![Destination unknown ... Eleonara Giovanardi and Luca Medici in <i>Where Am I Going</i>?](/web/20161014211615im_/http://www.smh.com.au/content/dam/images/g/s/0/g/p/d/image.related.landscape.460x307.gs0guc.png/1476322500337.jpg)
Where Am I Going? hits the mark
Gennaro Nunziante's comedy is reportedly the highest-grossing Italian film of all time.
Jake Wilson was born in London and grew up in Melbourne. He got his start reviewing movies for various websites and has been writing for the Age since 2006.
Gennaro Nunziante's comedy is reportedly the highest-grossing Italian film of all time.
On a basic storytelling level Inferno is competent, with a cast far better than the material deserves.
Ros Horin's documentary about making a play with women refugees is at times culturally uncomfortable.
Emily Blunt looks anything but glamorous yet she still fails to win us over as the heavy drinking, stalking protagonist Rachel Watson from Paula Hawkins' novel.
Beautiful cinematography, menacing characters, but doesn't fit easily into genres, confusing the audience.
It's a bit of a soap opera but Son Ye-jin does well as a heroine against the odds.
Too many subplots and poorly pitched humour let down this new take on an old ploy.
Michael Dudok de Wit's first feature is well up to the standards of Studio Ghibli, but the story line drags and is unlikely to suit younger audiences.
Like faded rock stars, the cinematic heroes and heroines of yesteryear keep returning to the spotlight, older, sadder, but typically no wiser than when we last saw them.
Clint Eastwood's direction does justice to Captain Chesley "Sully" Sullenberger and his remarkable plane landing.
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