952. He made touchstone recordings with Szell and the Cleveland Orchestra and for a dozen years he appeared in all the world's major music centers to great acclaim until, in 1965, he was struck with a neurological affliction that rendered two fingers of his right hand immobile.
For almost four decades, Fleisher continued to share his special gifts through performances of the repertoire for left-hand, as a conductor and teacher, never giving up the hope that he would play again with both hands. Through special treatments, he has been playing with both hands again in recent years and making critically-acclaimed recordings.
At the Kennedy Center Honors, he was recognized as "a consummate musician whose career is a testament to the life-affirming power of art."
wn.com/Leon Fleisher Reflects A Peabody Founder's Day Interview With Ray Sprenkle
A special night with Leon Fleisher, a legendary pianist and conductor at the Johns Hopkins Peabody Institute, hosted live on our Ustream channel: www.ustream.tv/channel/johnshopkinsu.
Fleisher was interviewed live by Peabody faculty member Ray Sprenkle -- a noted composer, historian and lecturer -- against the backdrop of the gorgeous Peabody Library.
At the age of nine, Fleisher began studies with the great German pianist Artur Schnabel, made his New York Philharmonic debut at sixteen and was the first American to win the prestigious Queen Elisabeth of Belgium Competition in 1952. He made touchstone recordings with Szell and the Cleveland Orchestra and for a dozen years he appeared in all the world's major music centers to great acclaim until, in 1965, he was struck with a neurological affliction that rendered two fingers of his right hand immobile.
For almost four decades, Fleisher continued to share his special gifts through performances of the repertoire for left-hand, as a conductor and teacher, never giving up the hope that he would play again with both hands. Through special treatments, he has been playing with both hands again in recent years and making critically-acclaimed recordings.
At the Kennedy Center Honors, he was recognized as "a consummate musician whose career is a testament to the life-affirming power of art."
- published: 28 Feb 2014
- views: 6064
VIDEO: The Teaching of Artur Schnabel - Eunice Norton, 1987 (1/18)
- Order: Reorder
- Duration: 13:38
- Updated: 21 Oct 2010
- views: 10101
"The Teaching of Artur Schnabel" (1/18)
Four illustrated lectures by Eunice Norton.
1a - Mozart and Early Beethoven
Recorded in 1987.
"The Teaching of Artur Schnabel" (1/18)
Four illustrated lectures by Eunice Norton.
1a - Mozart and Early Beethoven
Recorded in 1987.
wn.com/Video The Teaching Of Artur Schnabel Eunice Norton, 1987 (1 18)
"The Teaching of Artur Schnabel" (1/18)
Four illustrated lectures by Eunice Norton.
1a - Mozart and Early Beethoven
Recorded in 1987.
- published: 21 Oct 2010
- views: 10101
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06
- Order: Reorder
- Duration: 7:41
- Updated: 31 Mar 2009
- views: 22897
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06
- published: 31 Mar 2009
- views: 22897
Artur Schnabel plays Schubert: Moments Musicaux D. 780
- Order: Reorder
- Duration: 24:57
- Updated: 17 Apr 2015
- views: 1344
Recorded in November 9/12, 1937
Recorded in November 9/12, 1937
wn.com/Artur Schnabel Plays Schubert Moments Musicaux D. 780
Pianist Arthur Schnabel Home Movie 1937
- Order: Reorder
- Duration: 1:30
- Updated: 29 Nov 2006
- views: 59440
Filmed in 1937 by Karol Liszniewski in Cincinnati, Ohio.
Arthur Schnabel (April 17, 1882 -- August 15, 1951) was a classical pianist, who also composed and ...
Filmed in 1937 by Karol Liszniewski in Cincinnati, Ohio.
Arthur Schnabel (April 17, 1882 -- August 15, 1951) was a classical pianist, who also composed and taught. Schnabel was renowned for his seriousness as a musician, avoiding anything resembling pure technical bravura. He was said to have tended to disregard his own technical limitations in pursuit of his musical ideals. However, Schnabel is widely considered to be one of the greatest pianists of the 20th century, whose vitality, profundity and spiritual penetration in his playing of works by Beethoven and Schubert, in particular, have seldom if ever been surpassed.
Born in Lipnik, Poland, Schnabel studied piano from the age of seven in Vienna under Theodor Leschetizky who said to him "You will never be a pianist. You are a musician." Schnabel took these words to heart, and rather than playing the showy virtuoso pieces by composers like Franz Liszt which were popular in the late 19th century, he chose to concentrate on Germanic classics by Mozart, Beethoven and Schubert. Later, Schnabel also studied composition under Eusebius Mandyczewski who was a friend of Johannes Brahms.
In 1900, Schnabel moved to Berlin where he began his career as a professional pianist. He gained some fame thanks to orchestral concerts he gave under the conductor Artur Nikisch as well as playing in chamber music and accompanying his future wife, the contralto Therese Behr, in lieder. It seems that Behr had some influence over Schnabel's repertoire, encouraging him to explore the sonatas of Schubert and the works of Brahms.
Following World War I, Schnabel toured widely, visiting the United States, Russia and England. From 1925 he taught at the Berlin State Academy where his masterclasses brought him great renown.
Schnabel was known for championing the then-neglected sonatas of Schubert and, even more so, Beethoven. At that time, Beethoven's piano music was little played and largely unappreciated by the public. While on a tour of Spain, Schnabel wrote to his wife saying that during a performance of Beethoven's Diabelli Variations he had begun to feel sorry for the audience. "I am the only person here who is enjoying this, and I get the money; they pay and have to suffer," he wrote. Schnabel did much to popularize Beethoven's music, giving the first complete cycle of his piano sonatas (that is, he played every piano sonata by Beethoven in a series of concerts) and also making the first recording of them all, completing the set in 1935. This set of recordings has never been out of print, and is considered by many to be the touchstone of Beethoven sonata interpretations, though occasional shortcomings in finger technique mar his performances of fast movements (Rachmaninoff is supposed to have referred to him as "the great adagio pianist"). He also recorded all the Beethoven piano concertos.
Despite his playing repertoire almost never leaving the works of Beethoven, Schubert, Mozart and Brahms, almost all of his compositions (none of which are in the active repertoire) are atonal. Schnabel left Berlin in 1933 after the Nazi Party took control. He lived in England for a time while giving master classes at Tremezzo on Lake Como in Italy, before moving to America in 1939. In 1944, he became a naturalized citizen of the United States. There he took a teaching post at the University of Michigan, returning to Europe at the end of World War II. He continued to give concerts on both sides of the Atlantic until the end of his life; his list of compositions eventually included symphonies, a piano concerto and five string quartets amongst various smaller works. And he continued to make records, though he was never very fond of the whole studio process. He died in Axenstein, Switzerland.
Music on this home movie is Schnabel playing an excerpt from Beethoven's Sonata No. 14 In C Sharp Minor, Op. 27, No. 2 -- Moonlight and an excerpt Sonata No. 23 In F Minor, Op. 57 -- Appassionata. Available at:
http://www.amazon.com/Schnabel-plays-Beethoven-Named-Sonatas/dp/B00004U35D
wn.com/Pianist Arthur Schnabel Home Movie 1937
Filmed in 1937 by Karol Liszniewski in Cincinnati, Ohio.
Arthur Schnabel (April 17, 1882 -- August 15, 1951) was a classical pianist, who also composed and taught. Schnabel was renowned for his seriousness as a musician, avoiding anything resembling pure technical bravura. He was said to have tended to disregard his own technical limitations in pursuit of his musical ideals. However, Schnabel is widely considered to be one of the greatest pianists of the 20th century, whose vitality, profundity and spiritual penetration in his playing of works by Beethoven and Schubert, in particular, have seldom if ever been surpassed.
Born in Lipnik, Poland, Schnabel studied piano from the age of seven in Vienna under Theodor Leschetizky who said to him "You will never be a pianist. You are a musician." Schnabel took these words to heart, and rather than playing the showy virtuoso pieces by composers like Franz Liszt which were popular in the late 19th century, he chose to concentrate on Germanic classics by Mozart, Beethoven and Schubert. Later, Schnabel also studied composition under Eusebius Mandyczewski who was a friend of Johannes Brahms.
In 1900, Schnabel moved to Berlin where he began his career as a professional pianist. He gained some fame thanks to orchestral concerts he gave under the conductor Artur Nikisch as well as playing in chamber music and accompanying his future wife, the contralto Therese Behr, in lieder. It seems that Behr had some influence over Schnabel's repertoire, encouraging him to explore the sonatas of Schubert and the works of Brahms.
Following World War I, Schnabel toured widely, visiting the United States, Russia and England. From 1925 he taught at the Berlin State Academy where his masterclasses brought him great renown.
Schnabel was known for championing the then-neglected sonatas of Schubert and, even more so, Beethoven. At that time, Beethoven's piano music was little played and largely unappreciated by the public. While on a tour of Spain, Schnabel wrote to his wife saying that during a performance of Beethoven's Diabelli Variations he had begun to feel sorry for the audience. "I am the only person here who is enjoying this, and I get the money; they pay and have to suffer," he wrote. Schnabel did much to popularize Beethoven's music, giving the first complete cycle of his piano sonatas (that is, he played every piano sonata by Beethoven in a series of concerts) and also making the first recording of them all, completing the set in 1935. This set of recordings has never been out of print, and is considered by many to be the touchstone of Beethoven sonata interpretations, though occasional shortcomings in finger technique mar his performances of fast movements (Rachmaninoff is supposed to have referred to him as "the great adagio pianist"). He also recorded all the Beethoven piano concertos.
