currency name in local	Leu românesc
image 1	1 RON.jpg
image title 1	one leu
image 2	001 RON.gif
image title 2	one ban
image width 2	107
image background 2	black
iso code	RON
using countries	former: Principality of Romania People's Republic of Romania Socialist Republic of Romania
inflation rate	4.85% (July 2011)
inflation source date	National Bank of Romania
subunit ratio 1	1/100
subunit name 1	bani
plural	lei
plural subunit 1	bani
frequently used coins	5, 10, 50 bani
rarely used coins	1 ban
frequently used banknotes	1 leu, 5, 10, 50, 100 lei
rarely used banknotes	200, 500 lei
banknote article	Banknotes of the Romanian leu
issuing authority	National Bank of Romania
issuing authority website	www.bnr.ro
printer	National Bank of Romania
printer website	www.bnr.ro
mint	Monetăria Statului
mint website	www.monetariastatului.ro }}

The leu (, plural lei ; ISO 4217 code RON; numeric code 946) is the currency of Romania. It is subdivided into 100 ''bani'' (singular: ''ban''). The name of the currency means "lion". On 1 July 2005, Romania underwent a currency reform, switching from the previous leu (ROL) to a new leu (RON). 1 RON is equal to 10,000 ROL. The currency of Moldova is also called the leu, but is independent of the Romanian leu.

Romania joined the European Union on 1 January 2007 and it is expected to adopt the euro in 2015.

History

First leu

On April 22, 1867, a bimetallic currency was adopted, with the leu equal to 5 grams of 83.5% silver or 0.29032 grams of gold.

Before 1878 the silver Russian ruble was valued so highly as to drive the native coins out of circulation. Consequently, in 1889, Romania unilaterally joined the Latin Monetary Union and adopted a gold standard. Silver coins were legal tender only up to 50 lei. All taxes and customs dues were to be paid in gold and, owing to the small quantities issued from the Romanian mint, foreign gold coins were current, especially French 20-franc pieces (equal at par to 20 lei), Turkish gold lire (22.70), old Russian imperials (20.60) and British sovereigns (25.22).

Romania left the gold standard in 1914 and the leu's value fell. The exchange rate was pegged at 167.20 lei = 1 U.S. Dollar on February 7, 1929, 135.95 lei on November 5, 1936, 204.29 lei on May 18, 1940, and 187.48 Lei on March 31, 1941. During Romania's World War II alliance with Nazi Germany, the leu was pegged to the Reichsmark at a rate of 49.50 lei = 1 Reichsmark, falling to 59.5 lei in April 1941. During Soviet occupation, the exchange rate was 1 ruble = 100 lei. After the war, the value of the currency fell dramatically.

Second leu

On August 15, 1947, a revaluation took place, with a new leu replacing the old one at a rate of 20,000 old lei = 1 new leu. This revaluation, called a ''monetary reform'' or ''stabilisation measure'' ('''', ''''), was carried out by the Communist authorities with absolutely no advance warning and without the possibility to exchange more than a fixed amount of money for the new currency. This was done in order to depose the former middle and upper classes of their last assets, after nationalization, to prepare for collectivization and to finalize the installation of communism. At the time of its introduction, 150 new lei equalled 1 U.S. dollar.

Third leu (ROL)

On January 28, 1952, another new leu was introduced. Unlike the previous revaluation, different rates were employed for different kinds of exchange (cash, bank deposits, debts etc.) and different amounts. These rates ranged from 20 to 400 "old lei" for 1 "new" leu. Again, no advance warning was given before the reform took place

During the communist era, the gold standard was dropped after requiring severe adjustments to prevent inflation following the revaluations. After the gold standard was dropped, the leu lost convertibility and, between 1970 and 1989, the official exchange rate was fixed by the government through law. This exchange rate was used by the government to calculate the value of foreign trade, but foreign currency was not available to be bought and sold by private individuals. Owning or attempting to buy or sell foreign currency was a criminal offence, punishable with a prison sentence that could go up to 10 years (depending on the amount of foreign currency found under one's possession). International trade was therefore considered as part of another economic circuit than domestic trade, and given greater priority. This inflexibility and the existence of surplus money due to constant economic decline in the 1980s, mixed with the need for more foreign currency and the refusal of the very unpopular Ceauşescu regime to accept inflation as a phenomenon in order to attain convertibility, led to one of the greatest supply side crises in Romanian history, culminating with the introduction of food rationing starting 1986/87 (actually the food rationing was introduced in the summer of 1980 - however it was extended to absolutely all basic foods only a few years later. The introduction of food rationing was carried on at different times in different regions ), and partly triggering the downfall of communism.

In the 1990s, after the downfall of communism, inflation ran high due to reform failures, the legalization of owning foreign currency in 1990, and the bankrupt policies of the former communist era, reaching rates as high as 300% per year in 1993. By September 2003, one euro was exchanged for more than 40,000 lei, this being its peak value. Following a number of successful monetary policies in the late 1990s and early 2000s, the situation became gradually more stable, with one digit inflation in 2005.

The Romanian leu briefly held the dubious distinction of being the world's least valued currency unit, from January (when the Turkish lira dropped six zeros) to July 2005. However, the 1,000,000 lei bill was not the highest Romanian denomination ever. This distinction belongs to the 5 million lei bill from 1947.

Fourth leu (RON)

thumb|left|As of late 2008, some price tags still showed the cost of items in both ROL and RONOn 1 July 2005, the leu was revalued at the rate of 10,000 "old" lei (ROL) for one "new" leu (RON), thus psychologically bringing the purchasing power of the leu back in line with those of other major Western currencies. The term chosen for the action was "denominare", similar to the English "denomination", to signify not a conversion, but rather a total reinvention.

The first day brought difficulties adjusting to the new paper currencies and closed ATMs (that needed reprogramming) and forcing a new calculation habit that slowed down shops and annoyed some sales staff and older shoppers. The old ROL currency banknotes remained in circulation until December 31, 2006 (coins remained in circulation only until December 31, 2005), but all accounts have been converted starting July 1, 2005. There is no conversion time limit between the currencies. Retailers had to display prices in both old and new currency from March 1, 2005 until June 30, 2006. The appreciation of the leu during 2005 was about 20% against a basket of major currencies.

As of 2006, the revaluation is a potential source of confusion, especially to visitors, since both old and new currency values are commonly quoted. When written, the very large amounts in old currency are usually obvious, but in speaking inhabitants might refer to an amount of 5 new lei as simply "fifty" in reference to its value of 50,000 old lei.

Future: Euro

The euro is expected to replace the leu on 1 January 2015.

Coins

First leu

In 1867, copper 1, 2, 5 and 10 bani were issued, with gold 20 lei (known as ''poli'' after the French Napoleons) first minted the next year. These were followed, between 1870 and 1873, by silver 50 bani, 1 and 2 lei. Silver 5 lei were added in 1880. Uniquely, the 1867 issue used the denomination 1 ''banu'' rather than 1 ban.

In 1900, cupro-nickel 5, 10 and 20 bani coins were introduced, with holed versions following in 1905. The production of coins ceased in 1914, recommencing in 1921 with aluminium 25 and 50 bani pieces. Cupro-nickel 1 and 2 lei coins were introduced in 1924, followed by nickel brass 10, 20 and 50 lei in 1930. In 1932, silver 100 lei coins were issued. However, inflation meant that, in 1935, smaller silver 250 lei coins were introduced with nickel 100 lei coins being issued in 1936, followed by nickel 50 lei in 1937.

In 1941 and 1942, zinc 2, 5 and 20 lei coins were introduced, together with silver 200 and 500 lei. Nickel-clad-steel 100 lei followed in 1943, with brass 200 and 500 lei issued in 1945. In 1946 and 1947, a new coinage was issued consisting of aluminium 500 lei, brass 2000 and 10,000 lei, and silver 25,000 and 100,000 lei.

King Carol I

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1905 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
	5 bani	19 mm	2.5 g				rowspan=3
	10 bani	22 mm	4 g
	20 bani	25 mm	7 g
	1 leu	23 mm	5 g	Silver 83.5%, Copper 16.5%		rowspan=2>Value, "CAROL I DOMNUL ROMANIEI'' ("Carol I Prince of Romania"), the effigy of Prince Carol I	"1866 - 1906", "CAROL I REGE AL ROMANIEI" ("Carol I of Romania	Carol I King of Romania"), the effigy of the King
	5 lei	38 mm	25 g	Silver 90%, Copper 10%

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1910 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
	50 bani	18 mm	2.5 g				rowspan=3>"CAROL I REGE AL ROMANIEI" ("Carol I King of Romania"), the effigy of the King
	1 leu	23 mm	5 g
	2 lei	27 mm	10 g

King Ferdinand I

The production of coins ceased in 1914, recommencing in 1921 with aluminium 25 and 50 bani pieces.

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1921 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
! Diameter !! Mass !! Composition !! Edge !! Obverse !! Reverse !! first minting !! withdrawal !! lapse
	25 bani	19 mm	0.896 g			rowspan=2
	50 bani	21 mm	1.203 g

Cupro-nickel 1 and 2 lei coins were introduced in 1924, followed by nickel brass 10, 20 and 50 lei in 1930.

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1924 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
! Diameter !! Mass !! Composition !! Edge !! Obverse !! Reverse !! first minting !! withdrawal !! lapse
	1 leu	21 mm	3.5 g				rowspan=2
	2 lei	25 mm	7 g

King Michael I (first reign)

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1930 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
	5 lei	21 mm	3.5 g				rowspan=2>"MIHAI I REGELE ROMANIEI" ("Michael I King of Romania"), effigy of the King, year of minting
	20 lei	27 mm	7.5 g	Value, group of dancing peasant women

King Carol II

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1930 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
	10 lei	23 mm	5 g			rowspan=2>Value, the eagle from the coat of arms wearing on the shield the Royal Cypher of King Carol II, effigy of the King, year of minting	rowspan=2
	20 lei	27 mm	7.5 g

In 1932, silver 100 lei coins were issued. However, inflation meant that, in 1935, smaller silver 250 lei coins were introduced with nickel 100 lei coins being issued in 1936, followed by nickel 50 lei in 1937.

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1932 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
! Diameter !! Mass !! Composition !! Edge !! Obverse !! Reverse !! first minting !! withdrawal !! lapse
	100 lei	31 mm	14 g	Silver 50%, Copper 40%, Zinc 5%, Nickel 5%			rowspan=2	1932
	250 lei	29 mm	13.5 g	Silver 75%, Copper 25%		1935

! rowspan="2">Image !!rowspan="2"

First Leu Coins — 1936 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
	50 lei	24 mm	5.83 g			rowspan=2>Value, the small shield from the coat of arms timbered by the Steel Crown, laurel and oak leaves, year of minting		1937
	100 lei	27 mm	8.2 g		1936

Second leu

In 1947, coins were issued before the overthrow of King Michael I, in denominations of 50 bani, 1, 2 and 5 lei. After the creation of the People's Republic, new coins were issued between 1948 and 1952, in denominations of 1, 2, 5 and 20 lei.

Third leu

In 1952, coins were introduced in denominations of 1, 3, 5, 10 and 25 bani, with the 1, 3 and 5 struck in aluminium bronze and the others in cupro-nickel. In 1955, cupro-nickel 50 bani were added.

In 1960, a new coinage was introduced, consisting of 15 and 25 bani, with 5 bani, 1 and 3 lei coins added in 1963. All were struck in nickel-clad steel. In 1975, aluminium replaced steel in the 5 and 15 bani, with the same change happening for the 25 bani in 1982. Aluminium 5 lei were introduced in 1978.

! rowspan="2">Image !!rowspan="2"

Third Leu Coins — 1960 Series
Technical parameters !!colspan="3"	Description !!colspan="3"| Date of
! Diameter !! Mass !! Composition !! Edge !! Obverse !! Reverse !! first minting !! withdrawal !! lapse
	5 bani			Nickel plated steel		Value, year of minting	rowspan = 5
	15 bani			Nickel plated steel	Value, olive leaves
	25 bani			Nickel plated steel	Value, agricultural scene, weat
	1 leu			Nickel plated steel	Value, agricultural landscape; industrial elements in the background
	3 lei			Nickel plated steel	"~*~*"	Value, industrial landscape

! rowspan="2">Image !! rowspan="2"

Third Leu Coins — 1966 Series
Technical parameters !! colspan="3"			Description !! colspan="3" | Date of
! Diameter !! Mass !! Composition !! Edge !! Obverse !! Reverse !! first minting !! withdrawal !! lapse
				Nickel plated steel			rowspan = 2	1966
		Aluminium	1975
				Nickel plated steel		rowspan = 7	1966
		Aluminium	1975
				Nickel plated steel		1966
		Aluminium	1982
	1 leu			Nickel plated steel	Value, agricultural landscape; industrial elements in the background	1966
	3 lei			Nickel plated steel		Value, industrial landscape	1966
	5 lei			Aluminium	Value, industrial scene	1978

Following the end of the communist regime, a new coinage was introduced between 1990 and 1992, consisting of 1 leu in bronze clad steel, 5 and 10 lei in nickel plated steel, 20 and 50 lei in brass clad steel and nickel plated steel 100 lei.

! rowspan="2">Image !! rowspan="2"

Third Leu Coins — 1990 Series
Technical parameters !! colspan="3"			Description !! colspan="3" | Date of
! Diameter !! Mass !! Composition !! Edge !! Obverse !! Reverse !! first minting !! withdrawal !! lapse
						Value, oak leaves, weat		1992	''1 July 2005''	''Indefinite''
	Value, state title, weat		1993	1 July 2005	Indefinite
	5 lei	21 mm	3.35 g		Smooth	State Title, value, oak leaves		1992
			4.65 g	"~ ♦ ~ ♦ ~ ♦"	Value, year of minting, olive leaves		1990
	5 g	Smooth	State title, value, olive leaves		1992
	20 lei	24 mm	5 g			Value, oak leaves, year of minting		1991
	50 lei	26 mm	5.9 g	Value, olive leaves, year of minting		1991
	100 lei	29 mm	8.75 g	Nickel plated steel	"ROMANIA *** ROMANIA *** ROMANIA ***"	Value, oak leaves, olive leaves, year of minting		1991
						State title, value, olive leaves		1999
			1999
	1,000 lei	22 mm	2 g	Alternately smooth and milled		Constantin Brâncoveanu, years of rule, "CONSTANTIN BRANCOVEANU"	2000
	5,000 lei	24 mmdodecagonal	2.50 g	Twelve edges	State title, value		2001

As inflation took its toll, 500, 1000 and 5000 lei coins were introduced in 1999, 2000 and 2001, respectively, and were the only coins circulating when the revaluation occurred. They were all criticized for being clumsy and difficult to use. The 500 lei coins were very thick (about 0.3 cm). Despite their small value, it took only a handful of such coins to fill one's pocket. They were also made of poor material and could be occasionally found with bite marks. The 1000 lei coin was considered too small and was also cheaply made, and the 5000 lei coin was not circular (it was a dodecagon). This made it awkward to handle and difficult to use in slot machines, where it was frequently the only coin accepted. The 500, 1000 and 5000 lei coins became worth 5, 10 and 50 bani with the revaluation.

