In computing, a data segment (often denoted .data) is a portion of an object file or the corresponding virtual address space of a program that contains initialized static variables, that is, global variables and static local variables. The size of this segment is determined by the size of the values in the program's source code, and does not change at run time.
The data segment is read-write, since the values of variables can be altered at run time. This is in contrast to the read-only data segment (rodata segment or .rodata), which contains static constants rather than variables; it also contrasts to the code segment, also known as the text segment, which is read-only on many architectures. Uninitialized data, both variables and constants, is instead in the BSS segment.
Historically, to be able to support memory address spaces larger than the native size of the internal address register would allow, early CPUs implemented a system of segmentation whereby they would store a small set of indexes to use as offsets to certain areas. The Intel 8086 family of CPUs provided four segments: the code segment, the data segment, the stack segment and the extra segment. Each segment was placed at a specific location in memory by the software being executed and all instructions that operated on the data within those segments were performed relative to the start of that segment. This allowed a 16-bit address register, which would normally provide 64KiB (65536 bytes) of memory space, to access a 1MiB (1048576 bytes) address space.
Data is a genus of moths of the Noctuidae family.
Lieutenant Commander Data (/ˈdeɪtə/ DAY-tə) is a character in the fictional Star Trek universe portrayed by actor Brent Spiner. He appears in the television series Star Trek: The Next Generation and the feature films Star Trek Generations, Star Trek: First Contact, Star Trek: Insurrection and Star Trek: Nemesis.
An artificial intelligence and synthetic life form designed and built by Doctor Noonien Soong, Data is a self-aware, sapient, sentient, and anatomically fully functional android who serves as the second officer and chief operations officer aboard the Federation starships USS Enterprise-D and USS Enterprise-E. His positronic brain allows him impressive computational capabilities. Data experienced ongoing difficulties during the early years of his life with understanding various aspects of human behavior and was unable to feel emotion or understand certain human idiosyncrasies, inspiring him to strive for his own humanity. This goal eventually led to the addition of an "emotion chip", also created by Soong, to Data's positronic net. Although Data's endeavor to increase his humanity and desire for human emotional experience is a significant plot point (and source of humor) throughout the series, he consistently shows a nuanced sense of wisdom, sensitivity, and curiosity, garnering immense respect from his peers and colleagues.
Musique is the French word for music.
Musique may also refer to:
Musique is the fourth studio album by the Norwegian metal band Theatre of Tragedy, released in 2000. The title on the album's cover, [ˈmjuːzɪk], is the pronunciation of the English word "music" transcribed in the International Phonetic Alphabet.
Musique is the album that marked for the band the change from gothic metal with Early Modern English lyrics to a more electronic style, using Modern English. The change in musical direction for Theatre of Tragedy was associated with a change from traditional gothic and supernatural themes to lyrics based on modern life, including technology ("Machine", "Radio"), nightlife ("Image", "The New Man") and streetfighting ("Crash/Concrete"). The song "Commute" has the line "It's more fun to commute" in its lyrics, possibly a reference to Kraftwerk's "It's more fun to compute" from their Computer World album, which in turn is a reference to "It's more fun to compete" found on old pinball machines.
Metal Mind Productions reissued the album after it had been digitally remastered using a 24-bit process on a golden disc. It includes three bonus tracks, "Quirk" (Original Version) - also known as the original version of "Image" - , "Radio" (Unreleased Mix) and "Reverie" (Unreleased Mix). The reissue is limited to 2,000 copies and was released in Europe on 27 July 2009.
Musique was a studio project by Patrick Adams, best known for the song "In the Bush." It consisted of five singers, Christine Wiltshire, Angela Howell, Gina Taylor Pickens, Mary Seymour Williams and Jocelyn Brown.
Recorded originally as a "low budget" project at Bob Blank's Blank Tape Studios in New York City (the tracking session was completed in four hours), the album Keep on Jumpin' contained only four cuts: "Keep on Jumpin'," "Summer Love," "In the Bush" and "Summer Love Theme." Adams, known for his arranging, wrote the horn section parts as the studio musicians sat waiting. Those musicians included Skip McDonald and Doug Wimbish who were among the musicians later responsible for much of the backing work at Sugar Hill Records before teaming up to become known as Tackhead in the 1980s, collaborating with Adrian Sherwood on numerous works on his label ON-U Sound in England.
Due to the overtly sexual lyrics of "In the Bush" many radio stations banned it when it was released during 1978. Because of limited airplay it only scored #58 on the U.S. Billboard Hot 100 and #21 on the Black Singles Chart, although it did top the Hot Dance Club Play chart along with the second single "Keep on Jumpin'". It also reached #16 on the UK Singles Chart in December 1978.Their second big hit, "Keep on Jumpin'" was another club success peaking at #1 on the Disco and Hot Dance Club Play chart. The song crossed over to the urban market and peaked at #81 on the Black Singles chart. Musique's debut album peaked at #62 on the Billboard 200 chart. The vocalists on the first LP Keep on Jumpin' were a pre-solo career Jocelyn Brown, Angela Howell, Gina Tharps and Christine Wiltshire. On the second LP Musique II, released in 1979, Mary Seymour, Denise Edwards and Gina Taylor took the lead vocals. Both albums were released on the Prelude Records label. "Love Massage" became another successful club hit, but failed to crossover to either the R&B or pop markets.