- published: 28 Dec 2013
- views: 191988
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Ornette Coleman - The Shape of Jazz to Come
Recorded and released in 1959
Tracklist:
00:00 Lonely Woman
05:01 Eventually
09:24 Peace
18:25 Focus on Sanity
25:18 Congeniality
32:07 Chronology
Personnel:
Ornette Coleman - alto saxophone
Don Cherry - cornet
Charlie Haden - bass
Billy Higgins - drums
Ornette Coleman - The Shape Of Jazz To Come
Released 2011-06-10 on Not Now Music
1. 00:00:00 Ornette Coleman Lonely Woman
2. 00:05:02 Ornette Coleman Eventually
3. 00:09:25 Ornette Coleman Peace
4. 00:18:29 Ornette Coleman Focus On Sanity
5. 00:25:21 Ornette Coleman Congeniality
6. 00:32:09 Ornette Coleman Chronology
7. 00:38:14 Ornette Coleman Invisible
8. 00:42:33 Ornette Coleman The Blessing
9. 00:47:22 Ornette Coleman Jayne
10. 00:54:46 Ornette Coleman Chippie
11. 01:00:29 Ornette Coleman The Disguise
12. 01:03:21 Ornette Coleman Angel Voice
13. 01:07:45 Ornette Coleman Alpha
14. 01:12:01 Ornette Coleman When Will The Blues Leave?
15. 01:17:05 Ornette Coleman The Sphinx
Enjoy two classic Ornette Coleman albums digitally remastered for optimum listening! 'The Shape Of Jazz To Come' and 'Something Else!!!!' are iconic records for any Coleman aficionado or jazz fan's collection.
© Not Now Music Ltd 2011
℗ Not Now Music Ltd 2011 .
This is officially licensed content, not a copyright infringement. If you should have any objections, please get in touch with finetunes first.
- published: 13 Feb 2015
- views: 31960
Ornette Coleman
"Lonely Woman"
Album: The Shape Of Jazz To Come
Released: 1959
Length: 5'02"
Wikipedia: http://en.wikipedia.org/wiki/The_Shape_of_Jazz_to_Come
- published: 03 Feb 2010
- views: 609456
Dancing in Your Head is a 1976 release by jazz artist Ornette Coleman. It was the first to feature his electric band, which later became known as Prime Time.
Tracklist:
1. Theme from a Symphony (variation one)
2. Theme from a Symphony (variation two)
3. Midnight Sunrise
4. Midnight Sunrise (alternate take)
Ornette Coleman - alto saxophone
Bern Nix - 1st lead guitar
Charlie Ellerbee - 2nd lead guitar
Rudy McDaniel - Bass guitar
Shannon Jackson - drums
Robert Palmer - clarinet on "Midnight Sunrise"
Master Musicians of Jajouka on "Midnight Sunrise"
- published: 30 Mar 2013
- views: 47344
The Ornette Coleman Double Quartet
"Free Jazz"
Free Jazz
1961
Alto Saxophone -- Ornette Coleman
Bass -- Charlie Haden, Scott La Faro
Bass Clarinet -- Eric Dolphy
Drums -- Billy Higgins, Ed Blackwell
Trumpet -- Freddie Hubbard
Trumpet [Pocket] -- Don Cherry
Written-By -- Ornette Coleman
- published: 18 May 2013
- views: 119805
ORNETTE COLEMAN R.I.P. 1930-2015
Live at the Sendesaal, Bremen, Germany; December 3, 1965.
Excellent satellite broadcast.
Live in Paris, France; February 12, 1966.
Fair to good FM broadcast though some might call it “muddy”.
Bremen 1965
00:00 Lonely Woman 16:10
16:10 Clergyman’s Dream 15:09
31:18 Sadness 4:45
35:24 The Sphinx 10:27
Paris 1966
0:45:51 Doughnut 14:45
1:00:36 Ballad 13:34
Lineup:
Ornette Coleman - alto saxophone, trumpet, violin
David Izenzon – bass
Charles Moffet – drums
Ornette Coleman, the alto saxophonist and composer who was one of the most powerful and contentious innovators in the history of jazz, died on June 11, 2015 in Manhattan. He was 85. The cause was cardiac arrest, a family representative said. Coleman widened the options in jazz and helped change its course. Partly through his example in the late 1950s and early ’60s, jazz became less beholden to the rules of harmony and rhythm and gained more distance from the American songbook repertoire. His own music, then and later, embodied a new type of highly informed folk song: deceptively simple melodies for small groups with an intuitive, collective musical language and a strategy for playing without preconceived chord sequences. In 2007, he won the Pulitzer Prize for his album “Sound Grammar.”
His early work - a personal answer to his fellow alto saxophonist and innovator Charlie Parker - lay right within the jazz tradition and generated a handful of standards for jazz musicians of the last half-century. But he later challenged assumptions about jazz from top to bottom, bringing in his own ideas about instrumentation, process and technical expertise. He was more voluble and theoretical than John Coltrane, the other great pathbreaker of that jazz era. He was a kind of musician-philosopher, whose interests went well beyond jazz. He was seen as a native avant-gardist, personifying the American independent will as much as any artist of the last century. - The New York Times
- published: 12 Jun 2015
- views: 11973
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar; Fred Williams - bass; Shannon Jackson - drums; Denardo Coleman - drums
- published: 02 Jul 2009
- views: 244990
Ramblin'
Album:
Change of the Century (1960)
Written by:
Ornette Coleman
Personnel:
Ornette Coleman — alto saxophone
Don Cherry — pocket trumpet
Charlie Haden — bass
Billy Higgins — drums
- published: 09 Feb 2010
- views: 155507
Ornette Coleman Trio featuring David Izenzon & Charles Moffett
Part 2 (Roland Kirk & John Cage - Sound??):
http://www.youtube.com/watch?v=7m4xkY0WgVw
In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?".
Realized by Richard "Dick" Fontaine--who is considered to be one of the founding fathers of erotic gay cinema (with such famous titles as "The Days of Greek Gods") and that years later realized the full length film "Art Blakey: The Jazz Messenger"-. the film was made in three days and offers a portrait of the trio that becomes an "ironic essay in dignity in the face of insanity". Ornette, who in this era was one of the leaders of the Jazz Avant-garde movement, faced the challenge with his two fellow musicians by responding with passionate improvisations to the stimuli that reached him from the screen where the images are projected. A priceless testimony to the innovations which revolutionized the world of jazz in the sixties.
The second film, also directed by Fontaine, is a curious and original musical and cinematographic experiment. Its strange title, "Sound??", clearly indicates the objective of the work, which is merely to take advantage of the ideas of an innovative jazzman (Roland Kirk) in order to permit an Avant-garde contemporary (John Cage) to speculate with silence and with sound as two facets of the same reality.
Kirk appears in the film demonstrating his ability to play three saxophones simultaneously, incorporating at the same time recordings of birdsongs or his giving out whistles to the audience in order that they accompany him "in the key of w, if you please". Parallel to this, Cage talks about his concepts and prepares a piece "musical bicycle" with two of his collaborators at the Seville Theatre of London, introducing Kirk's music in an echo chamber in its search for the sound of silence. Two extraordinary examples of immortal Avant-gardism.
- published: 17 Sep 2011
- views: 73915
Ornette Coleman (born March 19, 1930) is an American saxophonist, violinist, trumpeter and composer. He was one of the major innovators of the free jazz movement of the 1960s.
Coleman's timbre is easily recognized: his keening, crying sound draws heavily on blues music. His album Sound Grammar received the 2007 Pulitzer Prize for music.
Coleman was born and raised in Fort Worth, Texas, where he began performing R&B and bebop initially on tenor saxophone. Seeking a way to work his way out of his home town, he took a job in 1949 with a Silas Green from New Orleans traveling show and then with touring rhythm and blues shows. After a show in Baton Rouge, he was assaulted and his saxophone was destroyed.