Fourth leu

In 2005, the following coins were introduced for circulation: ! rowspan="2">Image !! rowspan="2"

New Leu Coins
Technical parameters !! colspan="3"				Description !! colspan="2" | Date of
! Diameter !! Thickness !! Mass !! Composition !! Edge !! Obverse !! Reverse !! first minting !! issue
	1 ban	16.75 mm	1.6 mm	2.4 g	Brass plated steel	Smooth		Value	2005	1 July 2005
	5 bani	18.25 mm	1.6 mm	2.8 g	Copper plated steel	Milled (102 reeds)		Value	2005	1 July 2005
	10 bani	20.50 mm	1.8 mm	4.0 g	Nickel plated steel	Alternately smooth and milled (3 groups of 20 reeds)		Value	2005	1 July 2005
								Value	2005	1 July 2005
	Aurel Vlaicu, 1910 (year of first romanian flight), years of birth and death of Aurel Vlaicu		2010	25 October 2010

The 1 ban coin is rare and not in demand by either banks or retailers. In practice, retailers almost always round to the nearest 5 bani.

The new coins have also faced criticism. Their size and very simple (indeed crude) design make the coins hard to distinguish for the visually impaired. The quality of the materials used is also questionable, with coins becoming oxidized and dark within weeks from the initial release.

Banknotes

First leu

In 1877, state notes were introduced in denominations of 5, 10, 20, 50, 100 and 500 lei. In 1880, these notes were overstamped for issue by the Banca Națională a României, which began to issue regular notes in 1881 in denominations of 20, 100 and 1000 lei.

In 1914, 5 lei notes were reintroduced, followed by 1 and 2 lei notes in 1915 and 500 lei in 1916. The Ministry of Finance issued very small sized notes for 10, 25 and 50 bani in 1917. 500 lei notes were introduced in 1940, followed by 10,000 and 100,000 lei in 1945 and 1 and 5 million lei in 1947. In 1945, the Ministry of Finance issued 20 and 100 lei notes to replace those of the Banca Naționalăs.

Second leu

In 1947, the Ministry of Finance introduced 20 lei notes and Banca Naţională a României introduced 100, 500 and 1000 lei notes. In 1949, took over the production of paper money and issued 500 and 1000 lei notes.

Third leu

In 1952, the Ministry of Finance introduced notes for 1, 3 and 5 lei, and the introduced 10, 25 and 100 lei notes. In 1966, the Banca Națională a Republicii Socialiste România took over the production of all paper money, issuing notes for 1, 3, 5, 10, 25, 50 and 100 lei.

In 1991, 500 and 1000 lei notes were introduced, followed by 200 and 5000 lei notes in 1992, 10,000 lei in 1994, 50,000 lei in 1996, 100,000 lei in 1998, 500,000 lei in 2000 and 1 million lei in 2003. There was also a 2,000 lei note introduced in 1999; it celebrated the total solar eclipse that occurred on August 11, 1999. The final issues of the 2000, 10,000, 50,000, 100,000, 500,000 and 1 million lei were polymer notes.

Notes in circulation at the revaluation were:

10,000 lei (became 1 leu)

50,000 lei (became 5 lei)

100,000 lei (became 10 lei)

500,000 lei (became 50 lei)

1,000,000 lei (became 100 lei)

Fourth leu

In 2005, polymer notes were introduced for 1, 5, 10, 50, 100 and 500 lei. 200 lei notes were added in 2006. The designs of the 1, 5, 10, 50 and 100 lei notes are based on those of the earlier 10,000, 50,000, 100,000, 500,000 and 1 million lei notes which they replaced. The 10 lei bill was redesigned in November 2008 (most of the graphic elements are identical, some of the safety elements were withdrawn, making its safety degree similar the lower values of 1 leu and 5 lei bills).

See also

Economy of Romania

History of Romanian coins

Romania and the euro

References

External links

Current legal tender pictures

www.denominare.ro — The official site of the leu revaluation

Comprehensive catalog of Romanian coins and banknotes.

www.bancnoteleromanesti.go.ro - All Romanian banknotes from beginning to present. ''(mirror here).''

Romanian coins / Monede româneşti - Encyclopedia of Romanian coins in English and Romanian

Leu, Romanian

ar:ليو روماني ast:Leu be:Румынскі лей be-x-old:Румынскі лей bar:Rumänischer Leu bs:Rumunski lej bg:Румънска лея ca:Leu cs:Rumunské leu da:Leu de:Rumänischer Leu es:Leu rumano eo:Rumana leo fr:Leu roumain gl:Leu romanés ko:루마니아 레우 hr:Rumunjski lej bpy:রোমানিয়ান লিউ id:Leu Rumania it:Leu rumeno he:לאו רומני ka:რუმინული ლეი kv:Румынияса лей lt:Naujoji Rumunijos lėja hu:Román lej mk:Романска леа arz:ليو رومانى nl:Roemeense leu ja:ルーマニア・レウ no:Rumensk leu nn:Rumensk leu pl:Lej pt:Leu romeno ro:Leu românesc ru:Румынский лей simple:Romanian leu sk:Nový rumunský lei sr:Румунски леј sh:Rumunski lej fi:Romanian leu sv:Rumänsk leu ta:ரொமேனிய லியு tr:Rumen leyi uk:Румунський лей yo:Romanian leu zh:罗马尼亚列伊

name	Andrea Bocelli
background	solo_singer
born	September 22, 1958Pisa, Toscana, Italy
instrument	Vocals, keyboards, flute, saxophone, trumpet, trombone, harp, harmonica, guitar, drums, melodica
genre	Adult contemporary, classical, easy listening, Latin pop, opera, operatic pop, pop, vocal
occupation	Musician, songwriter, record producer, multi-instrumentalist
years active	1992–present
label	Universal, Philips, PolyGram, Decca, Sugar
website	Andrea Bocelli
abilities	Echolocation }}

Andrea Bocelli, (; born 22 September 1958) is an Italian tenor, multi-instrumentalist and classical crossover artist. Born with poor eyesight, he became completely blind at the age of twelve following a football accident.

Since winning the Newcomers section of the Sanremo Music Festival in 1994, Bocelli has recorded thirteen solo studio albums, of both pop and classical music, two greatest hits albums, and eight complete operas, selling over 70 million copies worldwide. Thus, he is the biggest-selling solo artist in the history of classical music and has caused core classical repertoire to "cross over" to the top of international pop charts and into previously uncharted territory in popular culture.

In 1998, he was named one of People Magazine's 50 Most Beautiful People. In 1999, his nomination for Best New Artist at the Grammy Awards marked the first, and so far only time a classical artist had been nominated in the category, since Leontyne Price, in 1961. ''The Prayer'', his duet with Celine Dion for the animated film, ''The Quest for Camelot'', won the Golden Globe for Best Original Song and was nominated for an Academy Award in the same category. With the release of his classical album, ''Sacred Arias'', Bocelli captured a listing in the Guinness Book of World Records, as he simultaneously held the top 3 positions on the U.S. classical albums charts. Five of his albums have since reached the ''Top 10'' on the ''Billboard'' 200, and a record-setting 7, have topped the classical albums charts in the United States.

With over 5 million units sold worldwide, ''Sacred Arias'' became the biggest-selling classical album by a solo artist of all time, and with just under 20 million units sold worldwide, his 1997 pop album, ''Romanza'', became the best-selling album by an Italian artist ever, as well as the best-selling album by a foreign artist in Canada, and a number of other countries in Europe and Latin America. The album's first single, "Time to Say Goodbye", topped charts all over Europe, including Germany, where it stayed at the top of the charts for fourteen consecutive weeks, breaking the all-time sales record, with over 3 million copies sold in the country. He is widely regarded as the most popular Italian and classical singer in the world.

In 2006, Bocelli was made a Grand Officer of the Order of Merit of the Italian Republic, and on March 2, 2010, he was honoured with a star on the Hollywood Walk of Fame, for his contribution to Live Theater.

Early life

Childhood and education

Bocelli was born in 1958 to Alessandro and Edi Bocelli. They lived on the family farm, selling farm machinery and making wine in the small village of La Sterza, a frazione of Lajatico, Tuscany, Italy, which is about 40 km south of Pisa. Bocelli's mother and younger brother Alberto still live in the family home. Bocelli's father died in 2000.

As a young boy, Bocelli showed a great passion for music. His mother has said that music was the only thing that would comfort him. At the age of six he started piano lessons, and later also learned to play the flute, saxophone, trumpet, trombone, harp, guitar and drums.

Bocelli would also spend time singing during his childhood. At the age of 14 he won his first song competition, the Margherita d'Oro in Viareggio with ''O sole mio''.

After finishing secondary school in 1980, he studied law at the University of Pisa. To earn money Bocelli performed evenings in piano bars. He completed law school and spent one year as a court-appointed lawyer. It was there, in 1987, that he met his future wife, Enrica.

Loss of sight

It was evident at birth that Bocelli had problems with his sight, and after visits to many doctors, he was diagnosed with congenital glaucoma. In 1970, at the age of 12, he lost his sight completely following an accident during a football game.

Career

1992–94: Sanremo and ''Il mare calmo della sera''

In 1992, Italian rock star Zucchero held auditions for tenors to make a demo tape with of the song ''Miserere'' from his album of the same name, to send to Italian tenor Luciano Pavarotti. After hearing Bocelli on tape, Pavarotti urged Zucchero to use Bocelli instead of him. The demo tape was from Caterina Caselli, who had discovered Bocelli. Caselli is Bocelli's current manager and producer.

Zucchero eventually persuaded Pavarotti to record the song with him and it became a hit throughout Europe. In Zucchero's European concert tour in 1993, it was Bocelli who accompanied him to sing the duet and he was also given solo sets in the concerts, singing "Nessun Dorma" from Puccini's ''Turandot''. Bocelli signed with the Sugar Music label in Milan after the group's president heard Bocelli sing ''Miserere'' and "Nessun Dorma" at a birthday party for Zucchero.

In December Bocelli entered the preliminary round of the Sanremo Music Festival in the category of Giovani, performing both parts of the duet ''Miserere''. He won the preliminary competition with the highest marks ever recorded in the Newcomers section. On 28 December, he debuted in the classical world in a concert at the Teatro Romolo Valli in Reggio Emilia.

In February 1994 he entered the main Sanremo Festival competition with "Il mare calmo della sera", and he won the "Newcomers" section, again with a record score. His debut album, of the same name, was released and immediately entered the Italian Top Ten, going platinum within weeks.

In May he toured with Italian pop singer Gerardina Trovato. In September he sang at Pavarotti's annual Charity Gala concert, ''Pavarotti International'' in Modena, where he sang Ruggero Leoncavallo's "Mattinata" and sang a duet with Pavarotti, Maurizio Morante's ''Notte e Piscatore''. He also sang "Libiamo ne' lieti calici" from Giuseppe Verdi's La traviata in the finale, along with Nancy Gustafson, Giorgia, Andreas Vollenweider and Bryan Adams; and also Adams' song ''All for Love''.

In September he made his opera debut as Macduff in Verdi's ''Macbeth'' at the Teatro Verdi in Pisa. Bocelli had been an agnostic, but around 1994, partly as a result of immersing himself in the works of Tolstoy, he returned to the practice of the Catholic faith. He performed the hymn, "Adeste Fideles" in Rome before Pope John Paul II in St. Peter's Basilica at Christmas.

1995–97: ''Bocelli'' and ''Romanza'' – Conquering Europe and Latin America

As winner of the 1994 Newcomers section at the Sanremo Festival, he was invited to return the following year, entering the main competition with "Con te partirò" and finishing in fourth place.

The song was included in his album ''Bocelli'' which was produced by Mauro Malavasi and released in the spring. His third album, ''Viaggio Italiano'', was released in autumn. Bocelli sang "Miserere" and "Funiculì, Funiculà" with guitarist John Miles. In Belgium, "Con te partirò" became the best-selling single of all time.

In 1996, Bocelli was invited to sing a duet with English soprano Sarah Brightman at the final bout of German IBF World Light-Heavyweight boxing champion Henry Maske. Brightman, a friend of Maske, approached Bocelli after she heard him singing "Con te partirò" whilst she was dining in a restaurant. Changing the title lyric of the song to "Time to Say Goodbye", they re-recorded it as a duet with members of the London Symphony Orchestra and sang it as a farewell for Maske. The single debuted atop the German charts, where it stayed for fourteen weeks. With sales nearing three million copies, and a sextuple platinum award, "Time to Say Goodbye" eclipsed the previous best-selling single by more than one million copies. He topped the Spanish singles chart in 1996 with a duet with Marta Sanchez, "Vivo Por Ella", the Spanish version of "Vivo per lei", recorded with Giorgia for the ''Romanza'' album. He also recorded a Portuguese version of the song with Sandy Leah.

The same year, Bocelli recorded "Je vis pour elle", the French version of "Vivo per lei", as a duet with French singer Hélène Ségara. Released in December 1997, the song became a hit in Belgium (Wallonia) and France, where it reached #1 on the charts. To date, it is the best-selling single for Ségara, and the second for Bocelli after "Time to Say Goodbye". On 3 March he appeared in Hamburg, Germany, with Sarah Brightman to receive the ECHO music award for "Best Single of the Year".

In August, he appeared at the Puccini Festival in Torre del Lago, Italy, and then at the World Youth Festival in Paris, where he again sang in the presence of the Pope. In the summer, he gave 22 open air concerts in Germany, as well as an indoor concert in Oberhausen on 31 August. In September he performed in concert at the Piazza dei Cavalieri in Pisa for the home video ''A Night in Tuscany'' () with guests Nuccia Focile, Sarah Brightman and Zucchero. On 14 September in Munich, Germany, he received an ECHO Klassik "Best seller of the year" award for his album, ''Viaggio Italiano''.

Back in Italy in Bologna on 27 September, he yet again sang before the Pope at the International Eucharistic Congress. On 19 October, he sang at the TeleFood benefit concert held in the Vatican City, and organised by the Food and Agriculture Organization to raise awareness about world hunger. On 25 October he received a Bambi award, an annual television and media prize awarded by the German media company Hubert Burda Media, in the Klassik category in Cologne, Germany.

