- published: 16 May 2014
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Doris Fisher may refer to:
"Amado Mio" is a song from the classic 1946 film noir Gilda, written by Doris Fisher and Allan Roberts. The piece was lip-synched by Rita Hayworth and sung by Anita Kert Ellis.
Grace Jones's rendition of the song on her 1989 album Bulletproof Heart is the most well known. It served as its second and the last single, released in 1990. A special "Brazilian Mix" of "Amado Mio" was produced to promote the single, which was later available on the 2004 CD re-issue of Bulletproof Heart. The song charted low on European charts, despite being promoted live on various occasions. In the US, the single was a double A-side with "Crack Attack", and became a significant dance hit.
Allan Roberts (28 October 1943 – 21 March 1990) was a British politician who was the Labour Member of Parliament for Bootle from 1979 until his death. A teacher and social worker before his election, he was a member of the left-wing of the party.
Roberts was from a working-class background, the son of a baker and a machinist. He was born in Droylsden on the eastern side of Manchester, and went to Littlemoss Boys' County Secondary School. He first trained as a teacher at Ashton-under-Lyne College of Education and Didsbury College of Education. He joined the Labour Party while still a teenager in 1959, and the next year also joined the Campaign for Nuclear Disarmament. He unsuccessfully fought the Hazel Grove constituency in the February and October 1974 elections.
In May 1978, Roberts was a surprising choice to replace Simon Mahon who was retiring as Member of Parliament for Bootle, a constituency in which he had no local roots. Mahon and Roberts were almost polar opposites: Mahon was born in Bootle, a right-winger, a Roman Catholic with traditional views on morality, while Roberts was from Manchester, a member of the new-left who was also allegedly gay, though Roberts never publicly said he was homosexual. His experience with council housing issues was a considerable asset in winning selection, and he made a speech to the Labour Party conference in 1978 arguing that public authorities needed a surplus of council housing in order to solve the housing crisis.
Wild Women is a 1918 American comedy western film directed by John Ford and featuring Harry Carey. The film is considered to be lost.
As described in a film magazine, Cheyenne Harry (Carey) and his pals, bent on helping their friend Rawhide Jack, attend a rodeo with the intent to win the prize for roping steers and to hand the winnings over to Jack. Harry is the successful winner and after the rodeo the boys go to a cafe where they imbibe too freely in the flowing wine and fall asleep. Harry finds himself robbed and with the others shanghaied and aboard a ship. They mutiny and Harry becomes the captain. A shipboard fire results in them landing on a desert island, where the Queen (Mattox) of the Blackanwhites falls in love with Harry. He dodges her and runs off with her daughter the Princess (Malone). Just as he starts making love to her, he awakens from a dream, the product of Harry's legendarily prodigious drinking, and discovers that he is holding one of the sleeping cowboys.
Rita Hayworth (born Margarita Carmen Cansino; October 17, 1918 – May 14, 1987) was an American actress and dancer. She achieved fame during the 1940s as one of the era's top stars, appearing in a total of 61 films over 37 years. The press coined the term "love goddess" to describe Hayworth after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II.
Hayworth is perhaps best known for her performance in the 1946 film noir, Gilda, opposite Glenn Ford, in which she played the femme fatale in her first major dramatic role. Fred Astaire, with whom she made two films, called her his favorite dance partner. Her greatest success was in the Technicolor musical Cover Girl (1944), with Gene Kelly. She is listed as one of the top 25 female motion picture stars of all time in the American Film Institute's survey, AFI's 100 Years...100 Stars.
In 1980 Hayworth was diagnosed with Alzheimer's disease, which contributed to her death at age 68. The public disclosure and discussion of her illness drew international attention to Alzheimer's, then a little-known disease, and helped to greatly increase public and private funding for Alzheimer's research.
