- published: 16 Nov 2013
- views: 10958
"All rights reserved" is a phrase that originated in copyright law as a formal requirement for copyright notice. It indicates that the copyright holder reserves, or holds for their own use, all the rights provided by copyright law under one specific copyright treaty.
The phrase appears to have originated as a result of the Buenos Aires Convention of 1910. Article 3 of the Convention granted copyright in all signatory countries to a work registered in any signatory country, as long as a statement "that indicates the reservation of the property right" (emphasis added) appeared in the work. The phrase "all rights reserved" was not specified in the text, but met this requirement.
Other international copyright treaties did not require this formality. For example, the Universal Copyright Convention (UCC), adopted in 1952, adopted the © symbol as an indicator of protection. (The symbol had been introduced in the US by a 1954 amendment to the Copyright Act of 1909.) The Berne Convention rejected formalities altogether in Article 4 of the 1908 revision, so authors seeking to protect their works in countries that had signed on to the Berne Convention were also not required to use the "all rights reserved" formulation. However, because not all Buenos Aires signatories were members of Berne or the UCC, and in particular the United States did not join UCC until 1955, a publisher in a Buenos Aires signatory seeking to protect a work in the greatest number of countries between 1910 and 1952 would have used both the phrase "all rights reserved" and the copyright symbol.
This Demonstration will give a quick look, at how the Movie how is was shot twice on Todd-AO 70mm (2.20:1) and CinemaScope 35mm (2.55:1) So before i start the demo, i just wanna tell that i do not take any Responsibility for any Copyright infringement, only for educational entertainment purposes. CinemaScope: Top Todd-AO: Bottom This Part 1 of CinemaScope vs Todd-AO. To be continued.... Disclaimer: Video is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Ok...
The Birth Of Todd-AO. Walter P. Siegmund interviewed Sunday 23 June 2002 about "The Early Days of Todd-AO" Read more on in70mm.com. Interviewed by: Thomas Hauerslev, Walter P. Siegmund: The 50th anniversary of Todd-AO and also [approximately] of my employment at American Optical on February 6, 1953. Actually Todd-AO could be considered to have begun with the fateful meeting in 1952 between Mike Todd and Dr. O'Brien at the Rochester airport, where I was the silent witness. Who would have thought then that movies would again become so popular and lucrative? Did Todd-AO make the difference? It would be nice to think so!
A look inside the projection booth at the Heights Theater in Minnesota, during the presentation of Oklahoma! in 70mm Todd-AO. Includes views of the two Norelco AA-II 35/70 projectors.
Todd-AO have released Absentia DX with an algorithm that is designed to analyze production dialog recordings and then remove obvious hums, wireless rings, and ticks, while maintaining the integrity of the human voice. Absentia DX is a completely different take on cleaning up audio. In this review Mike takes it for a test drive. Watch to see how he got on with it.
This demo features a Logo Change that Fox made for the Todd-AO 2005 DVD for the Main Title. Now before i begin, I wanna Tell you, that i'm not offending Copyrighted Material. Its only for Entertainment purposes. (This is the Last Oklahoma SD/iTunes HD Comparison Video before i make a (Todd-AO vs CinemaScope Redux) Comparison of the Blu-ray Versions) Top: 1999 DVD Bottom: 2005 DVD Oklahoma! (1955) © 20th Century Fox and Rodgers & Hammerstein Company All Rights Reserved Todd-AO: © Magna Productions All Rights Reserved Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwis...
Todd-ao
This Demonstration will give a quick look, at how the Movie how is was shot twice on Todd-AO 70mm (2.20:1) and CinemaScope 35mm (2.55:1) So before i start the demo, i just wanna tell that i do not take any Responsibility for any Copyright infringement, only for educational entertainment purposes. CinemaScope: Top Todd-AO: Bottom This Part 1 of CinemaScope vs Todd-AO. To be continued.... Disclaimer: Video is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Ok...
