Mission: Impossible (2000 video game)

Mission: Impossible is a Game Boy Color game released in 2000. An adaptation of the first film, the game features ten missions with different objectives. The game notably includes a few special functions: a calculator, a message transmitter, an address book and a remote controller.

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Further reading

Mission: Impossible (season 6)

The sixth season of the original Mission: Impossible originally aired Saturdays at 10:00–11:00 pm (EST) on CBS from September 18, 1971 to February 26, 1972.

Cast

Episodes

References

Mission (Christianity)

Christian mission is "an organized effort for the propagation of the Christian faith."

Missions often involve sending individuals and groups, called "missionaries," across boundaries, most commonly geographical boundaries, for the purpose of proselytism (conversion to Christianity, or from one Christian tradition to another). This involves evangelism (preaching a set of beliefs for the purpose of conversion), and humanitarian work, especially among the poor and disadvantaged. There are a few different kinds of mission trips: short-term, long-term, relational and ones meant simply for helping people in need. Some might choose to dedicate their whole lives to missions as well. Missionaries have the authority to preach the Christian faith (and sometimes to administer sacraments), and provide humanitarian work to improve economic development, literacy, education, health care, and orphanages. Christian doctrines (such as the "Doctrine of Love" professed by many missions) permit the provision of aid without requiring religious conversion.

Mission (song)

Mission is a song by the progressive rock band Rush from the 1987 album Hold Your Fire.

Writing and structure

"Mission" was inspired from a conversation Neil Peart and Geddy Lee had about people who were not satisfied with the lives of people in their age group. Peart said that the lyrics are related to a tendency that people have for idealizing the lifestyle of others. People tend to imagine that those who are rich and famous are to be viewed as people who have fewer personal issues than ordinary people. However, he argues that every life has its own level of "toughness." As an example of this idea, he recounts that people used to refer to him as someone who has the best job in the world. He claims that he is very proud of being a musician, which was a job that he dreamed of in his youth. However, he claims people tend not to realize that being away from family for several months while on tour is not as easy as others make it sound. A key verse to express that concept says "We each pay a fabulous price for our visions of paradise," referring to personal sacrifices he had to make to achieve his dream.

Mission 66

Mission 66 was a United States National Park Service ten-year program that was intended to dramatically expand Park Service visitor services by 1966, in time for the 50th anniversary of the establishment of the Park Service.

When the National Park Service was created in 1916, long-distance travel in North America was typically accomplished by train. There was no national road system, and airline travel was in its infancy. Railroads were closely involved in the development of visitor services at such parks as Grand Canyon National Park, Glacier National Park and Yellowstone National Park, and in many cases the railroads built and operated park visitor facilities.

With the development of the US highway system as a public works project during the Great Depression, many previously remote parks became accessible via good roads and inexpensive automobiles. The explosion in prosperity following World War II brought a tide of automobile-borne tourists that the parks were ill-equipped to receive. By the mid-1950s it was apparent that massive investment in park infrastructure was required. Mission 66 was conceived as the means to accommodate increased visitor numbers and to provide high-quality interpretation services.

Theme

Theme or themes may refer to:

Art

See also

Thematic vowel

In Indo-European studies, a thematic vowel or theme vowel is the vowel *e or *o from ablaut placed before the ending of a Proto-Indo-European (PIE) word. Nouns, adjectives, and verbs in the Indo-European languages with this vowel are thematic, and those without it are athematic. Used more generally, a thematic vowel is any vowel found at the end of the stem of a word.

Proto-Indo-European

PIE verbs and nominals (nouns and adjectives) consist of three parts:

The thematic vowel, if present, occurs at the end of the suffix (which may include other vowels or consonants) and before the ending:

Athematic forms, by contrast, have a suffix ending in a consonant, or no suffix at all (or arguably a null suffix):

For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE: Athematic paradigms (inflection patterns) are more "irregular", exhibiting ablaut and mobile accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar. In the Anatolian languages, which were the earliest to split from PIE, thematic verbs are rare or absent. Furthermore, during late PIE and in the older daughter languages, a number of athematic forms were replaced by thematic ones, as in prehistoric Greek *thes- 'god' versus *thes-o- > Classical Greek θεός (theós).