He switched to alto, which has remained his primary instrument, first playing it in New Orleans after the Baton Rouge incident. He then joined the band of Pee Wee Crayton and travelled with them to Los Angeles. He worked at various jobs, including as an elevator operator, while still pursuing his musical career.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Ornette_Coleman
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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38:14Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]
Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]
Ornette Coleman - The Shape of Jazz to Come Recorded and released in 1959 Tracklist: 00:00 Lonely Woman 05:01 Eventually 09:24 Peace 18:25 Focus on Sanity 25:18 Congeniality 32:07 Chronology Personnel: Ornette Coleman - alto saxophone Don Cherry - cornet Charlie Haden - bass Billy Higgins - drums -
81:30Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]
Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]
Ornette Coleman - The Shape Of Jazz To Come Released 2011-06-10 on Not Now Music 1. 00:00:00 Ornette Coleman Lonely Woman 2. 00:05:02 Ornette Coleman Eventually 3. 00:09:25 Ornette Coleman Peace 4. 00:18:29 Ornette Coleman Focus On Sanity 5. 00:25:21 Ornette Coleman Congeniality 6. 00:32:09 Ornette Coleman Chronology 7. 00:38:14 Ornette Coleman Invisible 8. 00:42:33 Ornette Coleman The Blessing 9. 00:47:22 Ornette Coleman Jayne 10. 00:54:46 Ornette Coleman Chippie 11. 01:00:29 Ornette Coleman The Disguise 12. 01:03:21 Ornette Coleman Angel Voice 13. 01:07:45 Ornette Coleman Alpha 14. 01:12:01 Ornette Coleman When Will The Blues Leave? 15. 01:17:05 Ornette Coleman The Sphinx Enjoy two classic Ornette Coleman albums digitally remastered for optimum listening! 'The Shape Of Jazz To Come' and 'Something Else!!!!' are iconic records for any Coleman aficionado or jazz fan's collection. © Not Now Music Ltd 2011 ℗ Not Now Music Ltd 2011 . This is officially licensed content, not a copyright infringement. If you should have any objections, please get in touch with finetunes first. -
5:03Ornette Coleman - Lonely Woman
Ornette Coleman - Lonely WomanOrnette Coleman - Lonely Woman
Ornette Coleman "Lonely Woman" Album: The Shape Of Jazz To Come Released: 1959 Length: 5'02" Wikipedia: http://en.wikipedia.org/wiki/The_Shape_of_Jazz_to_Come -
35:34Ornette Coleman - Dancing in your head [FULL ALBUM]
Ornette Coleman - Dancing in your head [FULL ALBUM]Ornette Coleman - Dancing in your head [FULL ALBUM]
Dancing in Your Head is a 1976 release by jazz artist Ornette Coleman. It was the first to feature his electric band, which later became known as Prime Time. Tracklist: 1. Theme from a Symphony (variation one) 2. Theme from a Symphony (variation two) 3. Midnight Sunrise 4. Midnight Sunrise (alternate take) Ornette Coleman - alto saxophone Bern Nix - 1st lead guitar Charlie Ellerbee - 2nd lead guitar Rudy McDaniel - Bass guitar Shannon Jackson - drums Robert Palmer - clarinet on "Midnight Sunrise" Master Musicians of Jajouka on "Midnight Sunrise" -
37:14The Ornette Coleman Double Quartet - Free Jazz
The Ornette Coleman Double Quartet - Free JazzThe Ornette Coleman Double Quartet - Free Jazz
The Ornette Coleman Double Quartet "Free Jazz" Free Jazz 1961 Alto Saxophone -- Ornette Coleman Bass -- Charlie Haden, Scott La Faro Bass Clarinet -- Eric Dolphy Drums -- Billy Higgins, Ed Blackwell Trumpet -- Freddie Hubbard Trumpet [Pocket] -- Don Cherry Written-By -- Ornette Coleman -
74:11Ornette Coleman - 1965 Bremen / 1966 Paris
Ornette Coleman - 1965 Bremen / 1966 ParisOrnette Coleman - 1965 Bremen / 1966 Paris
ORNETTE COLEMAN R.I.P. 1930-2015 Live at the Sendesaal, Bremen, Germany; December 3, 1965. Excellent satellite broadcast. Live in Paris, France; February 12, 1966. Fair to good FM broadcast though some might call it “muddy”. Bremen 1965 00:00 Lonely Woman 16:10 16:10 Clergyman’s Dream 15:09 31:18 Sadness 4:45 35:24 The Sphinx 10:27 Paris 1966 0:45:51 Doughnut 14:45 1:00:36 Ballad 13:34 Lineup: Ornette Coleman - alto saxophone, trumpet, violin David Izenzon – bass Charles Moffet – drums Ornette Coleman, the alto saxophonist and composer who was one of the most powerful and contentious innovators in the history of jazz, died on June 11, 2015 in Manhattan. He was 85. The cause was cardiac arrest, a family representative said. Coleman widened the options in jazz and helped change its course. Partly through his example in the late 1950s and early ’60s, jazz became less beholden to the rules of harmony and rhythm and gained more distance from the American songbook repertoire. His own music, then and later, embodied a new type of highly informed folk song: deceptively simple melodies for small groups with an intuitive, collective musical language and a strategy for playing without preconceived chord sequences. In 2007, he won the Pulitzer Prize for his album “Sound Grammar.” His early work - a personal answer to his fellow alto saxophonist and innovator Charlie Parker - lay right within the jazz tradition and generated a handful of standards for jazz musicians of the last half-century. But he later challenged assumptions about jazz from top to bottom, bringing in his own ideas about instrumentation, process and technical expertise. He was more voluble and theoretical than John Coltrane, the other great pathbreaker of that jazz era. He was a kind of musician-philosopher, whose interests went well beyond jazz. He was seen as a native avant-gardist, personifying the American independent will as much as any artist of the last century. - The New York Times -
9:02Ornette Coleman Sextet - Free Jazz (1of 3)
Ornette Coleman Sextet - Free Jazz (1of 3)Ornette Coleman Sextet - Free Jazz (1of 3)
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar; Fred Williams - bass; Shannon Jackson - drums; Denardo Coleman - drums -
6:39Ornette Coleman - Ramblin'
Ornette Coleman - Ramblin'Ornette Coleman - Ramblin'
Ramblin' Album: Change of the Century (1960) Written by: Ornette Coleman Personnel: Ornette Coleman — alto saxophone Don Cherry — pocket trumpet Charlie Haden — bass Billy Higgins — drums -
28:00Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]
Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]
Ornette Coleman Trio featuring David Izenzon & Charles Moffett Part 2 (Roland Kirk & John Cage - Sound??): http://www.youtube.com/watch?v=7m4xkY0WgVw In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?". Realized by Richard "Dick" Fontaine--who is considered to be one of the founding fathers of erotic gay cinema (with such famous titles as "The Days of Greek Gods") and that years later realized the full length film "Art Blakey: The Jazz Messenger"-. the film was made in three days and offers a portrait of the trio that becomes an "ironic essay in dignity in the face of insanity". Ornette, who in this era was one of the leaders of the Jazz Avant-garde movement, faced the challenge with his two fellow musicians by responding with passionate improvisations to the stimuli that reached him from the screen where the images are projected. A priceless testimony to the innovations which revolutionized the world of jazz in the sixties. The second film, also directed by Fontaine, is a curious and original musical and cinematographic experiment. Its strange title, "Sound??", clearly indicates the objective of the work, which is merely to take advantage of the ideas of an innovative jazzman (Roland Kirk) in order to permit an Avant-garde contemporary (John Cage) to speculate with silence and with sound as two facets of the same reality. Kirk appears in the film demonstrating his ability to play three saxophones simultaneously, incorporating at the same time recordings of birdsongs or his giving out whistles to the audience in order that they accompany him "in the key of w, if you please". Parallel to this, Cage talks about his concepts and prepares a piece "musical bicycle" with two of his collaborators at the Seville Theatre of London, introducing Kirk's music in an echo chamber in its search for the sound of silence. Two extraordinary examples of immortal Avant-gardism. -
4:16Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008
Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008
Ornette Coleman Quartet au Theatre Antique de Vienne -
6:38Ornette Coleman - In Berlin (1972)
Ornette Coleman - In Berlin (1972)Ornette Coleman - In Berlin (1972)
Ornette Coleman - alto saxophone -
5:40Interview with Ornette Coleman
Interview with Ornette Coleman -
13:14Ornette Coleman - Buddha Blues
Ornette Coleman - Buddha BluesOrnette Coleman - Buddha Blues
This appears to be Coleman's only recorded use of the suona, a kind of wooden oboe with a distinctive loud and high-pitched sound. An important folk instrument in northern China, it is occasionally still used to accompany weddings and funerals, as part of wind-and-percussion ensembles known as chuida or guchui. In Taiwan, it forms an essential element of the ritual music that accompanies Daoist performances of both auspicious and inauspicious rites, i.e., those for both the living and the dead. The suona has a conical wooden body, similar to that of the European oboe, but uses a tubular brass or copper bocal to which a small double reed is affixed, and possesses a detachable metal bell at its end. The instrument is made in several sizes. Since the mid-20th century, "modernized" versions of the suona have been developed in China; such instruments have keys similar to those of the European oboe, to allow for the playing of chromatic notes and equal tempered tuning (both of which are difficult to execute on the traditional suona). The suona doesn't appear on any of Coleman's official releases, and thus we have to turn to a single track from a bootleg collection of live performances, recorded in Italy in 1968, initially released on LP as 'The Unprecedented Music of Ornette Coleman' (with sleeve design by Japanese free saxophonist Kaoru Abe), and subsequently on CD as 'The Love Revolution'. Given that Coleman had started to employ trumpet and violin alongside his more familiar alto sax during the mid-60s , it seems that his use of the suona came from a similar spirit: the desire to achieve a freshness in his playing, to utilise an instrument on which his fingers would not automatically go to familiar patterns and licks, and on which he could create new sounds and textures. It's interesting to note too that, around this time, Don Cherry was beginning his 'world music' explorations, and perhaps Ornette's use of a Chinese instrument was part of the same spirit . (There is a photograph of Albert Ayler playing a similar double-reed instrument during the late 60s, though he seems not to have recorded on it.) On the bootleg, the instrument is credited as a 'shanai' (the latter due to its similarity to the Indian shehnai, another double-(in fact, quadruple-)reed instrument which had been played by Yusef Lateef, and had also made an appearance on the Rolling Stones' 'Street Fighting Man'); Coleman apparently bought it in a shop in Chinatown. He also, reportedly, gave one to Don Van Vliet (aka Captain Beefheart), and its distinctive nasal twang can be heard on Vliet's 'Mirror Man' sessions, as well as on a number of records by Coleman collaborator Dewey Redman, where it is described as a 'musette' (e.g. http://www.youtube.com/watch?v=VZce4IgXcRw). Coleman is accompanied on the 13-minute-long performance of 'Buddha Blues' by the bassists Charlie Haden (who provides a more up-front, supporting role) and David Izenzon (who takes on a more free-floating, unpredictable, colouristic function); on drums is Ed Blackwell, digging into his New Orleans heritage to provide a funky backdrop for the leader's slurring stream-of-consciousness. It's a fine performance, and an provides an intriguing glimpse of another facet to Coleman's artistry. [Information about the suona taken from Wikipedia; Colour Photo of Ornette & Deonardo Coleman by Elliott Landy, Taken in Central Park, NYC, 1969; B&W; Photos of Ornette Coleman by Roberto Polillo] -