The Birth Of Todd-AO. Walter P. Siegmund interviewed Sunday 23 June 2002 about "The Early Days of Todd-AO" Read more on in70mm.com. Interviewed by: Thomas Hauerslev, Walter P. Siegmund: The 50th anniversary of Todd-AO and also [approximately] of my employment at American Optical on February 6, 1953. Actually Todd-AO could be considered to have begun with the fateful meeting in 1952 between Mike Todd and Dr. O'Brien at the Rochester airport, where I was the silent witness. Who would have thought then that movies would again become so popular and lucrative? Did Todd-AO make the difference? It would be nice to think so!
A look inside the projection booth at the Heights Theater in Minnesota, during the presentation of Oklahoma! in 70mm Todd-AO. Includes views of the two Norelco AA-II 35/70 projectors.
Todd-AO have released Absentia DX with an algorithm that is designed to analyze production dialog recordings and then remove obvious hums, wireless rings, and ticks, while maintaining the integrity of the human voice. Absentia DX is a completely different take on cleaning up audio. In this review Mike takes it for a test drive. Watch to see how he got on with it.
This demo features a Logo Change that Fox made for the Todd-AO 2005 DVD for the Main Title. Now before i begin, I wanna Tell you, that i'm not offending Copyrighted Material. Its only for Entertainment purposes. (This is the Last Oklahoma SD/iTunes HD Comparison Video before i make a (Todd-AO vs CinemaScope Redux) Comparison of the Blu-ray Versions) Top: 1999 DVD Bottom: 2005 DVD Oklahoma! (1955) © 20th Century Fox and Rodgers & Hammerstein Company All Rights Reserved Todd-AO: © Magna Productions All Rights Reserved Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwis...
Todd-ao
The Birth Of Todd-AO. Walter P. Siegmund interviewed Sunday 23 June 2002 about "The Early Days of Todd-AO" Read more on in70mm.com. Interviewed by: Thomas Hauerslev, Walter P. Siegmund: The 50th anniversary of Todd-AO and also [approximately] of my employment at American Optical on February 6, 1953. Actually Todd-AO could be considered to have begun with the fateful meeting in 1952 between Mike Todd and Dr. O'Brien at the Rochester airport, where I was the silent witness. Who would have thought then that movies would again become so popular and lucrative? Did Todd-AO make the difference? It would be nice to think so!
Visit with Walt Seigmund and Henry Cole who both were involved in the Todd AO production of Oklahoma which was developed at AO and premiered in Oct 1955. Don Whitney, Dick Whitney and son and daughter Chris and Erica listended to this history at Walts home in Feb 1996
Das "9. Todd-AO 70mm Filmfestival" fand vom 20.-22.09.2013 im Karlsruher "Schauburg Cinerama Theater" statt. Diese 10teilige Videoreihe präsentiert die Einführungen zu allen dort gezeigten Spielfilmen. The "9th Todd-AO 70mm Filmfestival" took place from Sep. 20 to 22, 2013, at the "Schauburg Cinerama Theatre" in Karlsruhe, Germany. This 10-part video series covers the introductions to all the feature length films which were shown. 01: DER GROSSE WALZER / THE GREAT WALTZ 02: GOYA 03: KHARTOUM 04: EINE BRAUT FÜR SIEBEN BRÜDER / SEVEN BRIDES FOR SEVEN BROTHERS 05: DU BIST MIN 06: IM RAUSCH DER TIEFE / LE GRAND BLEU 07: SPARTACUS 08: ORPHEUS IN DER UNTERWELT 09: TSCHITTI TSCHITTI BÄNG BÄNG / CHITTY CHITTY BANG BANG 10: UNHEIMLICHE BEGEGNUNG DER DRITTEN ART / CLOSE ENCOUNTERS OF THE THIRD KIN...