Despite his playing repertoire almost never leaving the works of Beethoven, Schubert, Mozart and Brahms, almost all of his compositions (none of which are in the active repertoire) are atonal. Schnabel left Berlin in 1933 after the Nazi Party took control. He lived in England for a time while giving master classes at Tremezzo on Lake Como in Italy, before moving to America in 1939. In 1944, he became a naturalized citizen of the United States. There he took a teaching post at the University of Michigan, returning to Europe at the end of World War II. He continued to give concerts on both sides of the Atlantic until the end of his life; his list of compositions eventually included symphonies, a piano concerto and five string quartets amongst various smaller works. And he continued to make records, though he was never very fond of the whole studio process. He died in Axenstein, Switzerland.
Music on this home movie is Schnabel playing an excerpt from Beethoven's Sonata No. 14 In C Sharp Minor, Op. 27, No. 2 -- Moonlight and an excerpt Sonata No. 23 In F Minor, Op. 57 -- Appassionata. Available at:
http://www.amazon.com/Schnabel-plays-Beethoven-Named-Sonatas/dp/B00004U35D
- published: 29 Nov 2006
- views: 59440
Artur Schnabel plays Schubert Sonata in B flat Major D 960 (1/3)
- Order: Reorder
- Duration: 13:51
- Updated: 15 Nov 2010
- views: 15836
I. Molto moderato
rec. 1939
I. Molto moderato
rec. 1939
wn.com/Artur Schnabel Plays Schubert Sonata In B Flat Major D 960 (1 3)
Artur Schnabel - Sonata for Violin and Piano, I-II
- Order: Reorder
- Duration: 11:30
- Updated: 21 Mar 2011
- views: 1336
Sonata for Violin and Piano (1935)
I. Allegro ma non troppo (quasi moderato e sempre semplice)
II. Allegretto poco vivace
III. Adagio
IV. Vivace
Paul Zukofsk...
Sonata for Violin and Piano (1935)
I. Allegro ma non troppo (quasi moderato e sempre semplice)
II. Allegretto poco vivace
III. Adagio
IV. Vivace
Paul Zukofsky, violin
Ursula Oppens, piano
Artur Schnabel (1882-1951) is still, as in his lifetime, known principally as one of the great pianists of this century, and one of the foremost Beethoven interpreters ever. What is not so known is that he was also a very active composer, writing throughout his lifetime, and towards the end of his life, concentrating more on his composing than his concertizing. A list of his compositions includes three symphonies, two other orchestral works, five string quartets, various other solo and chamber works, and song cycles. Despite the fact that Schnabel never performed contemporary music, his own music is extremely modern and individualistic, and in my opinion greatly influenced his piano playing. The plasticity of phrase and timing that he is so known for in Beethoven is seen clearly in his compositional concerns, which led him to write totally unbarred music, as well as music of extreme rhythmical sophistication.
The Sonata for Violin and Piano was written in 1935, and given its premiere in 1944. If I were to suggest a somewhat more familiar work that appears similar to me in many ways, it would be the Duo by Roger Sessions, dating from 1942. Indeed, Sessions talked to me quite lovingly about his regular luncheon meetings with Schnabel, during which time Roger would ask Schnabel's advice about piano playing, and Schnabel would discuss composition with Sessions. For me, both works emerge out of a post First World War common European language that, while it never grew into a school or specific style, nevertheless produced various works of significant beauty, all too sadly ignored.
Among the many aspects of the Sonata that appeal to and fascinate me are: the incredible irregularity of phrase lengths, and the freedom of their succession; the counterpoint; the "polyrhythmic" (or perhaps better—poly-divided) second movement with non-stop 5 against 4, except when it is 6 against 5 against 4; the theatricality of the movement endings and sustained chords that no longer speak, whose duration is specified exactly; the rhythmic unfoldings of the third and fourth movements which create the impression of metric modulation; the humor and warmth of an altogether lovely piece of music.
--Bunita Marcus
Art by Helen Frankenthaler
wn.com/Artur Schnabel Sonata For Violin And Piano, I Ii
Sonata for Violin and Piano (1935)
I. Allegro ma non troppo (quasi moderato e sempre semplice)
II. Allegretto poco vivace
III. Adagio
IV. Vivace
Paul Zukofsky, violin
Ursula Oppens, piano
Artur Schnabel (1882-1951) is still, as in his lifetime, known principally as one of the great pianists of this century, and one of the foremost Beethoven interpreters ever. What is not so known is that he was also a very active composer, writing throughout his lifetime, and towards the end of his life, concentrating more on his composing than his concertizing. A list of his compositions includes three symphonies, two other orchestral works, five string quartets, various other solo and chamber works, and song cycles. Despite the fact that Schnabel never performed contemporary music, his own music is extremely modern and individualistic, and in my opinion greatly influenced his piano playing. The plasticity of phrase and timing that he is so known for in Beethoven is seen clearly in his compositional concerns, which led him to write totally unbarred music, as well as music of extreme rhythmical sophistication.
The Sonata for Violin and Piano was written in 1935, and given its premiere in 1944. If I were to suggest a somewhat more familiar work that appears similar to me in many ways, it would be the Duo by Roger Sessions, dating from 1942. Indeed, Sessions talked to me quite lovingly about his regular luncheon meetings with Schnabel, during which time Roger would ask Schnabel's advice about piano playing, and Schnabel would discuss composition with Sessions. For me, both works emerge out of a post First World War common European language that, while it never grew into a school or specific style, nevertheless produced various works of significant beauty, all too sadly ignored.
Among the many aspects of the Sonata that appeal to and fascinate me are: the incredible irregularity of phrase lengths, and the freedom of their succession; the counterpoint; the "polyrhythmic" (or perhaps better—poly-divided) second movement with non-stop 5 against 4, except when it is 6 against 5 against 4; the theatricality of the movement endings and sustained chords that no longer speak, whose duration is specified exactly; the rhythmic unfoldings of the third and fourth movements which create the impression of metric modulation; the humor and warmth of an altogether lovely piece of music.
--Bunita Marcus
Art by Helen Frankenthaler
- published: 21 Mar 2011
- views: 1336
Artur Schnabel plays Schubert Sonata D959 in A major (II)
- Order: Reorder
- Duration: 8:14
- Updated: 13 Oct 2009
- views: 28679
I. Allegro
- Part I : http://www.youtube.com/watch?v=QyZg1RTS51Y
- Part II : http://www.youtube.com/watch?v=d6CIAiGCOJM
II. Andantino
III. Scherzo - Al...
I. Allegro
- Part I : http://www.youtube.com/watch?v=QyZg1RTS51Y
- Part II : http://www.youtube.com/watch?v=d6CIAiGCOJM
II. Andantino
III. Scherzo - Allegro vivace
http://www.youtube.com/watch?v=OhVquc0grvg
IV. Rondo - Allegretto
http://www.youtube.com/watch?v=OybbWvyaPUA
~~~
The three piano sonatas numbered 958 in C minor, 959 in A major and 960 in B-flat major in Deutsch's catalogue of Franz Schubert's complete works are the composer's last major compositions for the piano, often referred to as Last Sonatas. They were written during the last months of Schubert's life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838-39. Furthermore, like the rest of Schuberts piano sonatas, they were mostly neglected during the entire 19th century, and have only gradually achieved public appreciation, after more than 100 years since their composition.
Schubert probably began sketching the sonatas sometime around the spring months of 1828; the final versions were written in September. The final sonata was completed on September 26, and two days later, Schubert played from the sonata trilogy at an evening gathering in Vienna. In a letter to Probst (one of his publishers), dated October 2, 1828, Schubert mentioned the sonatas amongst other works he had recently completed and wished to publish. Probst was not interested in the sonatas and by November 19, Schubert was dead.
In the following year Schubert's brother Ferdinand sold the sonatas' autographs to another publisher, Anton Diabelli, who eventually published them about ten years later, in 1838 or 1839. Schubert intended the sonatas to be dedicated to Johann Nepomuk Hummel, whom he greatly admired. Hummel was a leading pianist, a pupil of Mozart, and a pioneering composer of the Romantic style (like Schubert himself). Hummel died before the sonatas were published, and Diabelli decided to dedicate them instead to composer Robert Schumann, who had praised many of Schubert's works in his critical writings.
Schumann, reviewed the works in his Neue Zeitschrift fur Musik in 1838, upon their publication. He seems to have been largely disappointed by the sonatas, criticizing their "much greater simplicity of invention" and Schubert's "voluntary renunciation of shining novelty, where he usually sets himself such high standards", and claiming the sonatas "ripple along from page to page as if without end, never in doubt as to how to continue, always musical and singable, interrupted here and there by stirrings of some vehemence which, however, are rapidly stilled".
Schumann's criticism seems to fit the general negative attitude maintained towards these works during the nineteenth century.