41:59Ornette Coleman – Body Meta (Full Album)
Ornette Coleman – Body Meta (Full Album)Ornette Coleman – Body Meta (Full Album)
Ornette Coleman – Body Meta Label: Artists House – AH 1 Format: Vinyl, LP, Album, Gatefold Country: US Released: 1978 Genre: Jazz Style: Free Jazz A1. Voice Poetry 0:00 A2. Home Grown 8:10 B1. Macho Woman 15:58 B2. Fou Amour 23:41 B3. European Echoes 32:18
- Allmusic
- Alto saxophone
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- Avant-garde
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- Bass clarinet
- Baton Rouge
- Bebop
- Billy Higgins
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- Blues
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- Dancing in Your Head
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- Wikipedia INCITE
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Ornette
13
Released 2013- add to main playlist Play in Full Screen Me, Myself and I
- add to main playlist Play in Full Screen Bridge Over Troubled Waters
- add to main playlist Play in Full Screen Jolene
- add to main playlist Play in Full Screen Paper Planes
- add to main playlist Play in Full Screen I Don't Give A
- add to main playlist Play in Full Screen Grenade
- add to main playlist Play in Full Screen Ancora tu
- add to main playlist Play in Full Screen A Night on Earth
- add to main playlist Play in Full Screen Belle qui tiens ma vie
- add to main playlist Play in Full Screen The Logical Song
- add to main playlist Play in Full Screen Love Hurts
- add to main playlist Play in Full Screen Jardin sous la pluie
Crazy
Released 2011- add to main playlist Play in Full Screen The Dawn
- add to main playlist Play in Full Screen Phone Call
- add to main playlist Play in Full Screen Crazy
- add to main playlist Play in Full Screen Today Is The Day
- add to main playlist Play in Full Screen There's A Man
- add to main playlist Play in Full Screen Talk About
- add to main playlist Play in Full Screen Yes I Do
- add to main playlist Play in Full Screen Bye Bye Baby Bye Bye
- add to main playlist Play in Full Screen Tota's Unicorn
- add to main playlist Play in Full Screen Last Night
- add to main playlist Play in Full Screen The Lion And The Doll
- add to main playlist Play in Full Screen Rescue Song
- add to main playlist Play in Full Screen Bitter Sweet Symphony
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Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]
Ornette Coleman - The Shape of Jazz to Come Recorded and released in 1959 Tracklist: 00:00 Lonely Woman 05:01 Eventually 09:24 Peace 18:25 Focus on Sanity 25:18 Congeniality 32:07 Chronology Personnel: Ornette Coleman - alto saxophone Don Cherry - cornet Charlie Haden - bass Billy Higgins - drums -
Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]
Ornette Coleman - The Shape Of Jazz To Come Released 2011-06-10 on Not Now Music 1. 00:00:00 Ornette Coleman Lonely Woman 2. 00:05:02 Ornette Coleman Eventually 3. 00:09:25 Ornette Coleman Peace 4. 00:18:29 Ornette Coleman Focus On Sanity 5. 00:25:21 Ornette Coleman Congeniality 6. 00:32:09 Ornette Coleman Chronology 7. 00:38:14 Ornette Coleman Invisible 8. 00:42:33 Ornette Coleman The Blessing 9. 00:47:22 Ornette Coleman Jayne 10. 00:54:46 Ornette Coleman Chippie 11. 01:00:29 Ornette Coleman The Disguise 12. 01:03:21 Ornette Coleman Angel Voice 13. 01:07:45 Ornette Coleman Alpha 14. 01:12:01 Ornette Coleman When Will The Blues Leave? 15. 01:17:05 Ornette Coleman The Sphinx Enjoy two classic Ornette Coleman albums digitally remastered for optimum listening! 'The Shape Of Jazz To Come' an... -
Ornette Coleman - Lonely Woman
Ornette Coleman "Lonely Woman" Album: The Shape Of Jazz To Come Released: 1959 Length: 5'02" Wikipedia: http://en.wikipedia.org/wiki/The_Shape_of_Jazz_to_Come -
Ornette Coleman - Dancing in your head [FULL ALBUM]
Dancing in Your Head is a 1976 release by jazz artist Ornette Coleman. It was the first to feature his electric band, which later became known as Prime Time. Tracklist: 1. Theme from a Symphony (variation one) 2. Theme from a Symphony (variation two) 3. Midnight Sunrise 4. Midnight Sunrise (alternate take) Ornette Coleman - alto saxophone Bern Nix - 1st lead guitar Charlie Ellerbee - 2nd lead guitar Rudy McDaniel - Bass guitar Shannon Jackson - drums Robert Palmer - clarinet on "Midnight Sunrise" Master Musicians of Jajouka on "Midnight Sunrise" -
The Ornette Coleman Double Quartet - Free Jazz
The Ornette Coleman Double Quartet "Free Jazz" Free Jazz 1961 Alto Saxophone -- Ornette Coleman Bass -- Charlie Haden, Scott La Faro Bass Clarinet -- Eric Dolphy Drums -- Billy Higgins, Ed Blackwell Trumpet -- Freddie Hubbard Trumpet [Pocket] -- Don Cherry Written-By -- Ornette Coleman -
Ornette Coleman - 1965 Bremen / 1966 Paris
ORNETTE COLEMAN R.I.P. 1930-2015 Live at the Sendesaal, Bremen, Germany; December 3, 1965. Excellent satellite broadcast. Live in Paris, France; February 12, 1966. Fair to good FM broadcast though some might call it “muddy”. Bremen 1965 00:00 Lonely Woman 16:10 16:10 Clergyman’s Dream 15:09 31:18 Sadness 4:45 35:24 The Sphinx 10:27 Paris 1966 0:45:51 Doughnut 14:45 1:00:36 Ballad 13:34 Lineup: Ornette Coleman - alto saxophone, trumpet, violin David Izenzon – bass Charles Moffet – drums Ornette Coleman, the alto saxophonist and composer who was one of the most powerful and contentious innovators in the history of jazz, died on June 11, 2015 in Manhattan. He was 85. The cause was cardiac arrest, a family representative said. Coleman widened the options in jazz and helped chan... -
Ornette Coleman Sextet - Free Jazz (1of 3)
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar; Fred Williams - bass; Shannon Jackson - drums; Denardo Coleman - drums -
Ornette Coleman - Ramblin'
Ramblin' Album: Change of the Century (1960) Written by: Ornette Coleman Personnel: Ornette Coleman — alto saxophone Don Cherry — pocket trumpet Charlie Haden — bass Billy Higgins — drums -
Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]
Ornette Coleman Trio featuring David Izenzon & Charles Moffett Part 2 (Roland Kirk & John Cage - Sound??): http://www.youtube.com/watch?v=7m4xkY0WgVw In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?". Realized by Richard "Dick" Fontaine--who is considered to be one of the founding fathers of erotic gay cinema (with such famous titles as "The Days of Greek Gods") and that years later realized the full length film "Art Blakey: The Jazz Messenger"-. the film was made in three days and offers a portrait of the trio that become... -
Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008
Ornette Coleman Quartet au Theatre Antique de Vienne -
Ornette Coleman - In Berlin (1972)
Ornette Coleman - alto saxophone -
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Ornette Coleman - Buddha Blues
This appears to be Coleman's only recorded use of the suona, a kind of wooden oboe with a distinctive loud and high-pitched sound. An important folk instrument in northern China, it is occasionally still used to accompany weddings and funerals, as part of wind-and-percussion ensembles known as chuida or guchui. In Taiwan, it forms an essential element of the ritual music that accompanies Daoist performances of both auspicious and inauspicious rites, i.e., those for both the living and the dead. The suona has a conical wooden body, similar to that of the European oboe, but uses a tubular brass or copper bocal to which a small double reed is affixed, and possesses a detachable metal bell at its end. The instrument is made in several sizes. Since the mid-20th century, "modernized" versions of... -
Ornette Coleman – Body Meta (Full Album)
Ornette Coleman – Body Meta Label: Artists House – AH 1 Format: Vinyl, LP, Album, Gatefold Country: US Released: 1978 Genre: Jazz Style: Free Jazz A1. Voice Poetry 0:00 A2. Home Grown 8:10 B1. Macho Woman 15:58 B2. Fou Amour 23:41 B3. European Echoes 32:18 -
Ornette Coleman Quintet Live October 1958 at the Hillcrest Club, Los Angeles California
1 Klactoveedsestene 12:07 2 I Remember Harlem - 3:52 (12:07) 3 The Blessing 9:38 (15:59) 4 Free 5:39 (25:37) 5 Ramblin' 14:06 (31:16) 6 How Deep Is The Ocean? 4:35 (45:46) 7 When Will The Blues Leave? 14:29 (50:21) 8 Crossroads 1:54 (1:04:28) Alto Saxophone – Ornette Coleman Bass – Charlie Haden Drums – Billy Higgins Piano – Paul Bley Trumpet – Don Cherry Recorded Live October 1958 at the Hillcrest Club, Los Angeles California Notes: The true origins of free jazz... Just as the famous 1940-41 Jerry Newman recordings at Minton's and Clark Monroe's Uptown House captured the transition from swing to bebop, the music on this CD (compiled here on one set for the first time ever) marks one of the first steps from bebop into what would soon be called "free jazz". The whole qui... -
Ornette Coleman and Prime Time with, Pat Metheny Montreal Live, 1988 [full]
みなさま、お待たせいたしました。 あのライブのフル動画です。 途中２、３か所に途切れ入ってますがご了承ください。 画質は当時のVHSソースですのでご理解よろしくです。 -
Ornette Coleman - Peace
The Shape of Jazz to Come is an influential album by Ornette Coleman. It was his debut album for Atlantic Records who released it in late 1959. The Shape of Jazz to Come was one of the first avant-garde jazz albums ever recorded. It was recorded in 1959 by Coleman's piano-less quartet. The album was considered shocking at the time, because it had no recognizable chord structure and included simultaneous improvisation by the performers in a much freer style than previously heard in jazz. Coleman's major breakthrough was to leave out chord-playing instruments. Each selection contains a brief melody, much like the tune of a typical jazz song, then several minutes of free improvisation, followed by a repetition of the main theme; while this resembles the conventional head-solo-head struc... -
Cecil Taylor Piano at Ornette Coleman Memorial
New York, June 27, 2015----Cecil Taylor's sublime musical tribute to Ornette Coleman (1930-2015) at the Riverside Church in West Harlem today. Filmed by Liza Bear. See also my photos from the memorial at https://www.facebook.com/liza.bear.56 -
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Ornette Coleman Quartet - Turnaround
Ornette Coleman Quartet - Turnaround (1959) Personnel: Don Cherry (cornet), Ornette Coleman (alto sax), Red Mitchell (bass), Shelly Manne (drums) from the album 'TOMORROW IS THE QUESTION!' (Contemporary Records) -
Ornette Coleman Solo - Rare!
A rare recording of Ornette Coleman playing solo piano, and saxophone, from Jazztage, Berlin, 1971. -
Ornette Coleman Quartet :: Roma 1974 #1
Grabación de la televisión italiana (Schegge, Rai 3) del cuarteto de Ornette Coleman en 1974. El tema que interpretan es "School Work", melodía recurrente de Ornette que más tarde volvería a aparecer como "The Good Life" en su obra sinfónica Skies Of America (1972) y que finalmente se convertiría en el núcleo de Dancing in Your Head (1973). A la guitarra James "Blood" Ulmer, Ornette empezaba en esta época a experimentar con nuevas configuraciones del cuarteto introduciendo instrumentos eléctricos. La cinta presenta a Coleman en el periodo de transición y experimentación en que se formó Prime Time. Ornette Coleman: saxo ; James Ulmer: guitarra ; Sirone: bajo; Billy Higgins: batería -
Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]
- Order: Reorder
- Duration: 38:14
- Updated: 28 Dec 2013
- views: 191988
Ornette Coleman - The Shape of Jazz to Come
Recorded and released in 1959
Tracklist:
00:00 Lonely Woman
05:01 Eventually
09:24 Peace
18:25 Focus on Sanity
25:1...
