- published: 15 Oct 2016
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Science fiction film is a film genre that uses science fiction: speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial life forms, alien worlds, extrasensory perception and time travel, along with futuristic elements such as spacecraft, robots, cyborgs, interstellar space travel or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition. In many cases, tropes derived from written science fiction may be used by filmmakers ignorant of or at best indifferent to the standards of scientific plausibility and plot logic to which written science fiction is traditionally held.
The genre has existed since the early years of silent cinema, when Georges Melies' A Trip to the Moon (1902) employed trick photography effects. The next major example in the genre was the 1927 film Metropolis - being the first feature length science fiction movie. From the 1930s to the 1950s, the genre consisted mainly of low-budget B-movies. After Stanley Kubrick's 1968 landmark 2001: A Space Odyssey, the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audiences after the success of Star Wars and paved the way for the blockbuster hits of subsequent decades.
Fictional film or narrative film is a film that tells a fictional or fictionalized story, event or narrative. In this style of film, believable narratives and characters help convince the audience that the unfolding fiction is real. Lighting and camera movement, among other cinematic elements, have become increasingly important in these films. Great detail goes into the screenplays of narratives, as these films rarely deviate from the predetermined behaviours and lines of the screenplays to maintain a sense of realism. Actors must deliver dialogue and action in a believable way, so as to persuade the audience that the film is real life.
Probably the first fictional film ever made was the Lumière's L'Arroseur arrosé, which was first screened at the Grand Café des Capucins on December 28, 1895. A year later in 1896, Alice Guy-Blaché directed the fictional film "La fee aux choux." Yet perhaps the best known of early fictional films is Georges Méliès’s A Trip to the Moon from 1902. Most films previous to this had been merely moving images of everyday occurrences, such as L'Arrivée d'un train en gare de La Ciotat by Auguste and Louis Lumière. Méliès was one of the first directors to progress cinematic technology, which paved the way for narratives as style of film. Narrative films have come so far since their introduction that film genres such as comedy or Western films, were, and continue to be introduced as a way to further categorize these films.
Science fiction is a genre of speculative fiction dealing with imaginative concepts such as futuristic settings, futuristic science and technology, space travel, time travel, faster than light travel, parallel universes and extraterrestrial life. Science fiction often explores the potential consequences of scientific and other innovations, and has been called a "literature of ideas." It usually eschews the supernatural, and unlike the related genre of fantasy, historically science fiction stories were intended to have at least a faint grounding in science-based fact or theory at the time the story was created, but this connection has become tenuous or non-existent in much of science fiction.
Science fiction is difficult to define, as it includes a wide range of subgenres and themes. Author and editor Damon Knight summed up the difficulty, saying "science fiction is what we point to when we say it", a definition echoed by author Mark C. Glassy, who argues that the definition of science fiction is like the definition of pornography: you do not know what it is, but you know it when you see it.
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There is a question that many scientists spent many decades try to answer "Are we alone in universe?" until a day not only the aliens are coming and their goal is to invade and destroy Earth but also we faced with extra-Solar threat. But we will mankind's new space defenses be enough to against threat and strike back the aliens?. If you think this sci fi movie is amazing, please tell me by comment and subcribe. Comment the name of your favourite new movies. I'll upload soon Thanks for watching
Résumé du film : Des temps futurs, une planète réduite au chaos après le passage de l'Apocalypse. La population de Southern Cross est gouvernée par un maître des arts martiaux, Lord Shin. Quand le maître de la galaxie North Star est tué, les choses vont changer à Southern Cross...
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Ever wanted to see the past ? Check out what happens when a team of scientists set out to invent a machine that can take you to the past ! Directed, Written and Edited by - Abhinav Singla Assistant Director - Jalees Saqib Actors - Prassana Shekhar, Thomas Mathew, Rajashree Tanpurre, Mridula Rajesh, Ebin Sam Poster by - Rikesh Makwana Special Thanks - Entire Science Department OOEHS,SHJ, Boys. Like, Subscribe and Share !
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The Host :: http://bit.ly/2eiWHTe Subscribe to Our Newsletter : http://bit.ly/2eiWHTe Gang-du is a dim-witted man working at his father's tiny snack bar near the Han River. One day, Gang-du's one and only daughter Hyun-seo comes back from school irritated. She is angry at her uncle, Nam-il, who visited her school as her guardian shamelessly drunk. Ignoring her father's excuses for Nam-il, Hyun-seo is soon engrossed in her aunt Nam-joo's archery tournament on TV. Meanwhile, outside of the snack bar, people are fascinated by an unidentified object hanging onto a bridge. In an instant, the object reveals itself as a terrifying creature turning the riverbank into a gruesome sea of blood¡¦ Amid the chaos, Hyun-seo is helplessly snatched up by the creature right before Gang-du's eyes. The...
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Little green men coming out of paint cans,
Phosphate mines and Slaked Lime, 1966, he was sixteen,
it's Central Florida in the era of the dragline,
play it over the pit and dig up more of that green shit,
and trade it with the Russians, who are traditionally hated,
you can imagine that after a few years
that you'd run out of things to say,
and I'll be here every day.
Phospho~Gypsum, Radon-222,
the daughters watch over you,
on a transformer four stories high it walks like a cripple
and turns on its base,
diggin' up that Dicalcium Phosphate.
Travel the blacktop
and you won't have far to go to find an alien civilization,
a creature from a creation that's from outer space.
Sixty foot high for miles around;
one million tons of Phospho~Gypsum tailings rise to the sky.
Nearly half the world's fertilizer once lay beneath the overburden;
it got taken off this sandbar,
and now there's something that's left behind.
Hey, this place is a mess!
'what are you takin' about?
I'll clean it up later.
No, that's not the way it is at all, I'm not a miner I don't care,
man, that's pant of the system, I'm punk,
but who's gonna indict the Wall Street Journal, just me and Bob Ray,
it's just part of the system here on the surface of the planet
and the day has come when there's only work left
There's unlimited sunshine in a bottle of Tropicana,
with his friends and his 'Spooky Tooth' 8-track flipped upside down,
drivin' in his Mercury Monterey down to Lithia Springs,
saying that if we could take the tailings,
and build a building for the New York Stork Exchange,
then we could tell everyone about
how we live in a state that digs Radon by the ton
and you'll be loved by everyone,
and the government will give us a Superfund,