1998–99: ''Aria'', ''Sogno'' and ''Sacred Arias'' – Breaking into the United States

Bocelli made his debut in a major operatic role in 1998 when he played Rodolfo in a production of ''La bohème'' at the Teatro Comunale in Cagliari from 18 February to 25 February. His fifth album ''Aria - The Opera Album'' was released in March. On 19 April Bocelli entered the United States (USA) market with a concert at the John F. Kennedy Center for the Performing Arts in Washington, D.C. followed the next day by a reception at the White House with then US President Bill Clinton. On 5 May, he appeared in Monte Carlo, winning two World Music Awards, one in the category "Best Italian Singer", and one for "Best Classical Interpretation". He was also named one of People magazine's 50 most beautiful people of 1998.

In June, July, and August, he toured North and South America. His final concert of the tour at Madison Square Garden was sold out. In September, he received his next Echo Klassik award, this time for "Best selling classical album" with ''Aria - the opera album''. On Thanksgiving Eve Bocelli appeared as a guest on Céline Dion's Television special ''These Are Special Times'' in which he joined Dion with their hit ''The Prayer'' from Dion's album ''These Are Special Times'' and he also sang ''Ave Maria'' solo. Dion introduced him by saying, "I heard someone say – If God had a singing voice, he would sound a lot like Andrea Bocelli." As a result of his appearance on the show, his popularity in the USA further increased. Dion's album containing ''The Prayer'' was released in 1998 and re-issued with the DVD of the TV special in 2007. The song appeared on the ''Quest for Camelot'' soundtrack in 1998 and on Bocelli's album, ''Sogno'', the following year.

At the New Year, he performed two concerts at the Bellagio hotel in Las Vegas. The hotel used ''Con te partirò'' in its advertisements, further increasing his popularity in the USA. He also performed the first Internet live opera broadcast in its entirety from the Detroit Opera House, with Denyce Graves. At the 56th Golden Globe Awards held at the Beverly Hilton Hotel in Beverly Hills, California on 24 January, ''The Prayer'' won the Golden Globe Award for Best Original Song from the film ''Quest for Camelot''. At the 41st Grammy Awards ceremony held at the Shrine Auditorium in Los Angeles on 24 February, Bocelli was nominated in the Best New Artist category which was won by Lauryn Hill. Bocelli and Dion received a standing ovation after singing ''The Prayer''. The song was also nominated for an Academy Award for Best Original Song and performed by Bocelli and Dion at the ceremony held at the Los Angeles Music Center on 21 March.

From 11 April to 24 April, he toured the West coast of North America from San Diego to Vancouver, with a final performance before over 18,000 spectators at the Hollywood Bowl in Los Angeles. Actress Elizabeth Taylor stood by his side on the stage during the encore, while he sang ''The Prayer''.

At the invitation of Steven Spielberg, Bocelli sang in Los Angeles on 15 May before Bill Clinton at an event on behalf of the Democratic Party. At the end of May he toured Portugal and Spain and sang with the Portuguese Fado singer Dulce Pontes. On 27 June he took part in the Michael Jackson benefit concert for suffering children in Munich's Olympic Stadium.

From 10 July to 27 August he appeared in a guest role at seven performances of ''The Merry Widow'' at the Verona Arena in Rome. As the "Tenor Conte Andrea" he performed three arias, "La donna è mobile" from Verdi's ''Rigoletto''; "Tu, che m' hai preso il cuor" from Franz Lehár's ''Land des Laechelns'' and "Libiamo ne' lieti calici" from Verdi's ''La traviata'', again receiving standing ovations.

On 10 September, together with soprano Daniela Dessi and two Polish singers, he performed at the Great Theatre of Łódź in Poland. From 7 October to 19 November, he made his United States operatic debut in Jules Massenet's ''Werther'' at the Detroit Opera House with the Michigan Opera Theater. He was cheered by the audiences, but criticized by the press.

He also performed at Rodeo Drive in Hollywood and gave further concerts in Detroit, Cleveland and Chicago, and made an appearance on Jay Leno's first installment of The Tonight Show. Then Mayor of New York City Rudy Giuliani gave him the Crystal Apple, a gift to celebrated personalities from New York City. His seventh album ''Sacred Arias'', which contains exclusively sacred music, was released worldwide on 8 November, and two weeks later reached first place in the USA Classic Billboard charts -- making Bocelli the first vocalist to hold all top three places on the chart, with ''Aria, the opera album'' in second place, and ''Viaggio Italiano'' in third place. The album also included the hymn of the Holy Year 2000 which was chosen as the official version by the Vatican in October.

Immediately after his return to Italy, Bocelli sang in Florence at a meeting of the centre-left Heads of State. Invited by Queen Elizabeth II, he performed at the annual Royal Variety Performance in Birmingham, UK, on 29 November. On 30 November, his book ''La musica del silenzio'', an autobiographical novel, was released in Italy.

From 12 December to 21 December he performed six concerts in Barcelona, Strasbourg, Lisbon, Zagreb, Budapest and Messina, directed by Lorin Maazel, some of which were broadcast on local television. He also performed on German television; Wetten, dass..? on 11 December and the José Carreras Gala in Leipzig on 17 December. On 31 December, he finished a marathon twenty-four concerts in thirty days, with a concert at the Nassau Veterans Memorial Coliseum in New York in front of 8,000 people, welcoming in the new millennium.

2000–01: ''Verdi'' and ''Cieli di Toscana''

At the 42nd Grammy Awards on 23 February, Bocelli was nominated twice. ''The Prayer'' was nominated for Best Pop Collaboration with Vocals and for Best Male Pop Vocal Performance. Bocelli performed it with Dion at the ceremony. His "World Tour 2000" started on 31 March. In May his ''Sacred Arias'' album was voted album of the year by listeners of the Classic FM radio station in the UK. His world tour continued from 12 May to 14 May with four concerts in Japan and South Korea. At the end of the UEFA European Football Championship he performed with Valery Gergiev and Renée Fleming at a concert on the River Maas in Rotterdam. On 6 July he performed at the Statue of Liberty in New York and on 17 August he performed in Giuseppi Verdi's Messa da Requiem at the Verona Arena in Rome. His seventh album ''Verdi'' was released on 11 September. In September he also performed three concerts in Australia. He received another Echo Klassik award for "Bestseller of the year" for ''Sacred Arias''. In November his first complete opera recording, ''La Bohème'' was released. In December he received another award in Germany, the Goldene Europa for classical music.

In January 2001, Bocelli portrayed the main character in Pietro Mascagni's opera ''L'amico Fritz'' at the Teatro Filarmonico in Verona and again performed the tenor part in Verdi's Requiem. On 19 March the Requiem album was released with Bocelli as tenor. From 22 March to 6 April he toured North America accompanied by Cecilia Gasdia and the Hartford Symphony Orchestra. On 17 June he performed at the re-opening of the Leaning Tower of Pisa. In July he performed two concerts in Dublin with Ana María Martínez and the New Symphony Orchestra. At the Scuola Grande di San Rocco in Venice on 4 October he presented his new album ''Cieli di Toscana'' and was recognised for having sold more than 40 million albums worldwide. In October he opened the celebrations of the 200th anniversary of the birth of Sicilian opera composer Vincenzo Bellini in Catania. On 28 October, he sang Franz Schubert's ''Ellens dritter Gesang'' as a representative of the Roman Catholic faith, during a memorial concert at Ground Zero in New York City for the victims of the September 11 attacks there. In November he received the Platinum Europe Award for one million sales of the album ''Cieli di Toscana'', and at the Italian Music Awards he was given a special award from the Federation of the Italian Music Industry for his merits as an "Ambassador of Italian music in the world". He performed seven more concerts in the US accompanied by Ana María Martínez, and on 23 December, in front of the President of Italy and other guests of honour, he sang the Italian national anthem as well as works of Bellini and Verdi at the traditional Christmas concert in the Italian Senate, which was broadcast live on television for the first time.

2002–05: ''Sentimento'' and ''Andrea''

In Berlin on 5 February he received a Goldene Kamera award in the "Music & Entertainment" category. On 6 March he received two World Music Awards in Monte Carlo: "World best selling classical artist" and "Best selling Italian artist". On 11 March, he gave a concert for peace at the Basilica di San Marco a Venezia in Venice, accompanied by the orchestra of the Teatro La Fenice and conducted by Lorin Maazel. On 15 March he took part in the opening of Walt Disney Studios Park in Marne-la-Vallée France. On 7 May Bocelli and Tony Renis received a Telegatto Italian Television award for the soundtrack of the series ''Cuore''. On 23 May he received the 2002 Classical BRIT Award for "Outstanding Contribution to Music". On 27 May he performed at the Villa Madama in Rome in front of USA president George W. Bush and Italian president Silvio Berlusconi. On 28 May he took part in "Pavarotti & Friends" charity concert in Modena in aid of Angola. In June he again toured the USA, then on 26 July and 3 August he portrayed Lieutenant B.F. Pinkerton in ''Madama Butterfly'' at the 48th Puccini Festival in Torre del Lago. On 14 October he and Lorin Maazel presented his new album ''Sentimento'' to a worldwide audience. Further presentations took place in Milan and New York, and the album was released on 4 November, selling over two million copies in 40 days. On 24 October he started his ''Sentimento'' tour in Zürich which took in large arenas in several European and North American cities.

In February 2003, Bocelli performed ''Madama Butterfly'' in an exclusive Monte Carlo concert, which was attended by Caroline, Princess of Hanover. In March for the first time he appeared as a producer, at the Sanremo Festival, where the young artists Allunati and Jacqueline Ferry sang for his new record label, Clacksong. In May his second complete opera, ''Tosca'', was released. At a private benefit gala for the Royal National Institute of Blind People Bocelli sang in front of the British Royal Family. A day later he received two awards for ''Sentimento'' at the 2003 Classical BRIT Award held at the Royal Albert Hall in London – "Best selling classical album" and "Album of the year". On 24 May he performed in a benefit concert for the Arpa Foundation for Film, Music and Art in the Piazza del Campo in Siena, with sopranos Maria Luigia Borsi and Lucia Dessanti, baritone Soo Kyung Ahn, and violinist Ruth Rogers, accompanied by Marcello Rota and the Orchestra Città di Pisa. Three days later he was again invited to perform at "Pavarotti & Friends" in Modena and sang a medley of Neapolitan songs together with Pavarotti. In June he continued his ''Sentimento'' tour in Athens and Cyprus. In September he took part in a concert for the Justice ministers and Interior ministers of the European Union at the Parco della Musica in Rome. He then resumed his tour, accompanied by Maria Luigia Borsi, Ruth Rogers and Marcello Rota.

He won the "Favourite Specialist Performer" award at the UK National Music Awards in October 2003. In November he once again toured in the United States, this time accompanied by Ana Maria Martinez, Kallen Esperian and Steven Mercurio. In December he gave his first concert in China and at the end of the month sang Gounod's ''Ave Maria'' at Pavarotti's wedding in Modena.

In Bologna in January he performed as Werther in four performances of the opera of the same name. In April and May he toured Asia again, visiting Manila, Hong Kong and Singapore. In May he took part in a concert at Circo Massimo in Rome organised by Quincy Jones to launch the "We are the Future" project. In June his third complete opera ''Il trovatore'' was released. In July he played the part of Mario Cavaradossi in ''Tosca'' at the 50th Puccini Festival in Torre del Lago. And he took part in the International Olympic Committee (IOC) global campaign for the 2004 Summer Olympics in Athens.

In September he performed his "Once in a Lifetime" tour in Australia with concerts in Sydney and Melbourne and one concert in Christchurch, New Zealand, where he was joined on stage by New Zealand soprano Hayley Westenra. On 15 October he performed at the People Conference Hall in Beijing, China, and on 17 October at the Great Hall in Shanghai.

During early 2005 Bocelli was on tour including performances in Madeira, Hungary, Norway, USA, UK, Italy and Germany. He also appeared in ''Sesame Street'' singing "Time to Say Goodnight" a parody of ''Time to Say Goodbye'' as a lullaby to Elmo. On 21 March he performed on the ''Music for Asia'' benefit concert in Rome, televised on Italia 1, in aid of the 2004 Indian Ocean earthquake appeal.

In June he performed at the Deutsche Opera in Berlin. On 2 July he performed at the Paris concert as part of the Live 8 event. Also during the second part of the year, he performed in Croatia, Serbia, Italy, the US, Dubai, Switzerland and finally in Scandinavia. On 28 August he performed at the Faenol Festival held in Vaynol, Wales and organised by Welsh bass-baritone Bryn Terfel. In December his first contemporary music concert took place at a Lake Las Vegas village resort in Nevada, US, which was recorded for PBS and released as the ''Under the Desert Sky'' DVD. He also took part in the Royal Christmas Show, which took place in several cities in the USA in December. The album ''Werther'' was released in December. During 2005 he was invited by Pope Benedict XVI, George W. Bush and Queen Elizabeth II to perform at special events.

2006–07: ''Amore'' and ''Vivere, Greatest hits''

On 18 February he sang at the Toyota Center in Houston during the National Basketball Association's (NBA) 2006 All-Star Weekend, and broadcast live on the TNT Cable television network.

On 26 February Bocelli sang "Because We Believe" from his ''Amore'' album in the Carnevale section of the closing ceremony of the Torino Olympics with a worldwide television audience. He also began another tour with a concert at the Piazza di Castello in Turin. In March he was honoured by the Italian state with a Grande Ufficiale Italian Order of Merit (Grand Officer of the Italian Republic), given to him by then President of the Italian Republic, Carlo Azeglio Ciampi for his worldwide work for his country as a singer. The award was presented to him at the Sanremo Festival where he performed a duet with American singer Christina Aguilera on 4 March. From 31 March to 2 April he took part in the Maggio Musicale in Florence where he sang the ''Canto di pace (Canto of peace)'' by Marco Tutino and the tenor part from Gioachino Rossini's ''Messa di Gloria'' and in Naples where he took part in Rossini's Petite Messe Solennelle.

In April 2006, he featured as a guest coach on ''American Idol'' helping the finalists sing the week's themed songs, "Greatest Love Songs." He also performed on that week's results show. American Idol runner-up Katharine McPhee performed at three of Bocelli's concerts in California from 9 June to 11 June singing duets of ''Somos Novios'' and ''The Prayer'' with Bocelli. They also performed on '''J. C. Penney Jam: The Concert for America's Kids'' and recorded duet versions of ''Somos Novios'' for the resulting album, and also ''Can't Help Falling in Love'' on the CD of the Under the Desert Sky DVD.

In June he sang the Italian duet version of "Because We Believe", "Ama, credi e vai", with Gianna Nannini at the "großen Fan Party" at the opening of the 2006 FIFA World Cup, in Berlin in front of billions of worldwide television viewers.