~
wn.com/Artur Schnabel Plays Schubert Sonata D959 In A Major (Ii)
I. Allegro
- Part I : http://www.youtube.com/watch?v=QyZg1RTS51Y
- Part II : http://www.youtube.com/watch?v=d6CIAiGCOJM
II. Andantino
III. Scherzo - Allegro vivace
http://www.youtube.com/watch?v=OhVquc0grvg
IV. Rondo - Allegretto
http://www.youtube.com/watch?v=OybbWvyaPUA
~~~
The three piano sonatas numbered 958 in C minor, 959 in A major and 960 in B-flat major in Deutsch's catalogue of Franz Schubert's complete works are the composer's last major compositions for the piano, often referred to as Last Sonatas. They were written during the last months of Schubert's life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838-39. Furthermore, like the rest of Schuberts piano sonatas, they were mostly neglected during the entire 19th century, and have only gradually achieved public appreciation, after more than 100 years since their composition.
Schubert probably began sketching the sonatas sometime around the spring months of 1828; the final versions were written in September. The final sonata was completed on September 26, and two days later, Schubert played from the sonata trilogy at an evening gathering in Vienna. In a letter to Probst (one of his publishers), dated October 2, 1828, Schubert mentioned the sonatas amongst other works he had recently completed and wished to publish. Probst was not interested in the sonatas and by November 19, Schubert was dead.
In the following year Schubert's brother Ferdinand sold the sonatas' autographs to another publisher, Anton Diabelli, who eventually published them about ten years later, in 1838 or 1839. Schubert intended the sonatas to be dedicated to Johann Nepomuk Hummel, whom he greatly admired. Hummel was a leading pianist, a pupil of Mozart, and a pioneering composer of the Romantic style (like Schubert himself). Hummel died before the sonatas were published, and Diabelli decided to dedicate them instead to composer Robert Schumann, who had praised many of Schubert's works in his critical writings.
Schumann, reviewed the works in his Neue Zeitschrift fur Musik in 1838, upon their publication. He seems to have been largely disappointed by the sonatas, criticizing their "much greater simplicity of invention" and Schubert's "voluntary renunciation of shining novelty, where he usually sets himself such high standards", and claiming the sonatas "ripple along from page to page as if without end, never in doubt as to how to continue, always musical and singable, interrupted here and there by stirrings of some vehemence which, however, are rapidly stilled".
Schumann's criticism seems to fit the general negative attitude maintained towards these works during the nineteenth century.
~
- published: 13 Oct 2009
- views: 28679
Eunice Norton in Conversation (1987) 5/5
- Order: Reorder
- Duration: 11:08
- Updated: 24 Oct 2010
- views: 578
"Eunice Norton in Conversation" (5/5)
An audio interveiw with pianist Eunice Norton by music critic Riccardo ("Richard") Schulz in 1987 on the topic of her ear...
"Eunice Norton in Conversation" (5/5)
An audio interveiw with pianist Eunice Norton by music critic Riccardo ("Richard") Schulz in 1987 on the topic of her early career, originally presented with her four part series of lectures on the teaching of Artur Schnabel.
*
Fanfare Magazine, March/April 1997
An Interview with Eunice Norton
BY BERNARD JACOBSEN
(continued from part 4)
B.J.: This emerges very clearly from the Bach partitas, where you take pretty well all of the repeats. And that brings me back to the question of repertoire. Looking at the list of what youve played and recorded over the years, I wonder whether you feel closer to Bach than to any other composer?
E.N.: Not closer to Beethoven or Schubert--not looking at them just as music. But, you see, I started very young with Bach. As a child, I started with the Preludes and Fugues, and I loved them. And I learned so much from my experience with contrapuntal music, music in which the voices are equal, or mostly so. I learned that the music of the bass is the music, just as much as any top line. In Chopin, I always want to know, wheres the bass, what is it doing? I played so much repertoire for Schnabel. I remember once, when I was studying with him, I had a lesson coming up, and I prepared some of the toccatas. But Schnabel at that time didnt know a thing about Bach--he had never heard the c-minor Toccata! He went wild about that piece. I recall, when he was climbing onto a raft on Lake Como, how he decided he had to learn it. On the other hand, it was Artur Schnabel who introduced Schubert's sonatas to the public. Schnabel had gone to Leschetizky as a young boy. Somebody provided the money for lessons, and Schnabel went to the bank every week to collect it to pay Leschetizky. And Leschetizky said to him: Youll never be a pianist, so why dont you start learning Schubert? No one dreamed of performing Schubert before Schnabel. Whereas with Chopin--well, he did play the Preludes once, and it was a failure, so far as I'm concerned.
B.J.: Its fascinating how the repertoire changes over the years. I remember reading, in one of the Essays in Musical Analysis that Sir Donald Tovey wrote in the 1930s, his remark that he had only heard Mozart's Linz Symphony once in his life. Now its a piece you can come across anytime. But do you think maybe there's a certain trade-off in music between quantity and quality? That the sheer easy accessibility of so much music today has its disadvantages?
E.N.: It may be so. At any rate, in the Schnabel studio, popular went out the window, and if thats what you wanted you might as well go out too. When I got there, I didnt at first think I belonged. I was used to Matthay, who was always so kind, gentle, and thoughtful of the student. Schnabel just came out with what needed saying. With Artur Schnabel, taste came first.
wn.com/Eunice Norton In Conversation (1987) 5 5
"Eunice Norton in Conversation" (5/5)
An audio interveiw with pianist Eunice Norton by music critic Riccardo ("Richard") Schulz in 1987 on the topic of her early career, originally presented with her four part series of lectures on the teaching of Artur Schnabel.
*
Fanfare Magazine, March/April 1997
An Interview with Eunice Norton
BY BERNARD JACOBSEN
(continued from part 4)
B.J.: This emerges very clearly from the Bach partitas, where you take pretty well all of the repeats. And that brings me back to the question of repertoire. Looking at the list of what youve played and recorded over the years, I wonder whether you feel closer to Bach than to any other composer?
E.N.: Not closer to Beethoven or Schubert--not looking at them just as music. But, you see, I started very young with Bach. As a child, I started with the Preludes and Fugues, and I loved them. And I learned so much from my experience with contrapuntal music, music in which the voices are equal, or mostly so. I learned that the music of the bass is the music, just as much as any top line. In Chopin, I always want to know, wheres the bass, what is it doing? I played so much repertoire for Schnabel. I remember once, when I was studying with him, I had a lesson coming up, and I prepared some of the toccatas. But Schnabel at that time didnt know a thing about Bach--he had never heard the c-minor Toccata! He went wild about that piece. I recall, when he was climbing onto a raft on Lake Como, how he decided he had to learn it. On the other hand, it was Artur Schnabel who introduced Schubert's sonatas to the public. Schnabel had gone to Leschetizky as a young boy. Somebody provided the money for lessons, and Schnabel went to the bank every week to collect it to pay Leschetizky. And Leschetizky said to him: Youll never be a pianist, so why dont you start learning Schubert? No one dreamed of performing Schubert before Schnabel. Whereas with Chopin--well, he did play the Preludes once, and it was a failure, so far as I'm concerned.
B.J.: Its fascinating how the repertoire changes over the years. I remember reading, in one of the Essays in Musical Analysis that Sir Donald Tovey wrote in the 1930s, his remark that he had only heard Mozart's Linz Symphony once in his life. Now its a piece you can come across anytime. But do you think maybe there's a certain trade-off in music between quantity and quality? That the sheer easy accessibility of so much music today has its disadvantages?
E.N.: It may be so. At any rate, in the Schnabel studio, popular went out the window, and if thats what you wanted you might as well go out too. When I got there, I didnt at first think I belonged. I was used to Matthay, who was always so kind, gentle, and thoughtful of the student. Schnabel just came out with what needed saying. With Artur Schnabel, taste came first.
- published: 24 Oct 2010
- views: 578
-
Artur Schnabel plays Mozart Rondo in A minor, K.511
1946 recording. ~~~ Artur Schnabel (1882 - 1951), was born in Lipnik, Austria. Schnabel's piano career began at age six, when his sister's piano teacher noticed that he instantly mastered, without teaching, the lessons his sister had to practice. Schnabel made his public debut at age 11. By 1898 he was still studying piano in Vienna but was good enough to take on piano students himself; financially independent, if barely so, he headed for Berlin, Germany. Schnabel's career was slow to build, but after he gave a Berlin debut concert featuring the music of Franz Schubert, he acquired an agent and began to find intermittent concert engagements. After a series of performances as soloist with the renowned Berlin Philharmonic Orchestra, Schnabel became a recognized name in Ger... -
Schnabel Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
Artur Schnabel Artur Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live New York Philharmonic 1. Allegro Rare live recording. Schnabel hectically races through the last movement, ultimately unraveling about 5:00, and coming to a grinding halt. He rifles through his music, Rodzinski starts him up again and Schnabel's carbonated Mozart comes to a close. He famously did not care for practicing. -
Artur Schnabel plays Mozart Sonata No.8, K.310 (I)
Composed in 1778, around the time of the death of his mother, sonata in A minor, K 310 (300d) is the darkest of Mozart's piano sonatas and it is the first of only two to have been composed in a minor key. I. Allegro maestoso II. Andante cantabile con espressione / http://www.youtube.com/watch?v=pDCx-paoqtk III. Presto / http://www.youtube.com/watch?v=ui9lQjGBDw8 ~ -
Artur Schnabel plays Beethoven Piano Sonata No.30, Op.109
no copyright infringement intended http://www.youtube.com/newFranzFerencLiszt -
Artur Schnabel plays Beethoven Piano Sonata No.31, Op.110
no copyright infringement intended http://www.youtube.com/newFranzFerencLiszt -
Artur Schnabel plays Schumann Kinderszenen Op. 15
01. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) 02. Kuriose Geschichte (A Curious Story) 03. Hasche-Mann (Blind Man's Bluff) 04. Bittendes Kind (Pleading Child) 05. Glückes genug (Happy Enough) 06. Wichtige Begebenheit (An Important Event) 07. Träumerei (Dreaming) 08. Am Kamin (At the Fireside) 09. Ritter vom Steckenpferd (Knight of the Hobbyhorse) 10. Fast zu ernst (Almost Too Serious) 11. Fürchtenmachen (Frightening) 12. Kind im Einschlummern (Child Falling Asleep) 13. Der Dichter spricht (The Poet Speaks) rec. 1947
Artur Schnabel plays Mozart Rondo in A minor, K.511
- Order: Reorder
- Duration: 9:47
- Updated: 08 Dec 2009
- views: 42715
1946 recording.