Ornette Coleman - The Shape of Jazz to Come
Recorded and released in 1959
Tracklist:
00:00 Lonely Woman
05:01 Eventually
09:24 Peace
18:25 Focus on Sanity
25:18 Congeniality
32:07 Chronology
Personnel:
Ornette Coleman - alto saxophone
Don Cherry - cornet
Charlie Haden - bass
Billy Higgins - drums
wn.com/Ornette Coleman The Shape Of Jazz To Come (1959) Full Album
Ornette Coleman - The Shape of Jazz to Come
Recorded and released in 1959
Tracklist:
00:00 Lonely Woman
05:01 Eventually
09:24 Peace
18:25 Focus on Sanity
25:18 Congeniality
32:07 Chronology
Personnel:
Ornette Coleman - alto saxophone
Don Cherry - cornet
Charlie Haden - bass
Billy Higgins - drums
- published: 28 Dec 2013
- views: 191988
Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]
- Order: Reorder
- Duration: 81:30
- Updated: 13 Feb 2015
- views: 31960
Ornette Coleman - The Shape Of Jazz To Come
Released 2011-06-10 on Not Now Music
1. 00:00:00 Ornette Coleman Lonely Woman
2. 00:05:02 Ornette Coleman Eventuall...
Ornette Coleman - The Shape Of Jazz To Come
Released 2011-06-10 on Not Now Music
1. 00:00:00 Ornette Coleman Lonely Woman
2. 00:05:02 Ornette Coleman Eventually
3. 00:09:25 Ornette Coleman Peace
4. 00:18:29 Ornette Coleman Focus On Sanity
5. 00:25:21 Ornette Coleman Congeniality
6. 00:32:09 Ornette Coleman Chronology
7. 00:38:14 Ornette Coleman Invisible
8. 00:42:33 Ornette Coleman The Blessing
9. 00:47:22 Ornette Coleman Jayne
10. 00:54:46 Ornette Coleman Chippie
11. 01:00:29 Ornette Coleman The Disguise
12. 01:03:21 Ornette Coleman Angel Voice
13. 01:07:45 Ornette Coleman Alpha
14. 01:12:01 Ornette Coleman When Will The Blues Leave?
15. 01:17:05 Ornette Coleman The Sphinx
Enjoy two classic Ornette Coleman albums digitally remastered for optimum listening! 'The Shape Of Jazz To Come' and 'Something Else!!!!' are iconic records for any Coleman aficionado or jazz fan's collection.
© Not Now Music Ltd 2011
℗ Not Now Music Ltd 2011 .
This is officially licensed content, not a copyright infringement. If you should have any objections, please get in touch with finetunes first.
wn.com/Ornette Coleman The Shape Of Jazz To Come (Not Now Music) Full Album
Ornette Coleman - The Shape Of Jazz To Come
Released 2011-06-10 on Not Now Music
1. 00:00:00 Ornette Coleman Lonely Woman
2. 00:05:02 Ornette Coleman Eventually
3. 00:09:25 Ornette Coleman Peace
4. 00:18:29 Ornette Coleman Focus On Sanity
5. 00:25:21 Ornette Coleman Congeniality
6. 00:32:09 Ornette Coleman Chronology
7. 00:38:14 Ornette Coleman Invisible
8. 00:42:33 Ornette Coleman The Blessing
9. 00:47:22 Ornette Coleman Jayne
10. 00:54:46 Ornette Coleman Chippie
11. 01:00:29 Ornette Coleman The Disguise
12. 01:03:21 Ornette Coleman Angel Voice
13. 01:07:45 Ornette Coleman Alpha
14. 01:12:01 Ornette Coleman When Will The Blues Leave?
15. 01:17:05 Ornette Coleman The Sphinx
Enjoy two classic Ornette Coleman albums digitally remastered for optimum listening! 'The Shape Of Jazz To Come' and 'Something Else!!!!' are iconic records for any Coleman aficionado or jazz fan's collection.
© Not Now Music Ltd 2011
℗ Not Now Music Ltd 2011 .
This is officially licensed content, not a copyright infringement. If you should have any objections, please get in touch with finetunes first.
- published: 13 Feb 2015
- views: 31960
Ornette Coleman - Lonely Woman
- Order: Reorder
- Duration: 5:03
- Updated: 03 Feb 2010
- views: 609456
Ornette Coleman
"Lonely Woman"
Album: The Shape Of Jazz To Come
Released: 1959
Length: 5'02"
Wikipedia: http://en.wikipedia.org/wiki/The_Shape_of_Jazz_to_Come
Ornette Coleman
"Lonely Woman"
Album: The Shape Of Jazz To Come
Released: 1959
Length: 5'02"
Wikipedia: http://en.wikipedia.org/wiki/The_Shape_of_Jazz_to_Come
wn.com/Ornette Coleman Lonely Woman
Ornette Coleman
"Lonely Woman"
Album: The Shape Of Jazz To Come
Released: 1959
Length: 5'02"
Wikipedia: http://en.wikipedia.org/wiki/The_Shape_of_Jazz_to_Come
- published: 03 Feb 2010
- views: 609456
Ornette Coleman - Dancing in your head [FULL ALBUM]
- Order: Reorder
- Duration: 35:34
- Updated: 30 Mar 2013
- views: 47344
Dancing in Your Head is a 1976 release by jazz artist Ornette Coleman. It was the first to feature his electric band, which later became known as Prime Time.
T...
Dancing in Your Head is a 1976 release by jazz artist Ornette Coleman. It was the first to feature his electric band, which later became known as Prime Time.
Tracklist:
1. Theme from a Symphony (variation one)
2. Theme from a Symphony (variation two)
3. Midnight Sunrise
4. Midnight Sunrise (alternate take)
Ornette Coleman - alto saxophone
Bern Nix - 1st lead guitar
Charlie Ellerbee - 2nd lead guitar
Rudy McDaniel - Bass guitar
Shannon Jackson - drums
Robert Palmer - clarinet on "Midnight Sunrise"
Master Musicians of Jajouka on "Midnight Sunrise"
wn.com/Ornette Coleman Dancing In Your Head Full Album
Dancing in Your Head is a 1976 release by jazz artist Ornette Coleman. It was the first to feature his electric band, which later became known as Prime Time.
Tracklist:
1. Theme from a Symphony (variation one)
2. Theme from a Symphony (variation two)
3. Midnight Sunrise
4. Midnight Sunrise (alternate take)
Ornette Coleman - alto saxophone
Bern Nix - 1st lead guitar
Charlie Ellerbee - 2nd lead guitar
Rudy McDaniel - Bass guitar
Shannon Jackson - drums
Robert Palmer - clarinet on "Midnight Sunrise"
Master Musicians of Jajouka on "Midnight Sunrise"
- published: 30 Mar 2013
- views: 47344
The Ornette Coleman Double Quartet - Free Jazz
- Order: Reorder
- Duration: 37:14
- Updated: 18 May 2013
- views: 119805
The Ornette Coleman Double Quartet
"Free Jazz"
Free Jazz
1961
Alto Saxophone -- Ornette Coleman
Bass -- Charlie Haden, Scott La Faro
Bass Clarinet -- Eric Dolp...
The Ornette Coleman Double Quartet
"Free Jazz"
Free Jazz
1961
Alto Saxophone -- Ornette Coleman
Bass -- Charlie Haden, Scott La Faro
Bass Clarinet -- Eric Dolphy
Drums -- Billy Higgins, Ed Blackwell
Trumpet -- Freddie Hubbard
Trumpet [Pocket] -- Don Cherry
Written-By -- Ornette Coleman
wn.com/The Ornette Coleman Double Quartet Free Jazz
The Ornette Coleman Double Quartet
"Free Jazz"
Free Jazz
1961
Alto Saxophone -- Ornette Coleman
Bass -- Charlie Haden, Scott La Faro
Bass Clarinet -- Eric Dolphy
Drums -- Billy Higgins, Ed Blackwell
Trumpet -- Freddie Hubbard
Trumpet [Pocket] -- Don Cherry
Written-By -- Ornette Coleman
- published: 18 May 2013
- views: 119805
Ornette Coleman - 1965 Bremen / 1966 Paris
- Order: Reorder
- Duration: 74:11
- Updated: 12 Jun 2015
- views: 11973
ORNETTE COLEMAN R.I.P. 1930-2015
Live at the Sendesaal, Bremen, Germany; December 3, 1965.
Excellent satellite broadcast.
Live in Paris, France; February 12...
ORNETTE COLEMAN R.I.P. 1930-2015
Live at the Sendesaal, Bremen, Germany; December 3, 1965.
Excellent satellite broadcast.
Live in Paris, France; February 12, 1966.
Fair to good FM broadcast though some might call it “muddy”.
Bremen 1965
00:00 Lonely Woman 16:10
16:10 Clergyman’s Dream 15:09
31:18 Sadness 4:45
35:24 The Sphinx 10:27
Paris 1966
0:45:51 Doughnut 14:45
1:00:36 Ballad 13:34
Lineup:
Ornette Coleman - alto saxophone, trumpet, violin
David Izenzon – bass
Charles Moffet – drums
Ornette Coleman, the alto saxophonist and composer who was one of the most powerful and contentious innovators in the history of jazz, died on June 11, 2015 in Manhattan. He was 85. The cause was cardiac arrest, a family representative said. Coleman widened the options in jazz and helped change its course. Partly through his example in the late 1950s and early ’60s, jazz became less beholden to the rules of harmony and rhythm and gained more distance from the American songbook repertoire. His own music, then and later, embodied a new type of highly informed folk song: deceptively simple melodies for small groups with an intuitive, collective musical language and a strategy for playing without preconceived chord sequences. In 2007, he won the Pulitzer Prize for his album “Sound Grammar.”
His early work - a personal answer to his fellow alto saxophonist and innovator Charlie Parker - lay right within the jazz tradition and generated a handful of standards for jazz musicians of the last half-century. But he later challenged assumptions about jazz from top to bottom, bringing in his own ideas about instrumentation, process and technical expertise. He was more voluble and theoretical than John Coltrane, the other great pathbreaker of that jazz era. He was a kind of musician-philosopher, whose interests went well beyond jazz. He was seen as a native avant-gardist, personifying the American independent will as much as any artist of the last century. - The New York Times
wn.com/Ornette Coleman 1965 Bremen 1966 Paris
ORNETTE COLEMAN R.I.P. 1930-2015
Live at the Sendesaal, Bremen, Germany; December 3, 1965.
