Nigerians

Nigerians or Nigerian people are citizens and/or people with ancestry from Nigeria. Nigeria is composed of multiple ethnic groups and cultures and the term Nigerian refers to a citizenship-based civic nationality. Nigerians derive from over 250 ethnic groups and languages. Though there are multiple ethnic groups in Nigeria, economic factors result in significant mobility of Nigerians of multiple ethnic and religious backgrounds to reside in territories in Nigeria that are outside their ethnic or religious background, resulting in the intermixing of the various ethnic and religious groups, especially in Nigeria's cities. The English language is the lingua franca of Nigerians. About 50 percent of Nigerians are Muslims and the other 50 percent are Christians.

Nigerians come from multiple ethnic and religious backgrounds as the creation of Nigeria was the result of a colonial creation by the British Empire that did not correlate with ethnic and religious boundaries.

There have been several major historical states in Nigeria that have influenced Nigerian society via their strong kings and their advanced legal and taxation systems, and the use of religion to legitimize the power of the king and to unite the people. Northern Nigeria has been culturally influenced by Islamic influence including several major historic Islamic states in the region. The Kanem-Bornu Empire and the Sokoto Caliphate were major historical Islamic states in northern Nigeria. Southern Nigeria historically held several powerful states, including the Benin Empire and Oyo Empire, Ife Empire and several other Yoruba states.

Nollywood

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to early 2000s, traced to an article in The New York Times.

Etymology

The origin of the term "Nollywood" remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in The New York Times, where it was used to describe Nigerian cinema. The term continue to be used in the media to refer to the Nigerian film industry, with its definition later believed to be a portmanteau of the words "Nigeria" and "Hollywood", the American major film hub.

Definition of which films are considered Nollywood has always been a subject of debate. Alex Eyengho defined Nollywood as "the totality of activities taking place in the Nigerian film industry, be it in English, Yoruba, Hausa, Igbo, Itsekiri, Edo, Efik, Ijaw, Urhobo or any other of the over 300 Nigerian languages". He further stated that "the historical trajectory of Nollywood started since the pre and post independent Nigeria, with the theatrical (stage) and cinematic (celluloid)) efforts of the likes of Chief Hubert Ogunde, Chief Amata, Baba Sala, Ade Love, Eddie Ugboma and a few others".

Film

A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.

The process of filmmaking is both an art and an industry.

Deeply

Deeply is a 2000 film directed by Sheri Elwood, starring Julia Brendler, Lynn Redgrave and Kirsten Dunst.

Synopsis

Claire McKay (Julia Brendler)—having suffered the death of her boyfriend—is brought by her mother to Ironbound Island in the hopes that time away from the city will allow her to recover emotionally. On the island where her mother was born, Claire meets an eccentric writer, Celia (Lynn Redgrave), who in flashbacks, relates her own story as a grief-stricken teenager in 1949. Celia—Silly (Kirsten Dunst) in the flashbacks—is the next chosen victim of a Viking curse which was placed on the island centuries ago when their longship sank in the bay.

The nature of the curse is such that a "chosen one" is born every fifty years, and they are destined to die at sea in order for the fish the island depends on to continue to return. During the flashbacks Silly discovers a list of past victims, and that she is the next. However, in the end Silly is not claimed by the sea, which instead takes her lover. The narrator says something to the effect of what better alternative to taking the chosen one than to take her lover instead, leaving her to bear the pain. As Celia tells her own story of love and loss, Claire eventually undergoes a catharsis and again plays the violin that she has not touched since her own loss. The final clips of the movie show a shoal of fish, which points to the fact that the fish do indeed return to the island.