Electric Theatre

The Electric Theatre is a theatre located in Guildford, Surrey, England, which has gained a widespread reputation for promotion of the musical arts at all levels from community workshops to concerts by internationally well-known artists.

The theatre is housed in a former electricity works which used to provide power to Guildford town centre. The works lay dormant from 1968 until the building’s potential as a theatre was recognised; 1997 saw the opening of The Electric Theatre in the converted premises.

The Theatre is funded and managed by Guildford Borough Council using professional staff with physical and financial support from volunteers. The Electric Theatre has become a major regional attraction, hosting a youth theatre and festivals such as the Guildford Book Festival and the International Music Festival which alternates years with the Guildford Spring Music Festival.

In 2008 a Family Festival in conjunction with the Prince of Wales' "Prince's Foundation for Children and the Arts" took place. The annual Film Festivals show a variety of classic, art house and world cinema.

Patrick Miller

Patrick Miller may refer to:

See also

Electricity

Electricity is the set of physical phenomena associated with the presence and flow of electric charge. Electricity gives a wide variety of well-known effects, such as lightning, static electricity, electromagnetic induction and electric current. In addition, electricity permits the creation and reception of electromagnetic radiation such as radio waves.

In electricity, charges produce electromagnetic fields which act on other charges. Electricity occurs due to several types of physics:

Theatre

Theatre or theater is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art and stagecraft are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

Modern Western theatre comes, in large measure, from ancient Greek drama, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language, stage writing, and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts, literature, and the arts in general.

Ballet dancer

A ballet dancer (Italian: ballerina [balleˈriːna] fem., ballerino [balleˈriːno] masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have hierarchy and strict gender roles. They rely on years of extensive training and proper technique to become a part of professional companies. Ballet dancers are at a high risk of injury due to the demanding technique of ballet.

Training and technique

Ballet dancers typically begin training between the ages of three and four (for females) or six and seven (for male dancers) if they desire to perform professionally. Training does not end when ballet dancers are hired by a professional company. They must attend ballet class six days a week to keep themselves fit and aware.

Ballet dancers begin their classes at the barre, a wooden beam that runs along the walls of the ballet studio. Dancers use the barre to support themselves during exercises. Barre work is designed to warm up the body and stretch muscles to prepare for center work, where they execute exercises without the barre. Center work in the middle of the room starts out with slow movement and gets faster with each exercise. Ballet dancers finish center work practicing leaps and turns across the floor.