Caribbean music in the United Kingdom

People of African descent from the Caribbean have made a significant contribution to British Black music for many generations.

Trinidadian Calypso

Large-scale Caribbean migration to England recommenced following the Second World War in 1948. The Empire Windrush carried almost 500 passengers from Jamaica, including Lord Kitchener, a calypso singer from Trinidad. By chance, a local newsreel company filmed him singing "London Is The Place For Me" as he got off the ship. In 2002, London Is The Place For Me: Trinidadian Calypso, 1950-1956 was finally released in Britain. The 1951 Festival of Britain brought the Trinidad All Steel Percussion Orchestra (TAPSO) and Roaring Lion to public attention. The smart set in Oxford and Cambridge adopted both calypso and steelband for debutante parties. In 1959, Trinidadian Claudia Jones started the Notting Hill Carnival. They brought Mighty Sparrow and others directly from Trinidad. Edric Connor had arrived in England from Trinidad in 1944. He starred in a West End musical called "Calypso" in 1948. A white Danish duo, Nina & Frederik, recorded several calypsos from 1958 to 1962, scoring in the charts. Cy Grant (from Guyana) sang a song by Lord Kitchener in the TV drama A Man From the Sun in 1956. It told the story of Caribbean migrants. From 1957 to 1960, Grant sang calypsos on the BBC TV news programme Tonight. In 1962. English comedian Bernard Cribbins had a hit with "Gossip Calypso".

Reggae

Reggae (/ˈrɛɡeɪ/) is a music genre that originated in Jamaica in the late 1960s. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento and calypso music, as well as American jazz and rhythm and blues, especially the New Orleans R&B practiced by Fats Domino and Allen Toussaint, and evolved out of the earlier genres ska and rocksteady.

Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form that served its largely rural audience as dance music and an alternative to the hymns and adapted chanteys of local church singing), calypso, African music, as well as other genres. One of the most easily recognizable elements is offbeat rhythms; staccato chords played by a guitar or piano (or both) on the offbeats of the measure. The tempo of reggae is usually slower than ska but faster than rocksteady. The concept of "call and response" can be found throughout reggae music.

John Holt

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