Actors: Sam Ash (actor), Edward Clark (actor), Tom Coleman (actor), Curt Bois (actor), Sam Finn (actor), Jay C. Flippen (actor), Joseph Forte (actor), Eduard Franz (actor), John Davidson (actor), James Griffith (actor), Sam Harris (actor), Warren Jackson (actor), Eddie Kane (actor), Kenner G. Kemp (actor), Donald Kerr (actor),
Plot: In the early 1900s, song plugger Larry Kelly chances to meet Alfred Breitenbach, poor opera composer...and his lovely daughter Doris, who falls for Larry. To improve their acquaintance, Doris conspires with Larry to turn her father's opera melodies into popular songs. Alfred, reluctant but needing cash, adopts the pen name Fred Fisher. Affluence results, but when Alfred realizes his opera is vanishing bit by bit, he wants to bring the career of "Fred Fisher" to a halt...
Genres: Biography, Musical,Gap Inc. Co-Founder Doris Fisher talks about starting the company 45 years ago and the important role women have played. Song: "Tutto l'amor Perduto" from the album PianoPianoForte by the artist Giorgio Costantini.
This week we're having a fun little sidebar conversation and talking about some interesting parallels between two of the women we've discussed this season: Doris Fisher and Dorothy Fields. Enjoy! All music courtesy of the Internet Archive, a 501(c)(3) non-profit building a digital library of Internet sites and other cultural artifacts in digital form http://www.archive.org Remember to SUBSCRIBE to Wild Women of Song! New videos every WILD Wednesday! http://www.wildwomenofsong.com http://www.facebook.com/wildwomenofsong http://www.twitter.com/wildwomenofsong (Tweet Us Your Questions!) ABOUT THE SHOW: "Pamela Rose presents Wild Women of Song" is a captivating video showpiece celebrating the lives, times and music of the women songwriters of the Tin Pan Alley era. Host Pamela Rose featur...
Get a sneak peek at the masterworks in the exhibition From Calder to Warhol: Introducing the Fisher Collection at SFMOMA. Original air date: June 2010. A Spark production for This Week in Northern California. For more information, go to: http://www.kqed.org/arts/programs/spark/profile.jsp?essid=30395
Pink Martini with singer Storm Large - Amado Mio Written by Allan Roberts & Doris Fisher From the album Sympathique, © 1997 Heinz Records Filmed September 3, 2011 at Chateau Ste. Michelle in Seattle, WA Video Production Credits: Producer: Tyler Kalberg Editors: Adam Pranica & Tyler Kalberg Cameras: Adam Pranica, Dylan Priest, Tyler Kalberg Production assistant: Phil O'Sullivan
"Amado Mio" is a song from the classic 1946 film noir Gilda, written by Doris Fisher and Allan Roberts. The piece was mimed by Rita Hayworth and sung by Anita Kert Ellis. Performed by SHIRIN, KERSTIN and THOMAS Piano, Percussions and Clavinova
Title: Amado Mio Artist(s): Pinto Varez Composer(s): Doris Fisher, Allan Roberts Album: Besame Mucho Released: 1969 Genre: Easy Listening, Lo-Fi, Bossanova
Amado Mio (Doris Fisher/Allan Roberts), from the motion picture "Gilda" (1946). This is an instrumental cover version of this classic film noir tango (the film is set in Buenos Aires), played as a trio of mandolin, mandocello and tenor guitar. Mid-Missouri M-0W mandolin Ozark tenor guitar Suzuki MC-815 mandocello
My Darling Friends and Visitors, Please enjoyed the Iconic STAR Rita Hayworth singing "Put the Blame on Mame" from Gilda. "Put the Blame on Mame" is a song by Allan Roberts and Doris Fisher,[1] originally written for the classic Film noir, Gilda in 1946 – in which it was sung by the title character, played by Rita Hayworth[2] with the singing voice of Anita Kert Ellis dubbed in. In keeping with the film character Gilda being "the ultimate femme fatale", the song sung by her at two scenes facetiously credits the amorous activities of a woman named "Mame" as the true cause of three well-known cataclysmic events in American history: The Great Chicago Fire of 1871, Great Blizzard of 1888 in New York City and the 1906 San Francisco earthquake. Mame is also credited with causing the fictional ...