Surname

A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.

In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.

The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.

The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.

Sadko

Sadko (Russian: Садко) is a character of Russian medieval epic Bylina. He was an adventurer, merchant and gusli musician from Novgorod.

Synopsis

Sadko played the gusli on the shores of a lake. The Sea Tsar enjoyed his music, and offered to help him. Sadko was instructed to make a bet with the local merchants about catching a certain fish in the lake; when he caught it (as provided by the Tsar), the merchants had to pay the wager, making Sadko a rich merchant.

Sadko traded on the seas with his new wealth, but did not pay proper respects to the Tsar as per their agreement. The Tsar stopped Sadko's ships in the sea. He and his sailors tried to appease the Sea Tsar with gold, to no avail. Sadko's crew forced him to jump into the sea. There, he played the gusli for the Sea Tsar, who offered him a new bride. On advice, he took the last maiden in a long line, and lay down beside her.

He woke up on the shore and rejoined his wife.

Motifs

In some variants, Sadko is chosen to jump overboard by throwing lots between the men. This motif, derived from the Biblical story of Jonah, is a widespread device, appearing, for instance, in Child ballad 57 Brown Robyn's Confession.