www.mikkodp.com Part1 - Aperature, Bokeh and Flare Master Anamorphic @ 0:26 Cooke Anamorphic @ 2:14 Elite Anamorphic @ 4:38 Kowa Anamorphic @ 6:37 Powerscope Anamorphic @ 8.47 Lomo Roundfront @ 11:02 (T4 incorrectly is labeled Squarefront) Lomo Squarefront @ 13:13 Hawk V-Lite Anamorphic @ 15:37 Todd AO Anamorphic @ 17:53 (T2.8 is actually T4) Arri Master Prime @ 20:55 Arri Ultra Prime @ 23:00 Cooke S4 @ 25:05 Cooke Speed Panchro @ 27:08 Super Baltar @ 29:24 Leica Summicron @ 31:34 Leica-R GL mod @ 33:42 Celere HS @ 35:57 Xenon FF @ 38:19 Zeiss Super Speed Mk3 @ 40:40 Zeiss CP2 @ 42:50 Xeen @ 44:51 Canon CN-E @ 46:51 Rokinon @ 48:57 Lomo Spherical @ 50:44 Takumar 6x7 Medium Format @ 53:23 Dog Schidt @ 54:40
Flash Gordon (film) Flash Gordon is a 1980 British space opera action film filmed in Technicolor and Todd-AO, based on the comic strip of the same name created by Alex Raymond. The film was directed by Mike Hodges, and produced by Dino De Laurentiis. It stars Sam J. Jones, Melody Anderson, Topol, Max von Sydow, Timothy Dalton, Brian Blessed, and Ornella Muti. The screenplay was written by Lorenzo Semple, Jr., with a story adaptation by Michael Allin. It intentionally uses a camp style similar to the 1960s TV series Batman (for which Semple had developed and written many episodes) in an attempt to appeal to fans of the original comics and serial films. Although a box office success in the UK, it performed poorly overseas. The film is notable for its soundtrack composed, performed and p...
Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke was cinematographer. Baraka was the first film in over twenty years to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. Following previous DVD releases, in 2007 the original 65 mm negative was re-scanned at 8K resolution with equipment designed specifically for Baraka at FotoKem Laboratories. The automated 8K film scanner, operating continuously, took more than three weeks to finish scanning more than 150,000 frames (taking approximately 12–13 seconds to scan each frame), producing over 30 terabytes of image data in total. After a 16-month digital ...
Best match of the 2002 Australian Open I thought this match deserved a proper extended highlights and I'm glad to share this one with you. Federer had not lost a set up to this last 16 encounter. But after being 2-1 up in sets, things went south for Roger, even squandering a match point with a disappointing slice in the net. Haas had another five set battle in his legs from the previous round where he beat Todd Martin. He got past Rios in the quarters after another thriller. In the semi's the powertennis of Safin would be his demise. Fed left the court after this match in tatters. He commented: "It's hard how to figure out how I've lost, I didn't see any difference between Haas en me today!" Well, I sure can see how he lost this epic. After all, this was Federer before his prime. His g...
Apoie nosso canal no Padrim e receba diversas recompensas: https://www.padrim.com.br/diarioplaninauta Começamos nossa primeira temporada standard de gameplays no Magic OnLine. Graças a nosso parceiro Joven Hood, iremos destrinchar o Temur Dynavolt Tower, deck que vem se destacando em diversos torneios e que busca seu espaço no atual metagame do standard. Primeiro game da série é Temur Dynavolt Tower x Mardu Vehicles. Enjoy it! Acesse www.cardsofparadise.com.br e compre com o código #DIÁRIOPLANINAUTA2 para obter desconto em toda a loja, nas compras acima de R$100! + Curta nossa página no Facebook: https://www.facebook.com/DiarioPlaninauta + Inscreva-se no canal: https://www.youtube.com/channel/UC75XFc_jbPOJXoaXcUFOCEg?sub_confirmation=1 + Siga-nos no Twitter e Instagram: https://twi...