~~~
Artur Schnabel (1882 - 1951),
was born in Lipnik, Austria. Schnabel's piano career began at age six, when his sister's piano teach...
1946 recording.
~~~
Artur Schnabel (1882 - 1951),
was born in Lipnik, Austria. Schnabel's piano career began at age six, when his sister's piano teacher noticed that he instantly mastered, without teaching, the lessons his sister had to practice.
Schnabel made his public debut at age 11. By 1898 he was still studying piano in Vienna but was good enough to take on piano students himself; financially independent, if barely so, he headed for Berlin, Germany.
Schnabel's career was slow to build, but after he gave a Berlin debut concert featuring the music of Franz Schubert, he acquired an agent and began to find intermittent concert engagements. After a series of performances as soloist with the renowned Berlin Philharmonic Orchestra, Schnabel became a recognized name in German musical life. In the years prior to World War I he toured most of the major European countries, including Russia.
Schnabel's repertoire ran straight up the middle of the intellectual Germanic tradition, seldom straying from that path. He favored music that seemed to hold profundities that would forever be just beyond his grasp, once saying, according to Saerchinger, "Now I am attracted only to music which I consider to be better than it can be performed."
He loved the comparatively simple sonatas of Mozart, pointing out that "Children are given Mozart because of the small quantity of the notes; grown-ups avoid Mozart because of the great quality of the notes."
The most important of composers for Schnabel was Beethoven, especially the piano sonatas that spanned most of his career; although he had far refused to make any recordings at all, he recorded all 32 sonatas between 1931 and 1935. Many other pianists in the future would record the complete cycle, but Schnabel's was the first.
Schnabel's recordings were prized by collectors in spite of the fact that in Beethoven's more difficult pieces, his technique was clearly not up to the job. Schnabel considered errors incidental flaws in a performance, rather than major difficulties to be agonized over. Schonberg related a famous Schnabel story wherein the pianist suffered a memory lapse in the middle of a performance with the New York Philharmonic Orchestra—severe enough to cause the music to grind to a halt. Any other pianist would have been mortified, but Schnabel, Schonberg wrote, "merely grinned, shrugged his shoulders, got up from the piano, and walked over to the podium" to confer with the conductor, after which he began the music again. For Schnabel, what mattered was the communication of the meaning of the music to the audience, not a display of technical perfection.
For several years he avoided performing in the United States, but returned in 1930 as a soloist with the Boston Symphony. In 1936, performing his live cycle of the Beethoven sonatas at Carnegie Hall, he drew a crowd of 18,000 total listeners, and this softened his attitude toward what would become his adopted country. He left Germany in 1933; after the Nazi takeover of the country, his concerts had been abruptly canceled, and he had quit his teaching job at the State Academy of Music as he noticed a hardening in the attitudes of his non-Jewish colleagues. For several years he and his family lived mostly at their villa in Switzerland. Schnabel visited his mother in Vienna in 1937 and never saw her again; she was arrested after Germany's annexation of Austria in 1938 and disappeared.
In 1939, Schnabel decided that the United States was the best place for himself and his family. He took up residence in a New York City apartment hotel and became a citizen during World War II.
During his own lifetime, Schnabel's own music remained much less well known than his piano performances. In contrast to the conservative nature of his piano repertoire, which rarely, if ever, encompassed contemporary music, Schnabel as a composer was something of a radical, writing three massive symphonies that employed dissonant modern harmonies and, wrote Mark L. Lehman in the American Record Guide , "make grueling demands on performers and audiences."
Schnabel also wrote chamber music (music for small ensembles) and a sonata for solo violin that lasted for nearly an hour. "Chances are that Schnabel's music has disappeared for good," Schonberg told in the 1960s, but a series of new recordings of Schnabel's compositions beginning in the late 1990s cast doubt on that assessment.
Schnabel continued to live in the United States after World War II ended, but he often made return trips to Europe to perform and to spend time at his Swiss second home. His last concert was given in New York in January of 1951 and by then he was already suffering from heart problems.
Schnabel died in Axelstein, Switzerland, on August 15, 1951.
~
wn.com/Artur Schnabel Plays Mozart Rondo In A Minor, K.511
1946 recording.
~~~
Artur Schnabel (1882 - 1951),
was born in Lipnik, Austria. Schnabel's piano career began at age six, when his sister's piano teacher noticed that he instantly mastered, without teaching, the lessons his sister had to practice.
Schnabel made his public debut at age 11. By 1898 he was still studying piano in Vienna but was good enough to take on piano students himself; financially independent, if barely so, he headed for Berlin, Germany.
Schnabel's career was slow to build, but after he gave a Berlin debut concert featuring the music of Franz Schubert, he acquired an agent and began to find intermittent concert engagements. After a series of performances as soloist with the renowned Berlin Philharmonic Orchestra, Schnabel became a recognized name in German musical life. In the years prior to World War I he toured most of the major European countries, including Russia.
Schnabel's repertoire ran straight up the middle of the intellectual Germanic tradition, seldom straying from that path. He favored music that seemed to hold profundities that would forever be just beyond his grasp, once saying, according to Saerchinger, "Now I am attracted only to music which I consider to be better than it can be performed."
He loved the comparatively simple sonatas of Mozart, pointing out that "Children are given Mozart because of the small quantity of the notes; grown-ups avoid Mozart because of the great quality of the notes."
The most important of composers for Schnabel was Beethoven, especially the piano sonatas that spanned most of his career; although he had far refused to make any recordings at all, he recorded all 32 sonatas between 1931 and 1935. Many other pianists in the future would record the complete cycle, but Schnabel's was the first.
Schnabel's recordings were prized by collectors in spite of the fact that in Beethoven's more difficult pieces, his technique was clearly not up to the job. Schnabel considered errors incidental flaws in a performance, rather than major difficulties to be agonized over. Schonberg related a famous Schnabel story wherein the pianist suffered a memory lapse in the middle of a performance with the New York Philharmonic Orchestra—severe enough to cause the music to grind to a halt. Any other pianist would have been mortified, but Schnabel, Schonberg wrote, "merely grinned, shrugged his shoulders, got up from the piano, and walked over to the podium" to confer with the conductor, after which he began the music again. For Schnabel, what mattered was the communication of the meaning of the music to the audience, not a display of technical perfection.
For several years he avoided performing in the United States, but returned in 1930 as a soloist with the Boston Symphony. In 1936, performing his live cycle of the Beethoven sonatas at Carnegie Hall, he drew a crowd of 18,000 total listeners, and this softened his attitude toward what would become his adopted country. He left Germany in 1933; after the Nazi takeover of the country, his concerts had been abruptly canceled, and he had quit his teaching job at the State Academy of Music as he noticed a hardening in the attitudes of his non-Jewish colleagues. For several years he and his family lived mostly at their villa in Switzerland. Schnabel visited his mother in Vienna in 1937 and never saw her again; she was arrested after Germany's annexation of Austria in 1938 and disappeared.
In 1939, Schnabel decided that the United States was the best place for himself and his family. He took up residence in a New York City apartment hotel and became a citizen during World War II.
During his own lifetime, Schnabel's own music remained much less well known than his piano performances. In contrast to the conservative nature of his piano repertoire, which rarely, if ever, encompassed contemporary music, Schnabel as a composer was something of a radical, writing three massive symphonies that employed dissonant modern harmonies and, wrote Mark L. Lehman in the American Record Guide , "make grueling demands on performers and audiences."
Schnabel also wrote chamber music (music for small ensembles) and a sonata for solo violin that lasted for nearly an hour. "Chances are that Schnabel's music has disappeared for good," Schonberg told in the 1960s, but a series of new recordings of Schnabel's compositions beginning in the late 1990s cast doubt on that assessment.
Schnabel continued to live in the United States after World War II ended, but he often made return trips to Europe to perform and to spend time at his Swiss second home. His last concert was given in New York in January of 1951 and by then he was already suffering from heart problems.
Schnabel died in Axelstein, Switzerland, on August 15, 1951.
~
- published: 08 Dec 2009
- views: 42715
Schnabel Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
- Order: Reorder
- Duration: 10:36
- Updated: 16 May 2015
- views: 429
Artur Schnabel Artur Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
New York Philharmonic 1. Allegro
Rare live recording. Schnabel hectically rac...
