Mix

Mix, mixes, mixture, or mixing may refer to:

In mathematics, science, and technology

In electronics and telecommunications

Other uses in mathematics, science, and technology

DJ mix

A DJ mix or DJ mixset is a sequence of musical tracks typically mixed together to appear as one continuous track. DJ mixes are usually performed using a DJ mixer and multiple sounds sources, such as turntables, CD players, digital audio players or computer sound cards, sometimes with the addition of samplers and effects units, although it's possible to create one using sound editing software.

DJ mixing is significantly different from live sound mixing. Remix services were offered beginning in the late 1970s in order to provide music which was more easily beatmixed by DJs for the dancefloor. One of the earliest DJs to refine their mixing skills was DJ Kool Herc.Francis Grasso was the first DJ to use headphones and a basic form of mixing at the New York nightclub Sanctuary. Upon its release in 2000, Paul Oakenfold's Perfecto Presents: Another World became the biggest selling dj mix album in the US.

Music

A DJ mix is often put together with music from genres that fit into the more general term electronic dance music. Other genres mixed by DJ includes hip hop, breakbeat and disco. Four on the floor disco beats can be used to create seamless mixes so as to keep dancers locked to the dancefloor. Two of main characteristics of music used in dj mixes is a dominant bassline and repetitive beats. Music mixed by djs usually has a tempo which ranges from 120 bpm up to 160 bpm.

Audio mixing

Audio mixing is the process by which multiple sounds are combined into one or more channels. In the process, the source signals' level, frequency content, dynamics, and panoramic position are manipulated and effects such as reverb may be added. This practical, aesthetic, or otherwise creative treatment is done in order to produce a mix that is more appealing to listeners.

Audio mixing is practiced for music, film, television and live sound. The process is generally carried out by a mixing engineer operating a mixing console or digital audio workstation.

Recorded music

Before the introduction of multitrack recording, all the sounds and effects that were to be part of a recording were mixed together at one time during a live performance. If the mix wasn't satisfactory, or if one musician made a mistake, the selection had to be performed over until the desired balance and performance was obtained. However, with the introduction of multitrack recording, the production phase of a modern recording has radically changed into one that generally involves three stages: recording, overdubbing, and mixdown.

Romantic?

Romantic? is the sixth studio album by the English synthpop band The Human League. It was issued by Virgin Records in 1990 and was the band's first album of new material in four years. Romantic? had several producers, most notably Martin Rushent, who worked with the Human League on their biggest commercial success (1981's Dare) and had walked out of the recording sessions for its 1984 follow-up (Hysteria). Also producing several tracks is Mark Brydon, who would found Moloko several years later.

The album signalled a low point for the band as it was ridiculed by some critics, who proclaimed the album's sound as "dated". The only significant success came from the album's first single "Heart Like a Wheel", which peaked at No. 29 in the UK singles chart and No. 32 on the U.S. Billboard Hot 100. The second single "Soundtrack to a Generation" charted at No. 77 in the UK. Plans to release the synth infused "The Stars Are Going Out" as the third single were shelved. The album itself peaked at No. 24 in the UK Album Charts, and as a result, the band's long-standing contract with Virgin Records was terminated. They moved to East West Records to release their next album, 1995's Octopus.

Romance

Romance or romantic usually refers to romance (love), love emphasizing emotion over libido. It may also refer to:

Genres

Romanticism

Romanticism (also the Romantic era or the Romantic period) was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, the latter also being celebrated. It was partly a reaction to the Industrial Revolution, the aristocratic social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, and the natural sciences. It had a significant and complex effect on politics, and while for much of the Romantic period it was associated with liberalism and radicalism, its long-term effect on the growth of nationalism was perhaps more significant.

The movement emphasized intense emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as apprehension, horror and terror, and awe—especially that experienced in confronting the new aesthetic categories of the sublimity and beauty of nature. It considered folk art and ancient custom to be noble statuses, but also valued spontaneity, as in the musical impromptu. In contrast to the rational and Classicist ideal models, Romanticism revived medievalism and elements of art and narrative perceived as authentically medieval in an attempt to escape population growth, early urban sprawl, and industrialism.