Welch eine Zeitreise! Der neue Film von Quentin Tarantino wurde auf 70 mm Filmmaterial gedreht und das in einem aussergewöhnlichen Breitbildformat. Somit reiht er sich in die bildgewaltigen Filme wie Ben Hur aus dem Jahr 1959, Lawrence of Arabia (1962) und 2001: A Space Odyssey (1968). Allerdings wird er in Deutschland nur in 4 Kinos mit einer 70 mm analogen Filmkopie gezeigt. Die SCHAUBURG in Karlsruhe ist eins von den 4 Kinos. Welchen Aufwand Herbert Born mit seinem Team vor dem Start betrieb, was für Besonderheiten dieses Filmformat ausmacht und warum die Leinwand in der SCHAUBURG so stark gebogen ist, erfahren Sie in dieser exklusiven Reportage. Wir sind Ihr Spezialist für gute Unterhaltungselektronik. In unseren Räumen sehen und erleben Sie vom TV bis zum Projektor, vom Lautsprecher ...
The Hilarious Musical Spoof Of The Movies (1995 Los Angeles Cast) 1 Forest Gump: Life Is Like A Box Of Chocolates (Life Is Just A Bowl Of Cherries) 2 Forbidden Hollywood 3 They Shouldn't Be In Pictures (You Oughta Be In Pictures) 4 Aladdin: A Disney World (A Whole New World) 5 Dorothy And Toto: Somewhere Under The Rainbow (Somewhere Over The Rainbow) 6 Doris Day: Darling Doris Day (Que Sera, Sera) 7 Dreamworks Triplets (Triplets) 8 Marlene Dietrich: Falling Apart Again (Falling In Love Again(Can't Help It)) 9 Hits And Bombs Sequence: Hits And Bombs (Guys And Dolls)/Blurry Hues (Bali H'ai)/Marlon Brando... 10 Waterworld: I'll Blow The Budget of Waterworld (I'l Build A Stairway To Paradise) 11 Untitled 12 Oscar Sequence: Gump, The Magic Movie (Puff, The Magic Dragon) ...
Check it out
This is my shit fo real
Its gunna be off tha hook
Peep this out
The Kon Artist nigga
The Kon Artist born liar
Lie to your pops and moms
Tell em Im a good kid
Catholic raised
Knowin i went to public school
And sweared and got blazed
Even weed when i got a whole two
And that bitch I did do it
Steal cars Ive been through it
Done that
Played buddy buddy and rob ya like nigga run that
Bum cat, and bone hood rats till they bleed on my floor mat
Nasty nigga, make ya beleive that im a classy nigga
But im far from that average joe that you know
Use people for sheilds at shoot outs
That i started, cold hearted
Runnin reckless peep out your shorty till my neck twistin
Infectionist, poisonus bug we all ruff
Showed your daddy love or slugs
Could have tortured him, told me that he didnt wanna die
We still forced him
Fuckin peeps has his bat, when we brawled they fled
Now we layin dead with his chicked head like Dirty Fihed
Come battle us with your heat and stabbed, nabbed and gagged
Jabbed and dragged and thrown inside of a bag
Your fans been had, bamboozle, run em up
But you loosing credibility the miniute _ and up
So fuck that stank bitch with the saggy ass titties
Fuck all the niggas that dont represent our city
Fuck JLB they dont play none of my shit
Fuck all them niggas that be suckin our dicks
Sicker the tuburculosis
Pack a cannon with a focus
Thats killin all the players and the coaches
Embarrass you in front of company like dirty roaches
Approach this and get served the situation, hopeless
Wrote this, jot it down cuz Kuniva wrote this
The wild animal rhyme colprut
Ferocious, closest
Nigga walkin behind you with a dosage
Of teffifyin tales that be stompin small soldiers
The grim reaper dipped in all black like folgers
Packing four heaters and carrying five holsters
Suppose if i was to let you put up all your posters
Let everybody think you was the dopest
I'd rather strike you quicker then the cobra
Box you up and sold ya
Take you underwater and hold you until its over
I told you once you dumb _ with a blunt
That be pullin off the dope fiends selllin tha _
Get your ass kicked quicker then punts
Im sick of you punks
Cock it back now Im upset
Yo' niggas next
Im blowing smoke outta ya chest when it connect
Creepin like insects and ridin with ten techs
Ahh fuck any D.J that dont play Bizarre's shit
Fuck your sister I dont like her she dont suck dick
Fuck that nigga that talk shit to my crew
Fuck all yall niggas who say I dont like you
Im a brand named guy
Who loves to stay high
Got a ten inch dick and the gun the same size
A bitch named bitch
Whos thick with grey eyes
Who loves to suck dick and get hit by eight guys
Its Bugz bitch, you the fuck you thunk it was?
