NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

When talking about legends many people become focused on what is true and what isn't true? What is authentic and what really happened? What can be determine from the story that is real and what isn't? These types of discussions may have some importance within a historical context, when trying to understand it from the perspective of aligning stories with a particular history or historical context. For example there are ways that you can look at the story of the Iliad from a historical perspective. There are ways you could try to draw out historical truths from it, and even if some of the details may not be real, you can nonetheless see larger societal dynamics at work in the poem.

This is something to keep in mind when we look at Guam or Chamoru legends. Is that there are some ways to examine, analyze or understand them from a historical perspective, but this misses the larger point of their purpose. Legends serve a social or a culture purpose. They aren't meant to be pic…

While in Valladolid, on a chilly afternoon, I walked through a house with cramped staircases and low hanging doorways. There were small beds in darkened corners. Aged chairs and paintings. Iron pots and kitchen implements. No doubt much of what was in there, had been placed for effect, but you could still feel the age. This house is known as Case de Cervantes, it was a home where the writer Miguel Cervantes stayed in the early 17th century. Today it is a small museum that features small bits of information about the writer's life. You will also find similar Case de Cervantes in other parts of Spain.

Miguel Cervantes is best known for his book Don Quixote, and called the greatest writer in the Spanish language and the first modern novelist. Historians of nationalism are always quick to remind us that the political history of a place doesn't have as much of a role in creating national identity as historians usually imply. Arts and culture, can play a much more profound role in…

Local children's book launches tomorrow
by Andrew Roberto
The Guam Daily Post
December 15, 2017

Local author and activist Michael Lujan Bevacqua, through his publishing group The Guam Bus, hopes his latest project can get young and old readers alike to think more profoundly about Guam's culture.

Titled "The Adventures of Akli'e'," the new bilingual project is one book made up of two stories: In the first story, the titular character spends a day with his great-grandfather, a master blacksmith, and imagines what it would be like to use the tools his great-grandfather forges every day. In the second story, the young Akli'e' listens to his great-grandmother's tales of CHamoru history and legend, bringing the stories to life in his imagination.

Bevacqua said he took inspiration for the tales from his own life. The main character is named after his son, and his own grandfather is master blacksmith Joaquin Flores Lujan. Bevacqua said, growi…

This legend of Gådao is an intriguing one.

In some ways it fits the mold perfectly for a Chamorro legend.

In other ways it feels different, like something borrowed from a Greek legend perhaps.

One thing that stands out is the idea of Gådao becoming a Maga'låhi or a king for the entire island.

This stands in contrast to much of what we know about ancient Chamorro culture.

Where they seemed to be like most indigenous people, where they had a society were power was actively distributed and made diffuse to prevent anyone from dominating too much over others.

Although the emphasis on great accomplishments bringing one great social standing feels very appropriate.

If I had to guess about the origin of this story, it seems in some way like a legend made by a Chamorro during the Spanish period, meant to reflect the greatness of their ancient past.

Gådao existed in some form for sure, and perhaps the legend of him and Malagua'i or Malaguaña is an older form.

But this one seems a bit o…

Ti Guahu tumuge' este. I sodda' este gi internet lao ya-hu muna'famta este guini gi iyo-ku blog. Sa' ti meggai na kabåles na tinige' taiguini gi Fino' Chamorro sodda'on gi internet. Gof impottånte este na estoria gi kotturan Chamorro. Gi inaligao-hu put i estoria-ta, esta hu interview fa'na'an mas ki dos siento na manåmko'. I meggaiña manininterview hu faisen este na finaisen "gi dumangkolo'-mu, håfa i lihenden pat estoria na'manman sina un huhungok ginen i mañainå-mu pat i manacha'amko'-mu?" Kalang kada unu sumångan este na estoria put si Sirena.

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Estorian Sirena
Åntes na tiempo, guåha un familia mañasaga giya Hagåtña. Guåha lokkue' un bunitan palao'an gi familia ni na'an-ña si Sirena. Gus ya-ña si Sirena ñumangu, espesiatmente gi halom i saddok Hagåtña. I nånan Sirena ha sangani gue' na kalan guihan gue' gi halom hånom.
Un diha, tinago' si Sirena as nåna-ña na para u cho'…

Tantalizing Democratic Experiments
by Michael Lujan Bevacqua
Guam Sunday Post
November 6, 2016

Gof kinenne’ yu’ nu este na botasion, ko’lo’lo’ña i botasion gi sanlagu. Hu såsangan este, achokka’ esta hu gof komprende na mas ki taibali este na botasion nu hita guini giya Guahan, sa’ tåya’ botu-ta gi botasion para i presidente.

I have been obsessively following the election for President of the United States for more than a year, and this is something that sometimes surprises people. The drama of it is both repellent and compelling. I cannot turn away from this event that seems to move both in frustrating slow motion, but also at a frenetic Mad Max-like pace, careening at frightening speed toward a possible dystopia.

