The Last (band)

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The Last is an American, Los Angeles-based power pop band, formed in the 1970s around three brothers: Joe (guitar, vocals), Mike (vocals), and David Nolte (bass guitar). They released several albums on SST Records and Bomp! Records.

History

The Nolte brothers formed the band in 1976, and the band's sound was influenced by garage rock, surf rock, folk rock and psychedelic rock. The first settled line-up also included Vitus Mataré (keyboards, flute) and Jack Reynolds (drums). After three self-financed singles, the band was signed by Bomp! Records, who issued the debut album L.A. Explosion! in 1979 (described by Trouser Press as "a near-perfect debut"). It was also issued in the UK by London Records. They reverted to their own Backlash label for second album Look Again (1980), and split up in the mid-1980s with David Nolte joining Wednesday Week and later Lucky, and Mataré forming Trotsky Icepick. The band were considered a major influence on the psychedelia-influenced LA bands of the mid-1980s, including The Bangles and The Three O'Clock.

Mouse on Mars

Mouse on Mars is a duo from Germany (Jan St. Werner, from Köln, and Andi Toma, from Düsseldorf) who have been making electronic music since 1993. Their music is a sometimes quirky blend of IDM, krautrock, disco, and ambient with a heavy dollop of analog synth sounds and cross-frequency modulation. Their music also utilizes live conventional instruments such as strings, brass, drums, bass and guitar.

History

St. Werner and Toma are childhood friends who were born on the same day, in the same hospital. Dating back to the mid‐1990s, their productions do not shy away from fractures and deconstructions of conventional patterns in electronic music; at the same time, they also play with these patterns. Their approach is characterized by a blend of intuition and reflection that spotlights a special sensitivity to structurally and harmonically interesting inventions. For the most part, their pieces do without vocal elements.

Their first album, Vulvaland, was released in 1994 on the British record label Too Pure. This is considered their "straightest" and most focused album, mixing ambient and dance forms. Their second album, Iaora Tahiti, has a much more playful feel and encompasses a wider variety of electronic dance genres. Over the years, their sound has increased in warmth, playfulness and what the duo term "fantastic analysis". On their fourth album Niun Niggung (released on Domino Records in 2000), the live instruments start to become more prominent. Idiology, their fifth album, continued this trend, while their sixth album, Radical Connector, has a more "pop" feeling. Both of these albums also increasingly include vocals, primarily by touring drummer Dodo NKishi.

17 Again (film)

17 Again is a 2009 American comedy film directed by Burr Steers. The film follows 37-year-old Mike (Matthew Perry) who becomes a 17-year-old high school student (Zac Efron) after a chance accident. The film also features Leslie Mann, Thomas Lennon and Michelle Trachtenberg in supporting roles. The film was released in the United States on April 17, 2009.

Plot

In 1989, seventeen-year-old Mike O'Donnell (Zac Efron) learns during the start of his high school championship basketball game that his girlfriend Scarlet Porter (Allison Miller) is pregnant. Moments after the game begins, he leaves the game and goes after Scarlet, abandoning his hopes of going to college and becoming a professional basketball player.

In 2009, Mike (Matthew Perry), now thirty-seven years old, finds his life stalled. Scarlet (Leslie Mann), now his wife and mother of their two children, has separated from him due to his blaming her for his regrets about abandoning his future, forcing him to move in with his geeky, yet extremely wealthy, best friend since high school, Ned Gold (Thomas Lennon). At his job, we see another reason for his frustration: due to his lack of higher education and since he is significantly older than most of his co-workers, he is passed over for a promotion he deserves in favor of a much younger worker. He quits his job and his high school-age children, Maggie (Michelle Trachtenberg) and Alex (Sterling Knight) want nothing to do with him. Later, while visiting his high school to reminisce, an encounter with a mysterious janitor (Brian Doyle-Murray) transforms Mike back into his seventeen-year-old self.

Last (Uverworld album)

LAST is the 5th full album released by Japanese band Uverworld as well as the follow-up to their fourth album, Awakeve. It was released on April 14, 2010. A limited pressing of the album was also released on the same day which includes a DVD containing music videos of 99/100 Damashi no Tetsu (99/100騙しの哲?), Go-On and Kanashimi wa Kitto (哀しみはきっと?) as well as a video of the filming process for their 3 music videos and a bonus clip "Special Track 09.12.25: Turn Around with Gold" which is a Gold special video.

The album was one of the highly anticipated album and was ranked #2 at the Ninki Chart and was charted at #2 for Oricon Weekly Ranking.

The title means the present time's highest, newest and the ultimate album.

Track listing

Personnel

References

Last (disambiguation)

Last may refer to:

Music

People

Other

See also

Pogo

Pogo or POGO may refer to:

Toys

Entertainment

Music

Organizations

Pogo (dance)

The pogo is a dance in which the dancers jump up and down, while either remaining on the spot or moving around; the dance takes its name from its resemblance to the use of a pogo stick, especially in a common version of the dance, where an individual keeps their torso stiff, their arms rigid, and their legs close together. Pogo dancing is most associated with punk rock, and is a precursor to moshing.

Style

The basic steps allow for a variety of interpretations, some of which might appear quite violent. Pogo dancers have their choice of:

Occasionally, dancers collide, but this is not necessarily part of pogo dancing. An uninformed bystander might get the impression that the dancers are attacking one another. People sometimes get injured when pogoing, but, more often than not, pogoers who fall to the ground are helped up instead of getting trampled. There is a general understanding that the pogoing is fun, not a fight. As the more aggressive hardcore punk emerged in the early 1980s, dancing became more violent and evolved into both moshing and slam dancing, in which dancers run and jump around, deliberately shove and slam into each other.