In 1939 the Mexican artist Jesús Escobedo produced a work simply entitled ‘Las clases’ that captured in a single composition the history and imagery of the outcome of the Mexican Revolution. The artist was part of the Liga Pro-Cultura Alemana (whose membership included Hannes Meyer) that was engaged in incorporating the emerging geopolitical conflict of the period into a local context, aiming to combat the spread of fascism in Mexico and facilitate the dissemination of anti-Nazi propaganda.

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