- published: 30 Apr 2007
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George Edward Coleman (born March 8, 1935) is an American hard bop saxophonist, bandleader, and composer, known chiefly for his work with Miles Davis and Herbie Hancock in the 1960s. He was named a National Endowment for the Arts Jazz Master for 2015.
Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd. After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach's quintet 1958–1959. Coleman recorded with organist Jimmy Smith's Houseparty (1957), with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New York with Max Roach in that year, he went on to play with Slide Hampton (1959–1962), Ron Carter, Jimmy Cobb, and Wild Bill Davis (1962), before joining Miles Davis's quintet in 1963–1964.
Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was a Jamaican American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12, and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as leader occurred three years later, around the time he started to become better known as accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the army, after which Kelly returned to Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Julian "Cannonball" Adderley, John Coltrane, Roland Kirk, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.
Kelly attracted the most attention as part of Miles Davis' band from 1959, including an appearance on the trumpeter's Kind of Blue, often mentioned as the best-selling jazz album ever. After leaving Davis in 1963, Kelly played with his own trio, which recorded for several labels and toured the United States and internationally. His career did not develop much further, and he had difficulty finding enough work late in his career. Kelly, who was prone to epilepsy, died in a hotel room in Canada following a seizure, aged 39.
George Coleman & Ahmed Jamal - My foolish heart I
George Coleman quartet Vitoria 1985
George Coleman - Autumn in New York
George Coleman - Amsterdam After Dark
George Coleman Quartet - Italy 1980 (Live video)
The George Coleman Quartet - Linda's Jazz Nights - "Blue Trane"
George Coleman Quartet - 1985 (Live Video)
Wynton Kelly Trio with George Coleman - Mr. P.C.
George Coleman "A Master Speaks" EPK
George Coleman - Amsterdam after dark / Timeless Records / SJP 129 / 1979 / JAZZ / FULL ALBUM
Actors: John Fox (miscellaneous crew), Nicholas Bell (actor), Tim Robertson (actor), Max von Sydow (actor), Julia Blake (actress), Peter Best (composer), Reg Evans (actor), Paul D. Barron (producer), Steve Jacobs (actor), John Power (director), Bruce Alexander (actor), Nick Lathouris (actor), Robert Morgan (actor), Jennifer Barty (miscellaneous crew), Jeanie Cameron (costume designer),
Plot: On a TV tabloid show, Iya Zetnick exposes Joe Mueller as the Nazi war criminal who killed her family. Mueller is arrested, but prevails in a trial. Zetnick breaks into his house, and kills herself in front of his family. His daughter, who had stood by him, becomes convinced Zetnick was right, and rejects her father after he admits his guilt.
Keywords: accusation, acquittal, bar, court, courtroom, death-of-wife, denial, expose, false-accusation, father-daughter-relationshipGeorge Coleman & The Ahmed Jamal trio
TRANSFERRED FROM A V.H.S TAPE Herbie Hancock p Ron Carter b Billy Higgins d
From "Amsterdam After Dark" (1978) George Coleman - Tenor Saxophone Hilton Ruiz - Piano Sam Jones - Bass Billy Higgins - Drums
George Coleman - tenor sax; Billy Higgins - drums
June 5, 2013, "Blue Trane" Feat. George Coleman (sax), Joe Farnsworth (drums), David Hazeltine (piano), John Webber (bass) with special guests Eric Alexander (sax) and Peter Bernstein (guitar), www.LindasJazzNights.com
George Coleman - tenor sax; Harold Mabern - piano; Jami Nasser - bass; Carl Burnett - drums
Wynton Kelly (p), George Coleman (ts), Ron McClure (b), Jimmy Cobb (ds) Album:" Wynton Kelly Trio with George Coleman / Live At The Left Bank Jazz Society Baltimore 1968 " Recorded:Live at the Left Bank Jazz Society, September 22, 1968
Bass – Sam Jones Drums – Billy Higgins Piano – Hilton Ruiz Tenor Saxophone – George Coleman A1 Amsterdam After Dark A2 New Arrival A3 Lo-Joe B1 Autumn In New York B2 Apache Dance B3 Blondies Waltz Recorded December, 29, 1978 in the Sound Ideas Studio, New York City.