Gettin drunk with drunken thug
Too fucken numb to feel the buzz
Yall niggas know the image
No gimmicks, No timids, no manners, and no limits
This time, bitch, Im goin all out
Whippin the four out
Like get the dough out
Im miss crime, sick individual
Ask my peers in middle school
If you walk my way home gettin robbed is like a ritual
Lyrical giant, tyrant who lies _
Just to get you to do what I want
And bitch you will
Sit you still, tie you up
Begin to ill
And destroy you face, Im with some shit that u can feel
Fuck all yall niggas who say dirty dozen's dead
Fuckin your new wife in your brand new bed
Fuck your chicken head she suck dick anyway
Fuck anybody who say crime dont pay
Heard enough garbage to make a glad bust
Add just my magnum beef I had enuff
Snuff the sweetest mc in this camp tribe rivulry
To be as live as me keep em quiet like a library
My rhymes are virgin tight
And not fuck-with-able
You find the mic suckable
Without chicked pox, untouchable
Peep my _ aint to be tested
Ill test the globe and rip through your domestic
Majestic warrior to rap to win
Knock the _, and slap the chin of the aggresor
Thinkin that they fresher
Wanted conquest holdin down the one sided contest
That explosive rappin nigga
The fans wear a bomb vest
Style be a eliquit
A fellow pimp to mant with clips
Fuck _ kicks and being skinny with zits
Im the shhhhh, _
Like cane in a crack pot
I thinks its best you act right
Ill confirm your death, left the morgue _
D-12 is blowin up like the fourth _
I whisper far well to my granny
Till I push her down the stairwell
And im sendin her care mail
Like get well you old hag
Ill bring the pain like a blow fag
Staplin one his gonads to his sock
Doin jumping jacks
Once we put you down bitch their aint no comin back
Remember that
Its the big guy, quick to get on you
Battle? I'll be glad to shit on you
Come against my crew and see who gets destroyed
Fuck I'll let you bring bats and brawl some of my boyz
Shady ass niggas wether drunk or sober
Bizarre that was demo tape you just recorded over
I dont give a dam bitch Im just to ill
Gimme ten pills y'all run across the Lambo Field
Like bitches _ , _ _, think of the illest line know
And I bet you i already said it
Just forget it, cuz you niggas pathetic
Pop shit, yall niggas go and get it
Beat your ass hang ya with this fuckin mic cord
Fuck the sword, I quote my raps in billboard
Suck my dick while I laugh like its funny
And drive off while she yell
"Where's my money"
Fuck any body who beef with d-12
Fuck all yall momma their pussy's smell
Fuck anybody that wanna bring tha beef
Fuck all yall hoes that say my feet stick
Fuck them niggas that dont give us radio play
Fuck takin a bath i dont wash anyways
Fuck anybody tryin to be on our team
Fuck all yall niggas with them weak ass dream
Fuck all them niggas watchin videos to be rappers that their not cuz they cant rock the fucken spot
Fuck all yall niggas with them dirty ass shoes come in the club like your dope and your singing the blues
Fuck anybody tryin to kiss our ass
Fuck all yall niggas who wont cut my grass
Fuck all them niggas who aint getitn no money
Fuck all yo' hoes who wont let me stick their honey
Fuck all the girls who aint givin up the sex
Fuck all you niggas and im askin whos next
Fuck anybody wanna battle my crew
Fuck, Fuck you, Fuck, Fuck, Fuck you
Fuck anybody wanna get down with _
Fuck all yall niggas sayin you cant feel my mommy
Fuck you mommy
Fuck your daddy
Fuck your gramma
Fuck his caddy
Fuck your people
Fuck everybody
Fuck his girlfriend
Fuck John Gotti
Fuck the Mafia
Fuck _
Fuck New York
Fuck Detriot
Fuck New Jersy