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Claude Gagnon accepting the audience award at FFM Montreal 2012
For his film Karaka
KARAKARA
Looking to embark on a spiritual journey, Pierre Masson, a 61-year-old retired Quebec university professor, ends up making a short, unsettling trip around Okinawa with Junko, a 40-year-old runaway wife. The unprepared intellectual would rather not get involved with this unlikely and passionate lover, especially in an unfamiliar and disorienting cultural context. The confused, unwilling sexagenarian decides nevertheless to follow his destiny, unsure of where it (she?...) will take him. And, to his surprise, Pierre reaches the object of his quest at a time and in a place where he least expected it. "I wanted to portray Pierre as one of the many Westerners I have met who come to Asia with all sorts of preconceived, ridiculous ideas about how they can find a spiri...
published: 06 Sep 2012
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Il Regista canadese Claude Gagnon, Giurato per il Gran Prix des Ameriques
- Il Regista Claude Gagnon insieme a Serge Losique, Presidente del FFM Montreal, ha aperto la 40e edizione della rassegna cinematografica internazionale canadese. Gagnon, che è anche giurato per il Gran Prix des Ameriques (World Competition) è stato intervistato da Mariangiola Castrovilli, soffermandosi sul suo lavoro e sui suoi film.
- CLAUDE GAGNON -
Né à Ste-Hyacinthe, au Québec, en 1949, producteur d’une quinzaine de longs métrages et distributeur d’une dizaine d’autres au cours des années 1990, Claude Gagnon a remporté plusieurs prix prestigieux à travers le monde. Il séjourne au Japon pendant une dizaine d’années pendant les années 1970. De retour au Québec, il fonde avec sa femme Yuri Yoshimura leur propre société de production, Aska Film. Avec son premier long métrage, Keiko (1...
published: 04 Sep 2016
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May 8, 2020
Quad jump
published: 08 May 2020
1:00
Claude Gagnon accepting the audience award at FFM Montreal 2012
For his film Karaka
KARAKARA
Looking to embark on a spiritual journey, Pierre Masson, a 61-year-old retired Quebec university professor, ends up making a short...
For his film Karaka
KARAKARA
Looking to embark on a spiritual journey, Pierre Masson, a 61-year-old retired Quebec university professor, ends up making a short, unsettling trip around Okinawa with Junko, a 40-year-old runaway wife. The unprepared intellectual would rather not get involved with this unlikely and passionate lover, especially in an unfamiliar and disorienting cultural context. The confused, unwilling sexagenarian decides nevertheless to follow his destiny, unsure of where it (she?...) will take him. And, to his surprise, Pierre reaches the object of his quest at a time and in a place where he least expected it. "I wanted to portray Pierre as one of the many Westerners I have met who come to Asia with all sorts of preconceived, ridiculous ideas about how they can find a spiritual enlightenment there. Asia shouldn't be seen as such an easy way out. The place doesn't matter as long as you open up your eyes at one point. I had Gabriel Arcand in mind when I wrote the role. I knew very well what kind of man he is, and I was able to write the role in relation to it." -- Claude Gagnon
Claude Gagnon
Born in Sainte-Hyacinthe, Quebec, in 1949, Claude Gagnon spent a decade in Japan in the 1970s. With his first feature, KEIKO (1978), he became the first and only foreigner to receive the Japanese Film Directors' Association best film award. Returning to Canada in the 1980s, Gagnon and his wife Yuri Yoshimura founded their own company, Aska Film. With THE KID BROTHER (1986), he won the MWFF's Grand Prize of the Americas as well as prizes at Berlin and other international festivals. Among his other films: LAROSE, PIERROT ET LA LUCE (1981), PALE FACE (1985, winner of the FIPRESCI prize at the MWFF), THE PIANIST (1991), POUR L'AMOUR DE THOMAS (1994), REVIVAL BLUES (2003), KAMATAKI (2005), winner of five prizes at the MWFF.
Filmmaking : Claude Gagnon
Scriptwriter : Claude Gagnon
Photography : Michel St-Martin
Montage : Yuko Arai
interpreters : Gabriel Arcand, Youki Kudoh, Megumi Tomita, Atta Yuichi, Toshi Moromi, John Potter, Tenyu Okuda
Production House : Samuel Gagnon, Takako Miyahira, Claude Gagnon, Zuno Films, 822, Duluth Est, Montréal, QC H2L 1B3 (Canada), tél.: 514 757-9866, samuel@zunofilms.com / Kuru Vision, 2-2-8 Izumizaki, Naha-city, Okinawa 9000-0021 (Japon), takako@kukuruvision.com
https://wn.com/Claude_Gagnon_Accepting_The_Audience_Award_At_Ffm_Montreal_2012
For his film Karaka
KARAKARA
Looking to embark on a spiritual journey, Pierre Masson, a 61-year-old retired Quebec university professor, ends up making a short, unsettling trip around Okinawa with Junko, a 40-year-old runaway wife. The unprepared intellectual would rather not get involved with this unlikely and passionate lover, especially in an unfamiliar and disorienting cultural context. The confused, unwilling sexagenarian decides nevertheless to follow his destiny, unsure of where it (she?...) will take him. And, to his surprise, Pierre reaches the object of his quest at a time and in a place where he least expected it. "I wanted to portray Pierre as one of the many Westerners I have met who come to Asia with all sorts of preconceived, ridiculous ideas about how they can find a spiritual enlightenment there. Asia shouldn't be seen as such an easy way out. The place doesn't matter as long as you open up your eyes at one point. I had Gabriel Arcand in mind when I wrote the role. I knew very well what kind of man he is, and I was able to write the role in relation to it." -- Claude Gagnon
Claude Gagnon
Born in Sainte-Hyacinthe, Quebec, in 1949, Claude Gagnon spent a decade in Japan in the 1970s. With his first feature, KEIKO (1978), he became the first and only foreigner to receive the Japanese Film Directors' Association best film award. Returning to Canada in the 1980s, Gagnon and his wife Yuri Yoshimura founded their own company, Aska Film. With THE KID BROTHER (1986), he won the MWFF's Grand Prize of the Americas as well as prizes at Berlin and other international festivals. Among his other films: LAROSE, PIERROT ET LA LUCE (1981), PALE FACE (1985, winner of the FIPRESCI prize at the MWFF), THE PIANIST (1991), POUR L'AMOUR DE THOMAS (1994), REVIVAL BLUES (2003), KAMATAKI (2005), winner of five prizes at the MWFF.
