- published: 28 Jul 2014
- views: 17550
Venetian may refer to:
Aaron Funk (born January 11, 1975), known professionally as Venetian Snares, is a Canadian electronic musician based in Winnipeg. He is widely known for innovating and popularising the breakcore genre, and is one of the most recognisable artists to be signed into Planet Mu, an experimental electronic music label similar to Warp. His signature style would involve meticulously complex melodies, his eclectic use of samples and odd time signatures, preferably 7/4.
His 2005 release, Rossz Csillag Alatt Született, was released to critical acclaim and has helped brought Funk and the genre into popularity within the experimental electronic music community.
Being a very prolific musician, he would release several records each year, often between several different record labels, including Planet Mu, Hymen, Sublight, and even his own imprint Timesig, and also under other different alias, including Last Step, Snares Man!, Snares, and Speed Dealer Moms. He would also explore other electronic genres such as glitch, IDM, modern classical and even acid techno.
Actors: William Shakespeare (writer), Peter Hall (miscellaneous crew), Arrigo Boito (writer), Jessica Koplos (producer), David Gockley (producer), Frank Zamacona (director), Eric Halfvarson (actor), Francis Crossman (editor), San Francisco Opera Chorus (actor), San Francisco Opera Chorus (actor), San Francisco Opera Chorus (actor), San Francisco Opera Chorus (actor), Beau Gibson (actor), Julien Robbins (actor), Marco Vratogna (actor),
Plot: In Verdi's masterful adaptation of Shakespeare's tragedy, a great warrior discovers the one weapon against which he has no defense-his own jealousy. South African tenor Johan Botha, "endowed with a bright, ringing sound and enough power to project effortlessly even over a full-strength orchestra" (San Francisco Chronicle), sings the title role. Bulgarian soprano Zvetelina Vassileva in her portrayal of Desdemona, the faithful wife who finds facts are no match for manufactured suspicion, "sings with flawless, rich Italianate sound, and graceful phrasing" (San Francisco Classical Voice). Italian baritone Marco Vratogna gives "an arrestingly dark and charismatic" portrait of the villain Iago, with singing that's "beautifully controlled and dramatically on point" (San Francisco Chronicle). Music Director Nicola Luisotti "seems to have been born to conduct Otello. Through the storms, waves of sound, orchestra and chorus joining in raging passages, he maintains flawless momentum and exemplary balance" (San Francisco Examiner). "Red-Hot Otello!" -San Francisco Examiner
Keywords: based-on-play, cyprus, interracial-relationship, italian-opera, jealousy, killing, live-performance, moor, opera, seaportWebster Griffin Tarpley (born 1946) is an American author, historian, economist, journalist and lecturer. He is not a member of any political party and a former member of the U.S. Labor Party.
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The Venetians formed in late 1982, when Rik Swinn (lead vocalist) arrived in Australia with a 24-track master demo of a song he'd recorded in England. He read a newspaper advert placed by two musicians looking for a lead singer. Within weeks, Swinn hooked up with David Skeet (guitar and vocals), Matthew Hughes (keyboards), Peter Watson (bass guitar) and Tim Powles (drums) to form Venetians. "The chemistry was definitely there from the beginning," says Swinn. The Venetians released their first single "Sound On Sound" in 1983, a version of Swinn's original demo. The band signed with Festival Records' Parole Records label. Though accompanied by a video which attracted a lot of airplay, "Sound On Sound" failed to chart significantly. Their second single "Chinese I's" generated some chart...
The Venetians live on Countdown So much for love
Another Aussie Band that was very under-rated. This song was certainly their most popular.