"@" (album)
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Reception
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
Track listing
All compositions by John Zorn and Thurston Moore
?! (album)
?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.
Reception
Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."
Track listing
References
Album (Land of the Lost)
"Album" is the seventh episode of the first season of the 1974 American television series Land of the Lost. Written by Dick Morgan and directed by Bob Lally, it first aired in the United States on October 19, 1974 on NBC. The episode guest stars Erica Hagen.
Plot
Will awakens in the early morning to a high-pitched whirring sound which fills the jungle, but eventually it goes away. Rick has Holly build a trap to catch whatever has been breaking into their stores, and Will goes to weed the garden. While outside, he again hears the sound and follows it to the Lost City. Within, he enters a chamber with a very crude-looking attempt to simulate a matrix table but filled with colored stones instead of crystals. On the ground is a pulsating blue crystal that attracts his attention. Picking it up, he sees his mother (Erica Hagen) materialize in a cloud of mist. Afterwards, he returns to High Bluff but doesn't speak of his encounter.
The next day Holly's trap has not worked, and Will again hears the sound. Holly hears it briefly as well, but dismisses it. Will returns to the Lost City and again witnesses his mother while holding a blue stone. His mother calls for him, but he is interrupted by Holly, who sees nothing until she touches the blue crystal as well. Holding it together, they are both beckoned by their mother to "come home," but then she quickly adds, "Too late. Come tomorrow. Don't tell." Will explains to Holly that he wants to tell Rick about his discovery but for some reason he is unable to. Holly replies that she will tell their father if he does not and Will sincerely hopes that she can. Will theorizes that they were looking through a time doorway that is open to a period when she was still alive. When Holly asks why her image is not very clear, her brother suggests that it might be because they do not remember her very well.
Traffic flow (computer networking)
In packet switching networks, traffic flow, packet flow or network flow is a sequence of packets from a source computer to a destination, which may be another host, a multicast group, or a broadcast domain. RFC 2722 defines traffic flow as "an artificial logical equivalent to a call or connection."RFC 3697 defines traffic flow as "a sequence of packets sent from a particular source to a particular unicast, anycast, or multicast destination that the source desires to label as a flow. A flow could consist of all packets in a specific transport connection or a media stream. However, a flow is not necessarily 1:1 mapped to a transport connection." Flow is also defined in RFC 3917 as "a set of IP packets passing an observation point in the network during a certain time interval."
Conceptual description
A flow can be uniquely identified by the following parameters within a certain time period:
Flow (mathematics)
In mathematics, a flow formalizes the idea of the motion of particles in a fluid. Flows are ubiquitous in science, including engineering and physics. The notion of flow is basic to the study of ordinary differential equations. Informally, a flow may be viewed as a continuous motion of points over time. More formally, a flow is a group action of the real numbers on a set.
The idea of a vector flow, that is, the flow determined by a vector field, occurs in the areas of differential topology, Riemannian geometry and Lie groups. Specific examples of vector flows include the geodesic flow, the Hamiltonian flow, the Ricci flow, the mean curvature flow, and the Anosov flow. Flows may also be defined for systems of random variables and stochastic processes, and occur in the study of ergodic dynamical systems. The most celebrated of these is perhaps the Bernoulli flow.
Formal definition
A flow on a set X is a group action of the additive group of real numbers on X. More explicitly, a flow is a mapping
Flow (Conception album)
Flow is the fourth full-length album by the Norwegian power metal/progressive metal band, Conception. Flow was released on April 1, 1997 by Noise Records.
Track listing
Personnel
References
Audio mixing
Audio mixing is the process by which multiple sounds are combined into one or more channels. In the process, the source signals' level, frequency content, dynamics, and panoramic position are manipulated and effects such as reverb may be added. This practical, aesthetic, or otherwise creative treatment is done in order to produce a mix that is more appealing to listeners.
Audio mixing is practiced for music, film, television and live sound. The process is generally carried out by a mixing engineer operating a mixing console or digital audio workstation.
Recorded music
Before the introduction of multitrack recording, all the sounds and effects that were to be part of a recording were mixed together at one time during a live performance. If the mix wasn't satisfactory, or if one musician made a mistake, the selection had to be performed over until the desired balance and performance was obtained. However, with the introduction of multitrack recording, the production phase of a modern recording has radically changed into one that generally involves three stages: recording, overdubbing, and mixdown.