On 1 July 2007, Bocelli performed "The Music of the Night" from Andrew Lloyd Webber's ''The Phantom of the Opera'', in a special musicals medley during the Concert for Diana at Wembley Stadium in London, England. Bocelli returned to his home town for a triumphant concert at the newly created Teatro del Silenzio in Lajatico on 5 July 2007, with guest appearance by Kenny G, Heather Headley, Lang Lang, Elisa, Sarah Brightman and Laura Pausini. The concert was later released as Vivere Live in Tuscany. In September he debuted at the Avery Fisher Hall, in New York, with four concerts. October saw the release of the opera album of Ruggero Leoncavallo's ''Pagliacci'' with Bocelli singing the role of Canio. In November he won the "Best Italian Artist" and "World's Best-selling Classical Artist" awards at the World Music Awards. In December he finished his 2006 tour with more concerts in North America and Europe.

Bocelli and Sarah Brightman's duet version of "Con te partirò" was used in the 2007 film ''Blades of Glory'', as an ice skating song. K-1 mixed martial arts fighter, Akiyama Yoshihiro started using "Con te partirò" as his ring entrance music. On 8 September Bocelli sang an arrangement of Mozart's ''Ave verum corpus'' at the funeral of Luciano Pavarotti in Modena, Italy.

On 21 October 2007, he sang "Con te partirò" with Katherine Jenkins on the UK television series ''Strictly Come Dancing'' results show, and on 30 October, he sang "The Prayer" with Céline Dion during an ITV Special ''An Audience with Céline Dion''. The show was broadcast on 23 December. Alongside fellow Italian singer Laura Pausini, he sang ''Vive Ya'' during the 2007 Latin Grammy Awards. The song, originally released in 1997 as a duet in Italian between Bocelli and Italian singer-songwriter Trovatto on Bocelli's ''Romanza'', was also released in English on his 2007 album, ''The Best of Andrea Bocelli: Vivere'', as ''Dare to Live''. The album, ''Vivere'', sold over 3 million copies.

2008: ''Incanto'' and ''Carmen''

On 20 January 2008, Bocelli received the Italian TV award Telegatto in platinum for ''Italian music in the world'', in Rome. He sang "La voce del silenzio" -- "The voice of silence" -- and "Dare to Live" during the ceremony. To promote the album, he performed ''"Canto della Terra"'' at The Alan Titchmarsh Show on the BBC in London on 1 February; was interviewed by Fabio Fazio on the Italian talk show ''Che tempo che fa'' on RAI 3 in Italy; and performed ''"Canto della terra"'', ''"A te"'' and ''"Besame mucho"'' from the album, as well as ''"My way"'' on 2 February; and made an appearance on The South Bank Show in London, where he sang the French aria "Pour mon âme" on 3 February. Then on 10 February, he performed "The Prayer" at the 50th Grammy Awards, held in Los Angeles, with Josh Groban in a tribute to Luciano Pavarotti, and sang ''"Dare to live"'' with Heather Headley the following day on ''The Tonight Show with Jay Leno''.

In April he toured in Asia with performances in Tokyo, Taichung, Taiwan, and Seoul. Each concert was attended by over 15,000 people.

On 7 May 2008, he sang at Steel Aréna in Košice, Slovakia, in front of 8,000 people. Then 13 May he sang at the ''"Teatro delle Muse"'' in Ancona, Italy, for a charity concert for "Francesca Rava – N.P.H. Italia Onlus", a foundation that helps poor and disabled children around the world.

On 23 May 2008 he sang ''The Prayer'' with Katharine McPhee in a Las Vegas tribute concert for Canadian producer and songwriter David Foster. Bocelli later praised Filipina teen-aged singer Charice, whom he had first heard perform at that concert.

On 2 June 2008 he performed at the Piazza del Duomo, Milan in front of 80,000 people during a concert celebrating the anniversary of the Republic of Italy's formation.

From June 17 to June 28, Bocelli played the role of Don José on stage, opposite Hungarian mezzo-soprano Ildiko Komlosi as Carmen, in Georges Bizet's opera at the Teatro dell'Opera di Roma, in Rome, for four nights. Bocelli released the complete opera recording of ''Carmen'' in Italy in the same year, which he recorded in 2005. Myung-whun Chung conducted the Orchestre Philharmonique de Radio France and the Chœur de Radio France for the recording, and Welsh Bass-baritone Bryn Terfel, was part of the Ensemble. The recording was not released internationally, until March 2010. ''Carmen: Duets & Arias'', a single-disc collection of some of the arias and duets of the recording, was also released in 2010.

On 20 July, Bocelli held his third concert at the Teatro del Silenzio in Lajatico, his hometown. The concert was a tribute to the cinema of Italy. Its performers included Italian composer and musician Nicola Piovani, Italian ballet dancer Roberto Bolle, Israeli singer Noa, and Charice. Then on 31 July, he performed at a concert in Vingis Park in Vilnius, Lithuania, in front of more than 18,000 people. Australian singer Tina Arena performed two duets with Bocelli -- ''"Canto Della Terra"'' and ''"The Prayer"'' -- at the closing stages of the concert.

On 7 August 2008, he held a benefit concert at Medjugorje, Bosnia Herzegovina, and was accompanied by Czech National Symphony Orchestra. Then, during the rest of August, he was on tour in Australia and New Zealand—for the third time—with performances at Vector Arena, Auckland, on the 20th; Entertainment Centre, Brisbane on the 22nd; Acer Arena, Sydney, on the 24th, Rod Laver Arena, Melbourne, on the 27th; and Burswood Dome, Perth, on the 30th. His fiancée and both of his sons accompanied him on the tour. Tina Arena performed again with him in all 5 concerts during the tour.

On 26 September 2008, during the 2008 Veneto Festival, he held a concert in the Church of the Eremitani in Padova, Italy, in front of about 1000 people. He was accompanied by the I Solisti Veneti orchestra, celebrating its 50th birthday and conducted by Claudio Scimone, and by the Wiener Singakademie choir. The concert was a celebration of Giacomo Puccini's 150th birthday.

On 10 October and 11 he performed at Petra, singing ''"Dare to live"'' with Laura Pausini, as well as performing ''E Lucevan le Stelle'' from ''Tosca''. On 19 October he sang ''"O Surdato 'Nnamurato"'' and a duet of ''"Non Ti Scordar Di Me"'' with Cecilia Bartoli, both from the ''Incanto'' album, during the ECHO Awards in Germany; and later presented the soprano with an ECHO award. On 24 October, he performed at ''Piazza del Plebiscito'' in Naples, as a tribute to the city, where he celebrated the Italian release of ''Incanto''. Performing with him were flautist Andrea Griminelli, Italian pop singer Massimo Ranieri and soprano Cecilia Bartoli, with Steven Mercurio conducting the Czech National Symphony Orchestra. On 31 October, he performed a solo version of "The Prayer", as well as "Because", a song from ''Incanto'', live on The Oprah Winfrey Show.

On 21 November and 22, Bocelli was amongst a quartet of soloists (soprano Sabina Cvilak, mezzo-soprano Kate Aldrich and bass Alexander Vinogradov) to sing Rossini's Petite Messe Solennelle, conducted by Plácido Domingo, at the Washington National Opera in Washington, D.C.. Bocelli sang twice in the piece and later the two famous tenors sang The Pearl Fishers duet which would be the first aria they had ever sang together. On 25 November and 26 he starred alongside soprano Verónica Villarroel in an opera in concert of Mascagni's Cavalleria rusticana at the ''"Municipal Auditorium"'' in San Antonio, Texas. He later held a concert at ''"Atrio de la Catedral"'' in Campeche, Mexico, on 28 November, where he sang songs from ''Incanto'' as well as some of his Spanish hits, including ''Besame Mucho'', ''Somos Novios'', ''Amapola'' and ''Por ti Volare'' -- the Spanish version of ''Con te Partiro''.

2009: ''My Christmas'', first holiday album

On May 27, 2009, Bocelli sang "Il Gladiatore", from the Gladiator soundtrack, followed by the UEFA Champions League Anthem, which is based on "Zadok the Priest" by G.F. Handel, during the opening ceremony of the 2009 UEFA Champions League Final, in the Stadio Olimpico, in Rome.

On November 3, ''My Christmas'', his first Holiday album, produced by David Foster, was released and went on to become the best-selling Holiday album of the year.

The ''Andrea Bocelli & David Foster Christmas Special'', the PBS special of the album, first aired on Thanksgiving night in the United States, and continued to be broadcast in the United States and Canada throughout the month of December. In late November, the program was broadcast in Mexico and in the UK; it later aired, December 15 and 25, on Italia 1, in Italy, December 19, on TVE2 and TROS, in Spain and the Netherlands, and Christmas Eve, on vtm and RTL-TVI, in Belgium and Luxembourg.

On November 3, during the World Premiere of Disney's ''A Christmas Carol'', in Leicester Square, London, following the switching on of the annual Oxford Street and Regent Street Christmas lights, Bocelli led the St Paul's Cathedral Choir, and more than 14,000 people across the capital, as they broke the Official Guinness World Record for the biggest ever Christmas Carol sing-along, singing "Silent Night". He completed his performance in Leicester Square with, "God Bless Us Everyone", the closing song of the movie, which he provided the vocals for in English, Italian and Spanish. He returned to the United Kingdom, December 16, for an appearance on ''The One Show'', broadcast live by BBC One, and on ''The Alan Titchmarsh Show'' which aired December 18, on ITV1.

On November 21, a segment of ''Leute Heute'', a German tabloid-program on ZDF, was about ''My Christmas'' and Bocelli's meeting in Rome with Pope Benedict XVI and 250 other artists, an event which was broadcasted live earlier that day in Italy, by Rai Uno. Bocelli was also joined by the Piccolo Coro dell'Antoniano, in his home in Forte dei Marmi, where they sang "Caro Gesù Bambino", a song from ''My Christmas'' which was originally recorded by the choir in 1960. Rai Uno also broadcast the performance later that day, during the Zecchino d'Oro Festival. The following day, Bocelli was among Fabio Fazio's guests, on his popular Italian talk-show, Che tempo che fa, broadcast on Rai Tre. During the program Bocelli talked about his album and performed "The Lord's Prayer", "White Christmas", and "Silent Night". It was also announced that Bocelli would return to the show on December 20 and give a live concert of ''My Christmas''. Bocelli also took part in the annual 2009 ''José Carreras Gala'', on December 17, where he sang Adeste Fideles, before singing "White Christmas" with José Carreras for the very first time; this was broadcast live, by Das Erste, in Germany. He then returning to Italy, for a concert in the Upper Basilica of San Francesco d'Assisi, on December 19, which was broadcast directly after the ''Urbi et Orbi'' blessing of Pope Benedict XVI, December 25, on Rai Uno.

In North America, Bocelli gave 6 concerts. On November 28, he performed in the Bank Atlantic Center, in Ft. Lauderdale, Florida. He later performed in the Air Canada Centre, in Toronto, Canada, in the Izod Center, in East Rutherford, New Jersey, in the William Saroyan Theatre, in Fresno, California (changed from the much larger Save Mart Center due to scheduling conflicts), in the MGM Grand, in Las Vegas, and finally in the Honda Center, in Anaheim, California, on December 3, 5, 8, 12, and 13. His last three arena concerts alone grossed a total of over 5,6 million dollars, placing him third on Billboard Magazine's week's Hot Tours ranking, behind the Trans-Siberian Orchestra and Il Divo, who both held over 5 times more concerts worldwide, compared to Bocelli's three in the United States, explaining their better showings.

In the United States, Bocelli made a number of high profile TV appearances. He first performed "White Christmas" at the 83rd annual Macy's Thanksgiving Day Parade, broadcast live on NBC, November 26. He performed the song again on November 30 during ''The Today Show'' also live. His appearance on ''The Oprah Winfrey Show'' during her ''Holiday Music Extravaganza'', where he sang "What Child Is This", with Mary J. Blige, and later closed the show with Adeste Fideles, was also aired the same day, and was later rebroadcast on December 23. Bocelli also sang "Adeste Fideles" and was interviewed by Barbara Walters and Joy Behar on ''The View'', which aired December 2, on ABC. On December 8, he performed "Jingle Bells" with The Muppets on NBC's ''The Jay Leno Show''. He also performed a number of songs from the album, including "The Christmas Song" with Natalie Cole, during a dinner at David Foster's mansion in Malibu, which was featured on ''The Dr. Phil Show'', on December 10. Bocelli also performed "White Christmas" and "Silent Night", on the ''Larry King Live'' and ''Fox & Friends'' holiday-specials, broadcast December 23, on CNN, and December 19, 24 and 25, on Fox News.

In Brasil, following the success of the South American leg of the ''Incanto tour'', were over 100,000 people attended his free concert at the São Paulo's "Parque Indipendencia", earlier in the year, it was announced that Bocelli would hold another Open-Air, entrance free, concert in Florianópolis, on December 28, where a crowd of about a million people was expected to attend. However, due to financial and political reasons, the concert was later canceled on short notice, along with all the other events scheduled for Christmas in the city.

2010: Hollywood Walk of Fame and FIFA World Cup

On January 31, 2010, during the 52nd Grammy Awards, Bocelli, Mary J. Blige and David Foster joined forces again, singing "Bridge over Troubled Water" to raise awareness for the victims of the Haiti earthquake. The three had previously made an appearance on CNN's Larry King Live, January 28, 2010, to announce the performance.

On March 2, he was honoured with a star on the Hollywood Walk of Fame for his contribution to Live Theater, at 7000 Hollywood Boulevard, in front of the Roosevelt Hotel.

On March 12, Bocelli made an appearance on Skavlan, in Oslo, Norway, to promote his upcoming Scandinavian tour, giving a rare interview to the show's host Fredrik Skavlan, and later performing "Voglio Vivere Cosi", from his 2008 album ''Incanto'', with Norwegian Boys' choir, Sølvguttene.

In April, he returned to Scandinavia, for a concert in Telenor Arena, in Oslo, Norway, on April 8, a concert in Forum Copenhagen, in Copenhagen, Denmark, on April 9, and finally a concert in the Ericsson Globe, in Stockholm, Sweden, on April 11. He was joined by Tony Award winner Heather Headley and 120 musicians from the Stockholm Concert Orchestra, in all three concerts, and by Swedish mezzo-soprano Malena Ernman in his Swedish concert.

On April 30, Bocelli sang "Nessun Dorma" during the opening ceremony of the Expo 2010, in Shanghai, China, in front of twenty heads of state and government, including Chinese President Hu Jintao, French President Nicolas Sarkozy, South Korean President Lee Myung-bak, and European Commission President Jose Manuel Barroso. The following day, on May 1, he held a concert, titled ''Charming China'', at Shanghai Stadium, in front of an audience of 80,000 people, along with Chinese singers Song Zuying and Jay Chou, and Chinese concert pianist Lang Lang; the China Philharmonic Orchestra accompanied them under the direction of its artistic director Yu Long. The concert was later broadcasted by Shanghai TV, and by CCTV channels throughout mainland China.

