Lupinus, commonly known as lupin or lupine (North America), is a genus of flowering plants in the legume family, Fabaceae. The genus includes over 200 species, with centers of diversity in North and South America. Smaller centers occur in North Africa and the Mediterranean. Seeds of various species of lupins have been used as a food for over 3000 years around the Mediterranean (Gladstones, 1970) and for as much as 6000 years in the Andean highlands (Uauy et al., 1995), but they have never been accorded the same status as soybeans or dry peas and other pulse crops. The pearl lupin of the Andean highlands of South America, Lupinus mutabilis, known locally as tarwi or chocho, was extensively cultivated, but there seems to have been no conscious genetic improvement other than to select for larger and water-permeable seeds. Users soaked the seed in running water to remove most of the bitter alkaloids and then cooked or toasted the seeds to make them edible (Hill, 1977; Aguilera and Truer, 1978), or else boiled and dried them to make kirku (Uauy et al., 1995). Spanish domination led to a change in the eating habits of the indigenous peoples, and only recently has interest in using lupins as a food been renewed (Hill, 1977).
Lupin is a flowering plant.
Lupin may also refer to:
In the Dungeons & Dragons fantasy role-playing game, the lupin is a humanoid with a dog-like appearance.
The lupin first appeared in the Dungeons & Dragons adventure modules Castle Amber (1981),The Savage Coast (1985), and Night Howlers (1992). The lupin also appeared in the Creature Catalogue (1986), and the Creature Catalog (1993).
The lupin appeared in second edition Advanced Dungeons & Dragons for the Mystara setting in the Mystara Monstrous Compendium Appendix (1994).
The lupin appeared in third edition in Dragon #325 (November 2004).
Sages believe lupins to be a result of crossbreeding between humans and gnolls. They are intelligent and productive craftsmen and are friendly towards most races. In the Mystara campaign settings Lupins are most commonly found on the Savage Coast.
A lupin is usually of good in alignment.
Maskerade is the eighteenth novel in the Discworld series by Terry Pratchett. The witches Granny Weatherwax and Nanny Ogg visit the Ankh-Morpork Opera House to find Agnes Nitt, a girl from Lancre, and get caught up in a story similar to The Phantom of the Opera.
The story begins with Agnes Nitt leaving Lancre to seek a career at the Opera House in Ankh-Morpork. When Granny Weatherwax realizes Nanny Ogg has written an immensely popular cookbook but has not been paid by the publisher, the witches also leave for Ankh-Morpork to collect the money, as well as to attempt to recruit Agnes into their coven, to replace Magrat Garlick who left the coven when she became Queen of Lancre (in Lords and Ladies). This has the side benefit of distracting Granny from becoming obsessive and self-centered, or so Nanny believes to her great relief.
Agnes Nitt is chosen as a member of the chorus, where she meets Christine, a more popular but less talented girl. The Opera House Ghost, who has long haunted the opera house without much incident, begins to commit seemingly random murders staged as "accidents", and also requests that Christine be given lead roles in several upcoming productions. Due to her incredibly powerful and versatile voice, Agnes is asked to sing the parts from the background, unbeknownst to Christine or the audience.
Maskerade (also known as Maskerade in Wien, English: Masquerade or Masquerade in Vienna), is an Austrian operetta film, and a classic of German language cinema. The exceptional script of this, a great example of the genre of the Wiener Film, was by Walter Reisch and Willi Forst, who also directed. The German premiere was held in Berlin on 21 August 1934, the Austrian premiere in Vienna not until 26 September of the same year.
The film is set in Viennese high society of about 1900. After a masked carnival ball, Gerda Harrandt (Hilde von Stolz), wife of the surgeon Carl Ludwig Harrandt (Peter Petersen), allows the fashionable artist Ferdinand von Heidenick (Adolf Wohlbrück) to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller (Olga Tschechowa), in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt (Walter Janssen), the brother of Gerda's husband.
The picture is published in the newspaper. When Paul sees it and asks von Heidenick some searching questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman (Paula Wessely), whose acquaintance Heidenick makes shortly afterwards. This makes his lover Anita so jealous that she shoots him. He survives, and Leopoldine nurses him back to health, in the course of which they fall in love. The true identity of the sitter in the portrait remains a mystery, however.