The Rogues “Put You Down”

The Rogues of Montgomery on WSFA, Rich Gainer on vocals
The Rogues of Montgomery on WSFA, Rich Gainer on vocals

Rogues MBM 45 Put You DownThe Rogues of Montgomery, AL cut one great rock single, “Put You Down” b/w a version of “Stormy Monday Blues”.

“Put You Down” was written by lead guitarist Max Kendrick and vocalist Rich Gainer. The Rogues recorded the 45 in February of 1966, for MBM Records, a Birmingham, Alabama label that goes back to the early ’60s.

For years this group was assumed to be the same as the Rogues and the Dry Grins of Lafayette, Louisiana, but I’ve heard from Rich Gainer through his daughter, Dorian, who sent in the photo above, showing the group playing live on WSFA TV in Montgomery.

Rich Gainer provides this history of the band:

The Rogues were founded in mid-1965 as a result of my being stationed at Maxwell USAF Base in Montgomery, Alabama, and meeting Bill Myers (rhythm guitar and vocals), Larry Taylor (Hofner bass), and Casey Bolt (drums), officers’ kids whose Dads had recently been reassigned there from Germany. These teens had been playing music in a band in Germany at the time the Beatles were popular and playing there, and had picked up on the style of British Invasion groups. From the time we first met and practiced together a little bit, we were getting bookings at area military and off-base clubs, and were playing gigs several times a week.

Early-on, we were introduced to Max Kendrick who would become our excellent lead guitar player, sporting his Fender Jazzmaster and Rickenbacker 12 string. Max’s Dad was the Colonel in charge of AU TV on base, and we were among the first groups to pioneer videos. Keyboards came later in the form of Max’s cousin Frank, for whom we purchased a Vox Continental organ. Through the time the Rogues were together 1965-1969, we also had the services of Joe Tucker at lead guitar and Dan Fucci who very quickly learned to play the drums in order to become our drummer.

Max and I wrote the song “Put You Down”, which we recorded for the MBM label in a Muscle Shoals, Alabama studio in 1966. Colonel Taylor, our bass player’s Dad, made the recording deal with the studio in Muscle Shoals (think it was FAME) which included the label deal with MBM. The song actually topped the charts on WBAM in Montgomery, AL for a few weeks which gave us introductions to the British Invasion groups coming through Montgomery for the Big BAM shows held at the Coliseum for many years, like The Who, The Hollies, The Blues Magoos, The Kinks, and many more including American groups like The Beach Boys, The Beau Brummels, The Turtles, and so on. Best bands we met and heard in person – The Byrds – magical and electric, and The Beach Boys – amazing sound.

We were scheduled to open for Paul Revere and the Raiders at the first WHHY Show at The Coliseum, but they wheeled out their Vox Super Beatle Amps and bulldozed our equipment off the stage some 10-12 foot drop.

We started playing teen clubs in rural Alabama, Georgia, and North Florida, and hired R. L. and Granny Davis, owners of The Opp Teen Club as booking agents for a couple of years. We were in that scene at the same time as The Rockin’ Gibraltars, The K-Otics, The James Gang, and The Candymen to name a few.

In 1968, when my Air Force time was up, the group split up. Larry and Dan became B52 pilots like their Dads, and Bill took over his Dad’s real estate business in Montgomery. Lost track of Casey and Max and the others, but would like to reconnect if it were possible. I went on to write more songs and record in Nashville for a few years with limited success through the 1990’s. Hank Tubb was my alias when I did comedy along with music. See http://reverbnation/hicksintrucks

Q. How many records pressed up? It’s very rare nowadays.

Probably a 1000 copies pressed. I used to have a few dozen but don’t know what happened to them over the years.

Q. Did the band play “Put You Down” at live shows?

Yes, played “Put You Down” everywhere, especially when it was on WBAM charts.

Q. Did the Rogues make any unreleased recordings?

We made lots of video recordings at AU TV, but on proprietary equipment and no longer available. No other audio recordings.

– Rich Gainer

MBM Records discography

Blondells MBM 45 Rocking My Blues AwayBirmingham, Alabama was the base of MBM Records, which started about 1961.

For more on the Rogues, see the separate post on that band.

This is not the same MBM as MBM Productions of Crowley, Louisiana, run by Mike Miller, the son of Jay Miller. Those releases I discuss in another post.

MBM Records discography

(probably incomplete – any help with this would be appreciated)

MBM 8019 – Ann Allen – “What Do You Want of Me” / “I Don’t Want Your Love” (with PS)

MBM 8020 – The Blondells – “Rocking My Blues Away” (Taylor, Starland Music BMI) / Mona Taylor and the Blondells – “No One Will Ever Know” CP-5501/2, Rite pressing from 1961.