Artur Schnabel Artur Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
New York Philharmonic 1. Allegro
Rare live recording. Schnabel hectically races through the last movement, ultimately unraveling about 5:00, and coming to a grinding halt. He rifles through his music, Rodzinski starts him up again and Schnabel's carbonated Mozart comes to a close. He famously did not care for practicing.
wn.com/Schnabel Rodzinski Mozart Piano Concerto No.23 A K.488 1 3 Rare Live
Artur Schnabel Artur Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
New York Philharmonic 1. Allegro
Rare live recording. Schnabel hectically races through the last movement, ultimately unraveling about 5:00, and coming to a grinding halt. He rifles through his music, Rodzinski starts him up again and Schnabel's carbonated Mozart comes to a close. He famously did not care for practicing.
- published: 16 May 2015
- views: 429
Artur Schnabel plays Mozart Sonata No.8, K.310 (I)
- Order: Reorder
- Duration: 5:44
- Updated: 08 Dec 2009
- views: 21312
Composed in 1778, around the time of the death of his mother, sonata in A minor, K 310 (300d) is the darkest of Mozart's piano sonatas and it is the first of on...
Composed in 1778, around the time of the death of his mother, sonata in A minor, K 310 (300d) is the darkest of Mozart's piano sonatas and it is the first of only two to have been composed in a minor key.
I. Allegro maestoso
II. Andante cantabile con espressione / http://www.youtube.com/watch?v=pDCx-paoqtk
III. Presto / http://www.youtube.com/watch?v=ui9lQjGBDw8
~
wn.com/Artur Schnabel Plays Mozart Sonata No.8, K.310 (I)
Composed in 1778, around the time of the death of his mother, sonata in A minor, K 310 (300d) is the darkest of Mozart's piano sonatas and it is the first of only two to have been composed in a minor key.
I. Allegro maestoso
II. Andante cantabile con espressione / http://www.youtube.com/watch?v=pDCx-paoqtk
III. Presto / http://www.youtube.com/watch?v=ui9lQjGBDw8
~
- published: 08 Dec 2009
- views: 21312
Artur Schnabel plays Beethoven Piano Sonata No.30, Op.109
- Order: Reorder
- Duration: 20:02
- Updated: 11 May 2011
- views: 23522
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
wn.com/Artur Schnabel Plays Beethoven Piano Sonata No.30, Op.109
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
- published: 11 May 2011
- views: 23522
Artur Schnabel plays Beethoven Piano Sonata No.31, Op.110
- Order: Reorder
- Duration: 18:10
- Updated: 11 May 2011
- views: 13887
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
wn.com/Artur Schnabel Plays Beethoven Piano Sonata No.31, Op.110
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
- published: 11 May 2011
- views: 13887
Artur Schnabel plays Schumann Kinderszenen Op. 15
- Order: Reorder
- Duration: 16:59
- Updated: 21 May 2011
- views: 6027
01. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)
02. Kuriose Geschichte (A Curious Story)
03. Hasche-Mann (Blind Man's Bluff)
04. Bittende...
01. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)
02. Kuriose Geschichte (A Curious Story)
03. Hasche-Mann (Blind Man's Bluff)
04. Bittendes Kind (Pleading Child)
05. Glückes genug (Happy Enough)
06. Wichtige Begebenheit (An Important Event)
07. Träumerei (Dreaming)
08. Am Kamin (At the Fireside)
09. Ritter vom Steckenpferd (Knight of the Hobbyhorse)
10. Fast zu ernst (Almost Too Serious)
11. Fürchtenmachen (Frightening)
12. Kind im Einschlummern (Child Falling Asleep)
13. Der Dichter spricht (The Poet Speaks)
rec. 1947
wn.com/Artur Schnabel Plays Schumann Kinderszenen Op. 15
01. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)
02. Kuriose Geschichte (A Curious Story)
03. Hasche-Mann (Blind Man's Bluff)
04. Bittendes Kind (Pleading Child)
05. Glückes genug (Happy Enough)
06. Wichtige Begebenheit (An Important Event)
07. Träumerei (Dreaming)
08. Am Kamin (At the Fireside)
09. Ritter vom Steckenpferd (Knight of the Hobbyhorse)
10. Fast zu ernst (Almost Too Serious)
11. Fürchtenmachen (Frightening)
12. Kind im Einschlummern (Child Falling Asleep)
13. Der Dichter spricht (The Poet Speaks)
rec. 1947
- published: 21 May 2011
- views: 6027
-
Beethoven - Complete Piano Sonatas by A. Schnabel
Insane upload, isn't it? btw I think it's one of the best recordings and at the same time the shortest one! 00:00 - No.1 17:15 - No.2 40:08 - No.3 01:06:05 - No.4 01:33:34 - No.5 01:50:02 - No.6 02:01:08 - No.7 02:25:32 - No.8 02:44:09 - No.9 02:58:03 - No.10 03:14:33 - No.11 03:38:41 - No.12 04:00:31 - No.13 04:15:25 - No.14 04:28:50 - No.15 04:49:53 - No.16 05:13:30 - No.17 05:36:03 - No.18 05:57:09 - No.19 06:04:15 - No.20 06:11:37 - No.21 06:35:26 - No.22 06:45:40 - No.23 07:07:39 - No.24 07:17:13 - No.25 07:25:43 - No.26 07:40:48 - No.27 07:53:11 - No.28 08:12:37 - No.29 08:53:12 - No.30 09:13:13 - No.31 09:31:23 - No.32 ... listened to the complete set? you're amazing! -
Artur Schnabel plays Beethoven Piano Sonata No.29, Op.106
no copyright infringement intended http://www.youtube.com/newFranzFerencLiszt -
Artur Schnabel plays Beethoven Piano Sonata No.32, Op.111
no copyright infringement intended http://www.youtube.com/newFranzFerencLiszt -
Beethoven - Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - Artur Schnabel
0:00 Allegro assai 8:59 Andante con moto 14:59 Allegro ma non troppo - Presto Played by Artur Schnabel - like lightning! -
J. S. Bach (Música de) - Artur Schnabel (Piano)- Grabaciones históricas
J. S. Bach (Música de) Artur Schnabel (Piano) GRABACIONES HISTÓRICAS 0:00:00 Concierto Italiano BWV 971 (1938) 0:00:00 (Allegro giusto) 0:03:16 Andante 0:08:51 Presto 0:12:08 Fantasía cromática y Fuga BWV 903 (1948) 0:23:27 Preludio y Fuga BWV 850 (1950) 0:27:09 Toccata BWV 911 (1937) 0:37:57 Toccata BWV 912 (1937) 0:49:43 Concierto para 2 teclados BWV 1061 (1936) Karl Ulrich Schnabel Orquestra Sinfónica de Londres – Adrian Boult 0:49:43 (Allegro) 0:56:26 Adagio ovvero largo 1:04:03 Fuga -
Beethoven - Piano Sonata No. 30 in E major, Op. 109 (Artur Schnabel)
0:00 Vivace ma non troppo - Adagio espressivo 3:50 Prestissimo 6:10 Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo Played by Artur Schnabel -
-
Beethoven - Complete Piano Sonatas by A. Schnabel
- Order: Reorder
- Duration: 597:26
- Updated: 11 Jun 2012
- views: 75306
Insane upload, isn't it?
btw I think it's one of the best recordings and at the same time the shortest one!
00:00 - No.1
17:15 - No.2
40:08 - No.3
01:06:05 - N...
Insane upload, isn't it?
btw I think it's one of the best recordings and at the same time the shortest one!
00:00 - No.1
17:15 - No.2
40:08 - No.3
01:06:05 - No.4
01:33:34 - No.5
01:50:02 - No.6
02:01:08 - No.7
02:25:32 - No.8
02:44:09 - No.9
02:58:03 - No.10
03:14:33 - No.11
03:38:41 - No.12
04:00:31 - No.13
04:15:25 - No.14
04:28:50 - No.15
04:49:53 - No.16
05:13:30 - No.17
05:36:03 - No.18
05:57:09 - No.19
06:04:15 - No.20
06:11:37 - No.21
06:35:26 - No.22
06:45:40 - No.23
07:07:39 - No.24
07:17:13 - No.25
07:25:43 - No.26
07:40:48 - No.27
07:53:11 - No.28
08:12:37 - No.29
08:53:12 - No.30
09:13:13 - No.31
09:31:23 - No.32
... listened to the complete set? you're amazing!
wn.com/Beethoven Complete Piano Sonatas By A. Schnabel
Insane upload, isn't it?
btw I think it's one of the best recordings and at the same time the shortest one!
00:00 - No.1
17:15 - No.2
40:08 - No.3
01:06:05 - No.4
01:33:34 - No.5
01:50:02 - No.6
02:01:08 - No.7
02:25:32 - No.8
02:44:09 - No.9
02:58:03 - No.10
03:14:33 - No.11
03:38:41 - No.12
04:00:31 - No.13
04:15:25 - No.14
04:28:50 - No.15
04:49:53 - No.16
05:13:30 - No.17
05:36:03 - No.18
05:57:09 - No.19
06:04:15 - No.20
06:11:37 - No.21
06:35:26 - No.22
06:45:40 - No.23
07:07:39 - No.24
07:17:13 - No.25
07:25:43 - No.26
07:40:48 - No.27
07:53:11 - No.28
08:12:37 - No.29
08:53:12 - No.30
09:13:13 - No.31
09:31:23 - No.32
... listened to the complete set? you're amazing!