As a local decolonization activist, or someone who is actively advocating for a change in our political status, my obsessing over the U.S. presidential election can seem contradictory. As a distant American colony on the edge of the Western Pacific, we don’t get …

--> Ti Guahu tumuge' este na estoria, lao fihu hu sangan este na estoria gi klas-hu siha yan gi me'nan i famagu'on-hu. Estoria na estoria ni' mafa'na'an "Puntan Patgon." Este na estoria put i fihu na prublema siha gi familian Chamorro (yan gi todu i familian taotao). Achokka' mamparerentes, guaha nai ti maniniha put chinatkomprende. I Puntan Patgon na estoria uma'aya yan i estorian "Sirena" sa' i dos put i prublema anai ti manafa'maomaolek i manaina yan i famagu'on, sa' binibu pat hinesguan umentalo'. Hu hahasso este na dos na estoria todu tiempo, ya i mensahi gumigiha mo'na komo tata.

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Åntetes na tiempo gi tiempon i man mofo’na na taotao eståba un taotao i na’ån-ña si Masåla. I gima’-ña gaige gi inai giya Tålagi Si Masåla gof banidosu sa’ pudi sumen dangkolo yan sumen metgot gue'. Mansen ma'åñao i Chamorron Guahan.Tåya' gi isla siña umigi si Masåla.
Guaha lahi-ña si Masåla.…

Thought it would be nice to end the year with a reference to what is considering to be the beginning of the Chamorro people, namely Fouha Bay, where most consider the Chamorro creation story to be set. Here is some information on it, placing it in both a historical and contemporary context and briefly how it connects to an upcoming project my family will be published.

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Fouha Bay/Laso' Fouha
The Birthplace of Chamorro Civilization


There are several creation stories for Chamorros. Some deal with Magellan getting lost, others with Marines hitting beaches, and then there are those which imagine the beginning with snakes tempting fruit aficionados in paradise. One creation story that is achieving more and more prominence is the tale of Fu’una and Puntan, which is partially set in the village of Humatak, and it is also the setting for a comic that I have been working on with my brother Jack as part of our Guam Bus creative plans. 
For those unfamiliar with Puntan an…

This week I'm at the symposium "Creating Futures Rooted in Wonder: Bridges Between Indigenous, Science Fiction and Fairy Tale Studies" at the University of Hawai'i, Manoa. I was fortunate enough to be invited out to speak and participate in workshops. The symposium has been amazing so far, because the discussion is so in line with thoughts I've had for years, the only difference is now I am finding so many others, books and journals that are parts of a conversation I can now join. I've always been into nerdy and geeky things such as comics, science fiction, fantasy, but about 15 years ago I began to care more about Chamorro culture, history and language. I have spent every moment since trying to find ways of bringing together those various passions. At this symposium I've found people from various Pacific Islander and Native American communities who feel the exact same way and have the exact same creative/political desires. 

Here are some of t…

Storytelling has long been such a big part of Chamorro culture. When Chamorros were largely shut out of the governing of their islands and their lives during the last few centuries of colonization, often times their stories were their means of fighting back, whether through teasing, through imagining, through remembering. Even when they largely appear to have accepted their colonial realities, the stories persisted, sometimes changing to accommodate new beliefs and new senses of normality, but still the love of storytelling and of using words to create meaning, to incite responses, to give an extra dimension to life did not fade. You can find it in the stories of Juan Mala, where Chamorros expressed their dislike for the Spanish government of the 19th century through a folk hero, who shared their love of joking, laughing and eating. You can find it in the stories of the giant fish who saved Guam, some versions focus on female power, others on explaining the shape of the island and so…

I haven't posted much for the past week because I have been rushing to finish up my novel this month for ChaNoWriMo or Chamorro Novel Writing Month. The goal is to reach 50,000 words by the end of November. It is almost the end of November and with two days to go I am at 45,000 words. I should be able to make it this weekend but it has been a long slog. 
For three years I have worked on the same story tentatively titled "The Legend of the Chamurai." In it a warrior makahna or wizard during the ancient times has a vision where she witnesses the end of the Chamorro people. In order to prevent that end from taking place all sorts of giant mythical creatures and samurai and Spanish soldiers get mixed in. The first 50,000 words of this story were very focused, establishing the world of ancient Chamorros, the types of powers and spells they might have, the lore and the cultural knowledge that guided them at that time. The next 50,000 words built on this while trying to establ…

In terms of situating Chamorro pasts and giving a founding meaning to their history and identity, Fu'una and Puntan, the two siblings who created Guam and Chamorros are generally given that great honor. They are thought of more and more as being the founding spirits, whether you see them as Gods, historical figures, metaphors or fantasies. They are taking a key place of meaning in terms of rooting Chamorro identity today, not as a spirit that was created in 1521 or 1668, but as something longer and having its own distinct origin. Even those who refuse to believe in Fu'una and Puntan as being spirits, but see them as possible historical figures, who may have been the ones to lead a voyage to Guam long ago, nonetheless reinforce their primacy.

In one of the earliest references that we have to Fu'una and Puntan, Fu'una herself is not even mentioned. Puntan is mentioned and so is his "sister," but she is hardly given a role. In this passage drawn from San Vitore…