MBM-2001 – Jimmy Ferguson with the Flares Band and the Tom Boys (vocalists) – “The Ballad of Tom Sawyer” / “Cupid” (both by Ferguson – Ferguson, Double “M” Pub. Co. BMI) SoN 9521/2

MBM-2002 – The Rouges – “Put You Down” (Kendrick & Gainer) / “Stormy Monday” SoN 29801

The Ann Allen sleeve has “MBM Records, Miami-Los Angeles” on the PS, and a managerial address:

Birmingham Artist Playhouse Agency
5017 Avenue “N”, West
Birmingham 8, Alabama

Birmginham’s Reed label usually published through Double “M” Music, but had a handful of later releases in 1961 that instead used Starland Music (and a different logo typeface):

RR 1061 – Larry & the Loafers “Panama City Blues” / “Till the End”
RR 1063 – Webb Robbins And The Jackets “Take This Ring” / “Why Was I Blue”
RR 1064 – Mason Dixon – “Queen Of My Heartaches” / “Hello Memphis”

Thank you to Tapio Väisänen and Niculò Conrad for their help with this discography.

Don & the Holidays on Kam Records

Don & the Holidays Kam 45 It Won't Be Long

Don & the Holidays came from Orlando, Florida, cutting a single on Kam Records and backing other artists on the label. “Grasshopper Pizza” is fratty r&b with lyrics almost impossible to decipher, something about a “Beatle drive” and “grasshopper pizza is really alive”.

I like the flip, “It Won’t Be Long” with its gloomy sound and spare guitar breaks instead of sax. Both songs are originals credited to Don Adams. Kam Record Co. released it in July, 1966.

Bill Clifford posted the video of “Grasshopper Pizza”, above (under his actual name Bill Schwentner), with the names of the other Holidays members and some info:

Don Adams (vocal), Mark Farrel (Farfisa organ), Bill Stancliff (guitar), Bill Clifford (bass). [“Grasshopper Pizza”] was the only song of 13 recorded that day that was released on Kam Records.

I would like to hear the other 12 songs cut at that session! From the business card included with the video, the band seemed to go by the simple name, The Holidays, and also there was another member named Denny.

Interestingly, it appears from the RCA custom pressing codes that Kam Records issued the Don & the Holidays single at the same time as Kam 102 (Buddy Killen’s “I Oughta Be Home With Nell” / “Mister Blue”) and Kam 103, which featured Holidays’ keyboardist Mark Ferrell on his originals, “Go Go Girl” / “I’ll Never Forget You”.

I haven’t had the chance to hear the Mark Ferrell single yet.

Both songs from the Don & the Holidays single were rerecorded for Kam 111 with the artist name changed to Big Don Adams. These versions are supposed to be slicker than the original release, but I haven’t heard either.

Guitarist Bill Stancliff cut his own composition “Redline” with his Holidays band mates Mark Ferrell and Bill Clifford, along with Billy J. Killen, on November 1, 1965 at Wurtle Film Studios, Orlando. Unfortunately this fine instrumental went unreleased.

Some of the photos in the video above have the name Mark IV behind the band. From the credits, this seems to have been a different lineup featuring Bill Clifford and Bill Stancliff of the Holidays with John Oyler on tenor sax, C.E. Stubblefield on Wurlitzer piano, Roy Halpin on bass, and Clark Wormer on drums.

Kam Record Co. discography

possibly incomplete, any help with this would be appreciated

Kam 101 – Billy J. Killen – “Truly Love You” / “Walkin’ Talkin’ (In My Sleep For You)” (both by Angel, Killen, Martin) S4KM-8406/7

Kam 102 – Billy J. Killen ‎- “I Oughta Be Home With Nell” (Otto P. Martin) / “Mister Blue” (Martin-Killen-Angel) T4KM-9776/7

Kam 103 – Mark Ferrell – “Go Go Girl” (Mark Ferrell) / “I’ll Never Forget You” (Mark Ferrell, Jerry Adams) T4KM-9778/9

Kam 104 – Don & the Holidays – “It Won’t Be Long” / “Grasshopper Pizza” (both by Don Adams) T4KM-9780/1

Kam 105 – Curt Fields – “Man, Woman And Love” / “Five Lonely Rooms” (both by Angel, Killen, Martin)

Kam 106 – Johnny Selph ‎– “My Gal’s Outta Her Tree Again” (Don Gore) / “Working On Your Future” (John Harris Selph)

Kam 111 – Big Don Adams – “It Won’t Be Long” / “Grasshopper Pizza” (different versions of Kam 104)

Many of these songs are copyrighted to Villard J. Killen, Otto Martin and Robert Paul Angel, whose name appears in producer role as Bob Angel in later singles on the Bion label of Orlando, including ones by Mark Ferrell and Johnny Selph. All Kam Records songs published by Ankilmar, BMI.

