Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
Ich Troje ("The Three of Them") is a Polish pop band. Former members are Magdalena Pokora (aka Magda Femme, 1996–2000), Justyna Majkowska (2000–2003), Elli Mücke (2003) and Ania Wisniewska (2003–2010).
Ich Troje was founded in 1996 by songwriter Michał Wiśniewski and composer Jacek Łągwa.
Despite this, the group had five members when taking part in the Eurovision Song Contest 2006, with German rapper O-Jay (Olaf Jeglitza) as the fifth member.
Their music is castigated by critics, and Michal Wisniewski has said himself that he can't actually sing.
Nevertheless, since 2000, Ich Troje has been one of the most successful Polish groups. They have sold more than 1.5 million records since June 2001. For the past two years, Ich Troje have given over 300 concerts. Their songs are typically about love, betrayal and break-ups.
On 25 January 2003, Polish TV viewers chose Ich Troje to represent them in 2003 Eurovision Song Contest by televoting. They performed a song called Keine Grenzen-Żadnych granic, which was sung in three languages: (Polish, German, and Russian). The song finished seventh. A fully German version of the song was recorded as well.
Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.
The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.
Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.
Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.
Deep is the third solo studio album by English musician Peter Murphy. Produced by Simon Rogers, the album was released on 16 January 1990 through RCA and Beggars Banquet Records and features contributions from Murphy's backing band, The Hundred Men.
The album spawned three singles: "The Line Between the Devil's Teeth (And That Which Cannot Be Repeat)", "Cuts You Up" and "A Strange Kind of Love". The track "Cuts You Up" became a modern rock hit in 1990, spending seven weeks at the top of the U.S. charts and crossing over to Billboard Hot 100, where it peaked at number 55. The other singles also charted on Modern Rock Tracks chart, peaking at number 18 and 21, respectively.
Ned Raggett of Allmusic praised the album, stating that "Deep showed Murphy balancing mass appeal and his own distinct art with perfection." He also wrote: " Murphy simply sounds like he's having the time of his life, singing both for the sheer joy of it and for the dramatic power of his commanding voice."