Let's Work

"Let's Work" was the second single from the 1981 album, Controversy, by Prince. The song originates from a dance called "the Rock" that local kids were doing at the time in Minneapolis. Prince responded quickly with a track called "Let's Rock", and wished to quickly release it as a single. Warner Bros. refused, and a disappointed Prince did not include the song on Controversy, saying the phase had passed. Instead, the song was updated with new lyrics and possibly new music and became "Let's Work" — one of his most popular dance numbers to date.

Background

The song is based on a funky bass line and features a shouted title throughout the song and relies heavily on keyboards to create a sexy groove in the verses and quick solos for the choruses. The lyrics are a tease, equating "working" with having sex. The song was backed with "Ronnie, Talk to Russia", which precedes it on the Controversy album.

The extended remix features instrumental solos,and Morris Day(the Time)on drums samples from "Controversy" and "Annie Christian", two other songs from the same album, and extra, more insistent lyrics. Prince performed the extended version in concert during the Controversy and 1999 tours. This is the first U.S. Prince single to include a non-album B-side (although it was previously released as a single in the UK). "Gotta Stop (Messin' About)" was written on the Dirty Mind tour, and is consistent with the minimalist demo-like quality of that album.

Let's Stick Together (song)

"Let's Stick Together" or "Let's Work Together" as it was subsequently titled, is a blues song written by Wilbert Harrison, which was released in 1962. In 1969 and 1970, the song was a hit for Harrison and has been recorded by a variety of artists, including Canned Heat and Bryan Ferry, who had chart successes with the song.

Original songs

Wilbert Harrison recorded "Let's Stick Together" in 1962 as a mid-tempo twelve-bar shuffle-style blues. The song failed to appear in the charts; however, when he re-recorded it as "Let's Work Together" in 1969 for Sue Records, the song reached number 32 on the Billboard Hot 100 chart in 1970, making it Harrison's first chart appearance since his number one 1959 hit "Kansas City".

Instrumentally, "Let's Stick Together" is an ensemble piece, while "Let's Work Together" is a solo performance, with Harrison (credited as the "Wilbert Harrison One Man Band") providing the vocal, harmonica, guitar, and percussion. The two songs use same melody line and structure, but the lyrics differ, as illustrated by the opening lines:

Canned Heat

Canned Heat is an American rock band formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup consisting of Bob Hite (vocals), Alan Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

The music and attitude of Canned Heat afforded them a large following and established the band as one of the popular acts of the hippie era. Canned Heat appeared at most major musical events at the end of the 1960s, and were able to deliver on stage electrifying performances of blues standards and their own material and occasionally to indulge into lengthier 'psychedelic' solos. Two of their songs – "Going Up the Country" and "On the Road Again" – became international hits. "Going Up the Country" was a remake of the Henry Thomas song "Bull Doze Blues", recorded in Louisville, Kentucky, in 1927. "On the Road Again" was a cover version of the 1953 Floyd Jones song of the same name, which is reportedly based on the Tommy Johnson song "Big Road Blues", recorded in 1928.

Eagle Rock

Eagle Rock can refer to one of the following:

Imperative mood

The imperative is a grammatical mood that forms commands or requests, including the giving of prohibition or permission, or any other kind of advice or exhortation.

An example of a verb in the imperative mood is be in the English sentence "Please be quiet". Imperatives of this type imply a second-person subject (you); some languages also have first- and third-person imperatives, with the meaning of "let's (do something)" or "let him/her/them (do something)" (these forms may alternatively be called cohortative and jussive).

Imperative mood can be denoted by the glossing abbreviation IMP. It is one of the irrealis moods.

Formation

Imperative mood is often expressed using special conjugated verb forms. Like other finite verb forms, imperatives often inflect for person and number. Second-person imperatives (used for ordering or requesting performance directly from the person being addressed) are most common, but some languages also have imperative forms for the first and third persons (alternatively called cohortative and jussive respectively).