The two appearances coincided with Bocelli's Asian tour, consisting of a concert in Budokan, Tokyo, Japan, on April 28, a concert in Jamsil Gymnasium, Seoul, South Korea, on May 2, a concert in Hong Kong Convention and Exhibition Centre, in Hong Kong, on May 4, a concert in Taipei Arena, Taipei, Taiwan, on May 6, The concert was later broadcasted, in its entirety, by Channel NewsAsia, on May 28 and 29, and by Okto, on May 30, in Singapore. An orchid in the Botanic Gardens' National Orchid Garden was also named after Bocelli in response to the concert. Australian pop singer Delta Goodrem performed again with Bocelli in all five concerts, after supporting him in his United States My Christmas 2009 winter tour.

On May 18, during the 2010 World Music Awards, Bocelli performed ""Un Amore Cosi Grande" from his 2008 album, ''Incanto'', and received his seventh World Music Award, for "Best Classical Artist".

On July 5, Bocelli gave a concert at the opening of the Khan Shatyry Entertainment Center, in Astana, on the occasion of Kazakhstan's president, Nursultan Nazarbayev's 70th birthday. Among the guests were, the President of Russia, Dmitry Medvedev, the President of Ukraine, Viktor Yanukovych, the President of Turkey, Abdullah Gül, the President of Belarus, Alexander Lukashenko, the President of Armenia, Serzh Sargsyan, the President of Tajikistan, Emomalii Rahmon, the President of Kyrgyzstan, Roza Otunbayeva, the Crown prince of Abu Dhabi, Mohammed bin Zayed Al Nahyan, and the King of Jordan, Abdullah II.

On July 9, Bocelli headlined the "Celebrate Africa: The Grand Finale" Concert of the 2010 FIFA World Cup, at the Coca-Cola Dome, in Johannesburg, South Africa, to mark the end of the World Cup, two days before the World Cup final. During the concert, Bocelli was joined by Canadian rock star, Bryan Adams, Italian flautist, Andrea Griminelli, and South African singers, Nianell and Pretty Yende. FIFA president, Sepp Blatter, South Africain president, Jacob Zuma, and Brazilian president Luiz Inácio Lula da Silva, were among the 12,000 in attendance.

On July 13, Montenegrin Statehood Day, Bocelli gave a concert at the seaside resort of Sveti Stefan, in western Montenegro, to mark the Golden Jubilee of the Sveti Stefan Hotel. During the hour-long show, on a stage right in front of the island-hotel's perimeter wall, Bocelli sang well-known arias, as well as some of his more popular hits, to the assembled dignitaries, including Montenegro's top officials, representatives of the diplomatic corps and many faces from cultural, political and public life, as well as many current and former tourist entrepreneurs who had contributed to the development of Montenegrin tourism.

On Juy 14, Bocelli gave a concert at the European Parliament's Espace Léopold, in Brussels, Belgium, during "Rome in the heart of the future", an event hosted by the Vice President of the European Parliament for the seventh parliament, MEP, Roberta Angelilli, "to highlight the city of Rome as the capital of international tourism through an important and ambitious project in Europe." A screening of the film ''Homage to Rome'', directed by Franco Zeffirelli, who was present during the event, and starring Bocelli, in his cinematographic debut, and Italian fashion model, Monica Bellucci, was shown prior to the special concert. The event was also attended by the President of the European Parliament, MEP, Jerzy Buzek, European Commissioner for Industry and Entrepreneurship, Antonio Tajani, the Mayor of Rome, Gianni Alemanno, the President of Lazio, Renata Polverini.

On July 25, Bocelli held the fifth and final edition of the Teatro del Silenzio, in his hometown of Lajatico, Tuscany, to an audience of 10,000, double the amount of the first edition of the annual Festival, held in 2006. After performing with Spanish tenor, Plácido Domingo and Welsh Mezzo-soprano, Katherine Jenkins on the previous edition of the Festival, in 2009, Bocelli's guests included the only other surviving member of The Three Tenors, Spanish Catalan tenor, José Carreras, and Italian rock singer, Zucchero. Sculptures by Swiss artist Kurt Laurenz Metzler, who attended the concert, were exhibited during this year's edition. The Teatro del Silenzio has in past incorporated sculptures by artists such as Arnaldo Pomodoro and Igor Mitoraj. Italian actress Gina Lollobrigida, who was also in attendance, donated a Bronze statue she had made of Bocelli, to the city of Lajatico, in the afternoon just before the concert. Bocelli was also awarded the ''Pisano Doc'', during the dress rehearsal for the concert, on July 24, "in recognition for a great citizen, who with his extraordinary art and his humanity brings great prestige, honor and respect to the city of Pisa", and received, the 2010 ''Premio Lunezia nel mondo'', during a private ceremony held on July 21, for "the musical-literary quality of his songs."

In September 2010, Bocelli held a concert at the Odeon of Herodes Atticus, in Athens, Greece. The concert was attended by George Papandreou, the prime minister of Greece and Archbishop Ieronymos II of Athens, among others. All proceeds were donated to help cure cancer. Bocelli also gave concerts in Cairo, Egypt, in front of the pyramids and the Great Sphinx of Giza, as well as a fundraising concert inside the famous Duomo di Milano to benefit victims of the 2010 Haiti Earthquake.

As part of the 2010 leg of the ''My Christmas Tour'', Bocelli gave two concerts in the two largest indoor arenas of the United Kingdom, The O2 Arena, in London, and The M.E.N Arena, in Manchester, and a concert in the largest indoor arena in Ireland, The O2, in Dublin, in late November 2010. His sold out concert at the O2 in London, was the most attended show in the venue's history, with 16,500 people attending the event. In early December, Bocelli gave 6 concerts in the United States. He performed in Madison Square Garden, in New York City, Prudential Center, in Newark, New Jersey, TD Garden, in Boston, Toyota Center, in Houston, Staples Center, in Los Angeles, and the MGM Grand's Garden Arena, in the Las Vegas Strip. The Toyota Center concert, in Houston, was attended by former president George Bush, Sr. and first lady Barbara Bush.

Bocelli also took part in the Christmas in Washington special on December 12, in the presence of president Barack Obama and the first lady. On December 19, Bocelli gave a concert, conducted by Claudio Scimone, in the Italian Senate. The concert was attended by Italy's top officials including Italy's president Giorgio Napolitano, Renato Schifani, the president of the Italian Senate, Gianfranco Fini, the president of the Italian Chamber of Deputies and Tarcisio Bertone, Cardinal Secretary of State of the Holy See.

2011: Notte Illuminata Tour and Metropolitan Opera debut

In January, Bocelli gave three concerts in Germany. The concerts in Munich, Berlin, and Hamburg were all part of the Notte Illuminata Tour, launched in Pisa, at the Teatro Verdi, December 2010. In February, Bocelli made his Metropolitan Opera debut, performing a recital, as part of the tour.

In late March, early April, as part of the 2011 Latin Leg of his Incanto Tour, Bocelli gave concerts in Buenos Aires, Bogotá, and Panama City.

In May 2011, Bocelli held 5 concerts in East and Southeast Asia, and was joined by New Zealand soprano Hayley Westenra during the Tour. He first gave a concert in Jakarta, Indonesia, his first visit to the country. The concert was attended by Indonesia's top political personalities, including Golkar Party chairman, billionaire Aburizal Bakrie, PDI-P chairwoman and daughter of former president's Sukarno, Megawati Sukarnoputri, herself a former president, and former president Suharto's second eldest daughter, Siti Hediyanti. Bocelli held two other concerts in Taipei, and two concerts in Beijing.

It was announced that Bocelli will give a free concert in September, on the Great Lawn of Central Park in New York City. He will be accompanied by the New York Philharmonic conducted by its music director, Alan Gilbert.

Voice

With the exception of the negative views of some Classical music critics, Bocelli is widely celebrated as a singer and is admired around the world. His voice's timbre is as recognisable as a signature, with a versatility ranging from the Bel canto to the furore of Verismo, from the sacred repertoire to popular ballads.

Franco Corelli, one of the greatest Spinto tenors of the twentieth century, praised Bocelli's voice after hearing it for the first time during a Master class in 1986, in Turin, and would later give him private lessons. Another great Italian tenor who championed Bocelli's singing from the very beginning was Luciano Pavarotti. Pavarotti publicly admired Bocelli's voice and played an early part in the younger man's career. He reportedly stated that "''There is no one finer,''" upon hearing his voice for the very first time. Bocelli would later sing during both his wedding ceremony, in 2003, and his funeral, in 2007.

After conducting Bocelli in the ''Verdi'' album, in 2000, Zubin Mehta commented that "''Andrea's voice is special in many ways. First of all, he has a complete control from forte to pianissimo on any note. The end of 'Celeste Aida,' he attacks the high B flat full voice and then pulls it down to nothing — hardly anybody can do that, it's also very risky on the stage at the opera. But it's not that we tried it 15 times and he got it once; he can do it every time. He can also, in the middle of a phrase, without breathing, change the color of a note, so it's a conductor's dream to ask and to get it because most people can't do that.''" The interview where Mehta made those comments was featured in a BBC documentary about Bocelli, entitled the "Story Behind the Voice". Mehta also compared Bocelli's voice to the old Italian style of singers, such as Tito Schipa.

The same documentary also featured an interview with Spanish Catalan tenor, José Carreras. He commented that "''The first time I had the possibility to listen to Andrea, he was a part of the Sanremo Festival. And I thought wow, that's a nice voice, very beautiful color, very tenor like.''" He proceeded by saying, "''I always thought that he has a wonderful instrument, that he knows very much how to use it.''"

Lorin Maazel, who conducted Bocelli's 2002 Classical album, ''Sentimento'', was also featured in the documentary. In the interview he says that "''Andrea Bocelli has amazing Tessitura, almost three Octaves, I would think two and a half, has excellent and very easy top notes; but he can also fill out the lower register very successfully.''" Maazel also praised Bocelli's Musical talent and knowledge of music, and compared his voice to that of celebrated Irish tenor John McCormack, during an interview with Charlie Rose, in 2002.

Similarly, during a 1999 interview on The Charlie Rose show, American soprano Renée Fleming praised Bocelli's voice, by saying "''first of all the sound is beautiful. There is something very soulful about the way he sings and it's captured the hearts of something like, the last I've heard eleven million fans.''" Grammy winning Puerto Rican soprano, Ana María Martínez, who regularly performs with Bocelli, also said that "''More than anything, Andrea has something that is unique in that he brings this light that is always around him. And this purity of heart and beauty of sound just touches the listener. It can’t be described.''"

French Canadian singer Celine Dion famously said while introducing him during her Christmas Special for ''These Are Special Times'', in 1998, that "''if God would have a singing voice, he must sound a lot like Andrea Bocelli''," and multiple Grammy Award winner David Foster, a producer of the album, often describes Bocelli's voice as the most beautiful in the world. Similarly, seven-time Grammy Award winning Jazz singer, Al Jarreau, who performed with Bocelli on the "Night of the Proms" tour in Europe, in 1995, described him as "''the most beautiful voice in the world,''" and American talk show host, Oprah Winfrey, commented on her talk show that, "''when I hear Andrea sing, I burst into tears''."

After attending Bocelli's concert at the Hollywood Bowl in 2009, the first time she'd been out "in months", legendary American actress Elizabeth Taylor said, "''My mind, my soul were transported by his beauty, his voice, his inner being. God has kissed this man and I thank God for it.''" Taylor had been a passionate fan of Bocelli's since the beginning of his music career in the mid-90's. Other fans include, Prince Albert of Monaco, who invited the tenor to sing at his wedding, as well as Sarah, Duchess of York, and actress Isabella Rossellini. Bocelli's voice was also a favorite of Queen Elizabeth, The Queen Mother, and Pope John Paul II, for whom he sang on many occasions, and released ''Credo'', a ''DVD'' dedicated to his life, shortly after his death, in 2006.

Other world class artists from both the Pop and Opera worlds have also publicly expressed their admiration, including opera singers Plácido Domingo, and Cecilia Bartoli, who collaborated with Bocelli, and conductor Myung-whun Chung, who conducted Bocelli's 1999 album, ''Sacred Arias''. Some point to his "poor phrasing, uneven tone and lack of technique."

In 1999, ''The New York Times'' chief music critic Anthony Tommasini in his review of Bocelli's North American opera debut at the Detroit Opera House in the title role of Massenet's ''Werther'' commented, "The basic color of Mr. Bocelli's voice is warm and pleasant, but he lacks the technique to support and project his sound. His sustained notes wobble. His soft high notes are painfully weak. Inadequate breath control often forces him to clip off notes prematurely at the end of phrases." In December 2000 Tommasini again criticised Bocelli, this time for his ''La bohème'' album when he claimed that Bocelli "still has trouble with basic things, like breath support" and his voice had been "carefully recorded", "to help it match the trained voices of the other cast members in fullness and presence."

In describing Bocelli's singing, ''New York Times'' music critic Bernard Holland noted, "the tone is rasping, thin and, in general, poorly supported. Even the most modest upward movement thins it even more, signalling what appears to be the onset of strangulation. To his credit, Mr Bocelli sings mostly in tune. But his phrasing tends toward carelessness and rhythmic jumble... The diction is not clear." Furthermore, Holland observed that "The critic's duty is to report that Mr Bocelli is not a very good singer." The Associated Press reported "Passion? Yes. Power. No. Bocelli's voice – though robust in spirit and precisely in tune, even in the upper register – had a thin quality that never opened up." Similarly, classical music critic Andrew Clement found Bocelli's studio opera recordings consistently disappointing in quality: "Bocelli's profoundly unmusical contribution, with its unvaryingly coarse tone, wayward intonation and never a phrase properly shaped, fatally undermines all their contributions." Anne Midgette of ''The New York Times'' agreed, noting "a thinness of voice, oddly anemic phrasing (including shortchanging upper notes of phrases in a most untenorial manner), a curious lack of expression."

In 2008, in a live performance, Bocelli was described by Baltimore Sun music critic Tim Smith thus: "as unaided by electronics, he produced an undernourished, often under-pitch tone. Top notes were strained, phrases monochromatic. Bocelli's most loyal fans presumably didn't mind any of the weaknesses, but, frankly, I found most of his singing embarrassing."

