Clean may refer to:
Clean is the second full-length studio album from industrial band Deitiphobia, released in 1994 by Myx Records. It is the earliest Deitiphobia album not to feature Brent Stackhouse, who left in 1992, and was also the band's debut for the Myx label. The album features Sheri Shaw, who remained with Deitiphobia until it dissolved in 2001, and Michael Knott, who produced Fear of the Digital Remix and was also the founder of the band's previous record label, Blonde Vinyl.
All songs written and performed by Deitiphobia.
The Clean are an indie rock band that formed in Dunedin, New Zealand in 1978, and have been described as the most influential band to come from the Flying Nun label, whose repertoire included many major components of the "Dunedin Sound". Led through a number of early rotating line-ups by brothers Hamish and David Kilgour, the band settled down to their well-known and current line-up with bassist Robert Scott.
Hamish and David Kilgour started to play and write music together in Dunedin in 1978, "building up a fat songbook of primitive punk, minimalist pop, infectious folk rock and adventurous psychedelic instrumentals. Their sound was built around David Kilgour’s off-centre, 1960s-influenced guitar, Hamish’s motorik drumming and melodic driving bass, first from Peter Gutteridge then Robert Scott".
The band's 1981 debut single "Tally Ho!" was the second release on Roger Shepherd's Flying Nun Records label. "Tally Ho!" reached number 19 on the New Zealand Singles Charts, giving the fledgling label its first hit.
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.
Sold a hole to a disaster
Nail the strong winds tied to a door
Know the crimes that stick in thru
Unfastened belts on your heart
And I've never been very smart
But I connect you with your shadow