Rudy is a 1993 American sports film directed by David Anspaugh. It is an account of the life of Daniel "Rudy" Ruettiger, who harbored dreams of playing football at the University of Notre Dame despite significant obstacles. It was the first movie that the Notre Dame administration allowed to be shot on campus since Knute Rockne, All American in 1940.

In 2005, Rudy was named one of the best 25 sports movies of the previous 25 years in two polls by ESPN (#24 by a panel of sports experts, and #4 by ESPN.com users). It was ranked the 54th-most inspiring film of all time in the "AFI 100 Years" series.

The film was released on October 13, 1993, by TriStar Pictures. It stars Sean Astin as the title character, along with Ned Beatty, Jason Miller and Charles S. Dutton. The script was written by Angelo Pizzo, who created Hoosiers (1986), which was also directed by Anspaugh. The film was shot in Illinois and Indiana.

Plot

Daniel Eugene "Rudy" Ruettiger grows up in Joliet, Illinois dreaming of playing college football at the University of Notre Dame. Though he is achieving some success with his local high school team (Joliet Catholic), he lacks the grades and money necessary to attend Notre Dame, as well as the talent and physical stature to play football for a major intercollegiate program.

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Crime of the Century (album)

Crime of the Century is the third album by the English progressive rock band Supertramp, released in September 1974. Crime of the Century was Supertramp's commercial breakthrough in both the US and UK, aided by the UK hit "Dreamer" and the U.S. hit "Bloody Well Right". It was a UK Top 10 album and a U.S. Top 40 album, eventually being certified Gold in the U.S. in 1977 after the release of Even in the Quietest Moments.... The album was Supertramp's first to feature drummer Bob Siebenberg (at the time credited as Bob C. Benberg), woodwinds player John Anthony Helliwell, bassist Dougie Thomson, and co-producer Ken Scott.

The album's dedication reads "To Sam", which is a nickname for Stanley August Miesegaes, the Dutch millionaire who supported the band financially from 1969–72.

Background and recording

After the failure of their first two albums and an unsuccessful tour, the band broke up, and Rick Davies and Roger Hodgson recruited new members, drummer Bob C. Benberg, woodwinds player John Helliwell, and bassist Dougie Thomson. This new line-up were sent by their record label, A&M, in particular A&R man Dave Margereson (who would become their manager for the next ten years) to a seventeenth-century farm in Somerset in order to rehearse together and prepare the album.

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Tarantella

Tarantella (Italian pronunciation: [taranˈtɛlla]) is a group of various folk dances characterized by a fast upbeat tempo, usually in 6/8 time (sometimes 18/8 or 4/4), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance tammuriata in Campania, pizzica in the Salento region, Sonu a ballu in Calabria. Tarantella is popular in Southern Italy and Argentina.

History

In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly poisonous and to lead to a hysterical condition known as tarantism. This became known as the Tarantella. The oldest documents mentioning the relationship between musical exorcism and the tarantula date to around 1100 BC . R.Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later proposed that the Roman Senate had suppressed these ancient Bacchanalian rites. In 186 BC the tarantella went underground, reappearing under the guise of emergency therapy for bite victims.

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Tarantella (film)

Tarantella is a five-minute color, avant-garde short film created by Mary Ellen Bute, a pioneer of visual music and electronic art in experimental cinema. With piano accompaniment by Edwin Gerschefski, "Tarantella" features rich reds and blues that Bute uses to signify a lighter mood, while her syncopated spirals, shards, lines and squiggles dance exuberantly to Gerschefski’s modern beat. Bute produced more than a dozen short films between the 1930s and the 1950s and once described herself as a "designer of kinetic abstractions" who sought to "bring to the eyes a combination of visual forms unfolding with the … rhythmic cadences of music." Bute’s work influenced many other filmmakers working with abstract animation during the ‘30s and ‘40s, and with experimental electronic imagery in the ‘50s.

In 2010, the film was selected for preservation in the National Film Registry by the Library of Congress.

References

This article incorporates public domain material from the Library of Congress document "2010 National Film Registry Announced - News Releases (Library of Congress)" (retrieved on 29 December 2010).

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Tarantella (ballet)

Tarantella is a ballet made by New York City Ballet co-founder and balletmaster George Balanchine to Louis Moreau Gottschalk's Grande Tarantelle, Op. 67 (ca. 1858–64), reconstructed and orchestrated for piano and orchestra by Hershy Kay in July 1954. The premiere took place January 7, 1964, at the City Center of Music and Drama, New York.