During a 2009 performance in New York, the music critic Steve Smith wrote "For cognoscenti of vocal artistry the risks involved in Mr. Bocelli's undertakings, both then and now, need no explanation. Substantial technical shortcomings masked by amplification are laid bare in a more conventional classical setting. Mr. Bocelli's tone can be pleasant, and his pitch is generally secure. But his voice is small and not well supported; his phrasing, wayward and oddly inexpressive."

In 2010, Joe Banno of the ''Washington Post'' gave an unfavorable review of Bocelli's Carmen recording, describing the oft-noted failings in Bocelli's vocal resources on full display in this performance: "Bocelli, to be fair, possesses an essentially lovely tenor and knows his stuff when it comes to selling a pop ballad. And Decca's close miking of his puny voice inflates his sound to near-Franco Corelli-like dimensions. But his short-breathed, clumsily phrased, interpretively blank and often pinched and strained singing makes his Don Jose a tough listen."

An audio commentary by New York Times editor Anne Midgette providing a comparison of Bocelli's tone and technique with Luciano Pavarotti's appears below. According to the commentary, Bocelli's tone and technique is not as firm or full as Pavarotti's. And Bocelli's singing of the high note in the passage sounds "squeezed" as opposed to the "ringing" quality Pavarotti achieves when singing the same note in the passage.

In a 2011 review of an all-classical recital, Zachary Woolfe of the ''New York Times'' commented that Bocelli "seemed out of his element and ill at ease... listeners responded politely and pleasantly, as if fulfilling their duty, a bit puzzled by the gap between the cautious sounds they were hearing and the smooth polish of Mr. Bocelli's blockbuster recordings." Woolfe goes on to observe "If people don’t know the works on a program (and Sunday evening's selection was far from populist), the singer needs to make those works happen, to prove them. But Mr. Bocelli was too nervous and not a powerful enough artist to do that. Even the French songs that were seemingly the best fit for his delicate instrument fell flat. Demonstrating little responsiveness to text or emotional specificity — Fauré's "Lune Blanche" did have an aptly gauzy sheen — they passed in a blur. In Mr. Bocelli's conception of the canon there is little audible difference between Handel and Gounod, and little urgency to either, a bland homogeneity... Ringing Pavarotti-style high notes are difficult for Mr. Bocelli; his effect of choice is extended falsetto tones, with which he dramatically ended several numbers. The audience responded warmly to this easy tactic, keen for something, anything, it could recognize as charismatic, stylish singing."

Recognition

Honors

50px Grand Officer of the Order of Merit of the Italian Republic (''Grande Ufficiale Ordine al Merito della Repubblica Italiana'') awarded in Rome, on March 4, 2006.

50px Made a Grand Officer of the Order of Merit of Duarte, Sanchez and Mella by the President of the Dominican Republic, Leonel Fernández in 2009, for his contributions to International art and culture.

50px Honoured with a star on the Hollywood Walk of Fame, for his contribution to live theater, at 7000 Hollywood Boulevard, in 2010.

ECHO music award for "Best Single of the Year", for ''Time to Say Goodbye'', in 1997.

ECHO Klassik "Best seller of the year" award for his album, ''Viaggio Italiano'' in 1997.

Bambi Award in 1997.

Two World Music Awards, one in the category "Best Italian Singer", and one for "Best Classical Interpretation" in 1998.

ECHO Klassik, for "Best selling classical album" with ''Aria - The Opera Album'' in 1998.

ECHO Klassik for "Bestseller of the year" for ''Sacred Arias'' in 2000.

Two 2000 Classical BRIT Awards for "Best selling classical album" and "Album of the year" for ''Sacred Arias'' in 2000.

Goldene Europa for classical music in 2000.

Goldene Kamera award in the "Music & Entertainment" category 2002.

Two World Music Awards, for "World best selling classical artist" and for "Best selling Italian artist" in 2002.

Telegatto award for the soundtrack of the series ''Cuore'' in 2002.

2002 Classical BRIT Award for "Outstanding Contribution to Music" in 2002.

Two 2003 Classical BRIT Awards for "Best selling classical album" and "Album of the year" for ''Sentimento'' in 2003.

Two World Music Awards for "Best Italian Artist" and "World's Best-selling Classical Artist" in 2006.

Telegatto award in platinum for ''Italian music in the world'' in 2008.

World Music Awards for "World's Best-selling Classical Artist" in 2010.

Personal life

Bocelli met his first wife, Enrica Cenzatti, while singing at piano bars early in his career. They were married on 27 June 1992, and had two children. Their first child, Amos, was born in February 1995. Their second son, Matteo was born in October 1997. The couple separated in 2002. Although not yet divorced, Bocelli lives with his girlfriend and manager, Veronica Berti. They met in 2002.

The couple live in a spacious villa, which used to be a hotel, in Forte dei Marmi on the Mediterranean, complete with recording studio. Meanwhile, Bocelli's estranged wife and two sons live in the couple's previous residence in the same comune, in Versilia.

On 30 April 2000, Bocelli's father, Sandro Bocelli, died. His mother encouraged him to honour his commitments, and so he sang for the Pope, in Rome, on May 1, and immediately returned home for the funeral. At his July 5 performance, filmed for PBS as ''American Dream—Andrea Bocelli's Statue of Liberty Concert'', Bocelli dedicated the encore ''Sogno'' (Dream), from his 1999 album ''Sogno'', to the memory of his father.

A section of the way along the beach in Jesolo, on the Italian Adriatic coast, was named after Bocelli on 11 August 2003.

Teatro del Silenzio

In 2006, Bocelli influenced the municipality of his hometown Lajatico to build an outdoor theatre, the "Teatro del Silenzio". Bocelli serves as its honorary president and performs for one night only, every July, the rest of the year, the theatre remains silent.

Since the opening in 2006, Bocelli has held 5 concerts, in every July, with guests ranging from opera singers Plácido Domingo and José Carreras to classical crossover artists Sarah Brightman and Katherine Jenkins, as well as Italian rock and pop stars Zucchero, Laura Pausini, and Elisa. Bocelli's guests have also included instrumentalists Lang Lang, Chris Botti, and Kenny G. The 2007 edition of the "Teatro del Silenzio" was released on ''DVD'' in 2008.

Discography

Albums

Studio albums

1994: ''Il Mare Calmo della Sera''

1995: ''Bocelli''

1996/1997: ''Viaggio Italiano''

1997: ''Aria – the opera album''

1999: ''Sogno''

1999: ''Sacred Arias''

2000: ''Verdi''

2001: ''Cieli di Toscana''

2002: ''Sentimento''

2004: ''Andrea''

2006: ''Amore''

2008: ''Incanto''

2009: ''My Christmas''

Compilation albums

1997: ''Romanza''

2007: ''The Best of Andrea Bocelli: Vivere''

Collaborative albums

1997: ''A Hymn for the World''

1998: ''A Hymn for the World 2'' (''Voices From Heaven'')

2000: ''Verdi's Requiem''

2010: ''Carmen: Duets & Arias''

Complete opera recordings

2000: ''La bohème''

2003: ''Tosca''

2004: ''Il trovatore''

2005: ''Werther''

2006: ''Pagliacci''

2007: ''Cavalleria rusticana''

2008/2010: ''Carmen''

2010: ''Andrea Chénier''

Digital albums

2011: ''Notte Illuminata''

Singles

Duet singles

1995: "Vivo per lei" (with Giorgia)

1996: "Vivo por ella" (with Marta Sánchez)

1996: "Vivo por ella" (with Sandy Leah)

1996: "Time to Say Goodbye" (with Sarah Brightman)

1997: "Ich lebe für sie" (with Judy Weiss)

1997: "Je vis pour elle" (with Helene Segara)

1999: "The Prayer" (with Celine Dion)

2001: "L'Abitudine" (with Helena Hellwig)

2006: "Somos Novios (It's Impossible)" (with Christina Aguilera)

2006: "Because we believe" (with Marco Borsato)

2006: "Ama credi e vai" (with Gianna Nannini)

2007: "Dare to live" (with Laura Pausini)

2008: "Vive Ya" (with Laura Pausini)

2009: "What Child Is This" (with Mary J. Blige)

2010: "Bridge over Troubled Water" (with Mary J. Blige)

Solo singles

1994: "Il mare calmo della sera"

1995: "Con te partirò"/"Vivere"

1995: "Macchine da guerra"

1995: "Per amore"

1999: "Ave Maria"

1999: "Canto della Terra"

2001: "Melodramma"

2001: "Mille Lune Mille Onde"

2004: "Dell'amore non si sa"

2004: "Un nuovo giorno"

2009: "White Christmas/Bianco Natale"

Live albums & videos

1998: ''A Night in Tuscany''

2000: ''Sacred Arias: The Home Video''

2002: ''Tuscan Skies (Cieli di Toscana)''

2006: ''Credo: John Paul II''

2006: ''Under the Desert Sky''

2008: ''Vivere Live in Tuscany''

2008: '' Incanto The Documentary''

2009: ''My Christmas Special''

Bibliography

2000: ''The Music of Silence: A Memoir'' (''La musica del silenzio'') - Autobiography

2010: ''The Music of Silence: A Memoir'' - Reworked autobiography

See also

Teatro del Silenzio

Andrea Bocelli discography

List of Popera artists

List of Easy Listening artists

List of Adult Contemporary artists

List of awards and nominations received by Andrea Bocelli

List of best-selling music artists

References

External links

Bocelli's official site

Official German fan site (English version)

Bocelli Community

Official forum

Bocelli on Myspace.com

Bocelli on Facebook.com

Bocelli on Youtube.com

Bocelli on discogs.com

Biography of Andrea Bocelli, from RAI International

Bocelli pages at Music City

Andrea Bocelli on Universal Classics and Jazz Website

Andrea Bocelli section on classicalx.com

C Music TV Profile of Andrea Bocelli

Bocelli lyrics

classical-crossover tenor

Category:1958 births Category:Blind musicians Category:BRIT Award winners Category:Converts to Roman Catholicism from atheism or agnosticism Category:Crooners Category:Decca Records artists Category:French-language singers Category:English-language singers Category:German-language singers Category:Italian drummers Category:Italian flautists Category:Italian guitarists Category:Italian harpists Category:Italian keyboardists Category:Italian lawyers Category:Italian-language singers Category:Italian male singers Category:Italian opera singers Category:Italian philanthropists Category:Italian pianists Category:Italian pop singers Category:Italian Roman Catholics Category:Italian saxophonists Category:Italian singers Category:Italian singer-songwriters Category:Italian tenors Category:Italian trombonists Category:Italian trumpeters Category:Living people Category:Multi-instrumentalists Category:Opera crossover singers Category:Operatic tenors Category:People from the Province of Pisa Category:Portuguese-language singers Category:Sanremo Music Festival winners Category:Spanish-language singers Category:Torch singers Category:Traditional pop music singers Category:Universal Music Group artists Category:University of Pisa alumni Category:World Music Awards winners

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{{infobox president | name	Nicolae Ceaușescu
nationality	Romanian
birth date	January 26, 1918
birth place	Scornicești, Olt, Romania
death date	December 25, 1989
death place	Târgoviște, Dâmbovița, Romania
spouse	Elena Ceaușescu (m. 1946–1989)
children	Valentin Ceaușescu, Zoia Ceaușescu, Nicu Ceaușescu
order	General Secretary of the Romanian Communist Party
term start	22 March 1965
term end	22 December 1989
predecessor	Gheorghe Gheorghiu-Dej
successor	''party abolished''
party	Communist Party of Romania
order2	1st President of the State Council
term start2	9 December 1967
term end2	28 March 1974
predecessor2	Chivu Stoica
successor2	Himself as President of Romania
order3	President of Romania
term start3	28 March 1974
term end3	22 December 1989
predecessor3	Himself as President of the State Council
successor3	Ion Iliescu
religion	None (atheist)
signature	Nicolae Ceaușescu Signature.svg }}

Nicolae Ceaușescu (; 26 January 1918 – 25 December 1989) was a Romanian Communist politician. He was Secretary General of the Romanian Communist Party from 1965 to 1989, and as such was the country's second and last Communist leader. He was also the country's head of state from 1967 to 1989.

His rule was marked in the first decade by an open policy towards Western Europe and the United States, which deviated from that of the other Warsaw Pact states during the Cold War. He continued a trend first established by his predecessor, Gheorghe Gheorghiu-Dej, who had tactfully coaxed the Soviet Union into withdrawing its troops from Romania in 1958.

Ceaușescu's second decade was characterized by an increasingly brutal and repressive regime—by some accounts, the most rigidly Stalinist regime in the Soviet bloc. It was also marked by an ubiquitous personality cult, nationalism and a deterioration in foreign relations with the Western powers as well as the Soviet Union. Ceaușescu's government was overthrown in the December 1989 revolution, and he and his wife were executed following a televised and hastily organised two-hour court session.

Early life and career

Born in the village of Scornicești, Olt County, Ceaușescu moved to Bucharest at the age of 11 to work in the factories. He was the son of a peasant (see Ceaușescu family for descriptions of his parents and siblings.) He joined the then-illegal Communist Party of Romania in early 1932 and was first arrested, in 1933, for street fighting during a strike. He was arrested again, in 1934, first for collecting signatures on a petition protesting the trial of railway workers and twice more for other similar activities. These arrests earned him the description "dangerous communist agitator" and "active distributor of communist and anti-fascist propaganda" on his police record. He then went underground, but was captured and imprisoned in 1936 for two years at Doftana Prison for anti-fascist activities.

While out of jail in 1940, he met Elena Petrescu, whom he married in 1946 and who would play an increasing role in his political life over the years. He was arrested and imprisoned again in 1940. In 1943, he was transferred to Târgu Jiu internment camp where he shared a cell with Gheorghe Gheorghiu-Dej, becoming his protégé. After World War II, when Romania was beginning to fall under Soviet influence, he served as secretary of the Union of Communist Youth (1944–1945).

After the Communists seized power in Romania in 1947, he headed the Ministry of Agriculture, then served as Deputy Minister of the Armed Forces under Gheorghe Gheorghiu-Dej. In 1952, Gheorghiu-Dej brought him onto the Central Committee months after the party's "Muscovite faction" led by Ana Pauker had been purged. In 1954, he became a full member of the Politburo and eventually rose to occupy the second-highest position in the party hierarchy.

Leadership of Romania

Ceaușescu was not the obvious successor to Gheorghiu-Dej when he died on 19 March 1965, despite his closeness to the longtime leader. However, amid widespread infighting among older and more connected officials, the Politburo turned to Ceaușescu as a compromise candidate. He was elected general secretary on March 22, three days after Gheorghiu-Dej's death. One of his first acts was to change the name of the party from the Romanian Workers' Party back to the Communist Party of Romania, and declare the country the Socialist Republic of Romania rather than a People's Republic. In 1967, he consolidated his power by becoming president of the State Council.