- published: 11 Jun 2012
- views: 75306
Artur Schnabel plays Beethoven Piano Sonata No.29, Op.106
- Order: Reorder
- Duration: 40:35
- Updated: 11 May 2011
- views: 13997
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
wn.com/Artur Schnabel Plays Beethoven Piano Sonata No.29, Op.106
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
- published: 11 May 2011
- views: 13997
Artur Schnabel plays Beethoven Piano Sonata No.32, Op.111
- Order: Reorder
- Duration: 26:02
- Updated: 11 May 2011
- views: 13066
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
wn.com/Artur Schnabel Plays Beethoven Piano Sonata No.32, Op.111
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
- published: 11 May 2011
- views: 13066
Beethoven - Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - Artur Schnabel
- Order: Reorder
- Duration: 22:08
- Updated: 25 Dec 2013
- views: 8655
0:00 Allegro assai
8:59 Andante con moto
14:59 Allegro ma non troppo - Presto
Played by Artur Schnabel - like lightning!
0:00 Allegro assai
8:59 Andante con moto
14:59 Allegro ma non troppo - Presto
Played by Artur Schnabel - like lightning!
wn.com/Beethoven Piano Sonata No. 23 In F Minor, Op. 57 Appassionata Artur Schnabel
0:00 Allegro assai
8:59 Andante con moto
14:59 Allegro ma non troppo - Presto
Played by Artur Schnabel - like lightning!
- published: 25 Dec 2013
- views: 8655
J. S. Bach (Música de) - Artur Schnabel (Piano)- Grabaciones históricas
- Order: Reorder
- Duration: 69:02
- Updated: 19 Apr 2015
- views: 1573
J. S. Bach (Música de)
Artur Schnabel (Piano)
GRABACIONES HISTÓRICAS
0:00:00 Concierto Italiano BWV 971 (1938)
0:00:00 (Allegro giusto)
0:03:16 Andante
0:08:...
J. S. Bach (Música de)
Artur Schnabel (Piano)
GRABACIONES HISTÓRICAS
0:00:00 Concierto Italiano BWV 971 (1938)
0:00:00 (Allegro giusto)
0:03:16 Andante
0:08:51 Presto
0:12:08 Fantasía cromática y Fuga BWV 903 (1948)
0:23:27 Preludio y Fuga BWV 850 (1950)
0:27:09 Toccata BWV 911 (1937)
0:37:57 Toccata BWV 912 (1937)
0:49:43 Concierto para 2 teclados BWV 1061 (1936)
Karl Ulrich Schnabel
Orquestra Sinfónica de Londres – Adrian Boult
0:49:43 (Allegro)
0:56:26 Adagio ovvero largo
1:04:03 Fuga
wn.com/J. S. Bach (Música De) Artur Schnabel (Piano) Grabaciones Históricas
J. S. Bach (Música de)
Artur Schnabel (Piano)
GRABACIONES HISTÓRICAS
0:00:00 Concierto Italiano BWV 971 (1938)
0:00:00 (Allegro giusto)
0:03:16 Andante
0:08:51 Presto
0:12:08 Fantasía cromática y Fuga BWV 903 (1948)
0:23:27 Preludio y Fuga BWV 850 (1950)
0:27:09 Toccata BWV 911 (1937)
0:37:57 Toccata BWV 912 (1937)
0:49:43 Concierto para 2 teclados BWV 1061 (1936)
Karl Ulrich Schnabel
Orquestra Sinfónica de Londres – Adrian Boult
0:49:43 (Allegro)
0:56:26 Adagio ovvero largo
1:04:03 Fuga
- published: 19 Apr 2015
- views: 1573
Beethoven - Piano Sonata No. 30 in E major, Op. 109 (Artur Schnabel)
- Order: Reorder
- Duration: 20:10
- Updated: 26 Dec 2013
- views: 53784
0:00 Vivace ma non troppo - Adagio espressivo
3:50 Prestissimo
6:10 Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Played by Artur...
0:00 Vivace ma non troppo - Adagio espressivo
3:50 Prestissimo
6:10 Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Played by Artur Schnabel
wn.com/Beethoven Piano Sonata No. 30 In E Major, Op. 109 (Artur Schnabel)
0:00 Vivace ma non troppo - Adagio espressivo
3:50 Prestissimo
6:10 Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Played by Artur Schnabel
- published: 26 Dec 2013
- views: 53784
Artur Schnabel plays Beethoven Piano Sonata No.14 & 15
- Order: Reorder
- Duration: 34:19
- Updated: 18 May 2011
- views: 9025
00:00 - Sonata No.14, Op.27/2
13:25 - Sonata No.15, Op.28
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
00:00 - Sonata No.14, Op.27/2
13:25 - Sonata No.15, Op.28
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
wn.com/Artur Schnabel Plays Beethoven Piano Sonata No.14 15
Artur Schnabel plays Beethoven Piano Sonata No.24, 25 & 26
- Order: Reorder
- Duration: 33:09
- Updated: 18 May 2011
- views: 28937
00:00 - Sonata No.24, Op.78
09:33 - Sonata No.25, Op.79
18:03 - Sonata No.26, Op.81a
no copyright infringement intended
http://www.youtube.com/newFranzFerencL...
00:00 - Sonata No.24, Op.78
09:33 - Sonata No.25, Op.79
18:03 - Sonata No.26, Op.81a
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
wn.com/Artur Schnabel Plays Beethoven Piano Sonata No.24, 25 26
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31:25
Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)
English 78 rpm record.
HMV, recording 16 February 1933.
Artur Schnabel (1882-1951), piano....
published: 06 Aug 2012
Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)
Artur Schnabel plays Beethoven Piano Concerto No. 4 in G major (1933)
- Report rights infringement
- published: 06 Aug 2012
- views: 5951
8:45
Artur Schnabel "Piano Concerto No. 2" (2.Mov.) Beethoven
Piano Concerto No. 2 in B flat Major, op. 19
by Ludwig van Beethoven (1770-1827)
2. Moveme...
published: 27 Dec 2010
Artur Schnabel "Piano Concerto No. 2" (2.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 2" (2.Mov.) Beethoven
- Report rights infringement
- published: 27 Dec 2010
- views: 285
17:34
Artur Schnabel "Piano Concerto No. 4" (1.Mov.) Beethoven
Piano Concerto No. 4 in G Major, op. 58
by Ludwig van Beethoven (1770-1827)
1. Movement ...
published: 27 Dec 2010
Artur Schnabel "Piano Concerto No. 4" (1.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 4" (1.Mov.) Beethoven
- Report rights infringement
- published: 27 Dec 2010
- views: 1331
19:21
Artur Schnabel "Piano Concerto No. 5" (1. Mov.) Beethoven
Piano Concerto No. 5 in E flat Major, op. 73
by Ludwig van Beethoven (1770-1827)
1. Moveme...
published: 26 Dec 2010
Artur Schnabel "Piano Concerto No. 5" (1. Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 5" (1. Mov.) Beethoven
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- published: 26 Dec 2010
- views: 4530
36:48
Beethoven - Piano concerto n°5 - Schnabel / Philharmonia / Galliera
Ludwig van Beethoven
Piano concerto n°5 op.73 "Emperor"
I. Allegro 0:00
II. Adagio un po...
published: 31 Mar 2014
Beethoven - Piano concerto n°5 - Schnabel / Philharmonia / Galliera
Beethoven - Piano concerto n°5 - Schnabel / Philharmonia / Galliera
- Report rights infringement
- published: 31 Mar 2014
- views: 1367
17:06
Artur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
1. Movement "Allegro con brio"...
published: 10 Dec 2010
Artur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 1 C Major" (1.Mov.) Beethoven
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- published: 10 Dec 2010
- views: 1141
12:36
Artur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) Beethoven
Ludwig van Beethoven "Piano Concerto No. 1 C Major, op. 15"
2. Movement "Largo"
Artur Schn...
published: 10 Dec 2010
Artur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) Beethoven
Artur Schnabel "Piano Concerto No. 1 C Major" (2.Mov.) Beethoven
- Report rights infringement
- published: 10 Dec 2010
- views: 749
27:12
Beethoven - Piano concerto n°2 - Schnabel / Philharmonia / Dobrowen
Ludwig van Beethoven
Piano concerto n°2 op.19
I. Allegro con brio 0:00
II. Adagio 12:46
...
published: 31 Mar 2014
Beethoven - Piano concerto n°2 - Schnabel / Philharmonia / Dobrowen
Beethoven - Piano concerto n°2 - Schnabel / Philharmonia / Dobrowen
- Report rights infringement
- published: 31 Mar 2014
- views: 706
35:28
Beethoven - Piano concerto n°3 - Schnabel / Philharmonia / Dobrowen
Ludwig van Beethoven
Piano concerto n°3 op.37
I. Allegro con brio 0:00
II. Largo 15:44
I...
published: 31 Mar 2014
Beethoven - Piano concerto n°3 - Schnabel / Philharmonia / Dobrowen
Beethoven - Piano concerto n°3 - Schnabel / Philharmonia / Dobrowen
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- published: 31 Mar 2014
- views: 1136
37:22
Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)
Chicago Symphony Orchestra
Frederick Stock
published: 17 Oct 2015
Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)
Artur Schnabel - Beethoven - Piano Concerto No. 5 Emperor (1942)
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- published: 17 Oct 2015
- views: 289
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0:54
Artur Schnabel Radio Address 1950
This is the only known recording of Artur Schnabel speaking: In this radio broadcast piece...
published: 15 May 2013
Artur Schnabel Radio Address 1950
Artur Schnabel Radio Address 1950
- Report rights infringement
- published: 15 May 2013
- views: 1713
58:44
Leon Fleisher Reflects: A Peabody Founder's Day Interview with Ray Sprenkle
A special night with Leon Fleisher, a legendary pianist and conductor at the Johns Hopkins...
published: 28 Feb 2014
Leon Fleisher Reflects: A Peabody Founder's Day Interview with Ray Sprenkle
Leon Fleisher Reflects: A Peabody Founder's Day Interview with Ray Sprenkle
- Report rights infringement
- published: 28 Feb 2014
- views: 6064
13:38
VIDEO: The Teaching of Artur Schnabel - Eunice Norton, 1987 (1/18)
"The Teaching of Artur Schnabel" (1/18)
Four illustrated lectures by Eunice Norton.