Filmmaking : Claude Gagnon
Scriptwriter : Claude Gagnon
Photography : Michel St-Martin
Montage : Yuko Arai
interpreters : Gabriel Arcand, Youki Kudoh, Megumi Tomita, Atta Yuichi, Toshi Moromi, John Potter, Tenyu Okuda
Production House : Samuel Gagnon, Takako Miyahira, Claude Gagnon, Zuno Films, 822, Duluth Est, Montréal, QC H2L 1B3 (Canada), tél.: 514 757-9866, samuel@zunofilms.com / Kuru Vision, 2-2-8 Izumizaki, Naha-city, Okinawa 9000-0021 (Japon), takako@kukuruvision.com
- published: 06 Sep 2012
- views: 238
2:21
Il Regista canadese Claude Gagnon, Giurato per il Gran Prix des Ameriques
- Il Regista Claude Gagnon insieme a Serge Losique, Presidente del FFM Montreal, ha aperto la 40e edizione della rassegna cinematografica internazionale canades...
- Il Regista Claude Gagnon insieme a Serge Losique, Presidente del FFM Montreal, ha aperto la 40e edizione della rassegna cinematografica internazionale canadese. Gagnon, che è anche giurato per il Gran Prix des Ameriques (World Competition) è stato intervistato da Mariangiola Castrovilli, soffermandosi sul suo lavoro e sui suoi film.
- CLAUDE GAGNON -
Né à Ste-Hyacinthe, au Québec, en 1949, producteur d’une quinzaine de longs métrages et distributeur d’une dizaine d’autres au cours des années 1990, Claude Gagnon a remporté plusieurs prix prestigieux à travers le monde. Il séjourne au Japon pendant une dizaine d’années pendant les années 1970. De retour au Québec, il fonde avec sa femme Yuri Yoshimura leur propre société de production, Aska Film. Avec son premier long métrage, Keiko (1978), il remporte le Prix du meilleur film décerné par l’Association des critiques de cinéma japonais. Il a également écrit et réalisé les films suivants : Keiko (1978), Larose, Pierrot et la Luce (1981), Visage pâle (1986), Prix de la presse internationale au FFM , Kenny (1986), lauréat de plusieurs prix, dont le Grand Prix des Amériques au FFM, The Pianist (1991), Kamataki (2005), gagnant de cinq prix au FFM, et Karakara (2012), présenté au 36e FFM, récompensé du Prix de la Cinémathèque québécoise pour le long métrage canadien coup de cœur du public et du Prix de l’ouverture sur le monde.
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Videopensiero YouTube - OltrepensieroNews.it Press Agency
https://wn.com/Il_Regista_Canadese_Claude_Gagnon,_Giurato_Per_Il_Gran_Prix_Des_Ameriques
- Il Regista Claude Gagnon insieme a Serge Losique, Presidente del FFM Montreal, ha aperto la 40e edizione della rassegna cinematografica internazionale canadese. Gagnon, che è anche giurato per il Gran Prix des Ameriques (World Competition) è stato intervistato da Mariangiola Castrovilli, soffermandosi sul suo lavoro e sui suoi film.
- CLAUDE GAGNON -
Né à Ste-Hyacinthe, au Québec, en 1949, producteur d’une quinzaine de longs métrages et distributeur d’une dizaine d’autres au cours des années 1990, Claude Gagnon a remporté plusieurs prix prestigieux à travers le monde. Il séjourne au Japon pendant une dizaine d’années pendant les années 1970. De retour au Québec, il fonde avec sa femme Yuri Yoshimura leur propre société de production, Aska Film. Avec son premier long métrage, Keiko (1978), il remporte le Prix du meilleur film décerné par l’Association des critiques de cinéma japonais. Il a également écrit et réalisé les films suivants : Keiko (1978), Larose, Pierrot et la Luce (1981), Visage pâle (1986), Prix de la presse internationale au FFM , Kenny (1986), lauréat de plusieurs prix, dont le Grand Prix des Amériques au FFM, The Pianist (1991), Kamataki (2005), gagnant de cinq prix au FFM, et Karakara (2012), présenté au 36e FFM, récompensé du Prix de la Cinémathèque québécoise pour le long métrage canadien coup de cœur du public et du Prix de l’ouverture sur le monde.
OLTREPENSIERO REDAZIONE WEBTV
Videopensiero YouTube - OltrepensieroNews.it Press Agency
- published: 04 Sep 2016
- views: 69