Initially, Ceaușescu became a popular figure in Romania and also in the Western World, due to his independent foreign policy, challenging the authority of the Soviet Union. In the 1960s, he eased press censorship and ended Romania's active participation in the Warsaw Pact (though Romania formally remained a member); he refused to take part in the 1968 invasion of Czechoslovakia by Warsaw Pact forces, and actively and openly condemned that action. He even traveled to Prague a week before the invasion to offer moral support to his Czechoslovak counterpart, Alexander Dubcek. Although the Soviet Union largely tolerated Ceaușescu's recalcitrance, his seeming independence from Moscow earned Romania maverick status within the Eastern Bloc.

During the following years Ceaușescu pursued an open policy towards the United States and Western Europe. Romania was the first Communist country to recognize West Germany, the first to join the International Monetary Fund, and the first to receive a US President, Richard Nixon. In 1971 Romania became a member of the General Agreement on Tariffs and Trade (GATT). Romania and Yugoslavia were also the only East European countries that entered into trade agreements with the European Economic Community before the fall of the Communist bloc.

A series of official visits to Western countries (including the US, France, United Kingdom, Spain) helped Ceaușescu to present himself as a reforming Communist, pursuing an independent foreign policy within the Soviet Bloc. Also he became eager to be seen as an enlightened international statesman, able to mediate in international conflicts and to gain international respect for Romania. Ceaușescu negotiated in international affairs, such as the opening of US relations with China in 1969 and the visit of Egyptian president Anwar Sadat to Israel in 1977. Also Romania was the only country in the world to maintain normal diplomatic relations with both Israel and the PLO.

The 1966 decree

In 1966, the Ceaușescu regime, in an attempt to boost the country's population, made abortion illegal, and introduced other policies to reverse the very low birth rate and fertility rate. Mothers of at least five children would be entitled to significant benefits, while mothers of at least ten children were declared ''heroine mothers'' by the Romanian state. However, few women ever sought this status; instead, the average Romanian family during the time had two to three children (see Demographics of Romania). Furthermore, a considerable number of women either died or were maimed during clandestine abortions.

The government also targeted rising divorce rates and made divorce much more difficult - it was decreed that a marriage could be dissolved only in exceptional cases. By the late 1960s, the population began to swell. In turn, a new problem was created by child abandonment, which swelled the orphanage population (see Cighid). The transfusions of untested blood, led to Romania accounting for many of Europe's paediatric HIV/AIDS cases at the turn of the century despite having a population that only makes up around 3% of Europe.

July Theses

Ceaușescu visited the People's Republic of China, North Korea, and North Vietnam in 1971. He took great interest in the idea of total national transformation as embodied in the programs of North Korea's Juche and China's Cultural Revolution. He was also inspired by the personality cults of North Korea's Kim Il-sung and China's Mao Zedong. Shortly after returning home, he began to emulate North Korea's system. North Korean books on Juche were translated into Romanian and widely distributed in the country.

On 6 July 1971, he delivered a speech before the Executive Committee of the PCR. This quasi-Maoist speech, which came to be known as the July Theses, contained seventeen proposals. Among these were: continuous growth in the "leading role" of the Party; improvement of Party education and of mass political action; youth participation on large construction projects as part of their "patriotic work"; an intensification of political-ideological education in schools and universities, as well as in children's, youth and student organizations; and an expansion of political propaganda, orienting radio and television shows to this end, as well as publishing houses, theatres and cinemas, opera, ballet, artists' unions, promoting a "militant, revolutionary" character in artistic productions. The liberalisation of 1965 was condemned and an index of banned books and authors was re-established.

The Theses heralded the beginning of a "mini cultural revolution" in Romania, launching a Neo-Stalinist offensive against cultural autonomy, reaffirming an ideological basis for literature that, in theory, the Party had hardly abandoned. Although presented in terms of "Socialist Humanism", the Theses in fact marked a return to the strict guidelines of Socialist Realism, and attacks on non-compliant intellectuals. Strict ideological conformity in the humanities and social sciences was demanded. Competence and aesthetics were to be replaced by ideology; professionals were to be replaced by agitators; and culture was once again to become an instrument for political-ideological propaganda and anti-revisionism.

In 1974, Ceaușescu became President of the Socialist Republic of Romania, further consolidating his power. He continued to follow an independent policy in foreign relations—for example, in 1984, Romania was one of only three communist states (the others being the People's Republic of China, and Yugoslavia) to take part in the American-organized 1984 Summer Olympics in Los Angeles.

Also, the Socialist Republic of Romania was the first of the Eastern bloc to have official relations with the Western bloc and European Community: an agreement including Romania in the Community's Generalised System of Preferences was signed in 1974 and an Agreement on Industrial Products was signed in 1980. On 4 April 1975, Ceaușescu visited Japan and met with Hirohito.

Pacepa defection

In 1978, Ion Mihai Pacepa, a senior member of the Romanian political police (Securitate), defected to the United States. A 2-star general, he was the highest ranking defector from the Eastern Bloc in the history of the Cold War. His defection was a powerful blow against the regime, forcing Ceaușescu to overhaul the architecture of the Securitate. Pacepa's 1986 book, ''Red Horizons: Chronicles of a Communist Spy Chief'' (ISBN 0-89526-570-2), claims to expose details of Ceaușescu's regime, such as massive spying on American industry and elaborate efforts to rally Western political support.

After Pacepa's defection, the country became more isolated and economic growth faltered. Ceaușescu's intelligence agency became subject to heavy infiltration by foreign intelligence agencies and he started to lose control of the country. He tried several reorganizations in a bid to get rid of old collaborators of Pacepa, but to no avail.

Foreign debt

Ceaușescu's political independence from the Soviet Union and his protest against the invasion of Czechoslovakia in 1968 drew the interest of Western powers, who briefly believed he was an anti-Soviet maverick and hoped to create a schism in the Warsaw Pact by funding him. Ceaușescu did not realise that the funding was not always favorable. Ceaușescu was able to borrow heavily (more than $13 billion) from the West to finance economic development programs, but these loans ultimately devastated the country's finances. In an attempt to correct this, Ceaușescu decided to repay Romania's foreign debts. He organised a referendum and managed to change the constitution, adding a clause that barred Romania from taking foreign loans in the future. The referendum yielded a nearly unanimous "yes" vote.

In the 1980s, Ceaușescu ordered the export of much of the country's agricultural and industrial production in order to repay its debts. The resulting domestic shortages made the everyday life of Romanians a fight for survival as food rationing was introduced and heating, gas and electricity black-outs became the rule. During the 1980s, there was a steady decrease in the living standard, especially the availability and quality of food and general goods in stores. During this time, Ceaușescu shut down all radio stations outside of the capital, and limited television to one channel broadcasting only two hours a day. The official explanation was that the country was paying its debts and people accepted the suffering, believing it to be for a short time only and for the ultimate good.

The debt was fully paid in summer 1989, shortly before Ceaușescu was overthrown, but heavy exports continued until the revolution in December.

Tensions

By early 1989, Ceaușescu was showing signs of complete denial of reality. While the country was going through extremely difficult times with long bread queues in front of empty food shops, he was often shown on state TV entering stores filled with food supplies, visiting large food and arts festivals, while praising the "high living standard" achieved under his rule.

Special contingents of food deliveries would fill stores before his visits, and well-fed cows would even be transported across the country in anticipation of his visits to farms. In at least one emergency, he inspected (and approved) a display of Hungarian produce, which apart from some corn and several melons, was largely constructed of painted plastic and/or polystyrene. Meanwhile, staples such as flour, eggs, butter and milk were difficult to find and most people started to depend on small gardens grown either in small city alleys or out in the country. In late 1989, daily TV broadcasts showed lists of CAPs (kolkhozes, collective farms) with alleged record harvests, in blatant contradiction to the shortages experienced by the average Romanian at the time.

Some people, believing that Ceaușescu was not aware of what was going on in the country outside of Bucharest, attempted to hand him petitions and complaint letters during his many visits around the country. However, each time he got a letter, he would immediately pass it on to members of his security. Whether or not Ceaușescu ever read any of these letters will probably remain unknown. It was common knowledge that people attempting to hand letters directly to Ceaușescu risked adverse consequences, courtesy of the Securitate. People were strongly discouraged from addressing him directly and there was a general sense that morale in Romania had reached an overall low.

Revolution

In November 1989, the XIVth Congress of the Romanian Communist Party (PCR) saw Ceaușescu, then aged 71, re-elected for another five years as leader of the PCR. But the following month, Ceaușescu's regime collapsed after a series of violent events in Timișoara and Bucharest in December 1989.

Timișoara

Demonstrations in the city of Timișoara were triggered by the government-sponsored attempt to evict László Tőkés, an ethnic Hungarian pastor, accused by the government of inciting ethnic hatred. Members of his ethnic Hungarian congregation surrounded his apartment in a show of support.

Romanian students spontaneously joined the demonstration, which soon lost nearly all connection to its initial cause and became a more general anti-government demonstration. Regular military forces, police and Securitate fired on demonstrators on 17 December 1989, killing and wounding many. On 18 December 1989, Ceaușescu departed for a state visit to Iran, leaving the duty of crushing the Timișoara revolt to his subordinates and his wife. Upon his return to Romania on the evening of 20 December, the situation became even more tense, and he gave a televised speech from the TV studio inside Central Committee Building (CC Building), in which he spoke about the events at Timișoara in terms of an "interference of foreign forces in Romania's internal affairs" and an "external aggression on Romania's sovereignty".

The country, which had little or no information of the Timișoara events from the national media, learned about the Timișoara revolt from western radio stations such as Voice of America and Radio Free Europe, and by word of mouth. On the next day, 21 December, a mass meeting was staged. Official media presented it as a "spontaneous movement of support for Ceaușescu", emulating the 1968 meeting in which Ceaușescu had spoken against the invasion of Czechoslovakia by Warsaw Pact forces.

Overthrow

The mass meeting of 21 December, held in what is now Revolution Square, began like many of Ceaușescu's speeches over the years. With the usual Marxist-Leninist "wooden language", Ceauşescu delivered a litany of the achievements of the "socialist revolution" and Romanian "multi-laterally developed socialist society".

However, he'd seriously misjudged the crowd's mood. Several people began jeering, booing and whistling at him. Others began chanting "Ti-mi-şoa-ra! Ti-mi-şoa-ra!" Ceaușescu's uncomprehending expression as the crowd began to boo and heckle him remains one of the defining moments of the collapse of Communism in Eastern Europe. He tried to silence them by raising his right hand, and when that didn't work, offered them a raise of 100 lei per month. Failing to control the crowds, the Ceaușescus finally took cover inside the building, where they remained until the next day. The rest of the day saw an open revolt of the Bucharest population, which had assembled in University Square and confronted the police and army at barricades. The unarmed rioters, however, were no match for the military apparatus concentrated in Bucharest, which cleared the streets by midnight and arrested hundreds of people in the process. Nevertheless, these seminal events are regarded to this day as the ''de facto'' revolution.

Although the television broadcasts of the "support meeting" and subsequent events had been interrupted, Ceaușescu's reaction to the events had already been imprinted on the country's collective memory. By the morning of 22 December, the rebellion had already spread to all major cities across the country. The suspicious death of Vasile Milea, the defense minister (later confirmed as a suicide), was announced by the media. Immediately thereafter, Ceaușescu presided over the CPEx (Political Executive Committee) meeting and assumed the leadership of the army.

However, believing that Milea had been murdered, the rank-and-file soldiers went over virtually ''en masse'' to the revolution. Ceaușescu made a desperate attempt to address the crowd gathered in front of the Central Committee building. However, the people in the square began throwing rocks and other projectiles at him, forcing him to take refuge in the building once more. One group of protesters forced open the doors of the building, by now left unprotected. They managed to overpower Ceaușescu's bodyguards and rushed through his office and onto the balcony. Although they didn't know it, they were only a few meters from Ceaușescu, who was trapped in an elevator. He, Elena and four others managed to get to the roof and escaped by helicopter, only seconds ahead of a group of demonstrators who'd followed them there. Shortly afterward, the PCR disappeared.

During the course of the revolution, the western press published estimates of the number of people killed by the Securitate in attempting to support Ceaușescu and quash the rebellion. The count increased rapidly until an estimated 64,000 fatalities were widely reported across front pages. The Hungarian military attaché expressed doubt regarding these figures, pointing out the unfeasible logistics of killing such a large number of people in such a short period of time. After Ceaușescu's death, hospitals across the country reported an actual death toll of less than one thousand, and probably much lower than that.

Death

Ceaușescu and his wife Elena fled the capital with Emil Bobu and Manea Mănescu and headed, by helicopter, for Ceaușescu's Snagov residence, from where they fled again, this time for Târgoviște. Near Târgoviște they abandoned the helicopter, having been ordered to land by the army, which by that time had restricted flying in Romania's air space. The Ceaușescus were held by the police while the policemen listened to the radio. They were eventually turned over to the army. On Christmas Day, 25 December, the two were tried in a brief show-trial and sentenced to death by a military court on charges ranging from illegal gathering of wealth to genocide, and were executed in Târgoviște. During the trial, Ceaușescu repeatedly denied the court's authority to try him, and asserted he was still legally president of Romania. The video of the trial shows that, after sentencing, they had their hands tied behind their backs and were led outside the building to be executed.

The Ceaușescus were executed by a firing squad consisting of elite paratroop regiment soldiers: Captain Ionel Boeru, Sergant-Major Georghin Octavian and Dorin-Marian Cirlan, while reportedly hundreds of others also volunteered. The firing squad began shooting as soon as they were in position against a wall. The firing happened too soon for the film crew covering the events to record it. Before his sentence was carried out, Nicolae Ceaușescu sang "The Internationale" while being led up against the wall. After the shooting, the bodies were covered with canvas. The hasty show trial and the images of the dead Ceaușescus were videotaped and the footage promptly released in numerous western countries. Later that day, it was also shown on Romanian television.

The Ceaușescus were the last people to be executed in Romania before the abolition of capital punishment on 7 January 1990.

Their graves are located in Ghencea cemetery in Bucharest. They are buried on opposite sides of a path. The graves themselves are unassuming, but they tend to be covered in flowers and symbols of the regime. Some allege that the graves do not, in reality, contain their bodies. As of April 2007, their son Valentin has lost an appeal for an investigation into the matter. Upon his death in 1996, the elder son, Nicu, was buried nearby in the same cemetery. According to ''Jurnalul Național'', requests were made by the Ceaușescus' daughter Zoia and by supporters of their political views to move their remains to mausoleums or to purpose-built churches. These have been denied by the government. On 21 July 2010, forensic scientists exhumed the bodies of Nicolae and Elena to perform DNA tests. Later it was determined that they were indeed the remains of Nicolae and Elena.