Excellent satellite broadcast.
Live in Paris, France; February 12, 1966.
Fair to good FM broadcast though some might call it “muddy”.
Bremen 1965
00:00 Lonely Woman 16:10
16:10 Clergyman’s Dream 15:09
31:18 Sadness 4:45
35:24 The Sphinx 10:27
Paris 1966
0:45:51 Doughnut 14:45
1:00:36 Ballad 13:34
Lineup:
Ornette Coleman - alto saxophone, trumpet, violin
David Izenzon – bass
Charles Moffet – drums
Ornette Coleman, the alto saxophonist and composer who was one of the most powerful and contentious innovators in the history of jazz, died on June 11, 2015 in Manhattan. He was 85. The cause was cardiac arrest, a family representative said. Coleman widened the options in jazz and helped change its course. Partly through his example in the late 1950s and early ’60s, jazz became less beholden to the rules of harmony and rhythm and gained more distance from the American songbook repertoire. His own music, then and later, embodied a new type of highly informed folk song: deceptively simple melodies for small groups with an intuitive, collective musical language and a strategy for playing without preconceived chord sequences. In 2007, he won the Pulitzer Prize for his album “Sound Grammar.”
His early work - a personal answer to his fellow alto saxophonist and innovator Charlie Parker - lay right within the jazz tradition and generated a handful of standards for jazz musicians of the last half-century. But he later challenged assumptions about jazz from top to bottom, bringing in his own ideas about instrumentation, process and technical expertise. He was more voluble and theoretical than John Coltrane, the other great pathbreaker of that jazz era. He was a kind of musician-philosopher, whose interests went well beyond jazz. He was seen as a native avant-gardist, personifying the American independent will as much as any artist of the last century. - The New York Times
- published: 12 Jun 2015
- views: 11973
Ornette Coleman Sextet - Free Jazz (1of 3)
- Order: Reorder
- Duration: 9:02
- Updated: 02 Jul 2009
- views: 244990
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar; Fred Williams - bass; Shannon Jackson - drums; Denardo Coleman - drum...
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar; Fred Williams - bass; Shannon Jackson - drums; Denardo Coleman - drums
wn.com/Ornette Coleman Sextet Free Jazz (1Of 3)
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar; Fred Williams - bass; Shannon Jackson - drums; Denardo Coleman - drums
- published: 02 Jul 2009
- views: 244990
Ornette Coleman - Ramblin'
- Order: Reorder
- Duration: 6:39
- Updated: 09 Feb 2010
- views: 155507
Ramblin'
Album:
Change of the Century (1960)
Written by:
Ornette Coleman
Personnel:
Ornette Coleman — alto saxophone
Don Cherry — pocket trumpet
C...
Ramblin'
Album:
Change of the Century (1960)
Written by:
Ornette Coleman
Personnel:
Ornette Coleman — alto saxophone
Don Cherry — pocket trumpet
Charlie Haden — bass
Billy Higgins — drums
wn.com/Ornette Coleman Ramblin'
Ramblin'
Album:
Change of the Century (1960)
Written by:
Ornette Coleman
Personnel:
Ornette Coleman — alto saxophone
Don Cherry — pocket trumpet
Charlie Haden — bass
Billy Higgins — drums
- published: 09 Feb 2010
- views: 155507
Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]
- Order: Reorder
- Duration: 28:00
- Updated: 17 Sep 2011
- views: 73915
Ornette Coleman Trio featuring David Izenzon & Charles Moffett
Part 2 (Roland Kirk & John Cage - Sound??):
http://www.youtube.com/watch?v=7m4xkY0WgVw
In this...
Ornette Coleman Trio featuring David Izenzon & Charles Moffett
Part 2 (Roland Kirk & John Cage - Sound??):
http://www.youtube.com/watch?v=7m4xkY0WgVw
In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?".
Realized by Richard "Dick" Fontaine--who is considered to be one of the founding fathers of erotic gay cinema (with such famous titles as "The Days of Greek Gods") and that years later realized the full length film "Art Blakey: The Jazz Messenger"-. the film was made in three days and offers a portrait of the trio that becomes an "ironic essay in dignity in the face of insanity". Ornette, who in this era was one of the leaders of the Jazz Avant-garde movement, faced the challenge with his two fellow musicians by responding with passionate improvisations to the stimuli that reached him from the screen where the images are projected. A priceless testimony to the innovations which revolutionized the world of jazz in the sixties.
The second film, also directed by Fontaine, is a curious and original musical and cinematographic experiment. Its strange title, "Sound??", clearly indicates the objective of the work, which is merely to take advantage of the ideas of an innovative jazzman (Roland Kirk) in order to permit an Avant-garde contemporary (John Cage) to speculate with silence and with sound as two facets of the same reality.
Kirk appears in the film demonstrating his ability to play three saxophones simultaneously, incorporating at the same time recordings of birdsongs or his giving out whistles to the audience in order that they accompany him "in the key of w, if you please". Parallel to this, Cage talks about his concepts and prepares a piece "musical bicycle" with two of his collaborators at the Seville Theatre of London, introducing Kirk's music in an echo chamber in its search for the sound of silence. Two extraordinary examples of immortal Avant-gardism.
wn.com/Ornette Coleman Trio Performing The Soundtrack (1966) Dvd Quality
Ornette Coleman Trio featuring David Izenzon & Charles Moffett
Part 2 (Roland Kirk & John Cage - Sound??):
http://www.youtube.com/watch?v=7m4xkY0WgVw
In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?".
Realized by Richard "Dick" Fontaine--who is considered to be one of the founding fathers of erotic gay cinema (with such famous titles as "The Days of Greek Gods") and that years later realized the full length film "Art Blakey: The Jazz Messenger"-. the film was made in three days and offers a portrait of the trio that becomes an "ironic essay in dignity in the face of insanity". Ornette, who in this era was one of the leaders of the Jazz Avant-garde movement, faced the challenge with his two fellow musicians by responding with passionate improvisations to the stimuli that reached him from the screen where the images are projected. A priceless testimony to the innovations which revolutionized the world of jazz in the sixties.
The second film, also directed by Fontaine, is a curious and original musical and cinematographic experiment. Its strange title, "Sound??", clearly indicates the objective of the work, which is merely to take advantage of the ideas of an innovative jazzman (Roland Kirk) in order to permit an Avant-garde contemporary (John Cage) to speculate with silence and with sound as two facets of the same reality.
Kirk appears in the film demonstrating his ability to play three saxophones simultaneously, incorporating at the same time recordings of birdsongs or his giving out whistles to the audience in order that they accompany him "in the key of w, if you please". Parallel to this, Cage talks about his concepts and prepares a piece "musical bicycle" with two of his collaborators at the Seville Theatre of London, introducing Kirk's music in an echo chamber in its search for the sound of silence. Two extraordinary examples of immortal Avant-gardism.
- published: 17 Sep 2011
- views: 73915
Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008
- Order: Reorder
- Duration: 4:16
- Updated: 20 Jan 2011
- views: 123780
Ornette Coleman - In Berlin (1972)
- Order: Reorder
- Duration: 6:38
- Updated: 14 Apr 2014
- views: 26800
Ornette Coleman - alto saxophone
Ornette Coleman - alto saxophone
wn.com/Ornette Coleman In Berlin (1972)
Interview with Ornette Coleman
- Order: Reorder
- Duration: 5:40
- Updated: 04 Feb 2008
- views: 52118
Interview with Ornette Coleman
Interview with Ornette Coleman
wn.com/Interview With Ornette Coleman
Ornette Coleman - Buddha Blues
- Order: Reorder
- Duration: 13:14
- Updated: 17 Nov 2010
- views: 158995
This appears to be Coleman's only recorded use of the suona, a kind of wooden oboe with a distinctive loud and high-pitched sound. An important folk instrument ...
This appears to be Coleman's only recorded use of the suona, a kind of wooden oboe with a distinctive loud and high-pitched sound. An important folk instrument in northern China, it is occasionally still used to accompany weddings and funerals, as part of wind-and-percussion ensembles known as chuida or guchui. In Taiwan, it forms an essential element of the ritual music that accompanies Daoist performances of both auspicious and inauspicious rites, i.e., those for both the living and the dead. The suona has a conical wooden body, similar to that of the European oboe, but uses a tubular brass or copper bocal to which a small double reed is affixed, and possesses a detachable metal bell at its end. The instrument is made in several sizes. Since the mid-20th century, "modernized" versions of the suona have been developed in China; such instruments have keys similar to those of the European oboe, to allow for the playing of chromatic notes and equal tempered tuning (both of which are difficult to execute on the traditional suona).
The suona doesn't appear on any of Coleman's official releases, and thus we have to turn to a single track from a bootleg collection of live performances, recorded in Italy in 1968, initially released on LP as 'The Unprecedented Music of Ornette Coleman' (with sleeve design by Japanese free saxophonist Kaoru Abe), and subsequently on CD as 'The Love Revolution'. Given that Coleman had started to employ trumpet and violin alongside his more familiar alto sax during the mid-60s , it seems that his use of the suona came from a similar spirit: the desire to achieve a freshness in his playing, to utilise an instrument on which his fingers would not automatically go to familiar patterns and licks, and on which he could create new sounds and textures. It's interesting to note too that, around this time, Don Cherry was beginning his 'world music' explorations, and perhaps Ornette's use of a Chinese instrument was part of the same spirit . (There is a photograph of Albert Ayler playing a similar double-reed instrument during the late 60s, though he seems not to have recorded on it.)
On the bootleg, the instrument is credited as a 'shanai' (the latter due to its similarity to the Indian shehnai, another double-(in fact, quadruple-)reed instrument which had been played by Yusef Lateef, and had also made an appearance on the Rolling Stones' 'Street Fighting Man'); Coleman apparently bought it in a shop in Chinatown. He also, reportedly, gave one to Don Van Vliet (aka Captain Beefheart), and its distinctive nasal twang can be heard on Vliet's 'Mirror Man' sessions, as well as on a number of records by Coleman collaborator Dewey Redman, where it is described as a 'musette' (e.g. http://www.youtube.com/watch?v=VZce4IgXcRw).
Coleman is accompanied on the 13-minute-long performance of 'Buddha Blues' by the bassists Charlie Haden (who provides a more up-front, supporting role) and David Izenzon (who takes on a more free-floating, unpredictable, colouristic function); on drums is Ed Blackwell, digging into his New Orleans heritage to provide a funky backdrop for the leader's slurring stream-of-consciousness. It's a fine performance, and an provides an intriguing glimpse of another facet to Coleman's artistry.