...
published: 21 Oct 2010
VIDEO: The Teaching of Artur Schnabel - Eunice Norton, 1987 (1/18)
VIDEO: The Teaching of Artur Schnabel - Eunice Norton, 1987 (1/18)
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- published: 21 Oct 2010
- views: 10101
7:41
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06
published: 31 Mar 2009
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06
Artur Schnabel (1882-1951) Brahms Intermezzo op.117-1 rec.1947 06
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- published: 31 Mar 2009
- views: 22897
24:57
Artur Schnabel plays Schubert: Moments Musicaux D. 780
Recorded in November 9/12, 1937
published: 17 Apr 2015
Artur Schnabel plays Schubert: Moments Musicaux D. 780
Artur Schnabel plays Schubert: Moments Musicaux D. 780
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- published: 17 Apr 2015
- views: 1344
1:30
Pianist Arthur Schnabel Home Movie 1937
Filmed in 1937 by Karol Liszniewski in Cincinnati, Ohio.
Arthur Schnabel (April 17, 18...
published: 29 Nov 2006
Pianist Arthur Schnabel Home Movie 1937
Pianist Arthur Schnabel Home Movie 1937
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- published: 29 Nov 2006
- views: 59440
13:51
Artur Schnabel plays Schubert Sonata in B flat Major D 960 (1/3)
I. Molto moderato
rec. 1939
published: 15 Nov 2010
Artur Schnabel plays Schubert Sonata in B flat Major D 960 (1/3)
Artur Schnabel plays Schubert Sonata in B flat Major D 960 (1/3)
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- published: 15 Nov 2010
- views: 15836
11:30
Artur Schnabel - Sonata for Violin and Piano, I-II
Sonata for Violin and Piano (1935)
I. Allegro ma non troppo (quasi moderato e sempre semp...
published: 21 Mar 2011
Artur Schnabel - Sonata for Violin and Piano, I-II
Artur Schnabel - Sonata for Violin and Piano, I-II
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- published: 21 Mar 2011
- views: 1336
8:14
Artur Schnabel plays Schubert Sonata D959 in A major (II)
I. Allegro
- Part I : http://www.youtube.com/watch?v=QyZg1RTS51Y
- Part II : http://www...
published: 13 Oct 2009
Artur Schnabel plays Schubert Sonata D959 in A major (II)
Artur Schnabel plays Schubert Sonata D959 in A major (II)
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- published: 13 Oct 2009
- views: 28679
11:08
Eunice Norton in Conversation (1987) 5/5
"Eunice Norton in Conversation" (5/5)
An audio interveiw with pianist Eunice Norton by mu...
published: 24 Oct 2010
Eunice Norton in Conversation (1987) 5/5
Eunice Norton in Conversation (1987) 5/5
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- published: 24 Oct 2010
- views: 578
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9:47
Artur Schnabel plays Mozart Rondo in A minor, K.511
1946 recording.
~~~
Artur Schnabel (1882 - 1951),
was born in Lipnik, Austria. S...
published: 08 Dec 2009
Artur Schnabel plays Mozart Rondo in A minor, K.511
Artur Schnabel plays Mozart Rondo in A minor, K.511
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- published: 08 Dec 2009
- views: 42715
10:36
Schnabel Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
Artur Schnabel Artur Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
New York ...
published: 16 May 2015
Schnabel Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
Schnabel Rodzinski Mozart Piano Concerto No.23 A K.488 1/3 Rare Live
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- published: 16 May 2015
- views: 429
5:44
Artur Schnabel plays Mozart Sonata No.8, K.310 (I)
Composed in 1778, around the time of the death of his mother, sonata in A minor, K 310 (30...
published: 08 Dec 2009
Artur Schnabel plays Mozart Sonata No.8, K.310 (I)
Artur Schnabel plays Mozart Sonata No.8, K.310 (I)
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- published: 08 Dec 2009
- views: 21312
20:02
Artur Schnabel plays Beethoven Piano Sonata No.30, Op.109
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
published: 11 May 2011
Artur Schnabel plays Beethoven Piano Sonata No.30, Op.109
Artur Schnabel plays Beethoven Piano Sonata No.30, Op.109
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- published: 11 May 2011
- views: 23522
18:10
Artur Schnabel plays Beethoven Piano Sonata No.31, Op.110
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
published: 11 May 2011
Artur Schnabel plays Beethoven Piano Sonata No.31, Op.110
Artur Schnabel plays Beethoven Piano Sonata No.31, Op.110
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- published: 11 May 2011
- views: 13887
16:59
Artur Schnabel plays Schumann Kinderszenen Op. 15
01. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)
02. Kuriose Geschicht...
published: 21 May 2011
Artur Schnabel plays Schumann Kinderszenen Op. 15
Artur Schnabel plays Schumann Kinderszenen Op. 15
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- published: 21 May 2011
- views: 6027
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597:26
Beethoven - Complete Piano Sonatas by A. Schnabel
Insane upload, isn't it?
btw I think it's one of the best recordings and at the same time ...
published: 11 Jun 2012
Beethoven - Complete Piano Sonatas by A. Schnabel
Beethoven - Complete Piano Sonatas by A. Schnabel
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- published: 11 Jun 2012
- views: 75306
40:35
Artur Schnabel plays Beethoven Piano Sonata No.29, Op.106
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
published: 11 May 2011
Artur Schnabel plays Beethoven Piano Sonata No.29, Op.106
Artur Schnabel plays Beethoven Piano Sonata No.29, Op.106
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- published: 11 May 2011
- views: 13997
26:02
Artur Schnabel plays Beethoven Piano Sonata No.32, Op.111
no copyright infringement intended
http://www.youtube.com/newFranzFerencLiszt
published: 11 May 2011
Artur Schnabel plays Beethoven Piano Sonata No.32, Op.111
Artur Schnabel plays Beethoven Piano Sonata No.32, Op.111
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- published: 11 May 2011
- views: 13066
22:08
Beethoven - Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - Artur Schnabel
0:00 Allegro assai
8:59 Andante con moto
14:59 Allegro ma non troppo - Presto
Played by A...
published: 25 Dec 2013
Beethoven - Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - Artur Schnabel
Beethoven - Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - Artur Schnabel
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- published: 25 Dec 2013
- views: 8655
69:02
J. S. Bach (Música de) - Artur Schnabel (Piano)- Grabaciones históricas
J. S. Bach (Música de)
Artur Schnabel (Piano)
GRABACIONES HISTÓRICAS
0:00:00 Concierto I...
published: 19 Apr 2015
J. S. Bach (Música de) - Artur Schnabel (Piano)- Grabaciones históricas
J. S. Bach (Música de) - Artur Schnabel (Piano)- Grabaciones históricas
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- published: 19 Apr 2015
- views: 1573
20:10
Beethoven - Piano Sonata No. 30 in E major, Op. 109 (Artur Schnabel)
0:00 Vivace ma non troppo - Adagio espressivo
3:50 Prestissimo
6:10 Gesangvoll, mit innigs...
published: 26 Dec 2013
Beethoven - Piano Sonata No. 30 in E major, Op. 109 (Artur Schnabel)
Beethoven - Piano Sonata No. 30 in E major, Op. 109 (Artur Schnabel)
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- published: 26 Dec 2013
- views: 53784
34:19
Artur Schnabel plays Beethoven Piano Sonata No.14 & 15
00:00 - Sonata No.14, Op.27/2
13:25 - Sonata No.15, Op.28
no copyright infringement inten...
published: 18 May 2011
Artur Schnabel plays Beethoven Piano Sonata No.14 & 15
Artur Schnabel plays Beethoven Piano Sonata No.14 & 15
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- published: 18 May 2011
- views: 9025
33:09
Artur Schnabel plays Beethoven Piano Sonata No.24, 25 & 26
00:00 - Sonata No.24, Op.78
09:33 - Sonata No.25, Op.79
18:03 - Sonata No.26, Op.81a
no c...
published: 18 May 2011
Artur Schnabel plays Beethoven Piano Sonata No.24, 25 & 26
Artur Schnabel plays Beethoven Piano Sonata No.24, 25 & 26
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- published: 18 May 2011
- views: 28937
Beethoven - Complete Piano Sonatas by A. Schnabel...