Personality cult and authoritarianism

Ceaușescu created a pervasive personality cult, giving himself such titles as "Conducător" ("Leader") and "Geniul din Carpați" ("The Genius of the Carpathians"), with help from Proletarian Culture (Proletkult) poets such as Adrian Păunescu and Corneliu Vadim Tudor, and even had a king-like sceptre made for himself.

The most important day of the year during Ceaușescu's rule was his birthday, on 26 January—a day which saw Romanian media saturated with praise for him. According to historian Victor Sebestyen, it was one of the few days of the year when the average Romanian put on a happy face, since appearing miserable on this day was far too risky to even contemplate.

Such excesses prompted the painter Salvador Dalí to send a congratulatory telegram to the "Conducător", in which he sarcastically congratulated Ceaușescu on his "introducing the presidential scepter." The Communist Party daily ''Scînteia'' published the message, unaware that it was a work of satire. To avoid new treason after Pacepa's defection, Ceaușescu also invested his wife Elena and other members of his family with important positions in the government, leading Romanians to joke that Ceaușescu was creating "socialism in one family".

Not surprisingly, Ceaușescu was greatly concerned about his public image. Nearly all pictures of him showed him in his early 40s. Romanian state television was under strict orders to portray him in the best possible light. Additionally, producers had to take great care to make sure Ceaușescu's short stature—he was only tall—was never emphasized on screen. Consequences for breaking these rules were severe; one producer showed footage of Ceaușescu blinking and stuttering, and was banned for three months.

Statesmanship

Ceaușescu's Romania was the only Communist country that retained diplomatic relations with Israel and did not sever diplomatic relations after Israel's launch of the Six-Day War in 1967 against neighboring states of Egypt, Jordan, and Syria. Ceaușescu made efforts to act as a mediator between the PLO and Israel.

He organised a successful referendum for reducing the size of the Romanian Army by 5% and held large rallies for peace.

Ceaușescu tried to play a role of influence and guidance to South American countries. He was a close ally and personal friend of dictator President Mobutu Sese Seko of Zaïre. Relations were in fact not just state-to-state, but party-to-party between the MPR and the Romanian Communist Party. Many believe that Ceaușescu's death played a role in influencing Mobutu to "democratize" Zaïre in 1990. Also, France granted Ceaușescu the Legion of Honour and in 1978 he became an Honorary British Knight (GCB, stripped in 1989) in the UK, Elena Ceaușescu was arranged to be 'elected' to membership of a Science Academy in the USA; all of these, and more, were arranged by the Ceaușescus as a propaganda ploy through the consular cultural attachés of Romanian embassies in the countries involved.

Ceaușescu's Romania was the only Warsaw Pact country that did not sever diplomatic relations with Chile after Augusto Pinochet's coup.

In August 1976, Nicolae Ceaușescu was the first high-level Romanian visitor to Bessarabia since World War II. In December 1976, at one of his meetings in Bucharest, Ivan Bodiul said that "the good relationship was initiated by Ceaușescu's visit to Soviet Moldavia."

Other

Nicolae and Elena Ceaușescu had three children, Valentin Ceaușescu (born 1948) a nuclear physicist, Nicu Ceaușescu (1951–1996) also a physicist, and a daughter Zoia Ceaușescu (1949–2006), who was a mathematician. After the death of his parents, Nicu Ceaușescu ordered the construction of an Orthodox church, the walls of which are decorated with portraits of his parents.

Ceaușescu received the Danish Order of the Elephant, but this award was revoked on 23 December 1989 by the Queen of Denmark, Margrethe II.

Ceaușescu was likewise stripped of his honorary GCB (Knight Grand Cross of the Order of the Bath) by Queen Elizabeth II of the United Kingdom on the day before his execution. Queen Elizabeth also returned the Romanian Order Ceaușescu had bestowed upon her.

On his 70th birthday in 1988 Ceaușescu was decorated with the Karl-Marx-Orden by then Socialist Unity Party of Germany (SED) chief Erich Honecker; through this he was honoured for his rejection of Mikhail Gorbachev's reforms.

Praising the crimes of totalitarian regimes and denigrating their victims is forbidden by law in Romania; this includes the Ceaușescu regime. Dinel Staicu was imposed a 25,000 lei (approx. 9,000 United States dollars) fine for praising Ceaușescu and displaying his pictures on his private television channel (''3TV Oltenia'').

Ceaușescu's last days in power were dramatized in a stage musical, ''The Fall of Ceaușescu'', written and composed by Ron Conner. It premiered at the Los Angeles Theater Center in September 1995 and was attended by Ion Iliescu, the then president of Romania who had been visiting Los Angeles at the time.

One unresolved mystery that followed the deaths of Nicolae and Ceaușescu pertains to Romania's Apollo 17 Goodwill Moon rock which was in Nicolae Ceaușescu possessions at the time of his death, but has since disappeared. This moon rock was presented by the Nixon Administration to Romania and is said to be worth 5 million dollars on the black market.

"Ceaușism"

While the term ''Ceaușism'' became widely used inside Romania, usually as a pejorative, it never achieved status in academia. This can be explained by the largely crude and syncretic character of the dogma. Ceaușescu attempted to include his views in mainstream Marxist theory, to which he added his belief in a "multilaterally developed socialist society" as a necessary stage between the Marxist concepts of Socialist and Communist societies (a critical view reveals that the main reason for the interval is the disappearance of the State and Party structures in Communism). A Romanian Encyclopedic Dictionary entry in 1978 underlines the concept as "a new, superior, stage in the socialist development of Romania [...] begun by the 1971–1975 Five-Year Plan, prolonged over several [succeeding and projected] Five-Year Plans".

Ceaușism's main trait was a form of Romanian nationalism, one which arguably propelled Ceaușescu to power in 1965, and probably accounted for the Party leadership gathered around Ion Gheorghe Maurer choosing him over the more orthodox Gheorghe Apostol. Although he had previously been a careful supporter of the official lines, Ceaușescu came to embody Romanian society's wish for independence after what many considered years of Soviet directives and purges, during and after the SovRom fiasco. He carried this nationalist option inside the Party, manipulating it against the nominated successor Apostol. This nationalist policy had more timid precedents: for example, the Gheorghiu-Dej regime had overseen the withdrawal of the Red Army in 1958.

It had also engineered the publishing of several works that subverted the Russian and Soviet image, such as the final volumes of the official ''History of Romania'', no longer glossing over traditional points of tension with Russia and the Soviet Union (even alluding to an unlawful Soviet presence in Bessarabia). In the final years of Gheorghiu-Dej's rule more problems were openly discussed, with the publication of a collection of Karl Marx texts that dealt with Romanian topics, showing Marx's previously censored, politically uncomfortable views of Russia.

However, Ceaușescu was prepared to take a more decisive step in questioning Soviet policies. In the early years of his rule, he generally relaxed political pressures inside Romanian society, which led to the late 1960s and early 1970s being the most liberal decade in Communist Romania. Gaining the public's confidence, Ceaușescu took a clear stand against the 1968 crushing of the Prague Spring by Leonid Brezhnev. After a visit from Charles de Gaulle earlier in the same year (during which the French President gave recognition to the incipient maverick), Ceaușescu's public speech in August deeply impressed the population, not only through its themes, but also because, uniquely, it was unscripted. He immediately attracted Western sympathies and backing, which lasted well beyond the 'liberal' phase of his regime; at the same time, the period brought forward the threat of armed Soviet invasion: significantly, many young men inside Romania joined the ''Patriotic Guards'' created on the spur of the moment, in order to meet the perceived threat. President Richard Nixon was invited to Bucharest in 1969, which was the first visit of a United States president to a Communist country.

Alexander Dubček's version of ''Socialism with a human face'' was never suited to Romanian communist goals. Ceaușescu found himself briefly aligned with Dubček's Czechoslovakia and Josip Broz Tito's Yugoslavia. The latter friendship was to last well into the 1980s, with Ceaușescu adapting the Titoist doctrine of "independent socialist development" to suit his own objectives. Romania proclaimed itself a "Socialist" (in place of "People's") Republic to show that it was fulfilling Marxist goals without Moscow's overseeing.

The system's nationalist traits grew and progressively blended with Juche and Maoist ideals. In 1971, the Party, which had already been completely purged of internal opposition (with the possible exception of Gheorghe Gaston Marin), approved the ''July Theses'', expressing Ceaușescu's disdain of Western models as a whole, and the reevaluation of the recent liberalisation as ''bourgeois''. The 1974 11th Congress tightened the grip on Romanian culture, guiding it towards Ceaușescu's nationalist principles:. Notably, it demanded that Romanian historians refer to Dacians as having "an unorganised State", part of a political continuum that culminated in the Socialist Republic. The regime continued its cultural dialogue with ancient forms, with Ceaușescu connecting his cult of personality to figures such as Mircea cel Bătrân (whom he styled ''Mircea the Great'') and Mihai Viteazul. It also started adding Dacian or Roman versions to the names of cities and towns (''Drobeta'' to Turnu Severin, ''Napoca'' to Cluj).

A new generation of committed supporters on the outside confirmed the regime's character. Ceaușescu probably never emphasized that his policies constituted a paradigm for theorists of National Bolshevism such as Jean-François Thiriart, but there was a publicised connection between him and Iosif Constantin Drăgan, an Iron Guardist Romanian-Italian émigré millionaire (Drăgan was already committed to a Dacian Protochronism that largely echoed the official cultural policy).

Nicolae Ceaușescu had a major influence on modern-day Romanian populist rhetoric. In his final years, he had begun to rehabilitate the image of pro-Nazi dictator Ion Antonescu. Although Antonescu's was never a fully official myth in Ceaușescu's time, today's xenophobic politicians such as Corneliu Vadim Tudor have coupled the images of the two leaders into their versions of a national Pantheon. The conflict with Hungary over the treatment of the Magyar minority in Romania had several unusual aspects: not only was it a vitriolic argument between two officially Socialist states (as Hungary had not yet officially embarked on the course to a free market economy), it also marked the moment when Hungary, a state behind the Iron Curtain, appealed to the Organisation for Security and Co-operation in Europe for sanctions to be taken against Romania. This meant that the later 1980s were marked by a pronounced anti-Hungarian discourse, which owed more to nationalist tradition than Marxism, and the ultimate isolation of Romania on the World stage.

The strong opposition of his regime to all forms of ''perestroika'' and ''glasnost'' placed Ceaușescu at odds with Mikhail Gorbachev. He was very displeased when other Warsaw Pact countries decided to try their own versions of Gorbachev's reforms. In particular, he was incensed when Poland's leaders opted for a power-sharing arrangement with the Solidarity trade union. He even went as far as to call for a Warsaw Pact invasion of Poland—a significant reversal, considering how violently he opposed the invasion of Czechoslovakia 20 years earlier. For his part, Gorbachev made no secret of his distaste for Ceaușescu, whom he called "the Romanian führer."

In November 1989, at the XIVth and last congress of the PCR, Ceaușescu condemned the Molotov-Ribbentrop Pact and asked for the annulment of its consequences. In effect, this amounted to a demand for the return of Bessarabia (most of which was then a Soviet republic and since 1991 has been independent Moldova) and northern Bukovina, both of which had been occupied by the Soviet Union in 1940 and again at the end of World War II.

Selected published works

''Report during the joint solemn session of the CC of the Romanian Communist Party, the National Council of the Socialist Unity Front and the Grand National Assembly: Marking the 60th anniversary of the creation of a Unitary Romanian National State'', 1978

''Major problems of our time: Eliminating underdevelopment, bridging gaps between states, building a new international economic order'', 1980

''The solving of the national question in Romania (Socio-political thought of Romania's President)'', 1980

''Ceaușescu: Builder of Modern Romania and International Statesman'', 1983

''The nation and co-habiting nationalities in the contemporary epoch (Philosophical thought of Romania's president)'', 1983

''Istoria poporului Român în concepția președintelui'', 1988

Gallery

Notes

References

''Mic Dicționar Enciclopedic'' ("Small encyclopedic dictionary"), 1978

Edward Behr, ''Kiss the Hand you Cannot Bite'', ISBN 0-679-40128-8

Dumitru Burlan, ''Dupa 14 ani - Sosia lui Ceaușescu se destăinuie'' ("After 14 Years - The Double of Ceaușescu confesses"). Editura Ergorom. 31 July 2003 (in Romanian).

Juliana Geran Pilon, ''The Bloody Flag. Post-Communist Nationalism in Eastern Europe. Spotlight on Romania'', ISBN 1-56000-062-7; ISBN 1-56000-620-X

Marian Oprea, "Au trecut 15 ani -- Conspirația Securității" ("After 15 years -- the conspiracy of Securitate"), in ''Lumea Magazin'' Nr 10, 2004: (in Romanian; link leads to table of contents, verifying that the article exists, but the article itself is not online).

Viorel Patrichi, "Eu am fost sosia lui Nicolae Ceaușescu" ("I was Ceaușescu's double"), ''Lumea Magazin'' Nr 12, 2001 (in Romanian)

Stevens W. Sowards, ''Twenty-Five Lectures on Modern Balkan History (The Balkans in the Age of Nationalism)'', 1996, in particular Lecture 24: The failure of Balkan Communism and the causes of the Revolutions of 1989

Victor Stănculescu, "Nu vă fie milă, au 2 miliarde de lei în cont" ("Do not have mercy, they hold 2 billion lei [33 million dollars] in their account[s]"), in ''Jurnalul Național'', 22 Nov 2004

John Sweeney, ''The Life and Evil Times of Nicolae Ceaușescu'', ISBN 0-09-174672-8

Stelian Tănase, "Societatea civilă românească și violența" ("Romanian Civil Society and Violence"), in ''Agora'', issue 3/IV, July–September 1991

Filip Teodorescu, et al., Extracts from the minutes of a Romanian senate hearing, 14 December 1994, featuring the remarks of Filip Teodorescu.

External links

Ceaușescu, Nicolae - Romania under Communism

* Nicolae Ceaușescu's last speech in public

* Ceaușescu's trial transcripts (in English)

* Ceaușescu's trial transcripts (in Romanian)

Communist Romania's Demographic Policy

The Politicians and the revolution of 1989 (in Romanian)

Gheorghe Brătescu, ''Clipa'' 638: Un complot ratat ("A failed scheme"). On how Milea died, probably killed by Stănculescu according to this writer, and the life of the Ceaușescu family. (In Romanian)

Death of the Father: Nicolae Ceaușescu Focuses on his death, but also discusses other matters. Many photos.

"Killer File" entry on Nicolae Andruța Ceaușescu Chronological overview of important events in his life and rule.

, Video of the trial and execution of Nicolae and Elena Ceaușescu.

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