Don & the Holidays Kam 45 Grasshopper Pizza

Sunshine Reigns

Sunshine Reigns MBM 45 Acelia DulfinSunshine Reigns came from Crowley, Louisiana. Members were:

Burton Mader – lead vocals, guitar (?)
Kyle Jones – organ
Mark Miller – bass
Danny Foreman – drums

They cut a single in 1968 or 1969 on mbm PRODUCTIONS No. 1946. Keyboardist Kyle Jones wrote the languid A-side, “Laura (Is the Girl)”. The flip is Danny Foreman’s song “Acelia Dulfin”, a warning about a girl with a cool spoken introduction. Hear both songs on youtube:

A comment on Discogs gives the full names of the band, and that they won “the Crowley High talent contest in the late 60s.” Another mention of the band being from Arlington, Texas seems far-fetched, as Arlington is 400 miles away from Crowley.

Mike Miller, son of legendary studio owner J.D. Miller of Crowley ran MBM Productions, putting out these four singles around 1968-1971:

MBM Productions 1945 – Maximus and His Projectors – “A Thing Called Limericks (part 1)” / “Bang Bang Lou Lou” (labeled Not For Broadcast!)
MBM Productions 1946 – Sunshine Reigns – “Laura (Is the Girl)” / “Acelia Dulfin”
MBM Productions 1947 – 49th Blue Streak – “Fire” / “Foxy Lady”
Bulb Record Co. 101 – Sorce – “Tomorrow Won’t See Me” (G. Duhan) / “Courthouse Massacre” (a Division MBM Productions of Crowley Louisiana, MBM Music, BMI)

Mike Miller’s mbm Productions is not connected to an earlier MBM label from Birmingham, Alabama.

Sunshine Reigns MBM 45 Laura (Is The Girl)

Bill Hamilton’s Groovey Grooves Records and Hamilton Productions

Satyrs Spectrum 45 Yesterday's HeroHamilton Productions, run by Bill Hamilton in Philadelphia, Pennsylvania, produced several garage singles with different label names including:

Sands of Time – ”Come Back Little Girl” / “When She Crys For Me”) Stearly 8167, August 1967)
Satyrs – “Yesterday’s Hero” (C. Morrill, G. Williams) / “Marie” (Spectrum 2668, released 1968, Haddonfield Heights, NJ)
Groop Therapy with Gary Dial “I’ve Got To Leave This World” (Gary J. Dilllio) / “Ronnie Ronnie” (Lisa 6865, June 1968, Ripley Park, PA)

For more on the Sands of Time, see the separate entry for the band.

Exceptions Groovey Grooves 45 Baby You Know I Need YouHamilton also put out a number of singles, mainly soul, on the Groovey Grooves label starting in 1968, including the Exceptions “The Look in Her Eyes” and Phillies player Rich Allen and the Ebonistics doing “Echoes of November”.

Groovey Grooves discography
any help with this would be appreciated

Groovey Grooves 160 – Rich Allen and the Ebonistics “Echoes of November” / “Fannari”
Groovey Grooves 161 – Exceptions “The Look in Her Eyes” / “Baby You Know I Need You” (Hynes, Walker, Ellis, Jones, arr. by Bob Lowden)
Groovey Grooves 162 – Collectors “Cruel World” / “I Still Love You” (March, 1969)
Groovey Grooves 163 – Isthmus of Sound “River” / “Sweet Love”
Groovey Grooves 164 – Stone Dawn “Agent Promise Blues” / “What You Think Is Right” (both by Penny Stubbs, Assoc. prod Bill Hoy)
Groovey Grooves 165 – ?
Groovey Grooves 166 – Norwood Long “I’d Like to Have You” / “She Belongs to Me”
Groovey Grooves 167 – Exceptions “The Shagg” / “Danny Boy”
Groovey Grooves 168 – Great Compromise “Let The Evening Roll On” / “He Was A Man”
Groovey Grooves 169 – Les Stewart, Jr. “One Woman Man” / “Mind Your Own Business”
Groovey Grooves 170 – Fairwinds “She & Me” (J. Swank, R. Smith) / “Height in Funland”

Groovey Grooves 176 – Fantastic Soul-Locks “Come On Home Girl” / “Funky Prance”

The Exceptions recorded at Impact Sound Recording Studio on Castor Ave in Philadelphia, while Stone Dawn recorded at Baker Sound in New Jersey.