[Information about the suona taken from Wikipedia; Colour Photo of Ornette & Deonardo Coleman by Elliott Landy, Taken in Central Park, NYC, 1969; B&W; Photos of Ornette Coleman by Roberto Polillo]
wn.com/Ornette Coleman Buddha Blues
This appears to be Coleman's only recorded use of the suona, a kind of wooden oboe with a distinctive loud and high-pitched sound. An important folk instrument in northern China, it is occasionally still used to accompany weddings and funerals, as part of wind-and-percussion ensembles known as chuida or guchui. In Taiwan, it forms an essential element of the ritual music that accompanies Daoist performances of both auspicious and inauspicious rites, i.e., those for both the living and the dead. The suona has a conical wooden body, similar to that of the European oboe, but uses a tubular brass or copper bocal to which a small double reed is affixed, and possesses a detachable metal bell at its end. The instrument is made in several sizes. Since the mid-20th century, "modernized" versions of the suona have been developed in China; such instruments have keys similar to those of the European oboe, to allow for the playing of chromatic notes and equal tempered tuning (both of which are difficult to execute on the traditional suona).
The suona doesn't appear on any of Coleman's official releases, and thus we have to turn to a single track from a bootleg collection of live performances, recorded in Italy in 1968, initially released on LP as 'The Unprecedented Music of Ornette Coleman' (with sleeve design by Japanese free saxophonist Kaoru Abe), and subsequently on CD as 'The Love Revolution'. Given that Coleman had started to employ trumpet and violin alongside his more familiar alto sax during the mid-60s , it seems that his use of the suona came from a similar spirit: the desire to achieve a freshness in his playing, to utilise an instrument on which his fingers would not automatically go to familiar patterns and licks, and on which he could create new sounds and textures. It's interesting to note too that, around this time, Don Cherry was beginning his 'world music' explorations, and perhaps Ornette's use of a Chinese instrument was part of the same spirit . (There is a photograph of Albert Ayler playing a similar double-reed instrument during the late 60s, though he seems not to have recorded on it.)
On the bootleg, the instrument is credited as a 'shanai' (the latter due to its similarity to the Indian shehnai, another double-(in fact, quadruple-)reed instrument which had been played by Yusef Lateef, and had also made an appearance on the Rolling Stones' 'Street Fighting Man'); Coleman apparently bought it in a shop in Chinatown. He also, reportedly, gave one to Don Van Vliet (aka Captain Beefheart), and its distinctive nasal twang can be heard on Vliet's 'Mirror Man' sessions, as well as on a number of records by Coleman collaborator Dewey Redman, where it is described as a 'musette' (e.g. http://www.youtube.com/watch?v=VZce4IgXcRw).
Coleman is accompanied on the 13-minute-long performance of 'Buddha Blues' by the bassists Charlie Haden (who provides a more up-front, supporting role) and David Izenzon (who takes on a more free-floating, unpredictable, colouristic function); on drums is Ed Blackwell, digging into his New Orleans heritage to provide a funky backdrop for the leader's slurring stream-of-consciousness. It's a fine performance, and an provides an intriguing glimpse of another facet to Coleman's artistry.
[Information about the suona taken from Wikipedia; Colour Photo of Ornette & Deonardo Coleman by Elliott Landy, Taken in Central Park, NYC, 1969; B&W; Photos of Ornette Coleman by Roberto Polillo]
- published: 17 Nov 2010
- views: 158995
Ornette Coleman – Body Meta (Full Album)
- Order: Reorder
- Duration: 41:59
- Updated: 10 Jan 2016
- views: 465
Ornette Coleman – Body Meta
Label: Artists House – AH 1
Format: Vinyl, LP, Album, Gatefold
Country: US
Released: 1978
Genre: Jazz
Style: Free Jazz
A1. Voice...
Ornette Coleman – Body Meta
Label: Artists House – AH 1
Format: Vinyl, LP, Album, Gatefold
Country: US
Released: 1978
Genre: Jazz
Style: Free Jazz
A1. Voice Poetry 0:00
A2. Home Grown 8:10
B1. Macho Woman 15:58
B2. Fou Amour 23:41
B3. European Echoes 32:18
wn.com/Ornette Coleman – Body Meta (Full Album)
Ornette Coleman Quintet Live October 1958 at the Hillcrest Club, Los Angeles California
- Order: Reorder
- Duration: 66:24
- Updated: 24 Dec 2014
- views: 20278
1 Klactoveedsestene 12:07
2 I Remember Harlem - 3:52 (12:07)
3 The Blessing 9:38 (15:59)
4 Free 5:39 (25:37)
5 Ramblin' 14:06 (31:16)
6 How Deep Is The Oc...
1 Klactoveedsestene 12:07
2 I Remember Harlem - 3:52 (12:07)
3 The Blessing 9:38 (15:59)
4 Free 5:39 (25:37)
5 Ramblin' 14:06 (31:16)
6 How Deep Is The Ocean? 4:35 (45:46)
7 When Will The Blues Leave? 14:29 (50:21)
8 Crossroads 1:54 (1:04:28)
Alto Saxophone – Ornette Coleman
Bass – Charlie Haden
Drums – Billy Higgins
Piano – Paul Bley
Trumpet – Don Cherry
Recorded Live October 1958 at the Hillcrest Club, Los Angeles California
Notes:
The true origins of free jazz... Just as the famous 1940-41 Jerry Newman recordings at Minton's and Clark Monroe's Uptown House captured the transition from swing to bebop, the music on this CD (compiled here on one set for the first time ever) marks one of the first steps from bebop into what would soon be called "free jazz". The whole quintet consisted of modern players working with the same concept: a freer way of playing jazz, which transcended the strict confines of melody, harmony and rhythm. They would create a whole new idiom by constructing music via the interplay of simultaneous collective improvisation.
These concerts are the only known recorded works of Paul Bley with Ornette Coleman, Don Cherry or Billy Higgins, both separately and as a unit. Even though it may not have been a regular unit or a stylistically defined group, the quintet heard on these historic Hillcrest recordings shows a highly creative level, and transmits a contagious excitement and a continuous search for new musical ideas and new ways to express themselves that makes this music as impressive today as it was when it was first performed nearly fifty years ago.
http://www.freshsoundrecords.com/complete_live_at_the_hillcrest_club-cd-4771.html
wn.com/Ornette Coleman Quintet Live October 1958 At The Hillcrest Club, Los Angeles California
1 Klactoveedsestene 12:07
2 I Remember Harlem - 3:52 (12:07)
3 The Blessing 9:38 (15:59)
4 Free 5:39 (25:37)
5 Ramblin' 14:06 (31:16)
6 How Deep Is The Ocean? 4:35 (45:46)
7 When Will The Blues Leave? 14:29 (50:21)
8 Crossroads 1:54 (1:04:28)
Alto Saxophone – Ornette Coleman
Bass – Charlie Haden
Drums – Billy Higgins
Piano – Paul Bley
Trumpet – Don Cherry
Recorded Live October 1958 at the Hillcrest Club, Los Angeles California
Notes:
The true origins of free jazz... Just as the famous 1940-41 Jerry Newman recordings at Minton's and Clark Monroe's Uptown House captured the transition from swing to bebop, the music on this CD (compiled here on one set for the first time ever) marks one of the first steps from bebop into what would soon be called "free jazz". The whole quintet consisted of modern players working with the same concept: a freer way of playing jazz, which transcended the strict confines of melody, harmony and rhythm. They would create a whole new idiom by constructing music via the interplay of simultaneous collective improvisation.
These concerts are the only known recorded works of Paul Bley with Ornette Coleman, Don Cherry or Billy Higgins, both separately and as a unit. Even though it may not have been a regular unit or a stylistically defined group, the quintet heard on these historic Hillcrest recordings shows a highly creative level, and transmits a contagious excitement and a continuous search for new musical ideas and new ways to express themselves that makes this music as impressive today as it was when it was first performed nearly fifty years ago.
http://www.freshsoundrecords.com/complete_live_at_the_hillcrest_club-cd-4771.html
- published: 24 Dec 2014
- views: 20278
Ornette Coleman and Prime Time with, Pat Metheny Montreal Live, 1988 [full]
- Order: Reorder
- Duration: 58:53
- Updated: 10 Aug 2015
- views: 4283
みなさま、お待たせいたしました。
あのライブのフル動画です。
途中２、３か所に途切れ入ってますがご了承ください。
画質は当時のVHSソースですのでご理解よろしくです。
みなさま、お待たせいたしました。
あのライブのフル動画です。
途中２、３か所に途切れ入ってますがご了承ください。
画質は当時のVHSソースですのでご理解よろしくです。
wn.com/Ornette Coleman And Prime Time With, Pat Metheny Montreal Live, 1988 Full
みなさま、お待たせいたしました。
あのライブのフル動画です。
途中２、３か所に途切れ入ってますがご了承ください。
画質は当時のVHSソースですのでご理解よろしくです。
- published: 10 Aug 2015
- views: 4283
Ornette Coleman - Peace
- Order: Reorder
- Duration: 9:06
- Updated: 27 Mar 2011
- views: 53791
The Shape of Jazz to Come is an influential album by Ornette Coleman. It was his debut album for Atlantic Records who released it in late 1959.
The Shape of ...
The Shape of Jazz to Come is an influential album by Ornette Coleman. It was his debut album for Atlantic Records who released it in late 1959.
The Shape of Jazz to Come was one of the first avant-garde jazz albums ever recorded. It was recorded in 1959 by Coleman's piano-less quartet. The album was considered shocking at the time, because it had no recognizable chord structure and included simultaneous improvisation by the performers in a much freer style than previously heard in jazz.
Coleman's major breakthrough was to leave out chord-playing instruments. Each selection contains a brief melody, much like the tune of a typical jazz song, then several minutes of free improvisation, followed by a repetition of the main theme; while this resembles the conventional head-solo-head structure of bebop, it abandons the use of chord structures.
1."Lonely Woman" -- 5:02
2."Eventually" -- 4:22
3."Peace" -- 9:04
4."Focus on Sanity" -- 6:52
5."Congeniality" -- 6:48
6."Chronology" -- 6:03
wn.com/Ornette Coleman Peace
The Shape of Jazz to Come is an influential album by Ornette Coleman. It was his debut album for Atlantic Records who released it in late 1959.