Artur Schnabel plays Beethoven Piano Sonata No.29,...
Artur Schnabel plays Beethoven Piano Sonata No.32,...
Beethoven - Piano Sonata No. 23 in F minor, Op. 57...
J. S. Bach (Música de) - Artur Schnabel (Piano)- G...
Beethoven - Piano Sonata No. 30 in E major, Op. 10...
Artur Schnabel plays Beethoven Piano Sonata No.14 ...
Artur Schnabel plays Beethoven Piano Sonata No.24,...
photo: AP / Kirsty Wigglesworth
Brexit: David Cameron resigns as prime minister
Edit The Irish Times 24 Jun 2016
David Cameron has resigned as British prime minister following the failure of his Remain side to win the referendum on staying in the EU. Mr Cameron called the vote on Brexit in 2013 under pressure from the anti-EU wing of his Conservative Party and Ukip, hoping to end decades of debate over the UK’s ties with Europe ... With a turnout of 72.2 per cent, 51.9 per cent voted to leave; 48.1 per cent voted to remain ... Irish government reaction....
photo: Public Domain / stux
Pound Sinks to Lowest Level Since 1985 as Britons Vote to Leave E.U.
Edit Time Magazine 24 Jun 2016
The dollar is surging around the world as investors and speculators seek a ‘safe haven’ as the U.K. lurches towards the European Union’s exit door. The pound is naturally the biggest loser, falling more than 15 cents–more than 9%–overnight against the greenback–and U.K. stock futures are tipped to open down over 6% according to Reuters ... U.S ... ....
photo: AP / Yves Logghe
Investigators: China Still Harvesting Human Organs on Huge Scale
Edit Voa News 24 Jun 2016
In 2006, Canadian human rights lawyer David Matas and former Canadian Asia-Pacific Secretary of State David Kilgour began an investigation into accusations of the Chinese government's role in harvesting the organs of Falun Gong practitioners. Their published findings, "Bloody Harvest. Revised Report into Allegations of Organ Harvesting of Falun Gong Practitioners in China," attracted international attention ... soil in 2004 ... ....
photo: Creative Commons / Michael Vadon
Trump applauds decisions by British people to bolt EU
Edit Austin American Statesman 24 Jun 2016
Donald Trump is saluting the United Kingdom's vote to leave the European Union, saying "they took back their country, it's a great thing." ... ....
photo: AP Photo/Kin Cheung
UK pound plunges as referendum results point to EU exit
Edit The Associated Press 24 Jun 2016
LONDON (AP) -- The British pound plunged to a 31-year low Friday as results in the country's European Union referendum gave the "leave" side a small but growing lead. The figures delivered a deep shock to financial markets, overturning earlier anticipation of a narrow victory for "remain." ... would vote to quit the bloc. As results poured in, a picture emerged of a sharply divided nation ... Learn more about our and ....
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What It Is Like to Like
Edit New Yorker 13 Jun 2016
... and Artur Schnabel and Joseph Szigeti’s recording of Beethoven’s tenth violin sonata over Vladimir Ashkenazy and Itzhak Perlman’s rendering of the same work....
Barry Douglas
Edit National Public Radio 01 Jun 2016
June 3, 20169.00 AM ET. by Tom Huizenga. Barry Douglas knows a few things about handing down traditions. In this Tiny Desk performance, he passes along the musical heritage of his Irish homeland in the form of old Celtic songs he's arranged for solo piano ... Another of his tutors, Maria Curcio, was taught by Artur Schnabel, whose teacher's teacher was a man named Beethoven ... Two quick tunes follow ... Producers ... ....
Facing the music: Ilan Volkov
Edit The Guardian 02 May 2016
From Bach to Berg, Christa Ludwig to Brian Wilson, and from yoiking to drumming - conductor Ilan Volkov on the music and musicians that inspires him. What was the last piece of music you bought?. The new album by Andé Somby, Yoiking With the Winged Ones. He’s appearing at Tectonics in Glasgow and Oslo this year. Facebook. Twitter. Pinterest. What’s your musical guilty pleasure? ... How do you listen to music most often? ... Sure ... Artur Schnabel ... ....
Conductor Dennis Russell Davies on his passion for Philip Glass’s symphonies
Edit Scotsman 16 Apr 2016
Philip Glass has written ten symphonies, but they are rarely played live. Conductor Dennis Russell Davies is changing all that. I find the whole idea of Philip Glass and the symphony a difficult concept to grasp ... That's not the view of American-born Dennis Russell Davies, however ... I think it was like the old saying [by Artur Schnabel] that Mozart's music was ‘too difficult for the professional and too easy for the amateur' ... ....
Versatile, Fearless Charles Rosen at the Piano
Edit The New York Review of Books 25 Mar 2016
Two attended elite conservatories (Janis at Juilliard, Graffman at Curtis), while Fleisher came from San Francisco to study with Artur Schnabel and his pupil Maria Curcio—the two most in-demand, most modern teachers in New York City ... penetrating of the numerous recordings made since Artur Schnabel proved in 1935 that he could not handle Op....
VIOLINIST JOSHUA BELL RETURNS TO SYMPHONY CENTER WITH PIANIST SAM HAYWOOD FOR OCTOBER CHAMBER MUSIC ...
Edit Public Technologies 06 Nov 2015
(Source. Chicago Symphony Orchestra) b3c455eb-1e97-4fa6-a520-358a9fc86c8f.pdf. For Immediate Release. Press Contacts.. October 20, 2015 Eileen Chambers, 312-294-3092. Rachelle Roe, 312-294-3090 Photos Available By Request. PR@CSO.org. VIOLINIST JOSHUA BELL RETURNS TO SYMPHONY CENTER WITH PIANIST SAM HAYWOOD FOR ... 220 S ... # # # ... At the Royal Academy of Music in London, he was mentored by the great teacher Maria Curcio, a pupil of Artur Schnabel....
Sony Classical Releases New Album "Four Hands" From Legendary Pianist Leon Fleisher Featuring Duets With Katherine Jacobson Plus Reissue Of Fleisher's Acclaimed Two HandsAvailable Now
Edit PR Newswire 19 Oct 2015
NEW YORK, Oct. 19, 2015 /PRNewswire/ -- Sony Classical is pleased to present a brand-new album of piano duets – Four Hands – featuring celebrated American pianist, Leon Fleisher together with his wife, fellow pianist Katherine Jacobson ... Leon Fleisher was a child prodigy who became Artur Schnabel's youngest student at the age of ten, thus continuing a long line of pianistic tradition reaching back to Beethoven himself ... ....
Nine New Commissions to be Performed in 90th Anniversary Season of “Concerts from the Library ...
Edit Public Technologies 05 Aug 2015
(Source ... 30, 1944 ... "Portrait of Beethoven"; "Schnabel Without Applause. Artur Schnabel as Composer and Editor"; "Oct ... Schnabel Without Applause. Artur Schnabel as Composer and Editor ... Artur Schnabel may be best known as a pianist and teacher, but his contributions to composition and music editing are also significant. We will explore some of the work held at the Library for which Schnabel deserves greater attention....
Learn to enjoy the silence
Edit Daily News Journal 01 Aug 2015
“The notes I handle no better than many pianists. But the pauses between the notes — ah, that is where the art resides.” — Artur Schnabel. ... ....
Facing the music: Jan Latham-Koenig
Edit The Guardian 15 Jun 2015
From Furtwängler to the Beatles to Milhaud, the conductor shares the music that and musicians that inspire him. Jan Latham-Koenig. ‘What would improve the concert format? A machine that would eliminate the possibility of audiences coughing, and prevent any sort of electronic device being audible.’. Photograph. PR. Monday 15 June 2015 07.00 BST. How do you mostly listen to music? ... One was Artur Schnabel and the other Albert Einstein ... ....
Frank Auerbach: 'Painting is the most marvellous activity humans have invented'
Edit The Guardian 16 May 2015
The octogenarian artist on 60 years as a workaholic, Soho life with Bacon and Freud and how the art-price bubble will burst ... “It was such a funny and marvellous school that the teachers were either too highly qualified or not qualified at all so the art master was the gardener, a man who as a pianist had been a pupil of Artur Schnabel and who was given art on the basis that he taken a sketchbook to Switzerland when he was young.” ... ....
Frank Auerbach: 'When you paint you have a fantastic time, you meet lots of girls'
Edit The Guardian 16 May 2015
The octogenarian artist on 60 years as a workaholic, Soho life with Bacon and Freud and how the art-price bubble will burst ... “It was such a funny and marvellous school that the teachers were either too highly qualified or not qualified at all so the art master was the gardener, a man who as a pianist had been a pupil of Artur Schnabel and who was given art on the basis that he taken a sketchbook to Switzerland when he was young.” ... ....
Kirkos Ensemble are drawn to the dark side
Edit The Irish Times 15 Apr 2015
If you’re of a certain age you’ll remember blackouts from the bad old days of ESB strikes. Different areas of the land would take it in turn to haul out the candles or the camping lanterns ... Each programme is built around a central work ... Back in the 1930s, Artur Schnabel’s pioneering project to record all 32 Beethoven piano sonatas was seen as such a risk that it was set up on a subscription model ... Discarded skins....
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