la "mia" serata: seduto al tavolo con George a riprendere il Concerto!! Big George al sax tenore; Andrea Pozza (piano), Eddy Palermo (guitar); Pino Sallusti (Cb); Ettore Fioravanti (drums) p.s. Grazie a Eddy per le info sulla formazione del 5et... (Villa Celimontana Aug.12th,1995) emmefats (marcellograssi)
Wynton Kelly (p), George Coleman (ts), Ron McClure (b), Jimmy Cobb (ds) Album:" Wynton Kelly Trio with George Coleman / Live At The Left Bank Jazz Society Baltimore 1968 " Recorded:Live at the Left Bank Jazz Society, September 22, 1968
The Organic Chemistry Group, which includes; George Coleman Sr. on Tenor Sax George Coleman Jr. on drums Peter Bernstein on guitar Larry Goldings on organ Daniel Sadownick on Percussion ORGANIC CHEMISTRY The name of the band, "Organic Chemistry", is derived from the mixing of multiple elements into a cohesive singular musical vibe--- The first being the organ as the signature instrument of the band; second my background as a Chemical Engineer; third the Organic or earthly visceral sounds of our music; and lastly, the palpable chemistry between intertwined relationships of the musicians to synthesize a new class of musical compounds.
George Coleman (ts), Harold Mabern (p), Ray Drummond (b), Alvin Queen (ds) Album:"George Coleman / At Yoshis " Recorded:August, 1987
Tenor Saxophone – George Coleman Bass – Ray Drummond Drums – Alvin Queen Piano – Harold Mabern A1 They Say It's Wonderful A2 Good Morning Heartache B1 Laig Gobblin' Blues B2 Io B3 Up Jumped Spring
Another Kind of Soul: A Coleman Family Legacy, 2011 (C) George Coleman Jr. http://documentary.org/fsp/3859 The Coleman family, brought together by a shared passion for Jazz, forged a legacy, which survived the same elements of unity, dissonance and harmony that permeate the music they create. Join, acclaimed jazz drummer George Coleman, Jr. as he takes you on a journey through his family's early roots in Jazz, to its later dissolution by fame, and its eventual reunion, led by the music that started it all -- Jazz. Gloria Coleman, celebrated Jazz organist, singer, composer and mother, was an associate of the legendary Billie Holiday and is recognized as one of the great pioneering female jazz artists. Gloria's life embodies the struggle of professional women who must balance career achiev...
Julian Joseph interviews the great American sax player George Coleman.G. Coleman tells about a story that happened one night with the Miles Davis Quintet in which he "fixed" Herbie,Ron and Tony,showhing them he could play "out" just like them.......
Catalog Number: VIS 180.005.001 In this interview, George Coleman recalls his experience as a police reporter for the Atlanta Daily World. He begins his interview describing his childhood and living in a segregated neighborhood in Atlanta, Georgia and graduating from Booker T. Washington High School in 1939. He talks about enlisting in the armed services and attending Hampton Institute before returning to Atlanta during the height of racial segregation in the South. George Coleman ends his interview with an assessment of the Atlanta Daily World and recites the end of Alfred Lord Tennyson’s poem, Ulysses.
For some reason I can see body movements better in bw. In 1977, at age 65, Ben Hogan made one final trip to Florida to enjoy time with his good friend George Coleman and to play a little bit of golf at Seminole where for many years he had loved to practice in the winter months leading up to the Masters. George Coleman had a home on the water and, according to James Dodson's biography Ben Hogan: An American Life , Coleman and Hogan often hit balls into the ocean from that backyard. At the time of what appears to be Hogans' last trip to Seminole Coleman had just purchased a new video camera and wanted to test it out. This led to one of the most important pieces of film ever made of Ben Hogan
We asked George Coleman, VP of Merchandising, Consumer Healthcare, CVS Health, to explain what makes JOH different.
http://11029.greatrv.net/vslp/27563358?s=11 For Sale in St George, UT 84770 Camping World of St. George (435) 414-6263 ext 101 2017 COLEMAN COLEMAN Condition: New Stock: #1322915
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George Coleman - "Blues After All" Jimmy Smith's album House Party 1957 Blue Note Records. Transcribing Saxophone always feels good and you learn a lot. George Coleman is one of my favorites. He typically plays Tenor Sax but this is him on Alto with one of the finest Blues you will hear!
NEA Jazz Master George Coleman's EPK video produced by Slife Productions for Smoke Sessions Records.
Sir George Coleman Performing at the Montreal Jazz Festival August 11, 2016
VID 20160620 132316
The Coleman Bridge was stopped the morning of June 6, 2016 due to a mechanical issue.