The Shape of Jazz to Come was one of the first avant-garde jazz albums ever recorded. It was recorded in 1959 by Coleman's piano-less quartet. The album was considered shocking at the time, because it had no recognizable chord structure and included simultaneous improvisation by the performers in a much freer style than previously heard in jazz.
Coleman's major breakthrough was to leave out chord-playing instruments. Each selection contains a brief melody, much like the tune of a typical jazz song, then several minutes of free improvisation, followed by a repetition of the main theme; while this resembles the conventional head-solo-head structure of bebop, it abandons the use of chord structures.
1."Lonely Woman" -- 5:02
2."Eventually" -- 4:22
3."Peace" -- 9:04
4."Focus on Sanity" -- 6:52
5."Congeniality" -- 6:48
6."Chronology" -- 6:03
- published: 27 Mar 2011
- views: 53791
Cecil Taylor Piano at Ornette Coleman Memorial
- Order: Reorder
- Duration: 5:13
- Updated: 28 Jun 2015
- views: 15031
New York, June 27, 2015----Cecil Taylor's sublime musical tribute to Ornette Coleman (1930-2015) at the Riverside Church in West Harlem today. Filmed by Liza Be...
New York, June 27, 2015----Cecil Taylor's sublime musical tribute to Ornette Coleman (1930-2015) at the Riverside Church in West Harlem today. Filmed by Liza Bear. See also my photos from the memorial at https://www.facebook.com/liza.bear.56
wn.com/Cecil Taylor Piano At Ornette Coleman Memorial
New York, June 27, 2015----Cecil Taylor's sublime musical tribute to Ornette Coleman (1930-2015) at the Riverside Church in West Harlem today. Filmed by Liza Bear. See also my photos from the memorial at https://www.facebook.com/liza.bear.56
- published: 28 Jun 2015
- views: 15031
Ornette Coleman - Dancing In Your Head (live)
- Order: Reorder
- Duration: 8:00
- Updated: 25 Jan 2008
- views: 338577
The Ornette Coleman PrimeTime Band Is:
Ornette Coleman - Alto Sax, Violin, & Trumpet
Burn Nix - Guitar
Charles Ellerbee - Guitar
Larry McRae - Bass
Albe...
The Ornette Coleman PrimeTime Band Is:
Ornette Coleman - Alto Sax, Violin, & Trumpet
Burn Nix - Guitar
Charles Ellerbee - Guitar
Larry McRae - Bass
Albert McDowell - Bass
Denardo Coleman - Drums
Kamal Sabir - Drums
wn.com/Ornette Coleman Dancing In Your Head (Live)
Ornette Coleman Quartet - Turnaround
- Order: Reorder
- Duration: 8:01
- Updated: 29 Jan 2012
- views: 56182
Ornette Coleman Quartet - Turnaround (1959)
Personnel: Don Cherry (cornet), Ornette Coleman (alto sax), Red Mitchell (bass), Shelly Manne (drums)
from the alb...
Ornette Coleman Quartet - Turnaround (1959)
Personnel: Don Cherry (cornet), Ornette Coleman (alto sax), Red Mitchell (bass), Shelly Manne (drums)
from the album 'TOMORROW IS THE QUESTION!' (Contemporary Records)
wn.com/Ornette Coleman Quartet Turnaround
Ornette Coleman Quartet - Turnaround (1959)
Personnel: Don Cherry (cornet), Ornette Coleman (alto sax), Red Mitchell (bass), Shelly Manne (drums)
from the album 'TOMORROW IS THE QUESTION!' (Contemporary Records)
- published: 29 Jan 2012
- views: 56182
Ornette Coleman Solo - Rare!
- Order: Reorder
- Duration: 21:03
- Updated: 28 Nov 2015
- views: 2708
A rare recording of Ornette Coleman playing solo piano, and saxophone, from Jazztage, Berlin, 1971.
- published: 28 Nov 2015
- views: 2708
Ornette Coleman Quartet :: Roma 1974 #1
- Order: Reorder
- Duration: 7:49
- Updated: 05 Jun 2006
- views: 253265
Grabación de la televisión italiana (Schegge, Rai 3) del cuarteto de Ornette Coleman en 1974. El tema que interpretan es "School Work", melodía recurrente de Or...
Grabación de la televisión italiana (Schegge, Rai 3) del cuarteto de Ornette Coleman en 1974. El tema que interpretan es "School Work", melodía recurrente de Ornette que más tarde volvería a aparecer como "The Good Life" en su obra sinfónica Skies Of America (1972) y que finalmente se convertiría en el núcleo de Dancing in Your Head (1973). A la guitarra James "Blood" Ulmer, Ornette empezaba en esta época a experimentar con nuevas configuraciones del cuarteto introduciendo instrumentos eléctricos. La cinta presenta a Coleman en el periodo de transición y experimentación en que se formó Prime Time.
Ornette Coleman: saxo ; James Ulmer: guitarra ; Sirone: bajo; Billy Higgins: batería
wn.com/Ornette Coleman Quartet Roma 1974 1
Grabación de la televisión italiana (Schegge, Rai 3) del cuarteto de Ornette Coleman en 1974. El tema que interpretan es "School Work", melodía recurrente de Ornette que más tarde volvería a aparecer como "The Good Life" en su obra sinfónica Skies Of America (1972) y que finalmente se convertiría en el núcleo de Dancing in Your Head (1973). A la guitarra James "Blood" Ulmer, Ornette empezaba en esta época a experimentar con nuevas configuraciones del cuarteto introduciendo instrumentos eléctricos. La cinta presenta a Coleman en el periodo de transición y experimentación en que se formó Prime Time.
Ornette Coleman: saxo ; James Ulmer: guitarra ; Sirone: bajo; Billy Higgins: batería
- published: 05 Jun 2006
- views: 253265
Ornette Coleman - Snowflakes And Sunshine
- Order: Reorder
- Duration: 10:47
- Updated: 01 Aug 2011
- views: 6855
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38:14
Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]
Ornette Coleman - The Shape of Jazz to Come
Recorded and released in 1959
Tracklist:
00:0...
published: 28 Dec 2013
Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]
Ornette Coleman - The Shape of Jazz to Come (1959) [Full Album]
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- published: 28 Dec 2013
- views: 191988
81:30
Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]
Ornette Coleman - The Shape Of Jazz To Come
Released 2011-06-10 on Not Now Music
1. 00:00...
published: 13 Feb 2015
Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]
Ornette Coleman - The Shape Of Jazz To Come (Not Now Music) [Full Album]
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- published: 13 Feb 2015
- views: 31960
5:03
Ornette Coleman - Lonely Woman
Ornette Coleman
"Lonely Woman"
Album: The Shape Of Jazz To Come
Released: 1959
Length: 5'0...
published: 03 Feb 2010
Ornette Coleman - Lonely Woman
Ornette Coleman - Lonely Woman
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- published: 03 Feb 2010
- views: 609456
35:34
Ornette Coleman - Dancing in your head [FULL ALBUM]
Dancing in Your Head is a 1976 release by jazz artist Ornette Coleman. It was the first to...
published: 30 Mar 2013
Ornette Coleman - Dancing in your head [FULL ALBUM]
Ornette Coleman - Dancing in your head [FULL ALBUM]
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- published: 30 Mar 2013
- views: 47344
37:14
The Ornette Coleman Double Quartet - Free Jazz
The Ornette Coleman Double Quartet
"Free Jazz"
Free Jazz
1961
Alto Saxophone -- Ornette C...
published: 18 May 2013
The Ornette Coleman Double Quartet - Free Jazz
The Ornette Coleman Double Quartet - Free Jazz
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- published: 18 May 2013
- views: 119805
74:11
Ornette Coleman - 1965 Bremen / 1966 Paris
ORNETTE COLEMAN R.I.P. 1930-2015
Live at the Sendesaal, Bremen, Germany; December 3, 1965...
published: 12 Jun 2015
Ornette Coleman - 1965 Bremen / 1966 Paris
Ornette Coleman - 1965 Bremen / 1966 Paris
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- published: 12 Jun 2015
- views: 11973
9:02
Ornette Coleman Sextet - Free Jazz (1of 3)
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar;...
published: 02 Jul 2009
Ornette Coleman Sextet - Free Jazz (1of 3)
Ornette Coleman Sextet - Free Jazz (1of 3)
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- published: 02 Jul 2009
- views: 244990
6:39
Ornette Coleman - Ramblin'
Ramblin'
Album:
Change of the Century (1960)
Written by:
Ornette Coleman
Person...
published: 09 Feb 2010
Ornette Coleman - Ramblin'
Ornette Coleman - Ramblin'
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- published: 09 Feb 2010
- views: 155507
28:00
Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]
Ornette Coleman Trio featuring David Izenzon & Charles Moffett
Part 2 (Roland Kirk & John...
published: 17 Sep 2011
Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]
Ornette Coleman Trio Performing The Soundtrack (1966) [DVD quality]
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- published: 17 Sep 2011
- views: 73915
4:16
Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008
Ornette Coleman Quartet au Theatre Antique de Vienne
published: 20 Jan 2011
Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008
Ornette Coleman - Lonely Woman, at Jazz a Vienne 2008
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- published: 20 Jan 2011
- views: 123780
6:38
Ornette Coleman - In Berlin (1972)
Ornette Coleman - alto saxophone
published: 14 Apr 2014
Ornette Coleman - In Berlin (1972)
Ornette Coleman - In Berlin (1972)
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- published: 14 Apr 2014
- views: 26800
5:40
Interview with Ornette Coleman
Interview with Ornette Coleman
published: 04 Feb 2008
Interview with Ornette Coleman
Interview with Ornette Coleman
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- published: 04 Feb 2008
- views: 52118
13:14
Ornette Coleman - Buddha Blues
This appears to be Coleman's only recorded use of the suona, a kind of wooden oboe with a ...
published: 17 Nov 2010
Ornette Coleman - Buddha Blues
Ornette Coleman - Buddha Blues
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- published: 17 Nov 2010
- views: 158995
41:59
Ornette Coleman – Body Meta (Full Album)
Ornette Coleman – Body Meta
Label: Artists House – AH 1
Format: Vinyl, LP, Album, Gatefo...
published: 10 Jan 2016
Ornette Coleman – Body Meta (Full Album)
Ornette Coleman – Body Meta (Full Album)
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- published: 10 Jan 2016
- views: 465
Ornette Coleman - The Shape of Jazz to Come (1959)...
Ornette Coleman - The Shape Of Jazz To Come (Not N...