Groop Therapy with Gary Dial Lisa 45 Ronnie, RonnieFolsom Music, BMI published many of the original songs on Groovey Grooves.

Klemen Breznikar has an interview with one of the members of Stone Dawn at It’s Psychedelic Baby!. The piece doesn’t identify which member he interviewed but I believe it’s George Manney.

Thank you to Laurent, Max Waller and Mike Markesich for help with this post.

The Sound Track on Trail and Action

The Sound Track Trail 45 I See The Light

The Sound Track are another unknown group, probably from the area around Kingsport, Tennessee, more than four hours east of Nashville.

Their first single has two cover songs, including one of the best versions of the Music Explosion’s “I See the Light” (E. Chiprut) b/w “Groovin’”. It came out on Trail Records TSRC-1706 in November 1967. It’s a Rite pressing, #20781/2, account #400.

Trail Records came from Kingsport, TN, and had many other releases, mostly gospel. Early releases such as the Grim Reapers “Under My Thumb” / “See See Rider” (Trail TSRC-1702) have a diamond logo and list Tri-State Recording Co. and 1767 Fort Henry Drive. Some later releases such as the Downbeats “Pain” / “Got To Get You Into My Life” (Trail SRC-1736) have a rustic logo with pine trees and “Trail” spelled out in wood logs.

The Sound Track Action 45 Face the New DayOver a year later the Sound Track put out their second single, this time featuring two band originals. “Face the New Day” has distorted guitar riffs repeating throughout, and solid backing of organ, bass and drums. It sounds almost like an English freakbeat track. Ron Allgood and Jerry Melton wrote the song, they were probably members of the band.

The flip “People Say” is also good, and the composer credits give six names, probably most of the band: Ron Allgood, Jerry Melton, T. Melton, Layton Bentley, Kim Dillard and B. Richmond. Copyright records give B. Richmond’s full name as Randy Richmond. The release came on Action 101, with the codes WS 1000 and PRP 7731/2.

The Sound Track went to Nashville to make their Action single. It was produced by Hoss Linneman and Al Gore, two country musicians with many recording credits to their names. Washington Square Music, BMI published both songs. This was a very rare single until 15 or more copies turned up in August, 2016.

Hear both songs at this Open Drive link while it lasts.

The Sound Track Action 45 People Say

The Rogues on Regan

Rogues Regan 45 Heavy MusicThe Rogues recorded two singles on Regan Records circa 1968-1969. They seem to be from Michigan, and the “Capital City Music” publishing on the one original song they recorded may refer to Lansing, but other than that I have no clue.

Their first 45 has good versions of Bob Seger’s “Heavy Music” b/w” a cover of “Born in Chicago”, released on Regan R-0021 with IRM #1039.

The second single has an original song, “Something Called Humanity”, written by Jantz (or Jants) and Gaik (or Galk) – I don’t have a copy so I can only guess at the names on a poor photo online. Publishing by Capital City Music BMI, released on Regan R-0022, with IRM-1067. This was the flip to a version of “Summertime”.

If anyone has a scan or sound clip of “Something Called Humanity” please contact me.

Steve Donahue produced both singles, the second has a credit to Don Kemp for engineering. I can’t find their names in connection to any other releases, nor can I find any other releases on this Regan Records label.

This copy of “Heavy Music” came from the collection of David Martin, with special thanks to his family.

The Chambermen of Spokane

Chambermen 45 Louie Go HomeMany bands tried their hand at “Louie Go Home”, an original by Paul Revere and Mark Lindsey released as Paul Revere & the Raiders’ second Columbia single, “Louie Go Home”, in early 1964.

Some of the best versions are the Mussies of South Haven, Michigan who cut it on Fenton, the Fugitives of San Antonio on Alamo Audio, and the Missing Lynx of Lawrenceburg, Tennessee, who have it on the flip of “Hang Around” on United Sounds 100.

One of my very favorite versions is by the Chambermen, a sextet from West Valley High School in Spokane, Washington. Their version of “Midnight Hour” on the flip is good too. Members were:

Don Hines – lead vocals, rhythm guitar
Lanny Beck – lead guitar
Jim Ryder – rhythm guitar and vocals
Steve Myers – keyboards
Pat Teague – bass
Jon Conant – drums

Steve Mauss (saxophone, vocals) may also have been a member at some point.

After winning a Battle of the Bands at the old Spokane Coliseum, the Chambermen had a chance to record, produced I assume by Larry Wacholtz of 4111 Willow in Spokane, whose name is on the label.

John Conant and Don Hines have since passed away. That’s all I can find on the band.

Does anyone have a photo of the group?

Chambermen 45 Midnight Hour

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