American College of Emergency Physicians

The American College of Emergency Physicians (ACEP) is a professional organization of emergency medicine physicians in the United States. It is headquartered in Irving, Texas and operates an office in Washington, D.C. As of 2013, ACEP has more than 31,000 physician members.

Role of the College

The college exists to support quality emergency medical care and the physicians who provide it. ACEP believes that “quality emergency care is a fundamental right and unobstructed access to emergency services should be available to all patients who perceive the need for emergency services.” Through continuing professional education, patient advocacy at all levels, public information and research, the purposes and objectives of ACEP, as stated in its bylaws, are:

God bless you

God bless you (variants include God bless or bless you) is a common English expression, used to wish a person blessings in various situations, especially as a response to a sneeze, and also, when parting or writing a valediction.

The phrase has been used in the Hebrew Bible by Jews (cf. Numbers 6:24), and by Christians, since the time of the early Church as a benediction, as well as a means of bidding a person Godspeed. Many clergy, when blessing their congregants individually or corporately, use the phrase "God bless you".

National Geographic reports that during the plague of AD 590, "Pope Gregory I ordered unceasing prayer for divine intercession. Part of his command was that anyone sneezing be blessed immediately ("God bless you"), since sneezing was often the first sign that someone was falling ill with the plague." By AD 750, it became customary to say "God bless you" as a response to one sneezing.

Origins and legends

The practice of blessing someone who sneezes, dating as far back as at least AD 77, however is far older than most specific explanations can account for. Some have offered an explanation suggesting that people once held the folk belief that a person's soul could be thrown from their body when they sneezed, that sneezing otherwise opened the body to invasion by the Devil or evil spirits, or that sneezing was the body's effort to force out an invading evil presence. In these cases, "God bless you" or "bless you" is used as a sort of shield against evil. The Irish Folk story "Master and Man" by Thomas Crofton Croker, collected by William Butler Yeats, describes this variation. Moreover, in the past some people may have thought that the heart stops beating during a sneeze, and that the phrase "God bless you" encourages the heart to continue beating.

Balls to the Wall

Balls to the Wall is the fifth album by German heavy metal band Accept. European label Lark Records released the album in December 1983, but its US release was delayed until a month later in January 1984 as to not compete with the band's then-current album Restless and Wild, which had arrived in the US in early 1983. It is Accept's only record to attain Gold certification in America. The album's title track became Accept's signature tune and remains a metal anthem and trademark in the genre.

Album information

Some of the album's success can no doubt be attributed to the publicity generated from the minor "gay metal" controversy that broke out upon its American release, due to the record's title and front cover being deemed by some as homoerotic, as well as the lyrics to "London Leatherboys" and "Love Child" appearing to concern homosexuals. Guitarist Wolf Hoffmann was dismissive of the controversy, saying years later that "You Americans are so uptight about this. In Europe it was never a big deal...we just wanted to be controversial and different and touch on these touchy subjects, because it gave us good press and it worked fabulously, you know". Drummer Stefan Kaufmann explained that many of the themes on the album were about oppressed minorities in general. "London Leatherboys" was really about bikers, for example: "They're normal people, they just look different and they behave different. But they're normal people, another minority. And 'Love Child' was about gays, true, but it's basically about people who are suppressed." Concerning the homosexuality issues themselves, Kauffmann said in an interview with French magazine Enfer (n°7, 1983):