Ornette Coleman - Lonely Woman...
![Ornette Coleman - Dancing in your head [FULL ALBUM]](http://web.archive.org./web/20160418230532/http://i.ytimg.com/vi/PHacXpUis1U/0.jpg)
Ornette Coleman - Dancing in your head [FULL ALBUM...
The Ornette Coleman Double Quartet - Free Jazz...
Ornette Coleman - 1965 Bremen / 1966 Paris...
Ornette Coleman Sextet - Free Jazz (1of 3)...
Ornette Coleman - Ramblin'...
Ornette Coleman Trio Performing The Soundtrack (19...
Ornette Coleman - Lonely Woman, at Jazz a Vienne 2...
Ornette Coleman - In Berlin (1972)...
Interview with Ornette Coleman...
Ornette Coleman - Buddha Blues...
Ornette Coleman – Body Meta (Full Album)...
Ornette Coleman Quintet Live October 1958 at the H...
Ornette Coleman and Prime Time with, Pat Metheny M...
Ornette Coleman - Peace...
Cecil Taylor Piano at Ornette Coleman Memorial...
Ornette Coleman - Dancing In Your Head (live)...
Ornette Coleman Quartet - Turnaround...
Ornette Coleman Solo - Rare!...
Ornette Coleman Quartet :: Roma 1974 #1...
Ornette Coleman - Snowflakes And Sunshine...
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photo: AP / Jose Luis Magana
In A “New York Minute” Everything Can Change For Trump And Sanders
Edit WorldNews.com 18 Apr 2016
Article by WN.com Correspondent Dallas DarlingNot only is New York State the future face of the two main political parties, but with 400 delegates at stake in Tuesday’s primary race starring presidential hopefuls Donald Trump and Bernie Sanders, everything can change in a “New York minute.” Indeed, the Empire State is where millions of immigrants suddenly got a new start in life and fortunes made overnight on Wall Street....
photo: AP / Koji Ueda/AP Photo
Japan Earthquake Relief Effort Grows As U.S. Pitches In
Edit WorldNews.com 18 Apr 2016
Relief efforts continue in southern Japan following back-to-back strong earthquakes that killed at least 42 people last week and left the country in shambles, the Belfast Telegraph reported Monday.The U.S. military will join rescuers as they redouble efforts for 10 missing people on the southern island of Kyushu, where many area were cut off by landslides and road and bridge damage ... The U.S....
photo: AP / Greg Allen/Invision/AP
'Elite Overproduction' That Doomed Roman Republic Seen As Threat To U.S. Democracy
Edit WorldNews.com 18 Apr 2016
There are parallels between America’s current political situation and the conditions leading to the collapse of the Roman Republic more than 2,000 years ago, according to an International Business Times commentary published on RawStory.com.Ned Resnikoff, political capital reporter for IBT, writes that the Roman Republic was decaying long before Julius Caesar marched on the city in 49 B.C. and toppled it for good ... WN.com, Jim Berrie ....
photo: AP / Khin Maung Win
36 killed during Myanmar's water festival
Edit One India 18 Apr 2016
Nay Pyi Taw, April 18. A total of 36 people were killed and 316 injured during Myanmar's Thingyan water festival, the media reported on Monday.During the five-day water festival, 14 people were killed and 235 injured in accidents while 17 deaths ... ....
photo: GFDL / Ardfern
British Airways flight hits UFO during landing at Heathrow
Edit Ars Technica 18 Apr 2016
(credit. British Airways). Police at London's Heathrow Airport are investigating a possible drone collision with a British Airways jet while the airliner was landing ... Any damage done to the aircraft was apparently superficial ... Read 2 remaining paragraphs . Comments ....
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Music prizes announced by Pulitzer, Academy of Arts and Letters
Edit The Examiner 18 Apr 2016
Four contemporary music works have won prestigious awards in the past week, two from the American Academy of Arts and Letters, two from the Pulitzer Prize organization ... The AAAL awards are among the richest in music ... The most recent jazz winner of the music Pulitzer before Threadgill was Ornette Coleman for “Sound Grammar” in 2007. ....
Pitt Jazz Ensemble Spring Concert April 20 (University of Pittsburgh)
Edit Public Technologies 18 Apr 2016
After her studies at Pitt, she went on to New York City in 1982 and built a career performing and collaborating with some of the world's leading artists, including Ornette Coleman, Betty Carter, George Shirley, Charlie Haden, Paul Motian, Dwight Andrews, Robert Hurst, Terri Lyne Carrington, Esperanza Spalding, Billy Taylor, Marcus Belgrave, Ravi Coltrane, Jimmy Cobb, Charles Lloyd, Mary Wilson and the Supremes, and many others ... ###....
Henry Threadgill on his Pulitzer prize win for music: 'I just try to stay hopeful'
Edit The Guardian 18 Apr 2016
The great jazz musician talks about his surprise at taking the prize, what it means to win, and why avant garde music no longer needs to grate on the listener. Prior to Monday, the only jazz performers to win a Pulitzer prize for music (while still alive) were Wynton Marsalis and Ornette Coleman ... Now we can add a third name to this list ... But there is another aspect of Threadgill’s victory that is interesting in this context ... It doesn’t ... ....
Pianist Cecil Taylor makes triumphant comeback at Whitney
Edit Times Union 16 Apr 2016
No one in the audience Thursday night knew quite what to expect from Taylor. This was only his fourth public performance in the past four years, the last a brief solo at the June 2015 funeral of Ornette Coleman, who along with Taylor revolutionized jazz by launching the free-jazz movement in the late '50s. But though frail in body, Taylor was strong in spirit ... "That's the elixir of the music. ... Cecil Taylor," running until April 24 ... ___ ... ....
SYMPHONY CENTER PRESENTS JAZZ SERIES 2016/17 PROGRAMS ANNOUNCED (Chicago Symphony Orchestra)
Edit Public Technologies 12 Apr 2016
(Source. Chicago Symphony Orchestra) b3f316c6-51a7-4acc-af71-a53fd5ef95ae.pdf. For Immediate Release. Press Contacts.. April 12, 2016 Eileen Chambers, 312-294-3092. Photos Available By Request. PR@CSO.org ... New Orleans Legend Dr ... Opening the evening is the Steve Wilson/Lewis Nash Duo, two of the most sought-after musicians in jazz, with a set that features selections ranging from Ellington to Monk to Ornette Coleman-style free jazz ... 220 S....
Jazz Legend Ornette Coleman R.I.P.
Edit B&S; Online 11 Apr 2016
There will never be another Ornette Coleman.â ... Born Randolph Denard Ornette Coleman in Fort Worth, Texas, he began his career in the 1950s and went on to create the "free jazz" avante garde style ... Ornette was 14-years-old when he got his first saxophone ... But none of their studio musicians were able to play them, so Ornette was brought in to record them himself....
A Conversation With Jazz Great Joanne Brackeen (BMI - Broadcast Music lnc)
Edit Public Technologies 07 Apr 2016
(Source. BMI - Broadcast Music lnc) ... They're very closely interrelated ... I think what she was referring to was, when I started playing, the people I was surrounded by - and that largely had to do with Ornette and Charles Lloyd, people like that - we played what we felt right as we felt it ... Tell us about that ... I love many of Ornette's songs that you virtually would never hear unless you heard him play, and that's not going to happen again....
Michael Jackson (Jazz) Revisited
Edit Houston Press 06 Apr 2016
A A. Facebook0. Twitter0. More shares recommend reddit email 0. 0. The heavy hitting SFJAZZ Collective has tackled the songbooks of John Coltrane, Ornette Coleman, Herbie Hancock, and Thelonious Monk. Arguably, none have been as massive, varied, hit-making, and luminary as Michael Jackson’s ... Eubanks says part of the reason for the change of pace was to expand the reach of the band, which is in its 12th year of existence ... 17, 8.00pm ... ....
Knoxville Reaches Critical Mass With Packed Out Shows
Edit Billboard 06 Apr 2016
This year's boundary-testing Big Ears Festival in Knoxville, Tennessee, saw some amazing performances by known and unknown acts alike. But by Saturday, the event's last full day of programming, one thing was impossible to ignore ... A long line formed outside of those hoping to get in at some point mid-set; inside Halvorson offered a one-woman, all-covers repertoire that ranged from Ornette Coleman to Duke Ellington ... or New York ... ....
Obituary: Leandro ‘Gato’ Barbieri, jazz saxophonist
Edit Scotsman 05 Apr 2016
Born. November 28, 1932. Died. April 2, 2016, aged 83 ... Laura Barbieri, his wife of nearly 20 years, said her husband died on Saturday in a New York hospital from pneumonia ... He last performed at the club on 23 November ... In the 1960s, splitting his time between Rome and New York, Barbieri became part of the Ornette Coleman-inspired free jazz revolution, working extensively with trumpeter Don Cherry from Coleman's groundbreaking quartet ... ....
Latin Jazz saxophonist Gato Barbieri dies at age 83
Edit Detroit news 04 Apr 2016
Laura Barbieri, his wife of nearly 20 years, said her husband died Saturday in a New York hospital from pneumonia. The musician recently had bypass surgery to remove a blood clot ... He last performed at the club on Nov. 23 ... In the 1960s, splitting his time between Rome and New York, Barbieri became part of the Ornette Coleman-inspired free jazz revolution, working extensively with trumpeter Don Cherry from Coleman’s groundbreaking quartet....
Gato Barbieri, Latin Jazz Great and 'Last Tango in Paris' Composer, Dead at 83
Edit Rollingstone 03 Apr 2016
He was 83 ... Sidebar. Ornette Coleman. The Man Who Set Jazz Free » ... Born in Argentina in 1932, Barbieri broke into the American jazz world as part of fellow Argentine Lalo Schifrin's orchestra before immersing himself in the free jazz movement pioneered by Ornette Coleman; in the late Sixties, Barbieri worked primarily in the quartet led by trumpeter Don Cherry, another Coleman disciple ... It's very sensual." ... ....
Big Ears Festival diary – three days at Knoxville's genre-spanning event
Edit The Guardian 03 Apr 2016
Crossing the boundaries of musical styles may have become a cliché – but when you have the likes of Kamasi Washington and Laurie Anderson on hand, it can also offer an innovative and moving experience. “Boundary-crossing” and “genre-smashing” have become commonplace terms ... Case in point ... Thursday ... As on that album, she offered the Big Ears crowd bracing-but-recognizable takes on Ornette Coleman’s Sadness and Duke Ellington’s Solitude ... ....
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